The COLETTE SEWING HANDBOOK
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The COLETTE SEWING HANDBOOK INSPIRED STYLES and CLASSIC TECHNIQUES for the NEW SEAMSTRESS SARAI MITNICK KRIME �OIllK. ATiO S CINtl �� 11, 0 . 10 The Colette Sewing Handbook Copyright © 201 1 by Sarai Mitnick. Manufactured in China. All rights reserved. The patterns and drawings in this book are for the personal use of the reader. By permission of the author and publisher, they may be either hand-traced or photocopied to make single copies, but under no circumstances may they be resold or republished. No part of this book may be reproduced in any fo rm or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. Published by Krause Publications, a division of F + W Media, Inc., 4700 East Galbraith Road, Cincinnati, Ohio, 45236. (800) 289-0963. First Edition. G www.fwmedia.com media 15 14 13 12 11 543 2 1 DISTRIBUTED IN CANADA BY FRASER DIRECT 100 Armstrong Avenue Georgetown, ON, Canada L7G 5S4 Tel: (905) 877-4411 DISTRIBUTED IN THE U.K. AND EUROPE BY F&W MEDIA INTERNATIONAL BruneI House, Newton Abbot, Devon, TQ12 4PU, England Tel: ( + 44) 1626 323200, Fax: ( + 44) 1626 323319 Email: [email protected] DISTRIBUTED IN AUSTRALIA BY CAPRICORN LINK P.O. Box 704, S. Windsor NSW, 2756 Australia Tel: (02) 4577-3555 SRN: Y1290 ISBN-13: 978-1-4402-1545-2 Edited by Vanessa Lyman Designed by Michelle Thompson of Fold & Gather Design Production coordinated by Greg Nock Photography by Lisa Warninger Photostyling by Chelsea Fuss Step-by-step photography by Christine Polomsky DEDICATION To my grandmothers: Ida (Nonna), who taught me to use my first sewing machine, and Ruth (Nana), who loved clothes even more than I do. I aspire to be as kind, creative, warm and generous as both of you. TABLE OF CONTENTS THE NE W SEAMSTRESS THE SEWING EXPERIENCE THE FIVE FUNDAMENTALS CHAPTER 1: GETTING STARTED Tools and Supplies More Tools and Supplies Basic Stitches Sewing Lessons CHAPTER 2: A THOUGHTFUL PLAN Inspiration Editing fo r Your Style Strategy A Personalized Croquis CHAPTER 3: A PRECISE PATTERN Pattern Language Prep are Your Fabric Lay Out Your Pattern Transfe r the Markings Cut Your Fabric PROJECT: MER ING UE SKIRT CHAPTER 4: A FANTASTIC FIT What is a Good Fit? Ease Darts and Fullness How to Fit Step 1: Measure Step 2: Trace Step 3: Make a Muslin Step 4: Adjust the Muslin Step 5: Alter the Pattern Types of Alterations PROJECT: PA STILLE DRESS CHAPTER 5: A BEAUTIFUL FABRIC Choosing Fabric Fabric Basics WarpJ Weftand Grain Common Fabrics Interfacing Thread Needles Prints and Pattern Tricky Fabrics PROJECT: TR UFFLE DRESS CHAPTER 6: A FINE FINISH Seam Finishes Lining PROJECT: TA FFY BLOUSE CHAPTER 7: KEEP LEARNING Recommended Reading PROJECT: LICORICE DRESS GLOSSARY INDEX SIZE CHART THE NEW SEAMSTRESS T A Tomen come to the idea of making their own clothing V V for a variety of reasons. Some of us want clothes that fit better, some crave unusual things we can't find in shops, some want to make the luxurious items we can't afford to buy, some are intrigued by the technical aspects of the craft itself. But there's one thing I've found most garment sewers have in common: an interest in clothes. 1 don't mean an interest in high fashion necessarily, but each budding seamstress has enough of a fascination with clothing to first pick up a needle and thread and say, "I want to make that." After all, a love of adornment is one of our most basic human tendencies. It exists in all cultures, telling stories about who we are and how we see ourselves. Clothing fills our desire for beauty, for change, fo r identity, for creativity and play. Not to mention, you interact with it constantly, bringing all those wonderful qualities of beauty and fun into your everyday life. What could be better? But I've found that there is a dark side to fashion. While it can be an amazing creative outlet, it can also fuel an almost endless desire to consume, to buy more things and to buy them less thoughtfully. With the advent of "fast fashion" in recent years, this is only getting worse, as stores turn over stock and bring in new fashion every few weeks rather than months. Advertisements inundate us with the message that we need newer, trendier items, and more of them. Soon, we're not sure what our own taste is anymore, or how much we really want to own. We have closets of stuff and nothing to wear. Worse, our clothes fe el like commodities, with no relationship to who we