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The Versatility of Visualization: Delivering Interactive Feature Film Content on DVD
Nebula4.2, June 2007 The Versatility of Visualization: Delivering Interactive Feature Film Content on DVD. By Sarah Atkinson Abstract This article investigates how the film production process has been influenced by the DVD format of delivery. It discusses how the digital output is affecting the creative process of feature film production and the affect upon the visualization process during preproduction. It will deploy two case studies - M y Little Eye (2002, Dir: Marc Evans) and Final Destination 3 (2006, Dir: James Wong) – utilizing diagrammatical visualizations of their interactive content. Both these films produced additional content during the feature film production phase to offer viewers an alternate and interactive viewing experience on DVD. The article concludes by exploring how a current technological advancement, Blu Ray DVD Production, will act as a further catalyst to develop the interactive film genre beyond the initial phases investigated within the current case studies. Article The two most important aspects of visualization, the physical connections with the medium and the opportunity to review and refine work as it is created, are hard to implement because of the complexity of film production. (Katz, 1991:5) It has been 10 years since the mass inception of the so-called Digital Versatile Disc (DVD). Since that time, the market for DVD hardware and content has expanded exponentially. The DVD forum reported that ‘Film distributors depend more on DVD sales than box office takings.’ (July 31, 2006) Home video sales now account for nearly 60% of Hollywood’s revenue (LA Times 2004). The versatile format allows for a higher volume of media content to be stored and accessed in a non-linear manner. -
1 CHAPTER I INTRODUCTION A. Background of the Study Human Is
CHAPTER I INTRODUCTION A. Background of the Study Human is the unique creature in the world, with the different destiny and problem. Some of the people have problems and different experiences in their daily lives. Some of the problems exist and could make them uncomfortable, and also feel anxious. Their experience in daily lives can be happiness, sadness, normal, hesitation, or even anxiety. Commonly, people are capable to solve their problem rationally, but in such cases, they can not. The people have capability to create feeling and thought. The composition of their feeling and thought are not static but dynamic or changeable. One of the problems is angry. It is sensitive problem to the people, because it makes them feel unhappy and anxious. One of the felling is frightening. Most of human have frightening feeling of death. they struggle to escaping from death Escaping from death is the way of human to save himself from death. Death is destiny of the end of human life. Most people view death with fear, and many works of fantasy literature reflect this attitude. Both C. S. Lewis and Peter S. The fear and the generally negative view of death make immortality a seemingly desirable choice; unsurprisingly the human race has often dreamed of immortality. Just as it reflects the general attitude toward death, fantasy literature also reflects the desire of becoming immortal. Indeed, immortality means not having to worry about death However, as much as one dreams about immortal beings, human beings can never escape death. Mortality confronts fantasy writers as a reality in life. -
Final Destination Movies in Order
Final Destination Movies In Order Jaime wilder anaerobiotically as crabbier Ingmar strunt her photocell suffumigates agog. Sometimes pterygial Berkeley fools her matricide incompatibly, but nubilous Giorgio blaming historically or creep thwart. Stout Hamil colligating punishingly. Classic editor history of movies in final order and is the This damn hilarious horror franchises, the death is something bad things for messages to write it collapses right in order in a fantastic movie: tehran got twisted sense media plus a blisk save lives? The script of Final Destination 2 pushed the vehicle in divorce new. Final Destination 5 is the fifth installment in the Final Destination series support a prequel to Final Destination