Ernest J. Kump Collection 2005-19

Total Page:16

File Type:pdf, Size:1020Kb

Ernest J. Kump Collection 2005-19 http://oac.cdlib.org/findaid/ark:/13030/c81r6rjz No online items Ernest J. Kump Collection 2005-19 Emily Vigor, Cailin Swarm, and Cacena Campbell University of California, Berkeley. College of Environmental Design. Environmental Design Archives March 2013 230 Wurster Hall #1820 Berkeley, CA 94720-1820 [email protected] URL: http://archives.ced.berkeley.edu/ Ernest J. Kump Collection 2005-19 2005-19 1 Language of Material: English Contributing Institution: University of California, Berkeley. College of Environmental Design. Environmental Design Archives Title: Ernest J. Kump Collection creator: Kump, Ernest J., 1911-1999 creator: Franklin, Charles creator: Falk, Mark creator: Takeda, Hiko Identifier/Call Number: 2005-19 Physical Description: 91.75 Cubic Feet -29 cartons, 29 document boxes, 7 flat boxes, 5 “shoe” boxes, 2 flat file drawers, 68 tubes Date (inclusive): 1928-1992 Date (bulk): 1935-1990 Abstract: The Ernest J. Kump Collection spans the years 1928 to 1992, and includes files created by Kump and his numerous firms. The collection is organized into six series: Personal Papers, Professional Papers, Office Records, Project Records, University of California, Santa Cruz, and Kump Research Projects. These records contain correspondence, project files, drawings, photographs, slides, research notes, articles, lectures, manuscripts, and patent files. Access Statement Collection is open for research. Many of the Environmental Design Archives collections are stored offsite and advance notice is required for use. Publication Rights All requests for permission to publish, reproduce, or quote from materials in the collection should be discussed with the Curator. Preferred Citation [Identification of Item], Ernest J. Kump Collection, (2005-19), Environmental Design Archives, University of California, Berkeley. Funding Arrangement and description of this collection was funded by a grant from the National Historic Publications and Records Commission (NHPRC). Biographical Note Ernest J. Kump, Jr. (1911-1999), was born in Bakersfield, CA. His father Ernest Kump, Sr was also an architect,Ernest Kump, Jr’s younger brother Peter became an architect in 1946, working in Menlo Park, CA, for most of his career. Kump, Jr.(hereafter referred to as Kump) married Josephine Clark Miller in 1934 and had two children. Kump drafted for pioneer California architect J.N. Saffell (1858-1936) and studied under noted architectural educator Clarence Cullimore FAIA (1885-1963) at Kern County Union High School in Bakersfield. He received his B.A. from the University of California, Berkeley in 1932 and began studies for his Masters in Architecture at Harvard University, Cambridge, MA, in 1933. He was forced to return to California due to limited funding, where he worked for his father’s architectural firm in Fresno. Kump, Sr. fired his son in 1934 over conflicting ideals on design, which the senior Kump characterized as "chicken coop architecture." Kump met Charles Franklin while working at his father’s office and they established the firm of Franklin & Kump in 1937 with offices in Fresno and Bakersfield. One of their earliest advanced designs was Fowler Grammar School (1937). Early work that established him as a brilliant and innovative architect included Bakersfield's Sill Building, the Fresno City Hall and Acalanes High School in Lafayette, hailed by critics as outstanding examples of innovative open plan modular construction. Franklin and Kump rose to national distinction with their modern design for Fresno City Hall (1941), which was selected by the Museum of Modern Art in New York as one of the most significant American structures built between 1932 and 1944. They left Fresno for the Bay Area during World War II to provide the military with their architectural knowledge and skills. Kump worked with structural engineer Mark Falk where he applied his ideas on modular and prefabricated construction to produce the Naval Optical and Ordnance Building at Hunters Point, one of the world's first transparent multi-story buildings. Following WWII, Franklin, Kump & Falk established a practice in San Francisco. This firm's legacy is preserved in the San Joaquin Valley by the high-profile United Airlines Airport Terminal at Merced (1947). This advanced International style facility received highest honors in the 1948 annual awards competition