are. For me, sewing has been an antidote to this rushing whirlwind of fashion and consumerism. It reclaims fashion as an opportunity for creativity, joy and self-expression. It's taught me about quality, and why I'm drawn to some things and not others. It's given me a more thoughtful approach to my wardrobe, to my own tastes and even my own body. It lets me have fun with clothing, but do it on my own terms. They say that acquiring more things will never make you happy, but that acquiring experiences can. Being able to make your own wardrobe, to dress exactly the way you choose, and the constant learning that accompanies it is an experience like no other. THE SEWING EXPERIENCE I like to sew in the evenings. Since I'm a pattern designer by trade, I'm surrounded by sewing all day long in my studio as I work on new designs, make up samples or write about sewing for my website. Even so, there are few things I find more relaxing then packing up work for the day, making a cup of tea and working on some personal sewing projects before heading home for dinner. It's my favorite way to unwind. One evening, I had a bit of hand sewing to do. Since I was planning a trip to Argentina, I thought it might be fun to download some Spanish lessons and try them out while I set to work with needle and thread. The first lesson began slowly, covering basic words and greetings that were familiar to me, but also explaining some of the nuances of pronunciation and culture. The pace was relaxed, but it gave me an opportunity to learn some subtleties of the language. In short, they were excellent. The Spanish instructor mentioned that the lessons were gradual for a reason, so that you should fe el relaxed while doing them. He pointed out that a relaxed state is truly the best way to learn a language. This same wisdom applies to sewing. Learning to sew clothing and learning a new language are both complex skills that take time to develop. They also both involve slowly building up from a foundation of very simple, basic ideas. It is those basic ideas that take you the farthest, because they are the ones you use every day as you build your skills. They are the ones you return to, even when your skill set becomes more advanced. Just as there are many ways to learn a language, there are also many ways to learn to sew. In this book, I'd like to help you build up and reinforce that foundation of skills. My goal is simple: that you fe el good about what you're making and love the experience of sewing. THE CURIOUS SEAMSTRESS TheColette Sewing Handbook is intended as a resource for any adventurous, beginning sewer who wants to branch out, as well as intermediate sewers who'd like to brush up their skills with a new, more thoughtful approach. There's only one trait I think every sewer should possess: curiosity. Learning to sew is an ongoing process; in fact, the learning never really stops. Each project has the potential to teach you something new. Even seamstresses who have been sewing for thirty years or more will tell you that they learn new things all the time. Let your curiosity guide you, and this will be a source of wonder rather than discouragement. A curious person who likes to learn will never get bored with sewing! Of course, there are other characteristics that are helpful to a sewer. You don't need to be a naturally patient person, although I'm sure it helps. I wouldn't know, I'm highly impulsive and impatient by nature. When I get an idea in my head, I want it done now. But sewing has actually taught me patience, how to slow down and do things the right way, and that it's much easier (and more rewarding) to learn to do something right than to fix a mistake over and over. Let your curiosity battle your impatience. Instead of asking "How can I get this done faster?", ask "How can I learn to do this better?" Attention to detail is another helpful characteristic to have, and one that can be learned. The more you sew, and the more you think about clothing, the more you will notice. Soon the details will become part of your sewing vocabulary. THE FIVE FUNDAMENTALS I take a holistic approach to sewing based on what I consider the five ingredients for a remarkable sewing experience: Forming a plan, using a pattern, choosing fabric, customizing the fit and finishing your garment well. While most sewing books fo cus purely on techniques, these essentials often get overlooked, especially in the beginning of a sewing education.