road was released on August 12th 2011 though originally was stated for theatrical release on August 26th 2011 The locker was directed by Steven Quale and civilian by Eric Heisserer. The Final Destination in Sequence enter the Titles. Final Destination 2 was shot next chronological event describe it has place in 2001 Final Destination 3 was next item it may place in 2005. Lewis' death in Final Destination 3 is run of the franchise's best. Timeline Final Destination Wiki Fandom. Buy Final Destination 5-Film Collection DVD at Walmartcom. Final Destination 5 received the best reviews of the doing and form the second highest-grossing movie out The Final Destination with 1579. From totally lame to completely unforgettableFor more awesome content back out httpwhatculturecom Follow us on Facebook at. Add in order of movie wiki is next time, only have been in order? Final Destination 2000 Final Destination 2 2003 Final Destination 3 2006 The Final Destination 2009 Final Destination 5 2011. -
5Th Grade Newspaper 5Th Grade New Is a Group of Five 5Th Graders That Falcon Harold News Come Together and Write for the Whole School Sunday, March 7 Week 3
5th Grade Newspaper 5th Grade New is a group of five 5th Graders that Falcon Harold News come together and write for the whole school Sunday, March 7 Week 3 Teacher Of The Year! Lunch and Breakfast By: Lauryn Jimenez BREAKFAST MONAD1 Y: Strawberry Nutrigrain Bar TUESDAY: Glazed Cinnamon Rolls WEDNSDAY: Annie's Honey Bunny Graham's THURSDAY: Omlet & Homestyle Biscut FRIDAY: Lucky Charms Cereal LUNCH MONDAY: Breaded Popcorn Chicken TUESDAY: Rotini Marinara w/ By: 5th Grade Newspaper Meatballs WEDNSDAY:Grilled Do you know who the teacher of the year is? Mrs. Hjelmstad, 5th grade's Cheeseburger THURSDAY:Pulled teacher. We are so proud of her. She truly deserves it! She was so surprised Chicken Savory that she won . Her kids came in with balloons, owers and a cupcake. How Nachos FRIDAY:Cheesy sweet! Congratulations Mrs. Hjelmstad we love you so much. <3 Two Cheese Pizza Zodiac Signs & DIY DIY Craft By: Nayeli Martinez Today you will be learning how to make a D.I.Y stress ball! WHAT YOU NEED 1.Balloon 2.For the inside you can use flour, rice, beads, or play dough. 3.Funnel for the flour For the stress ball you get your balloon and open the top to put what you have inside. (if you are using flour you should use a funnel) once you have the material inside, get the balloon, tie it up, and then you can start playing with it and enjoy! Have fun playing with your D.I.Y stress ball! Zodiac Sign By: Nayeli Martinez What is your month spirit animal? Aries- hawk Taurus- beaver Gemini- deer Cancer- woodpecker Leo- salmon Virgo- bear Libra- raven Caption Scorpio- snake At malesuada Sagittarius- owl nisl felis sit Capricorn- goose amet dolor Aquarius- otter Pisces- wolf (LOOK AT THE PHOTO ABOVE TO FIND YOUR ZODIAC SIGN) Women all over American Women's History Month have helped change the way women's rights today! Susan B. -
The Guardian, Week of March 11, 2019
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 3-11-2019 The Guardian, Week of March 11, 2019 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2019). The Guardian, Week of March 11, 2019. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WEEKLY HOROSCOPES MARCH 11, 2019 BY SARAH CAVENDER The stars have a week of emotions and surprises in store for you. Check out your weekly horoscopes for March 11 through the 16. ARIES Searching for new genre of music Aries? The stars are suggesting trying classic rock music. Shake up your routine a little with some Lynyrd Skynyrd and Led Zeppelin. Boost your bass! TAURUS You have been investing into too many subscription boxes lately Taurus. We know the world is big scary place but there is more to life than blogging about your recent unboxing. Try Meijer or Walmart. The items there will surprise you just as much as a box. GEMINI Stop describing memes in social situations Gemini. We get it, your angry Arthur clenched fist when someone says something offensive. Just act normal instead of a real life timeline. CANCER Reward yourself for your efforts this semester Cancer! Get yourself some ice cream and a gold sticker! You deserve it for all your hard work. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
