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C:\Users\User\Documents\04 Reimann\00A-Inhalt-Vorwort.Wpd
Vorwort Aribert Reimann ist einer der erfolgreichsten lebenden Komponisten Deutschlands, von Publikum und Kritik gleichermaßen hoch geschätzt. Bis heute, kurz vor seinem achtzigsten Geburtstag, hat er 78 Vokalwerke kom- poniert. Dazu gehören neben drei Chorwerken und zwei Requiems vor allem Lieder mit Klavier, mit Orchester oder in verschiedenen Kammermusik- besetzungen sowie acht Opern, die weltweit aufgeführt werden. Auch den solistischen Stimmen ohne jede Instrumentalbegleitung bietet Reimann höchst anspruchsvolle Kompositionen: Innerhalb dieses noch immer relativ ungewöhnlichen Genres findet sich neben sieben textinterpretierenden Werken eine sechsteilige Reihe von ganz den ‘Farben’ der menschlichen Stimme nachspürenden Vokalisen. Eine weitere Besonderheit stellen seine Kammermusikbearbeitungen romantischer Klavierlieder von Schubert, Mendelssohn-Bartholdy, Schumann, Brahms und Liszt dar. Obwohl auch die Liste von Reimanns Instrumentalwerken umfangreich und vielfältig ist, konzentriert sich diese Studie ausschließlich auf seine Vokalmusik. Hier kann Reimann aufgrund seiner intimen Vertrautheit mit der menschlichen Stimme aus einem einzigartigen Schatz an Einsichten schöpfen. Seine Affinität zum Gesang hat ihre Basis in seiner Kindheit mit einer Gesangspädagogin und einem Chorleiter als Eltern, in seinen frühen Auftritten als solistischer Knabensopran in konzertanten und szenischen Produktionen und in seiner jahrzehntelangen Erfahrung als Klavierpartner großer Sänger. Den kompositorischen Ertrag dieses Erfahrungsreichtums durch detaillierte Strukturanalysen zu erschließen und in ihrer textinterpre- tierenden Dimension zu würdigen kommt einer Autorin, deren besonderes Interesse dem Phänomen “Musik als Sprache” gilt, optimal entgegen. Die vorliegende Studie stellt in den fünf Hauptkapiteln je fünf Werke aus den vier letzten Dekaden des 20. Jahrhunderts und aus der Zeit seit 2000 vor, darunter die Opern Lear (nach Shakespeare), Die Gespenstersonate (nach Strindberg), Bernarda Albas Haus (nach Lorca) und Medea (nach Grillparzer). -
Discography Markus Stenz GO Live!
Discography Markus Stenz GO live! Symphony Concert No. 7 13/14 Schumann | Wagner Gürzenich Orchestra Cologne Anja Kampe soprano Sieglinde Lance Ryan tenor Siegmund Eric Halfvarson bass Hunding Robert Schumann: Symphony No. 1 in B-flat major op. 38 “Spring Symphony” Richard Wagner: first act from »Die Walküre« WWV 86 B GO live! | January 2014 New Year’s Eve Concert 13/14 Beethoven Gürzenich Orchestra Cologne Vokalensemble Kölner Dom Anne Schwanewilms soprano Ingeborg Danz alto Max Schmitt tenor Markus Butter bass Ludwig van Beethoven: Symphony No. 9 in D minor op. 125 GO live! | December 2013 Symphony Concert No. 4 13/14 Haydn | Mahler Gürzenich Orchestra Cologne Joseph Haydn: Symphony No. 94 in G major Hob. I:94 Gustav Mahler: Symphony No. 6 in A minor “Tragic” GO live! | November 2013 Symphony Concert No. 2 13/14 Beethoven | Henze | Ives Gürzenich Orchestra Cologne Lars Vogt piano Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 in C minor op. 37 Hans Werner Henze: Symphony No. 7 Charles Ives: “The Unanswered Question” for four flutes, trumpet and orchestra GO live! | October 2013 Symphony Concert No. 1 13/14 Dvořák | Strauss Gürzenich Orchestra Cologne Bonian Tian Violoncello Antonín Dvořák: Concerto for Violoncello and Orchestra in B minor op. 104 Richard Strauss: “Ein Heldenleben” op. 40 GO live! | September 2013 Symphony Concert No. 12 12/13 Jongen | Glanert | Bruckner Gürzenich Orchestra Cologne Vokalensemble Kölner Dom Domkantorei Köln Mädchenchor am Kölner Dom Kölner Domchor Iveta Apkalna organ Juliane Banse soprano Franziska Gottwald mezzosoprano Allan Clayton tenor Christof Fischesser bass Joseph Jongen: Symphonie Concertante op. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
Section 2 Stage Works Operas Ballets Teil 2 Bühnenwerke
