William W. Wurster/Wurster, Bernardi & Emmons Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ernest J. Kump Collection 2005-19
http://oac.cdlib.org/findaid/ark:/13030/c81r6rjz No online items Ernest J. Kump Collection 2005-19 Emily Vigor, Cailin Swarm, and Cacena Campbell University of California, Berkeley. College of Environmental Design. Environmental Design Archives March 2013 230 Wurster Hall #1820 Berkeley, CA 94720-1820 [email protected] URL: http://archives.ced.berkeley.edu/ Ernest J. Kump Collection 2005-19 2005-19 1 Language of Material: English Contributing Institution: University of California, Berkeley. College of Environmental Design. Environmental Design Archives Title: Ernest J. Kump Collection creator: Kump, Ernest J., 1911-1999 creator: Franklin, Charles creator: Falk, Mark creator: Takeda, Hiko Identifier/Call Number: 2005-19 Physical Description: 91.75 Cubic Feet -29 cartons, 29 document boxes, 7 flat boxes, 5 “shoe” boxes, 2 flat file drawers, 68 tubes Date (inclusive): 1928-1992 Date (bulk): 1935-1990 Abstract: The Ernest J. Kump Collection spans the years 1928 to 1992, and includes files created by Kump and his numerous firms. The collection is organized into six series: Personal Papers, Professional Papers, Office Records, Project Records, University of California, Santa Cruz, and Kump Research Projects. These records contain correspondence, project files, drawings, photographs, slides, research notes, articles, lectures, manuscripts, and patent files. Access Statement Collection is open for research. Many of the Environmental Design Archives collections are stored offsite and advance notice is required for use. Publication Rights All requests for permission to publish, reproduce, or quote from materials in the collection should be discussed with the Curator. Preferred Citation [Identification of Item], Ernest J. Kump Collection, (2005-19), Environmental Design Archives, University of California, Berkeley. -
Notes for an Update Newsletter to the Advisory Board and EDA Supporters
•••TRACINGS••• A NEWSLETTER OF THE ENVIRONMENTAL DESIGN ARCHIVES College of Environmental Design, University of California, Berkeley Volume I / Issue 1 October 2005 Published semiannually →→SPRING 2006 ISSUE 2 FORTHCOMING!←← Greetings! I am delighted to share with you the inaugural issue of Tracings, a newsletter of the Environmental Design Archives. We have initiated Tracings to keep you—our supporters and advocates—up-to-date on the news, activities, events, and special stories of the Environmental Design Archives, especially as the collections and programs continue to grow. Tracings will be published twice a year, one issue per academic semester. If you have any notices, shared comments or stories, or ideas for future issues, please let us know! And, as always, thank you for your continued interest in and support of the EDA. --Waverly Lowell, Head Curator •••BERKELEY DESIGN BOOKS••• •••SAVE THE DATE••• Friday, November 18 The EDA is hosting a special Advisory Board reception on Friday, November 18 in Wurster Hall to both recognize the Advisory Board for its continued support and to celebrate the Berkeley Design Books series. Dianne Harris, Associate Professor of landscape history at the University of Illinois, Champaign-Urbana and author of Maybeck's Landscapes: Drawing in Nature will be the honored speaker and available for book- Maybeck's Landscapes: The Donnell and Eckbo signing. Drawing in Nature Gardens: Modern California --Dianne Harris Masterworks – Marc Treib Advisory Board Reception at the EDA The EDA is thrilled to announce the release of 280 Wurster Hall the first two Berkeley/Design/Books. Published 6:00 – 7:00 pm by William Stout Publishers, the series Lecture Event promotes historical and critical scholarship on CED Library, 2nd Floor Wurster Hall subjects drawn from the holdings of the 7:00 – 9:00 pm Environmental Design Archives. -
