The Utopia of a Diverse World
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Dmitry Uzlaner, Kristina Stoeckl the Legacy of Pitirim Sorokin in The
Published in: Journal of Classical Sociology 2018, Vol. 18(2) 133 – 153 © The Author(s) 2017 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1468795X17740734 Dmitry Uzlaner, Kristina Stoeckl The legacy of Pitirim Sorokin in the transnational alliances of moral conservatives This article examines the legacy of Pitirim A. Sorokin (1889 - 1968), a Harvard sociologist from the Russian emigration . The a uthors scrutini z e Sorokin as one of the nodal point s for today’s moral conservatism . As a scholar, Sorokin has been relegated to the margins of his discipline, but his legacy as a public intellectual has persisted in the United States and has soared in Russia over the last three decades. Th e analysis in this article spans the two poles of reception, the United States and Russia, two countries that have made twenty - first - century moral conservatism a transnational phenomenon . Four aspects of Sorokin’s legacy are especially relevant in this context: his emphasis on values, his notion of the ‘sensate culture’, his ideas about the family, and his vision for moral revival. The a uthors conclude that Sorokin functions as a nodal point that binds together individual actors and ideas across national, cultural and linguistic barriers. The article is based on a firsthand analysis of moral conservative discourse and documents, on qualitative interviews and on scholarly literature. Keywords: Pitirim So rokin, moral conservatism, Russia - US relations, culture war s , transnational conservative alliances. Introduction When Karl Mannheim subtitled his 1925 study on conservatism ‘a contribution to the sociology of knowledge’, he did so in order to emphasis e that he was interested in conservatism as a coherent form of reasoning, a style of thinking ( Denkstil ) born out of a specific historical and sociological constellation. -
Understanding the Roots of Collectivism and Individualism in Russia Through an Exploration of Selected Russian Literature - and - Spiritual Exercises Through Art
Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding Reverse Perspective in Old Russian Iconography by Ihar Maslenikau B.A., Minsk, 1991 Extended Essays Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Graduate Liberal Studies Program Faculty of Arts and Social Sciences © Ihar Maslenikau 2015 SIMON FRASER UNIVERSITY Fall 2015 Approval Name: Ihar Maslenikau Degree: Master of Arts Title: Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding of Reverse Perspective in Old Russian Iconography Examining Committee: Chair: Gary McCarron Associate Professor, Dept. of Communication Graduate Chair, Graduate Liberal Studies Program Jerry Zaslove Senior Supervisor Professor Emeritus Humanities and English Heesoon Bai Supervisor Professor Faculty of Education Paul Crowe External Examiner Associate Professor Humanities and Asia-Canada Program Date Defended/Approved: November 25, 2015 ii Abstract The first essay is a sustained reflection on and response to the question of why the notion of collectivism and collective coexistence has been so deeply entrenched in the Russian society and in the Russian psyche and is still pervasive in today's Russia, a quarter of a century after the fall of communism. It examines the development of ideas of collectivism and individualism in Russian society, focusing on the cultural aspects based on the examples of selected works from Russian literature. It also searches for the answers in the philosophical works of Vladimir Solovyov, Nicolas Berdyaev and Vladimir Lossky. -
Of Russian Literaturepart I Russian Literature: Background, Foreground, Creative Cognition
The Mythopoetic “Vectors” of Russian LiteraturePART I Russian Literature: Background, Foreground, Creative Cognition Chapter 1 The Mythopoetic “Vectors” of 27. Russian Literature1 Any national literature is to some significant extent a mirror held up to its people’s collective countenance: its myths, aspirations, national triumphs and traumas, current ideologies, historical understanding, lin guistic tra- ditions. But it is also more than that — more than a reflection in the glass of what has come before and what is now, even as one glances into it, passing from view. It is, in a real sense, generative of new meaning, and thus capable of shaping that countenance in the future. For the society that takes its literary products seriously, the text of a novel