The Revolution of Everyday Life
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Diogene Éditions Libres
diogene éditions libres publié en pdf par diogene.ch copyright/copyleft l'or des fous/diogene.ch 2008. Le texte est disponible selon les termes de la licence libre "créative commons" (http://creativecommons.org/licenses/by-nc/2.0/fr/%20) La Volonté de paresse Philippe Godard Paul Lafargue Pauline Wagner Raoul Vaneigem L'or des fous É D I T E U R 2 Merci à Jean-Luc Oudry pour l’illustration de la couverture, à Pascal Lécaille pour la préparation des textes, à Frédérique Béchu pour la réalisation du livre et à Jean Pencreac’h pour la correction. © L’or des fous éditeur, Nyons, 2006 ISBN : 2-915995-06-0 3 « La paresse est jouissance de soi ou n’est pas. N’espérez pas qu’elle vous soit accordée par vos maîtres ou par leurs dieux. On y vient comme l’enfant par une naturelle inclination à chercher le plaisir et à tourner ce qui le contrarie. C’est une simplicité que l’âge adulte excelle à compliquer. » Raoul Vaneigem Réaffirmant follement le désir de désirer un autre monde, de rêver, de poétiser et de vivre une vie authentique, voici ce livre qui, cheminant de Philippe Godard à Raoul Vaneigem, en compagnie de Paul Lafargue et de Pauline Wagner, chante la mélodie du vivant et le droit à l’amour. Trois chevaliers et une dame récusent la quête frénétique du travail, qui ravage aujourd’hui les esprits pour appeler la paresse à la rescousse. En 1880, Le Droit à la paresse ou La Réfutation du droit au travail de Paul Lafargue paraissait en feuilleton dans l’hebdomadaire L’Égalité ; incarcéré à la prison de Sainte-Pélagie en 1883, il ajoute quelques notes pour une prochaine réédition. -
Educating for Peace and Justice: Religious Dimensions, Grades 7-12
DOCUMENT RESUME ED 392 723 SO 026 048 AUTHOR McGinnis, James TITLE Educating for Peace and Justice: Religious Dimensions, Grades 7-12. 8th Edition. INSTITUTION Institute for Peace and Justice, St. Louis, MO. PUB DATE 93 NOTE 198p. AVAILABLE FROM Institute for Peace and Justice, 4144 Lindell Boulevard, Suite 124, St. Louis, MO 63108. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Conflict Resolution; Critical Thinking; Cross Cultural Studies; *Global Education; International Cooperation; *Justice; *Multicultural Education; *Peace; *Religion; Religion Studies; Religious Education; Secondary Education; Social Discrimination; Social Problems; Social Studies; World Problems ABSTRACT This manual examines peace and justice themes with an interfaith focus. Each unit begins with an overview of the unit, the teaching procedure suggested for the unit and helpful resources noted. The volume contains the following units:(1) "Of Dreams and Vision";(2) "The Prophets: Bearers of the Vision";(3) "Faith and Culture Contrasts";(4) "Making the Connections: Social Analysis, Social Sin, and Social Change";(5) "Reconciliation: Turning Enemies and Strangers into Friends";(6) "Interracial Reconciliation"; (7) "Interreligious Reconciliation";(8) "International Reconciliation"; (9) "Conscientious Decision-Making about War and Peace Issues"; (10) "Solidarity with the Poor"; and (11) "Reconciliation with the Earth." Seven appendices conclude the document. (EH) * Reproductions supplied by EDRS are -
Raoul Vaneigem: “Humanity Dies So That an Economy in Which Mad Money Goes Round and Round Can Survive”1
The Elementary Roots of Raoul Vaneigem: “Humanity Dies So That An Economy in Which Mad Money Goes Round and Round Can Survive”1 What kind of environment did you grow up in? Did your childhood prepare the way for the rest of your journey? My childhood took place in Lessines, a small working-class town [in Belgium].2 The rock quarries defined the slums in which I lived, as opposed to the nice places, which were principally occupied by the bourgeoisie. At the time, class consciousness was, you might say, punctuated by the sirens that at specific times signaled the beginning and the end of work, pauses and accidents. My father, a railroad worker, regretted not being able to pursue university studies due to a lack of financial resources. He dreamed of a better fate for me, but not without warning me about those who became “traitors to their class” by climbing the social ladder. I owe to him the reservations that I had early on about the roles of the intellectual – guide, tribune, master thinker. The repugnance that is felt today concerning the deterioration of the so-called “elites” confirms the soundness of my reluctance. In La liberté enfin s’éveille au souffle de la vie,3 I show how and why the rulers are becoming increasingly stupid. Anyone who takes a step back from the harassment of media lies can easily verify the following: intellectual intelligence decreases with an increase in power, and sensible intelligence progresses in the presence of what is truly human. I have always accorded pride of place to the pleasures of knowledge, exploration, and the dissemination of acquired knowledge. -
Real.Izing the Utopian Longing of Experimental Poetry