SECTION 2 STAGE WORKS OPERAS BALLETS TEIL 2 BÜHNENWERKE BALLETTE 267 268 Bergh d’Albert, Eugen (1864–1932) Amram, David (b. 1930) Mister Wu The Final Ingredient Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama Opera in One Act, adapted from the play by Reginald Rose. Libretto by von Harry M. Vernon und Harald Owen. (Deutsch) Arnold Weinstein. (English) Opera in Three Acts. Text by M. Karlev based on the play of the same 12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str / name by Harry M. Vernon and Harald Owen. (German) 57' Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc— C F Peters Corporation Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc / 150' Twelfth Night Heinrichshofen Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English) _________________________________________________________ 13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str C F Peters Corporation [Vocal Score/Klavierauszug EP 6691] Alberga, Eleanor (b. 1949) _________________________________________________________ Roald Dahl’s Snow White and the Seven Dwarfs Text by Roald Dahl (English) Becker, John (1886–1961) Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc— A Marriage with Space (Stagework No. 3) Hp—Pf—Str / 37' A Drama in colour, light and sound for solo and mass dramatisation, Peters Edition/Hinrichsen [Score/Partitur EP 7566] solo and dance group and orchestra. -
BRT Past Schedule 2011
Join Our Mailing List! 2011 Past Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2010 past schedule 2009 past schedule 2008 past schedule JANUARY THANK YOU! Despite the still-challenging economy, Blackstone River Theatre saw more than 6,100 audience members attend nearly 100 concerts, dances, classes and private functions in 2010! September marked the 10-year anniversary of the reopening of Blackstone River Theatre after more than four years of volunteer renovation efforts from July, 1996, to September, 2000. Since reopening, BRT has now presented more than 1,050 events in front of more than 67,000 audience members! Look for details about another six-week round of fiddle classes for beginner, continuing beginner/intermediate, advanced intermediate and advanced students with Cathy Clasper-Torch beginning Jan. 25 and Jan. 26. Look for details about six-week classes in beginner mountain dulcimer and clogging with Aubrey Atwater starting Jan. 13. Look for details about six-week classes in beginner mandolin and also playing tunes on mandolin with Ben Pearce starting Jan. 24. There will be an exhibit called "Through the Lens: An Exploration in Digital Photography" by Kristin Elliott-Stebenne and Denise Gregoire in BRT's Art Gallery January 14 through Feb. 19. There will be an exhibit opening Saturday, Jan. 15 from 6-7:30 p.m. NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for over twenty years sought to draw attention to unexplored repertoire.␣ Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers.␣ At the same time it originally aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire.␣ Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions.␣ Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, Schwarzschwanenreich (The Kingdom of the Black Swan), and Bruder Lustig, which further explores the mysterious medieval world of German legend is now added Der Heidenkönig (The Heathen King).␣ Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action. -
Famous Composers and Their Music
iiii! J^ / Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/famouscomposerst05thom HAROLD BLEBLffiR^^ PROVO. UTAH DANIEL FRANCOIS ESPRIT AUBER From an engraving by C. Deblois, 7867. 41 .'^4/ rii'iiMia-"- '^'', Itamous COMPOSERS AND THEIR MUSIC EXTRA ILLUSTPATED EDITION o/' 1901 Edited by Theodore Thomas John Knowlej Paine (^ Karl Klauser ^^ n .em^fssfi BOSTON M'^ J B MILLET COMPANY m V'f l'o w i-s -< & Copyright, 1891 — 1894— 1901, By J. B. Millet Company. DANIEL FRANCOIS ESPRIT AUBER LIFE aiore peaceful, happy and making for himself a reputation in the fashionable regular, nay, even monotonous, or world. He was looked upon as an agreeable pianist one more devoid of incident than and a graceful composer, with sparkling and original Auber's, has never fallen to the ideas. He pleased the ladies by his irreproachable lot of any musician. Uniformly gallantry and the sterner sex by his wit and vivacity. harmonious, with but an occasional musical dis- During this early period of his life Auber produced sonance, the symphony of his life led up to its a number of lietier, serenade duets, and pieces of dramatic