Mid-Century Modernism Historic Context
mid-century Modernism Historic Context September 2008 Prepared for the City of Fresno Planning & Development Department 2600 Fresno Street Fresno, CA 93721 Prepared by Planning Resource Associates, Inc. 1416 N. Broadway Fresno, CA 93721 City of Fresno mid-century Modernism Historic Context mid-century Modernism, Fresno Historical Context Prepared For City of Fresno, Planning and Development Department Prepared By Planning Resource Associates, Inc. 1416 N. Broadway Fresno CA, 93721 Project Team Planning Resource Associates, Inc. 1416 Broadway Street Fresno, CA 93721 Lauren MacDonald, Architectural Historian Lauren MacDonald meets the Secretary of the Interior’s Professional Qualifications in Architectural History and History Acknowledgements Research efforts were aided by contributions of the following individuals and organizations: City of Fresno Planning and Development Department Karana Hattersley-Drayton, Historic Preservation Project Manager Fresno County Public Library, California History and Genealogy Room William Secrest, Librarian Fresno Historical Society Maria Ortiz, Archivist / Librarian Jill Moffat, Executive Director John Edward Powell Eldon Daitweiler, Fresno Modern American Institute of Architects, San Joaquin Chapter William Stevens, AIA Les Traeger, AIA Bob Dyer, AIA Robin Gay McCline, AIA Jim Oakes, AIA Martin Temple, AIA Edwin S. Darden, FAIA William Patnaude, AIA Hal Tokmakian Steve Weil 1 City of Fresno mid-century Modernism Historic Context TABLE OF CONTENTS I. PROJECT DESCRIPTION Introduction………………………………………………………………………………………………….3 -
Radio Trades Journal
S EALI Calif. Oakland. Or Ian a nave nice e OS.' A Loa St. Harriman *21 t. H 1135 Venice 7:17 CO. IIEIIG 1 E II or. HACH CO,j J. LEO THE WU:STERN NN it CL It. II. Calif. Calif. net re an girt e. a r ' n Angeles, L.a elmeo. I f t era ow 1 Francisco. sa St. Wall 1022 St. immina DI C El. UV St.' O'Farrell 1115 CO. EYHERG II CO. IIERG HEY it CO. J. LEO NSTO J. LEI) Atli- ' cuirriss R. CALIFORNIA OAKLAND, ILLINOIS CHICAGO, COMPANY MAGNAVOX THE itl Hear name. Magnavox... the under unit separate a as sold also sets radio fine of makes several in equipment built-in as Used speaker. dynamic new this at marvel will You performance of standard original of GUARANTEE LIFETIME A history... speaker in time first the for offer, to Magnavox enables -core X the Also, volume. any at distortion and rattles hum, from freedom speaker... any in time first the for assures, It construction. speaker dynamic of ciple prin- exclusive new, a is -core X Magnavox SPEAKEK DYNAMIC -COREX NAVOX MAG reproduction radio in advancement Astonishing JOURNAL TRADES RADIO AND MUSIC ESTERN St. Pierpont 140 North Street, Ninth 47 COMPANY SUPPLY WESTERN CO. SHARP A. C. City Lake Salt Portland St. 17th Weo 135-139 Street Ninth 121 RAVENSCROFT & KIERULFF RAVENSCROFT & KIERULFF Angeles Los Francisco San Radio! in News Big 18 JUNE OUT EY -G-R-49-S7L Watch 1401141111 ..====ti..7.J====.-"=n=C=- 111 June, 1929 Western Music & Radio Trades Journal ;TO THE LINE ! EDISON PADIO \\\\\\\\witiLiin\\ c_ r;WL__. -
A Ss Embly Schottisch
California Sheet Music Collection, 1104 91 A SS EMBLY SCHOTTISCH By CHS: KOHLER. [1854) 'j >I 1111. p 92 INTER-AMERICAN MUSIC REVIEW • 1 #· f • California Sheet Music Collection, 1104 93 • 1 • ~: 94 INTER-AMERIC AN MUSIC REVIEW ... Jt ·1•a -- - - - - - - p A~s•tnl,ly California Sheet Music Col/ection, ·J 104 95 LANDAU, WILHELM. "Waltz Souvenir to San Fran music" at San Jose in Bishop's Direcrory of the City of San cisco." San Francisco: Sherman, Clay & Co., n.d. 6 )ose Jor 1876, p. 407. pp. (box 11) LAWRIE, JAMES R. "The Santa Clara Poi ka." San Fran LANE, G. B., arr. "The Scott-Siddons Waltz," as per cisco: M. Gray, 609 & 613 Clay St., n.d. 5 pp. (box8) forrned by Nachan Ballenberg's Orchestra. San Fran *LEACH, STEPHEN WALTER. "Departure," a canzonet as cisco: M. Gray, 1878. 