sponsored by Progressive Architecture. Ernest J. Kump Collection 2005-19 2005-19 2 In the late 1940s, Kump’s partnership received multiple awards and recognitions due to Kump's influence as a public spokesman for modern architecture. Kump was a panelist on the very significant Planning Man's Physical Environment, a three-day symposium held at Princeton University in 1947 as part of the school's bicenntenial celebration along with Alvar Aalto, Serge Chermayeff, Sigfried Gideon, Walter Gropius, Philip Johnson, George Fred Keck, Richard Neutra, Konrad Wachsmann, Frank Lloyd Wright, William Wurster and other eminent practitioners and scholars. Kump formed Ernest Kump Associates in 1955 with offices in Palo Alto and New York. During this period he designed numerous educational buildings in California, including the much lauded Foothill College (with Peter Walker, landscape architect), De Anza College, and Crown College, University of California, Santa Cruz Other designs of recognition include the U.S. Embassy in Seoul, Korea and the Pacific Lumber Company Headquarters in San Francisco. In 1990, he partnered with Hiko Takeda to research and develop Kump was part of the Master Planning Committee at the University of California, Santa Cruz (UCSC), starting in 1961 with Theodore Bernardi, Robert Anshen, John Carl Warnecke and Thomas Church. He became the supervising architect for the UCSC in 1963, and also the architect for Crown College and for the Central Services Building. Kump was a prolific inventor holding 59 international and U.S. patents. During the 1940s, Kump created Prebilt production designs as a solution to low cost, prefabricated structures. This technology was used to create defense housing during a collaboration with the noted firm of Wurster, Berardi, & Emmons. He created Tekkto Systems in 1970 to explore the potential of space age technology for mass production of low-cost housing. That same year, the American Institute of Architects recognized the importance of Ernest J. Kump Associates, praising Kump as "a pioneer of modular practices and systems concepts in architecture." Kump authored several books, including the noted A New Architecture for Man, served on President Ronald Reagan's Task Force for Arts and Humanities and taught at many universities, including Harvard, Columbia, Stanford, and the Massachusetts Institute of Technology. He was elected a fellow of the AIA in 1956, and was a member of the Royal Institute of British Architects, Royal Society of Arts in London, Akademic der Kunste in Berlin and the International Union of Architects and International Arts and Letters in Switzerland. He served as Chair, American Institute of Architects Committee on School Buildings, 1948-1949; as a judge for the American Institute of Steel Construction's 1949 contest for the most beautiful bridge in the U.S; as an AIA Delegate to the International Congress of Architects, 1951-1955; and as a member, City of Palo Alto, School Planning Committee, 1949-1955. After retiring from active practice in the United States, Kump lived abroad and maintained a London office from which he continued working as an international architectural consultant. Until his death, Kump remained dedicated to his research on low-cost modular building systems for housing, educational, and community facilities. Ernest J. Kump, Jr., died in Zurich, Swtzerland, on November 4, 1999. Sources: Hatfield, Larry D. “Innovative Architect Ernest Kump, 87.” San Francisco Examiner. 6 Jan. 2000. Powell, John Edward. (2004). A Guide to Historic Architecture in Fresno, California. Retrieved from http://historicfresno.org/bio/kumpjr.htm. Treib, Marc. An Everyday Modernsim: The Houses of William Wurster. Berkeley: University of California Press, 1996. System of Arrangement The collection is organized into six series. Within each series, original order has been maintained when evident; however, much of the collection arrived with no evident order. In these cases, an order has been imposed by the archivists. Scope and Contents The Ernest J. Kump Collection spans the years 1928-1992 (bulk 1935-1990), and includes files created by Kump and his numerous firms. The collection is organized into six series: Personal Papers, Professional Papers, Office Records, Project Records, University of California - Santa Cruz, and Kump Research Projects. The collection documents his career including his education, architectural practice, and patented inventions. His