REAL.IZING THE UTOPIAN LONGING OF EXPERIMENTAL POETRY by Justin Katko Printed version bound in an edition of 20 @ Critical Documents 112 North College #4 Oxford, Ohio 45056 USA http://plantarchy.us REEL EYE SING THO YOU DOH PEON LAWN INC O V.EXPER(T?) I MEANT ALL POET RE: Submitted to the School of Interdisciplinary Studies (Western College Program) in partial fulfillment of the requirements for the degree of Bachelor of Philosophy Interdisciplinary Studies by Justin Katko Miami University Oxford, Ohio April 10, 2006 APPROVED Advisor: _________________ Xiuwu Liu ABSTRACT Capitalist social structure obstructs the potentials of radical subjectivities by over-determining life as a hierarchy of discrete labors. Structural analyses of grammatical syntax reveal the reproduction of capitalist social structure within linguistic structure. Consider how the struggle of articulation is the struggle to make language work.* Assuming an analog mesh between social and docu-textual structures, certain experimental poetries can be read as fractal imaginations of anarcho-Marxist utopianism in their fierce disruption of linguistic convention. An experimental poetry of radical political efficacy must be instantiated by and within micro-social structures negotiated by practically critical attentions to the material conditions of the social web that upholds the writing, starting with writing’s primary dispersion into the social—publishing. There are recent historical moments where such demands were being put into practice. This is a critical supplement to the first issue of Plantarchy, a hand-bound journal of contemporary experimental poetry by American, British, and Canadian practitioners. * Language work you. iii ...as an object of hatred, as the personification of Capital, as the font of the Spectacle. -
Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’
Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’ Lee Marsden A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Department of Sociological Studies Date: 20 September 2020 1 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Declaration I, the author, confirm that the Thesis is my own work. I am aware of the University’s Guidance on the Use of Unfair Means (www.sheffield.ac.uk/ssid/unfair-means). This work has not previously been presented for an award at this, or any other, university. 2 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren “If public attitudes are informed by inaccurate, ideological and stigmatising representations of the poor, then policies preferred by the public (and political elites) are unlikely to seek to tackle the structural causes of inequality [...] In essence, this works to ensure that the working / underclass are positioned in a top-down society created for them, and they are expected to involve themselves in that society under those prearranged social constructs” (Power, 2011 p3). “For a long time the quarry was full of snowdrifts and nothing could be done. Some progress was made in the dry frosty weather that followed, but it was cruel work, and the animals could not feel so hopeful about it as they had felt before. They were always cold, and usually hungry as well. Only Boxer and Clover never lost heart. Squealer made excellent speeches on the joy of service and the dignity of labour, but the other animals found more inspiration in Boxer's strength and his never-failing cry of "I will work harder!” (George Orwell: Animal farm, 1945 p80) 3 Lee Marsden. -
Botting Fred Wilson Scott Eds
The Bataille Reader Edited by Fred Botting and Scott Wilson • � Blackwell t..b Publishing Copyright © Blackwell Publishers Ltd, 1997 Introduction, apparatus, selection and arrangement copyright © Fred Botting and Scott Wilson 1997 First published 1997 2 4 6 8 10 9 7 5 3 Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 IJF UK Blackwell Publishers Inc. 350 Main Street Malden, MA 02 148 USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form Or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any fo rm of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Ubrary. Library of Congress Cataloging in Publication Data Bataille, Georges, 1897-1962. [Selections. English. 19971 The Bataille reader I edited by Fred Botting and Scott Wilson. p. cm. -(Blackwell readers) Includes bibliographical references and index. ISBN 0-631-19958-6 (hc : alk. paper). -ISBN 0-631-19959-4 (pbk. : alk. paper) 1. Philosophy. 2. Criticism. I. Botting, Fred. -
Theatre, Communism, and Love
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE PASSIONATE AMATEURS Passionate Amateurs THEATRE, COMMUNISM, AND LOVE Nicholas Ridout THE UNIVERSITY OF MICHIGAN PRESS Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written per- mission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in- Publication Data Ridout, Nicholas Peter. Passionate amateurs : theatre, communism, and love / Nicholas Ridout. pages cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 978-0- 472- 11907- 3 (cloth : alk. paper) — ISBN 978-0- 472- 02959- 4 (e- book) 1. Theater and society. 2. Communism and culture. I. Title. PN2051.R53 2013 792—dc23 2013015596 For Isabel and Peter, my parents Acknowledgments Throughout the writing of this book I was fortunate to work in the De- partment of Drama at Queen Mary University of London. Colleagues and students alike made the department a truly stimulating and supportive place to be, to work, and to think. I am grateful to them all. I owe particu- lar thanks, for conversations that contributed in tangible ways to the de- velopment of this work, to Bridget Escolme, Jen Harvie, Michael McKin- nie, Lois Weaver, and Martin Welton. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Reflectionsnextsunday Resources 6316 Peake Road, Macon GA 31210-3960 1-800-747-3016 (USA) • 478-757-0564 (Advertising)