7 pp. Portrait on cover. [M.G. sung by Mrs. R. K. Marriner at the Ladies' Jinks given 1540) (box 9) by the San Francisco Bohemian Club. San Francisco: *LASCELLES, CHAS. "Ye Swore by Stars and Moon, Lad Sherman & Hyde, 1874. 2 pp. (box 3) die." Sung with greac success by Madame Anna Concerning Leach, see page 46; music at pages 50-52. Bishop. San Francisco: M. Gray, 613 Clay St., 1865. LE Duc, A. "La Chatelaine," fantaisic. San Francisco: 3 pp. (box 12) Matthias Gray, n.d. 6 pp. [M.G. 214). (box 2) *LASSAUGt;E, EMILIE. "Songsters of Spring." Los An • LEYBOURNE, GEo. "Moet and Chandon." Seque! to geles: Lassaugue Music College, 1885. 4 pp. (box 10) "Champagne Charlie." Written by H. -
Grace Morley, the San Francisco Museum of Art and the Early En- Vironmental Agenda of the Bay Region (193X-194X)»
Recibido: 15/7/2018 Aceptado: 22/11/2018 Para enlazar con este artículo / To link to this article: http://dx.doi.org/10.14198/fem.2018.32.04 Para citar este artículo / To cite this article: Parra-Martínez, José & Crosse, John. «Grace Morley, the San Francisco Museum of Art and the Early En- vironmental Agenda of the Bay Region (193X-194X)». En Feminismo/s, 32 (diciembre 2018): 101-134. Dosier monográfico: MAS-MES: Mujeres, Arquitectura y Sostenibilidad - Medioambiental, Económica y Social, coord. María-Elia Gutiérrez-Mozo, DOI: 10.14198/fem.2018.32.04 GRACE MORLEY, THE SAN FRANCISCO MUSEUM OF ART AND THE EARLY ENVIRONMENTAL AGENDA OF THE BAY REGION (193X-194X) GRACE MCCANN MORLEY Y EL MUSEO DE ARTE DE SAN FRANCISCO EN LOS INICIOS DE LA AGENDA MEDIOAMBIENTAL DE LA REGIÓN DE LA BAHÍA (193X-194X) primera José PARRA-MARTÍNEZ Universidad de Alicante [email protected] orcid.org/0000-0003-0142-0608 John CROSSE Retired Assistant Director, City of Los Angeles, Bureau of Sanitation, California [email protected] Abstract This paper addresses the instrumental role played by Dr Grace L. McCann Morley, the founding director of the San Francisco Museum of Art (1935-58), in establishing a pioneering architectural exhibition program which, as part of a coherent public agenda, not only had a tremendous impact on the education and enlightenment of her community, but also reached some of the most influential actors in the United States who, like cultural critic Lewis Mumford, were exposed and seduced by the so-called Second Bay Region School and its emphasis on social, political and environ- mental concerns. -
National Register of Historic Places Continuation Sheet Condominium 1 Sonoma County, California Section Number 7 Page 1
NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) H"^l United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property________________________________________________________ historic name Condominium 1 ________________________________________________________ other names/site number __________________________________ 2. Location street & number 110-128 Sea Walk Drive_____________ NA I I not for publication city or town The Sea Ranch_________________ ___NA[~1 vicinity state California_______ code CA county Sonoma. code 097_ zip code 95497 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, i hereby certify that this ^ nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ^ meets D does not meet the National Register Criteria. I recommend that this property be considered significant 03 nationally D statewide D locally. -
Landscape Architecture … Is a Social Art