career focused on designing educational buildings, of which many are well documented in this collection. The Personal Papers series is limited and includes biographical information as well as student notebooks and drawings from Kump’s education at Harvard University. Professional Papers contain correspondence with publishers and architects, extensive writings and presentation materials, records relating to involvement with associations and committees, awards, research, reference files, consulting files, and patents. Kump was a prolific inventor throughout his life, and the patent records document his process towards receiving exclusive rights for his work. The most significant materials in the Office Records series
Recommended publications
  • Notes for an Update Newsletter to the Advisory Board and EDA Supporters
    •••TRACINGS••• A NEWSLETTER OF THE ENVIRONMENTAL DESIGN ARCHIVES College of Environmental Design, University of California, Berkeley Volume I / Issue 1 October 2005 Published semiannually →→SPRING 2006 ISSUE 2 FORTHCOMING!←← Greetings! I am delighted to share with you the inaugural issue of Tracings, a newsletter of the Environmental Design Archives. We have initiated Tracings to keep you—our supporters and advocates—up-to-date on the news, activities, events, and special stories of the Environmental Design Archives, especially as the collections and programs continue to grow. Tracings will be published twice a year, one issue per academic semester. If you have any notices, shared comments or stories, or ideas for future issues, please let us know! And, as always, thank you for your continued interest in and support of the EDA. --Waverly Lowell, Head Curator •••BERKELEY DESIGN BOOKS••• •••SAVE THE DATE••• Friday, November 18 The EDA is hosting a special Advisory Board reception on Friday, November 18 in Wurster Hall to both recognize the Advisory Board for its continued support and to celebrate the Berkeley Design Books series. Dianne Harris, Associate Professor of landscape history at the University of Illinois, Champaign-Urbana and author of Maybeck's Landscapes: Drawing in Nature will be the honored speaker and available for book- Maybeck's Landscapes: The Donnell and Eckbo signing. Drawing in Nature Gardens: Modern California --Dianne Harris Masterworks – Marc Treib Advisory Board Reception at the EDA The EDA is thrilled to announce the release of 280 Wurster Hall the first two Berkeley/Design/Books. Published 6:00 – 7:00 pm by William Stout Publishers, the series Lecture Event promotes historical and critical scholarship on CED Library, 2nd Floor Wurster Hall subjects drawn from the holdings of the 7:00 – 9:00 pm Environmental Design Archives.
    [Show full text]
  • Mid-Century Modernism Historic Context
    mid-century Modernism Historic Context September 2008 Prepared for the City of Fresno Planning & Development Department 2600 Fresno Street Fresno, CA 93721 Prepared by Planning Resource Associates, Inc. 1416 N. Broadway Fresno, CA 93721 City of Fresno mid-century Modernism Historic Context mid-century Modernism, Fresno Historical Context Prepared For City of Fresno, Planning and Development Department Prepared By Planning Resource Associates, Inc. 1416 N. Broadway Fresno CA, 93721 Project Team Planning Resource Associates, Inc. 1416 Broadway Street Fresno, CA 93721 Lauren MacDonald, Architectural Historian Lauren MacDonald meets the Secretary of the Interior’s Professional Qualifications in Architectural History and History Acknowledgements Research efforts were aided by contributions of the following individuals and organizations: City of Fresno Planning and Development Department Karana Hattersley-Drayton, Historic Preservation Project Manager Fresno County Public Library, California History and Genealogy Room William Secrest, Librarian Fresno Historical Society Maria Ortiz, Archivist / Librarian Jill Moffat, Executive Director John Edward Powell Eldon Daitweiler, Fresno Modern American Institute of Architects, San Joaquin Chapter William Stevens, AIA Les Traeger, AIA Bob Dyer, AIA Robin Gay McCline, AIA Jim Oakes, AIA Martin Temple, AIA Edwin S. Darden, FAIA William Patnaude, AIA Hal Tokmakian Steve Weil 1 City of Fresno mid-century Modernism Historic Context TABLE OF CONTENTS I. PROJECT DESCRIPTION Introduction………………………………………………………………………………………………….3
    [Show full text]
  • Grace Morley, the San Francisco Museum of Art and the Early En- Vironmental Agenda of the Bay Region (193X-194X)»