climax when the dying composer lay sur- drawing-room music, including a trio for the piano, rounded by the turmoil and carnage of the Paris violin and violoncello, which was considered charm- Commune. Such is the picture we draw of the ing by the indulgent and easy-going audience who existence of this French composer, in whose garden heard it. Encouraged by this success, he wrote a of life there grew only roses without thorns ; whose more imp^i/rtant work, a concerto for violins with long and glorious career as a composer ended only orchestra, which was executed by the celebrated with his life ; who felt that he had not lived long Mazas at one of the Conservatoire concerts. -
Season Booster 8.23.11
SUCCESSFUL SUMMER FESTIVAL TOUR KICKS OFF 2011-2012 SEASON FOR MUSIC DIRECTOR NICHOLAS MCGEGAN AND THE PHILHARMONIA BAROQUE ORCHESTRA AND CHORALE KDFC Radio Broadcasts Return Starting September 11 All Vivaldi Disc Scheduled for Release September 13 San Francisco, CA – August 23, 2011 -- Music Director Nicholas McGegan and the Philharmonia Baroque Orchestra and Chorale began the 2011-2012 Season in August of 2011 with a prestigious Summer Festival Tour including performances of Handel’s Orlando at the Ravinia Festival, Lincoln Center’s Mostly Mozart Festival (a sold-out show), and Tanglewood to critical acclaim in all venues. Audiences gave standing ovations each night, and critics raved. The New York Times called the Orchestra “superb” and praised the “invigorating performance,” while the Boston Globe said “their playing laced precision with a heady dose of abandon.” In advance of the Ensemble’s first Bay Area performances, Philharmonia Baroque will return to the local radio airwaves on Sunday, September 11 at 9 p.m. with the first broadcast of a new series of monthly programs on KDFC. The first broadcast features the music of Mozart, with performances and interviews recorded last season with pianist Robert Levin and Music Director Nicholas McGegan. And on September 13, Philharmonia Baroque Productions will release an all-Vivaldi disc featuring Philharmonia Baroque Concertmaster Elizabeth Blumenstock, the third disc in the new project marking the institution’s return to commercial recording. Conducted by Mark Morris, the Orchestra and Chorale’s first performances in the Bay Area take place September 16, 17, and 18 at Zellerbach Hall with the Mark Morris Dance Group in of Purcell’s Dido and Aeneas featuring mezzo-soprano Stephanie Blythe and baritone Philip Cutlip. -
ARIBERT REIMANN Piano
. ' . o'' • Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ARIBERT REIMANN Piano Aribert Reimann nacido en Berlin, proviene de una familia de músicos. Estudió composición con Boris Blacher y Ernest Pepping y piano con Otto Raasch. Actualmente vive en su ciudad natal donde se desempeña como com positor libre pero también como acom pañante de Lieder y en las escuelas de música de Berlín y Hamburgo realiza cursos avanzados para la interpreta ción del Lied en el siglo XX. Su amistad con los cantantes Dietrich Fischer-Dieskau y Catherine Gayer fue decisiva para la musicalización de tex tos de Holderlin, Paul Celan, Cesare Pavese, Shelley, Poe y Sylvia Plath. Para Fisher-Dieskau escribió Reimann la suite "E in Totentanz" (Danza Maca bra) en 1960, la obra "Zyclus" (Ciclo) en 1971, "Wolkenloses Christfest" (Serena Fiesta de N a vi dad) y la ópera "King Lear" (El Rey Lear) entre 1977 y 1979, que fue estrenada en la "Bayerische Staatsoper" de Munich siendo recono cida a nivel mundial como el "suceso musical del año". Para Catherine Gayer escribió Reimann la ópera "Melusine" en 1970, que fue estrenada en el festival de Schwetzing en 1975 y recientemente, los "Poe Lieder". Con Fischer-Dieskau y Catherine Gayer surge Reimann como acompañante de Lieder cuando se trata de la interpretación de musicalizaciones contem poráneas de textos. Su capacidad para tornar plásticas musicalmente, plenas de sentido y convincentes hasta las más complicadas estructuras, se considera como única y suscita la más alta admiración de los entendidos. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. -
December 1889) Theodore Presser