Landscape architecture … is a social art. – Lawrence Halprin, 2003 The Landscape Architecture of Lawrence Halprin The Cultural Landscape Foundation connecting people to places™ ® tclf.org What’s Out There [cover] Roger Foley Franklin Delano Roosevelt Memorial 2016 C-print 36 x 24 inches [opposite] Roger Foley Fountain Detail, Franklin Delano Roosevelt Memorial 2016 Acknowledgements This gallery guide was created to accompany the traveling photographic exhibition The Landscape Architecture of Lawrence Halprin, which debuted at the National Building Museum on November 5, 2016. The exhibition was organized by The Cultural Landscape Foundation (TCLF), and co-curated by Charles A. Birnbaum, President & CEO, FASLA, FAAR, Nord Wennerstrom, Director of Communications, and Eleanor Cox, Project Manager, in collaboration with G. Martin Moeller, Jr., Senior Curator at the National Building Museum. The production of this guide would not have been possible without the help and support of the Halprin family, and the archivists at the Architectural Archives of the University of Pennsylvania, where Lawrence Halprin’s archive is kept. We wish to thank the site owners and administrators who graciously allowed us to document their properties, particularly Richard Grey, Diana Bonyhadi, Emma Chapman, and Anna Halprin, who allowed us access to their private residences. We also wish to thank the photographers who generously donated their time and energy to documenting these sites, and Russell Hart for proofing the photography. Finally, we are grateful to the National Building Museum’s Chase W. Rynd, Hon. ASLA, President and Executive Director of THE LANDSCAPE ARCHITECTURE OF the National Building Museum, Nancy Bateman, Registrar, Cathy Frankel, Vice President for Exhibitions and Collections, and G. -
Thomas D. Church Collection, 1933-1977
http://oac.cdlib.org/findaid/ark:/13030/tf938nb4jf Online items available Thomas D. Church Collection, 1933-1977 Processed by the Environmental Design Archives staff Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 1999 The Regents of California. All rights reserved. Note Arts and Humanities--ArchitectureHistory--California History--Bay Area HistoryHistory--California HistoryGeographical (By Place)--CaliforniaGeographical (By Place)--California--Bay AreaGeographical (By Place)--University of California--UC BerkeleyGeographical (By Place)--University of California--UC Santa CruzHistory--University of California History--UC Berkeley HistoryHistory--University of California History--UC Santa Cruz History Thomas D. Church Collection, 1997-1 1 1933-1977 Thomas D. Church Collection, 1933-1977 Collection Number: 1997-1 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Environmental Design Archives staff Date Completed: January 1999 Encoded by: Campbell J. Crabtree Funding: Arrangement and description of this collection was funded by the Department of Landscape Architecture and Environmental Planning and by a grant from the Getty Foundation. © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Collection Title: Thomas D. Church Collection, Date (inclusive): 1933-1977 Collection Number: 1997-1 Creator: Church, Thomas Dolliver, 1902-1978 Extent: 114 boxes, 9 flat boxes, 29 tubes, 8 flat file drawers Repository: Environmental Design Archives. -
SFMA, Moma and the Codification of Bay Region Architecture (1935-1953)
1 VLC arquitectura volume 6 issue 2 El SFMA, el MoMA y la codificación de la arquitectura de la región de la Bahía de San Francisco (1935-1953) SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953) José Parra-Martínez University of Alicante. [email protected] John Crosse Received 2018.11.09 Independent Scholar. [email protected] Accepted 2019.10.10 To cite this article: Parra-Martínez, José and, John Crosse. “SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953).”VLC arquitectura 6, no. 2 (October 2019): 1-26. ISSN: 2341-3050. https://doi.org/10.4995/vlc.2019.10939 Resumen: Este artículo investiga el desconocido programa de exposiciones de arquitectura del SFMA durante la etapa fundacional de su primera directora, Grace Morley. Su pionera difusión de la arquitectura de la Bahía como respuesta al contexto geográfico y cultural de la región ofreció a los críticos del Este una nueva perspectiva de la modernidad californiana. Análogamente, el estudio de la colaboración SFMA-MoMA durante el comisariado de Elizabeth Mock examina el conflicto de percepciones