or poem can be a kind of genetic code2 for predicting, not concrete outcomes or actual progeny, but something no less pregnant with future action: the forms of a culture’s historical imagination. The variations seem limitless, and yet how is it we are able to determine any given work of literature is clearly identifiable as Russian? Why could Flaubert’s Emma Bovary in some sense not be imagin- ed by the great realist who created Anna Karenina? How is Dostoevsky’s 1 Originally appeared 2 See Chapter 4 in Part 1 as part 1 of the essay/chapter of the present volume with its “Russian Literature,” in Cambridge discussion of how genes and Companion to Modern Russian “memes” work together to create Culture, ed. Nicholas Rzhevsky an individual’s and a culture’s (Cambridge: Cambridge University views of itself. -
The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof. -
A Divine Round Trip: the Literary and Christological Function of the Descent/Ascent Leitmotif in the Gospel of John
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2014 A Divine Round Trip: The Literary and Christological Function of the Descent/Ascent Leitmotif in the Gospel of John Susan Elizabeth Humble University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Biblical Studies Commons Recommended Citation Humble, Susan Elizabeth, "A Divine Round Trip: The Literary and Christological Function of the Descent/ Ascent Leitmotif in the Gospel of John" (2014). Electronic Theses and Dissertations. 978. https://digitalcommons.du.edu/etd/978 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. A Divine Round Trip: The Literary and Christological Function of the Descent/Ascent Leitmotif in the Gospel of John _________ A Dissertation Presented to the Faculty of the University of Denver and the Iliff School of Theology Joint PhD Program University of Denver ________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _________ by Susan Elizabeth Humble November 2014 Advisor: Gregory Robbins ©Copyright by Susan Elizabeth Humble 2014 All Rights Reserved Author: Susan Elizabeth Humble Title: A Divine Round Trip: The Literary and Christological Function of the Descent/Ascent Leitmotif in the Gospel of John Advisor: Gregory Robbins Degree Date: November 2014 ABSTRACT The thesis of this dissertation is that the Descent/Ascent Leitmotif, which includes the language of not only descending and ascending, but also going, coming, and being sent, performs a significant literary and christological function in the Gospel of John. -
Peter Chaadaev: Between the Love of Fatherland and the Love of Truth
PETER CHAADAEV: BETWEEN THE LOVE OF FATHERLAND AND THE LOVE OF TRUTH BOOK OF ABSTRACTS International Conference Krakow Meetings 2016 June 5–8, 2016 Benedictine Abbey in Tyniec, Krakow, Poland ORGANIZERS: Pontifical University of John Paul II in Krakow Instituto de Filosofia Edith Stein in Granada International Center for the Study of the Christian Orient in Granada HONORARY PATRONAGE: Council of European Bishops’ Conferences INVITED SPEAKERS: Andrzej Walicki (Warsaw) Bernard Marchadier (Paris) Fr. Georgy Orekhanov (Moscow) Regula Zwahlen (Fribourg) ACADEMIC BOARD: Teresa Obolevitch (Krakow) Artur Mrówczyński-Van Allen (Granada) Paweł Rojek (Krakow) CONFERENCE SECRETARY: Olga Tabatadze (Granada) Gennadii Aliaiev Poltava Yuri Kondratuk National Technical University, Ukraine THE TRUTH OF PATRIOTISM OR THE PATRIOTISM OF THE TRUTH What does it make the inner tension of the title question? It is obvious—at least for rational thinking—that the truth is a predicate that describes the universal, as the patriotism is the one that describes the individual or group. There is only one truth, but there are many pa- triotisms. Within this coordinate system, we should rather talk about the patriotism of the truth: as the universal bears greater value than individual, so, first, one should be a patriot of the truth, and only thereafter a patriot of a group (the group is not necessarily a people, a nation, or a state). The patriotism of the truth is the true patriotism, as it comprises in itself or replaces itself (or subordinates under itself) the patriotism of a group as it is com- monly understood. Thus, we can read and interpret the famous words of Peter Chaadaev that the love of the truth is much more beautiful than the love of the Fatherland. -
Soviet Political Memoirs: a Study in Politics and Literature