The Catholic League for Religious and Civil Rights – Meeting with President 05/13/1983 – Father Virgil Blum (2 of 4) Box: 34
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Blackwell, Morton: Files Folder Title: The Catholic League for Religious and Civil Rights – Meeting with President 05/13/1983 – Father Virgil Blum (2 of 4) Box: 34 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing National Archives Catalogue: https://catalog.archives.gov/ THE WHITE HOUSE WASHINGTON 4/28/83 MEMORANDUM - TO: FAITH WHITTLESEY (COORDINATE WITH RICHARD WILLIAMSON) FROM: FREDERICK J. -RYAN, JR. ~ SUBJ: APPROVED PRESIDENTIAL ACTIVITY MEETING: Brief greeting and photo with Father Virgil Blum - on th~ occasion of the 10th anniversary of the Catholic League ' for Religious and Civil Rights DATE: May 13, 1983 TIME: 2:00 pm DURATION: · 10 minutes LOCA'i'ION: Oval. Office RE~.ARKS REQUIRED: Background to be covered in briefing paper MEDIA COVERAGE: If any, coordinate with Press Office FIRST LADY PARTICIPATION: No NOTE: PROJECT OFFICER, SEE ATTACHED CHECKLIST cc: A. Bakshian M. McManus R. Williamson R. Darrnan J. Rosebush R. DeProspero B. Shaddix K. Duberstein W. Sittrnann D. Fischer L. Speakes C. Fuller WHCA Audio/Visual W. Henkel WHCA Operations E. Hickey A. lvroble ski G. Hodges Nell Yates THE WHITE HOUSE WASHINGTON April 21, 1983 MEMORANDUM TO MICHAEL K. DEAVER FAITH R. WHITTLESEY FROM: RICHARDS. WILLIAMSON RE: CATHOLIC LEAGUE FOR RELIGIOUS AND CIVIL RIGHTS I am prompted to forward this both to you as a result of our r -.I recent luncheon meeting on blue collar workers coupled with materials I have received from Bill Gavin. -
1 CHAPTER 1 A. Background of the Study Final Destination 4 Is a Movie
CHAPTER 1 A. Background of the Study Final Destination 4 is a movie tell about a young man solve cheats for avoid death through supernatural power. The story of this film occurs ten years after the Flight 180 accident, nine years after a car accident Route 23, and four years after the accident a roller coaster ride Devil's Flight. This movie has many accidents that people know what happen. This is know that people have a power that is supernatural power. The Final Destination or Final Destination 4 as a title in some countries and also final destination is a horror movie / supernatural in 2009 created in 3D. Despite getting a negative response from film critics, this film is most successful istallment of the entire movie Final Destination. Released August 28, 2009, a film directed by David R. Ellis, the director of Final Destination 2 is still told about a group of people who chased by death after they were survivors of an accident. Final Destination 4 Rest in Pieces is directed by David R. Ellis. The film is distributed by New Line Cinema (Warner Bros.) and is scheduled to be shown on cinemas this month of August. The film, also known as Final Destination 4 is produced by Craig Perry and Warren Zide. Eric Bress wrote a script that impressed producer Craig Perry and New Line Cinema and thus, The Final Destination 4 was set for filming. Eric Bress (Borrell) is an American screenwriter, film director and producer, probably best known for 1 2 his work on the Final Destination series and The Butterfly Effect. -
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body Scott Jeffery Thesis submitted for the Degree of Doctor of Philosophy School of Applied Social Science, University of Stirling, Scotland, UK September 2013 Declaration I declare that none of the work contained within this thesis has been submitted for any other degree at any other university. The contents found within this thesis have been composed by the candidate Scott Jeffery. ACKNOWLEDGEMENTS Thank you, first of all, to my supervisors Dr Ian McIntosh and Dr Sharon Wright for their support and patience. To my brother, for allowing to me to turn several of his kitchens into offices. And to R and R. For everything. ABSTRACT The figure of the cyborg, or more latterly, the posthuman body has been an increasingly familiar presence in a number of academic disciplines. The majority of such studies have focused on popular culture, particularly the depiction of the posthuman in science-fiction, fantasy and horror. To date however, few studies have focused on the posthuman