Daily Devotional Guide May–August 2020 ReflectionsNextSunday Resources 6316 Peake Road, Macon GA 31210-3960 1-800-747-3016 (USA) • 478-757-0564 (Advertising) Keith Gammons Dee Kelly Publisher Chelsea Madden Deborah Miley Carol Davis Younger Church Relations Editor Dave Jones Katie Cummings Graphic Design Assistant Editor An imprint of Smyth & Helwys Publishing. Volume 29, Number 3. Copyright © 2020 Smyth & Helwys Publishing, Inc. All rights reserved. No part of this material may be reproduced in any form without written permission. Scripture quotations unless otherwise indicated are from the New Revised Standard Version. Daily Devotional Guide Reflections Themes for May–August 2020 May 1-2 Peter Heals in Jerusalem May 3-9 Church at Thessalonica May 10-16 Church at Corinth May 17-23 Faith, Hope, and Love May 24-30 Death Swallowed in Life May 31–June 6 Gifts of the Spirit (Pentecost) June 7-13 Job June 14-20 Job June 21-27 Job June 28–July 4 Job July 5-11 Job July 12-18 Consolation July 19-25 Forgiveness July 26–August 1 Treasure in Clay Jars August 2-8 Walk by Faith Not Sight August 9-15 Generosity August 16-22 Words for the Day August 23-29 Words for the Day August 30-31 Words for the Day At the start of every Fromsummer I fantasizethe Editor about those lazy, hazy days in Nat King Cole’s song that ideally define this season. I’ll picture three months full of playtime and deeper breaths. I’ll imagine days that are longer than our agendas, and an enjoyable book- list to work through. -
The Single Woman, Feminism, and Self-Help
On Their Own: The Single Woman, Feminism, and Self-Help in British Women’s Print Culture (1850-1900) by Melissa Walker A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Doctor of Philosophy in English and Theatre Studies Guelph, Ontario, Canada © Melissa Walker, May, 2012 ABSTRACT ON THEIR OWN: THE SINGLE WOMAN, FEMINISM, AND SELF-HELP IN BRITISH WOMEN’S PRINT CULTURE (1850-1900) Melissa Walker Advisor University of Guelph, 2012 Susan Brown Cultural and historical accounts of self-help literature typically describe its development and focus in terms of the autonomous, public male subject of the nineteenth century. This literary study recognizes that as masculine self-help discourse became widely accessible in the mid nineteenth century, mid-Victorian feminist novels, periodicals, and tracts developed versions of self-help that disrupted the dominant cultural view that the single female was helpless and “redundant” if she did not become a wife and mother. I argue that the dual focus of Victorian self-help discourse on the ability to help oneself and others was attractive for Victorian feminist writers who needed to manipulate the terms of the domestic ideal of woman as influential helpmeet, if women’s independence and civic duty were to be made culturally palatable. Chapter One focuses on how Dinah Mulock Craik drew on self-help values popularized in mid-century articles and collective biographies by Samuel Smiles, while rejecting the genre of biography for its invasiveness into female lives. By imagining a deformed single artist heroine in the context of her 1851 bildungsroman, Olive, Craik highlighted and contested the objectification of women within Victorian culture while reproducing other forms of female difference based on dominant constructions of class, sexuality, and race. -
Collection of Pre-1890 Sheet Music (Collection PASC 145-M)
http://oac.cdlib.org/findaid/ark:/13030/c82b90cx No online items Collection of pre-1890 sheet music (Collection PASC 145-M) Finding aid prepared by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2013 The Regents of the University of California. All rights reserved. Collection of pre-1890 sheet PASC 145-M 1 music (Collection PASC 145-M) Title: Collection of pre-1890 Sheet Music Collection number: PASC 145-M Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 20 boxes Date: pre-1890 Preferred Citation [Identification of item], Collection of pre-1890 sheet music (Collection PASC 145-M) University of California, Library Special Collections, University of California, Los Angeles. Organization and Arrangement This collection is arranged alphabetically by song title. Subjects and Indexing Terms Popular music --United States --To 1901. Non-Alpha. Box 1 [2 published illustrations]. Scope and Content Note The first is a railway station scene, the second the Savin Hill railroad bridge in Dorchester (Boston). Box 5 3rd Lanciers. Or "Sharon springs." 1859. A. Series 5. Box 1 A te Il Veleno...O Perfida. Language of Material: Italian Creator: Mercadante Creator: Scharfenberg & Luis. Scope and Content From the opera Il Ciuramento Box 1 Absence. Plate no.: 46436 1878. Box 4 "Ah! Que j'aime les militaires" "oh! Dont I love the military". Plate no.: 6290 1867. Scope and Content Note From "selections from Offenbach's opera la grande duchesse de gerolstein".