    Recibido: 15/7/2018 Aceptado: 22/11/2018 Para enlazar con este artículo / To link to this article: http://dx.doi.org/10.14198/fem.2018.32.04 Para citar este artículo / To cite this article: Parra-Martínez, José & Crosse, John. «Grace Morley, the San Francisco Museum of Art and the Early En- vironmental Agenda of the Bay Region (193X-194X)». En Feminismo/s, 32 (diciembre 2018): 101-134. Dosier monográfico: MAS-MES: Mujeres, Arquitectura y Sostenibilidad - Medioambiental, Económica y Social, coord. María-Elia Gutiérrez-Mozo, DOI: 10.14198/fem.2018.32.04 GRACE MORLEY, THE SAN FRANCISCO MUSEUM OF ART AND THE EARLY ENVIRONMENTAL AGENDA OF THE BAY REGION (193X-194X) GRACE MCCANN MORLEY Y EL MUSEO DE ARTE DE SAN FRANCISCO EN LOS INICIOS DE LA AGENDA MEDIOAMBIENTAL DE LA REGIÓN DE LA BAHÍA (193X-194X) primera José PARRA-MARTÍNEZ Universidad de Alicante [email protected] orcid.org/0000-0003-0142-0608 John CROSSE Retired Assistant Director, City of Los Angeles, Bureau of Sanitation, California [email protected] Abstract This paper addresses the instrumental role played by Dr Grace L. McCann Morley, the founding director of the San Francisco Museum of Art (1935-58), in establishing a pioneering architectural exhibition program which, as part of a coherent public agenda, not only had a tremendous impact on the education and enlightenment of her community, but also reached some of the most influential actors in the United States who, like cultural critic Lewis Mumford, were exposed and seduced by the so-called Second Bay Region School and its emphasis on social, political and environ- mental concerns.
    [Show full text]
  • National Register of Historic Places Continuation Sheet Condominium 1 Sonoma County, California Section Number 7 Page 1
    NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) H"^l United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property________________________________________________________ historic name Condominium 1 ________________________________________________________ other names/site number __________________________________ 2. Location street & number 110-128 Sea Walk Drive_____________ NA I I not for publication city or town The Sea Ranch_________________ ___NA[~1 vicinity state California_______ code CA county Sonoma. code 097_ zip code 95497 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, i hereby certify that this ^ nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ^ meets D does not meet the National Register Criteria. I recommend that this property be considered significant 03 nationally D statewide D locally.
    [Show full text]
  • Landscape Architecture … Is a Social Art
    Landscape architecture … is a social art. – Lawrence Halprin, 2003 The Landscape Architecture of Lawrence Halprin The Cultural Landscape Foundation connecting people to places™ ® tclf.org What’s Out There [cover] Roger Foley Franklin Delano Roosevelt Memorial 2016 C-print 36 x 24 inches [opposite] Roger Foley Fountain Detail, Franklin Delano Roosevelt Memorial 2016 Acknowledgements This gallery guide was created to accompany the traveling photographic exhibition The Landscape Architecture of Lawrence Halprin, which debuted at the National Building Museum on November 5, 2016. The exhibition was organized by The Cultural Landscape Foundation (TCLF), and co-curated by Charles A. Birnbaum, President & CEO, FASLA, FAAR, Nord Wennerstrom, Director of Communications, and Eleanor Cox, Project Manager, in collaboration with G. Martin Moeller, Jr., Senior Curator at the National Building Museum. The production of this guide would not have been possible without the help and support of the Halprin family, and the archivists at the Architectural Archives of the University of Pennsylvania, where Lawrence Halprin’s archive is kept. We wish to thank the site owners and administrators who graciously allowed us to document their properties, particularly Richard Grey, Diana Bonyhadi, Emma Chapman, and Anna Halprin, who allowed us access to their private residences. We also wish to thank the photographers who generously donated their time and energy to documenting these sites, and Russell Hart for proofing the photography. Finally, we are grateful to the National Building Museum’s Chase W. Rynd, Hon. ASLA, President and Executive Director of THE LANDSCAPE ARCHITECTURE OF the National Building Museum, Nancy Bateman, Registrar, Cathy Frankel, Vice President for Exhibitions and Collections, and G.