SOVIET POLITICAL MEMOIRS: A STUDY IN POLITICS AND LITERATURE by ZOI LAKKAS B.A. HONS, The University of Western Ontario, 1990 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1992 Zoi Lakkas, 1992 _________________ in presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department. or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. V Department of The University of British &‘olumbia Vancouver, Canada Date 1L4( /1 1q2 DE-6 (2/88) ii ABS TRACT A growing number of Soviet political memoirs have emerged from the former Soviet Union. The main aim of the meinoirists is to give their interpretation of the past. Despite the personal insight that these works provide on Soviet history, Western academics have not studied them in any detail. The principal aim of this paper is to prove Soviet political memoir’s importance as a research tool. The tight link between politics and literature characterizes the nature of Soviet political memoir. All forms of Soviet literature had to reform their brand of writing as the Kremlin’s policies changed from Stalin’s ruthless reign to Gorbachev’s period of openness. -
(Penguin Classics) by Clarence Brown
Read Online and Download Ebook THE PORTABLE TWENTIETH-CENTURY RUSSIAN READER (PENGUIN CLASSICS) BY CLARENCE BROWN DOWNLOAD EBOOK : THE PORTABLE TWENTIETH-CENTURY RUSSIAN READER (PENGUIN CLASSICS) BY CLARENCE BROWN PDF Click link bellow and free register to download ebook: THE PORTABLE TWENTIETH-CENTURY RUSSIAN READER (PENGUIN CLASSICS) BY CLARENCE BROWN DOWNLOAD FROM OUR ONLINE LIBRARY THE PORTABLE TWENTIETH-CENTURY RUSSIAN READER (PENGUIN CLASSICS) BY CLARENCE BROWN PDF Reserve The Portable Twentieth-Century Russian Reader (Penguin Classics) By Clarence Brown is one of the priceless worth that will make you always abundant. It will certainly not suggest as abundant as the cash give you. When some people have lack to deal with the life, individuals with lots of e-books sometimes will certainly be better in doing the life. Why must be book The Portable Twentieth-Century Russian Reader (Penguin Classics) By Clarence Brown It is in fact not suggested that publication The Portable Twentieth-Century Russian Reader (Penguin Classics) By Clarence Brown will certainly give you power to get to everything. The book is to review and what we suggested is guide that is reviewed. You can likewise see exactly how the book qualifies The Portable Twentieth-Century Russian Reader (Penguin Classics) By Clarence Brown and also numbers of e-book collections are offering here. Language Notes Text: English, Russian (translation) About the Author Clarence Brown is an acclaimed translator and professor of comparative literature at Princeton University. He is -
A Computational Lens Into How Music Characterizes Genre in Film Abstract
A computational lens into how music characterizes genre in film Benjamin Ma1Y*, Timothy Greer1Y*, Dillon Knox1Y*, Shrikanth Narayanan1,2 1 Department of Computer Science, University of Southern California, Los Angeles, CA, USA 2 Department of Electrical and Computer Engineering, University of Southern California, Los Angeles, CA, USA YThese authors contributed equally to this work. * [email protected], [email protected], [email protected] Abstract Film music varies tremendously across genre in order to bring about different responses in an audience. For instance, composers may evoke passion in a romantic scene with lush string passages or inspire fear throughout horror films with inharmonious drones. This study investigates such phenomena through a quantitative evaluation of music that is associated with different film genres. We construct supervised neural network models with various pooling mechanisms to predict a film's genre from its soundtrack. We use these models to compare handcrafted music information retrieval (MIR) features against VGGish audio embedding features, finding similar performance with the top-performing architectures. We examine the best-performing MIR feature model through permutation feature importance (PFI), determining that mel-frequency cepstral coefficient (MFCC) and tonal features are most indicative of musical differences between genres. We investigate the interaction between musical and visual features with a cross-modal analysis, and do not find compelling evidence that music characteristic of a certain genre implies low-level visual features associated with that genre. Furthermore, we provide software code to replicate this study at https://github.com/usc-sail/mica-music-in-media. This work adds to our understanding of music's use in multi-modal contexts and offers the potential for future inquiry into human affective experiences. -