e intereses entre ambas costas conducente a la histórica exposición de 1949 Domestic Architecture of the San Francisco Bay Region. Epítome de los debates de posguerra, esta culminaba un infatigable esfuerzo promocional iniciado años antes de que el conocido artículo de Lewis Mumford en The New Yorker desencadenara, en 1947, una encendida controversia acerca del “Bay Region Style.” Contrariamente a la creencia de que el SFMA reaccionó tardíamente al simposio del MoMA de 1948 organizado por Philip Johnson para rebatir a Mumford, aquella exposición fue la consecuencia de una efectiva agenda regionalista que logró exponer, educar y/o seducir a algunos de los más influyentes actores del panorama norteamericano con la idea de una Escuela de la Región de la Bahía profundamente preocupada por cuestiones sociales, políticas y ecológicas. -
For Eleanor Heidenwith Corbett
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Tilting at Modern: Elizabeth Gordon's "The Threat to the Next America" Permalink https://escholarship.org/uc/item/87m3z9n5 Author Corbett, Kathleen LaMoine Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” By Kathleen LaMoine Corbett A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Andrew M. Shanken, Chair Professor Kathleen James-Chakraborty Professor Galen Cranz Professor Laurie A. Wilkie Fall 2010 Abstract Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” by Kathleen LaMoine Corbett Doctor of Philosophy in Architecture University of California, Berkeley Professor Andrew Shanken, Chair This dissertation addresses the ways that gender, politics, and social factors were exploited and expressed in the controversy surrounding the April 1953 House Beautiful editorial, “The Threat to the Next America.” House Beautiful’s editor, Elizabeth Gordon, wrote and published this editorial as a response to ongoing institutional promotion of experimental modern residential architecture, which fell under the umbrella of the International Style, a term that came from a 1932 exhibition at the Museum of Modern Art. Gordon warned her readers that the practitioners of the International Style, which she deplored as “barren,” were designing and promoting unlivable housing. She specifically condemned German immigrant architects Walter Gropius and Ludwig Mies van der Rohe, as well as French architect Le Corbusier. -
CURRICULUM VITAE Name
CURRICULUM VITAE Name: Nancie N. Kester Present Position: Instructor: Piano, Solfegge, Theory, and Music Composition Private Studio Berkeley, CA Education and Training: Postgraduate: Holy Names College 1981 Oakland, CA Teaching Musicianship at the College Level: Erzsebet Hegyi University of California Extension, Berkeley Orff-Schulwerk Workshop: Level I 1976 Orff-Schulwerk Workshop: Level II 1976 Credentials: State of California 1979 – Community College Instructor Credential: Music State of California 1978 – Secondary/Elementary School Credential: Music Graduate: Holy Names College 1974-75 Oakland, California M.M. in Music Education Kodaly Emphasis Instrumental Focus: Piano May, 1975 Undergraduate: California State University 1966-71 Hayward, California B.A. in Music Composition August, 1971 Kester Page 2 Private Music Study: Composition 20 years Jason Levis, Ph.D. Kensington, CA Frederick A. Fox Julian White CSCU, Hayward Piano and Piano Pedagogy 30 years + Julian White, Kensington, CA Andrew Ostwald, Oakland, CA Jessica Klass, El Cerrito, CA Madeline Bruser, New York, NY Marilyn Thompson, Holy Names College Dorothy Knowlton, Berkeley, CA Voice Fred Ewing, Pinole CA 8 years James Wainer and Milton Willliams, CSCU, Hayward Classical Guitar 5 years Jean Wells, El Cerrito, CA Teaching Experience Instructor (part-time): 1987 - Piano, Music Literature, 2017 Music Theory: Diablo Valley College Department of Music Pleasant Hill, CA Private Instructor: Piano, 1967 - Theory and Music Composition present Private Studio, Berkeley, CA Instructor