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1889 Volume 07, Number 12 (December 1889) Theodore Presser Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Presser, Theodore. "Volume 07, Number 12 (December 1889)." , (1889). https://digitalcommons.gardner-webb.edu/etude/8 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PHILADELPHIA, PA., DECEMBER, 1889. Sgambati; 32 Variations in C minor, Beethoven; Etude PUBLISHER’S NOTES. THE ETUDE. de Concert in F sharp, Carl Tausig, and “ Tanz Ara¬ besque,” No. 1, Rafael Joseffy. We are now in the midst of the teaching season, which PHILADELPHIA, PA., DECEMBER, 1889. is proving to be above the average in activity. The Mr. H. E. Krehbiel gave a series of four lectures on prosperity of a country can be judged by the attention “ Richard Wagner and His Lyric Dramas,” in Brooklyn, A Monthly Publication for the Teachers and Students of paid to music. Music is one of the first things curtailed Music. daring November. He was assisted in the way of illus¬ if times grow hard, and indulgence in it begins with Sobscbiftion Rates,-§1.60 pbb Yea a (payable in advance). -
REGISTER Einheitssachtitel
REGISTER DER EINHEITSSACHTITEL A bassa Porta Paphia Anonym L 7271 A basso porto Spinelli, Niccola (1865 - 1909) L 1 A basso porto Spinelli, Niccola (1865 - 1909) L 2 A basso porto Spinelli, Niccola (1865 - 1909) L 3 A basso porto Spinelli, Niccola (1865 - 1909) L 4 A basso porto Spinelli, Niccola (1865 - 1909) L 5 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 6 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 7 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 8 A Kékszakállú herceg vára Bartók, Béla (1881 - 1945) L 645 A Santa Lucia Tasca, Pierantonio (1864 - 1934) L 9 Abend in Paris, Ein Thiel, Erwin R. ( - ) L 10 Niobe, Nic ( - ) Abenteuer Carl des Zweiten, Ein Vesque von Püttlingen, Johann (1803 - L 14 1883) Abenteuer des Casanova Andreae, Volkmar (1879 - 1962) L 11 Abenteuer einer Neujahrsnacht, Die Heuberger, Richard (1850 - 1914) L 12 Abenteuer einer Neujahrsnacht, Die Heuberger, Richard (1850 - 1914) L 16 Abenteuer einer Neujahrsnacht, Die Mathieu, Max ( - ) L 17 Abenteuer Händels, oder Die Macht des Reinecke, Carl (1824 - 1910) L 13 Liedes, Ein Abenteuer in der Neujahrsnacht, Ein Anonym L 7252 Abenteuer in der polnischen Schenke, Pasticcio L 18 Das Abenteuerin, Die Anonym L 20 Abenteurer, Der Stix, Karl (1873 - 1909) L 19 Aber Otty...! Baderle, Egon ( - ) L 21 Aber Otty...! Baderle, Egon ( - ) L 22 Abreise, Die Albert, Eugen d' (1864 - 1932) L 23 Abreise, Die Albert, Eugen d' (1864 - 1932) L 24 Abreise, Die Albert, Eugen d' (1864 - 1932) L 25 Abreise, Die Albert, Eugen d' (1864 - 1932) L 26 Abreise, Die Albert, Eugen d' (1864 - 1932) L 6066 Abt von St. -
Boston Symphony Orchestra Concert Programs, Season 13, 1893-1894
MECHANICS' HALL, WORCESTER. BOSTON SYMPHONY ORCHESTRA. EMIL PAUR, Conductor. Thirteenth Season, 1893-94. PROGRAMME OF THE FOURTH CONCERT Tuesday Evening, March 13, At 745. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. (1) MASON & HAMLIN RECEIVED HIGHEST HONORS ON PIANOS AND ORGANS, AT World's Columbian Exposition, CHICAGO, 1893. SPECIAL MENTION. SCREW-STRINGER: Conceded by Judges' Report to be of great value; by which tuning is made easier, and because of which the Mason & Hamlin Piano is declared to remain in tune longer than any other piano. Pronounced a Unique Artistic Instrument, a LISZT ORGAN ! and and decided advance in construction. C. L. GORHAM & CO., Local Representatives. WORCESTER, MASS. (2) " Boston Mechanics' Hall, ry % IP Worcester. Symphony If Orchestra Season of 1893-94. EMIL PAUR, Conductor. Fourth Concert, Tuesday Evening, March 13, At 7.45. PROGRAMME. Ludwig van Beethoven - - Symphony No. 8, in F major, Op. 93. I. Allegro vivace e con brio (F major) - 3-4 II. Allegretto acherzando (B-flat major) - 2-4 III. Tempo di menuetto (F major) - 3-4 IV. Allegro vivace (F major) ----- 2-2 Edvard Grieg - Concerto for Pianoforte, Op. 16, A minor I. Allegro molto moderato ----- II. Adagio _____-_- III. Allegro marcato _-___- Emmanuel Chabrier — — - - Entr'acte from " Gwendoline Anton Rubinstein - Ballet-Music from " Feramors I. Candle-dance of the Brides of Kashmire: Mode- rato con moto (D minor) - 3-4 II. Dance of Bayaderes: Allegretto (B-flat major) - 2-4 Richard Wagner - Overture " Flying Dutchman Soloist, Mr. CARL STASNY. THE PIANO IB A HENRY F.