ATINER's Conference Paper Series LNG2015-1680
ATINER CONFERENCE PAPER SERIES No: LNG2014-1176 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series LNG2015-1680 Transformed Precedent Phrases in the Headlines of Online Media Texts. Paratextual Aspect Darya Mironova Associate Professor Chelyabinsk State University Russia 1 ATINER CONFERENCE PAPER SERIES No: LNG2015-1680 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. This paper has been peer reviewed by at least two academic members of ATINER. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Mironova, D. (2015). "Transformed Precedent Phrases in the Headlines of Online Media Texts. Paratextual Aspect", Athens: ATINER'S Conference Paper Series, No: LNG2015-1680. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN: 2241-2891 04/11/2015 ATINER CONFERENCE PAPER SERIES No: LNG2015-1680 Transformed Precedent Phrases in the Headlines of Online Media Texts. Paratextual Aspect Darya Mironova Associate Professor Chelyabinsk State University Russia Abstract The paper studies transformed precedent phrases in the headlines of American and British online media texts with the aim to explore paratextual peculiarities of their functioning. -
Nikolai Berdyaev's Dialectics of Freedom
Open Theology 2019; 5: 299–308 Existential and Phenomenological Conceptions of the Relationship Between Philosophy and Theology Raul-Ovidiu Bodea* Nikolai Berdyaev’s Dialectics of Freedom: In Search for Spiritual Freedom https://doi.org/10.1515/opth-2019-0023 Received May 10, 2019; accepted June 21, 2019 Abstract: In Berdyaev’s notion of freedom the borders between theology and philosophy seem to fall down. The same existential concern for spiritual freedom is at the heart of both theology and philosophy. From the point of view of existential philosophy as Berdyaev understands it, only a theologically informed account of freedom, could do justice to the concept of freedom. But a freedom determined by God is not what Berdyaev had in mind as representing authentic freedom. It was necessary for him to reinterpret Jakob Boehme’s concept of Ungrund to arrive at a notion of uncreated freedom that both God and man share. But the articulation of this freedom, and an account of it within our fallen world could only be done as a philosophical pursuit. To arrive at the authentic understanding of spiritual freedom, that is theologically informed, Berdyaev believes that a philosophical rejection of erroneous views of freedom should take place. The articulation of the notion of freedom that does justice to the complexity of the existential situation of both God and man is not for Berdyaev a purpose in itself. The purpose is the arrival at a non-objectified knowledge of freedom that would inform a theologically committed existential attitude. Keywords: -
Animals, Mimesis, and the Origin of Language
Animals, Mimesis, and the Origin of Language Kári Driscoll One imitates only if one fails, when one fails. Gilles Deleuze, Félix Guattari, A Thousand Plateaus Prelude: Forest Murmurs Reclining under a linden tree in the forest in Act II of Richard Wagner’s opera Siegfried, the titular hero is struck by the sound of a bird singing above him. “Du holdes Vöglein! / Dich hört’ ich noch nie,” he exclaims.1 Having just been musing on the identity of his mother, whom he never knew, Siegfried interprets the interruption as a message of some sort: “Verstünd’ ich sein süßes Stammeln! / Gewiß sagt’ es mir ’was, / vielleicht von der lieben Mutter?” He cannot understand the bird’s song, but it simply must be saying something to him; if only he could learn its language somehow. (Er sinnt nach. Sein Blick fällt auf ein Rohrgebüsch unweit der Linde.) Hei! ich versuch’s, sing’ ihm nach: auf dem Rohr tön’ ich ihm ähnlich! Entrath’ ich der Worte, achte der Weise, sing’ ich so seine Sprache, versteh’ ich wohl auch, was es spricht. (Er hat sich mit dem Schwerte ein Rohr abgeschnitten, und schnitzt sich eine Pfeife draus.)2 Siegfried’s reasoning here presupposes a direct correlation between imitation (μίμησις) and speech (λόγος): simply replicating the sound of this utterance will automatically provide access to the meaning of that utterance. According to such a mimetic model of language, the signifier and the signified are one and the same. Readers familiar with the opera will already know the outcome of Siegfried’s attempt to imitate the forest bird, but for the moment suffice it 1 Richard Wagner: “Zweiter Tag: Siegfried.” In: Gesammelte Schriften und Dichtungen.