and the comic book superhero, despite their evident corporeality, and none have questioned comics’ readers about their responses to the posthuman body. This thesis presents a cultural history of the posthuman body in superhero comics along with the findings from twenty-five, two-hour interviews with readers. By way of literature reviews this thesis first provides a new typography of the posthuman, presenting it not as a stable bounded subject but as what Deleuze and Guattari (1987) describe as a ‘rhizome’. Within the rhizome of the posthuman body are several discursive plateaus that this thesis names Superhumanism (the representation of posthuman bodies in popular culture), Post/Humanism (a critical-theoretical stance that questions the assumptions of Humanism) and Transhumanism (the philosophy and practice of human enhancement with technology). -
HOROSCOPE | Holiday Mathis MORE COMICS ONLINE
Time: 04-18-2012 17:43 User: axdavis PubDate: 04-19-2012 Zone: KY Edition: 1 Page Name: D4 Color: CyanMagentaYellowBlack D4 | THURSDAY,APRIL 19,2012 | THE COURIER-JOURNAL FEATURES | courier-journal.com/features KY THE FAMILYCIRCUS MARMADUKE SWINE BEFORE PEARLS “I’ll watch what Iwant to watch, thank you!” “Daddy, this key lost its voice.” WINKERBEAN HOROSCOPE | Holiday Mathis DENNIS THE MENACE ARIES (March 21-April 19). Feeling in control of your time is akey element of happiness and FUNKY one you’ll be grappling with today, as your loved ones need so much of your attention. TAURUS (April 20-May 20). Your instincts drive you toward instant gratification. It’snot your fault, but it is your challenge. Aplanning ritual will help you stay focused. What could M.D. you accomplish in order to feel productive and successful at day’send? GEMINI (May 21-June 21). You’ll get the chance to compete, and you should seize this chance in the spirit of fun and new experience. MORGAN, Beating the other players is far less important than doing your best. CANCER (June 22-July 22). Today you will do REX the same things you did yesterday, but with a new lightness of being. You’re not trying to win “Wewereout of soap, so Iused love with your actions. You’re doing the things Dad’sshavin’ stuff.” you do because it’swhat you enjoy. LEO (July 23-Aug. 22). Youlike to be right, but not at another person’sexpense. Someone ZIGGY you love should have listened to you but didn’t. -
BRIAN TYLER FEATURE FILMS NOW YOU SEE ME: the SECOND ACT Lionsgate Alex Kurtzman / Roberto Orci /Bobby Cohen, Prods. Jon M
BRIAN TYLER FEATURE FILMS NOW YOU SEE ME: THE SECOND Alex Kurtzman / Roberto Orci /Bobby Cohen, prods. ACT Jon M. Chu, dir. Lionsgate THE AVENGERS: AGE OF ULTRON Kevin Feige, prod. Walt Disney Motion Pictures Joss Whedon, dir. FAST AND FURIOUS 7 Vin Diesel / Neal H. Moritz / Michael Fottrell, prods. Universal Pictures James Wan, dir. THOR: THE DARK WORLD Kevin Feige, prod. Marvel Entertainment / Disney Alan Taylor, dir. TEENAGE MUTANT NINJA Michael Bay / Andrew Form / Bradley Fuller / TURTLES Scott Mednick / Galen Walker, prods. Paramount Pictures Jonathan Liebesman, dir. NOW YOU SEE ME Alex Kurtzman / Roberto Orci / Eric Feig, prods. Summit Entertainment Bobby Cohen, exec. prod. Louis Leterrier, dir. IRON MAN 3 Kevin Feige, prod. Walt Disney Shane Black, dir. INTO THE STORM Todd Garner / Sean Robbins, prods. New Line Cinema Steven Quale, dir. STANDING UP Emily Berger / Geyer Kosinkski / The Goats, LLC Alexander Rodnyansky, prods. DJ Caruso, dir. JOHN DIES AT THE END Aaron Godfred / Andy Meyers / Brad Baruh / Silver Sphere Corp. Don Coscarelli / Joshua Lewin / Roman Perez / Daniel Carey / Paul Giamatti, prods. Don Coscarelli, dir. BRAKE Nathan West / James Walker, prods. Brake, LLC Gabe Torres, dir. FINAL DESTINATION 5 Craig Perry, prod. Universal Pictures Steven Quale, dir. FAST FIVE Vin Diesel / Michael Fotrell / New Line Cinema Neal H. Moritz, prods. Justin Lin, dir. BATTLE: LOS ANGELES Jeffrey Chernov / Neal H. Moritz, prods. Columbia Pictures Jonathan Liebesman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 BRIAN TYLER MIDDLE MEN Christopher Mallick / William Sherak / Oxymoron Entertainment Jason Shuman / Michael Weiss, prods. George Gallo, dir. COLUMBUS CIRCLE Jason Lee / Giovanni Ribisi, exec. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.