    [Show full text]
  • Thomas D. Church Collection, 1933-1977
    http://oac.cdlib.org/findaid/ark:/13030/tf938nb4jf Online items available Thomas D. Church Collection, 1933-1977 Processed by the Environmental Design Archives staff Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 1999 The Regents of California. All rights reserved. Note Arts and Humanities--ArchitectureHistory--California History--Bay Area HistoryHistory--California HistoryGeographical (By Place)--CaliforniaGeographical (By Place)--California--Bay AreaGeographical (By Place)--University of California--UC BerkeleyGeographical (By Place)--University of California--UC Santa CruzHistory--University of California History--UC Berkeley HistoryHistory--University of California History--UC Santa Cruz History Thomas D. Church Collection, 1997-1 1 1933-1977 Thomas D. Church Collection, 1933-1977 Collection Number: 1997-1 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Environmental Design Archives staff Date Completed: January 1999 Encoded by: Campbell J. Crabtree Funding: Arrangement and description of this collection was funded by the Department of Landscape Architecture and Environmental Planning and by a grant from the Getty Foundation. © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Collection Title: Thomas D. Church Collection, Date (inclusive): 1933-1977 Collection Number: 1997-1 Creator: Church, Thomas Dolliver, 1902-1978 Extent: 114 boxes, 9 flat boxes, 29 tubes, 8 flat file drawers Repository: Environmental Design Archives.
    [Show full text]
  • SFMA, Moma and the Codification of Bay Region Architecture (1935-1953)
    1 VLC arquitectura volume 6 issue 2 El SFMA, el MoMA y la codificación de la arquitectura de la región de la Bahía de San Francisco (1935-1953) SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953) José Parra-Martínez University of Alicante. [email protected] John Crosse Received 2018.11.09 Independent Scholar. [email protected] Accepted 2019.10.10 To cite this article: Parra-Martínez, José and, John Crosse. “SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953).”VLC arquitectura 6, no. 2 (October 2019): 1-26. ISSN: 2341-3050. https://doi.org/10.4995/vlc.2019.10939 Resumen: Este artículo investiga el desconocido programa de exposiciones de arquitectura del SFMA durante la etapa fundacional de su primera directora, Grace Morley. Su pionera difusión de la arquitectura de la Bahía como respuesta al contexto geográfico y cultural de la región ofreció a los críticos del Este una nueva perspectiva de la modernidad californiana. Análogamente, el estudio de la colaboración SFMA-MoMA durante el comisariado de Elizabeth Mock examina el conflicto de percepciones e intereses entre ambas costas conducente a la histórica exposición de 1949 Domestic Architecture of the San Francisco Bay Region. Epítome de los debates de posguerra, esta culminaba un infatigable esfuerzo promocional iniciado años antes de que el conocido artículo de Lewis Mumford en The New Yorker desencadenara, en 1947, una encendida controversia acerca del “Bay Region Style.” Contrariamente a la creencia de que el SFMA reaccionó tardíamente al simposio del MoMA de 1948 organizado por Philip Johnson para rebatir a Mumford, aquella exposición fue la consecuencia de una efectiva agenda regionalista que logró exponer, educar y/o seducir a algunos de los más influyentes actores del panorama norteamericano con la idea de una Escuela de la Región de la Bahía profundamente preocupada por cuestiones sociales, políticas y ecológicas.
    [Show full text]
  • For Eleanor Heidenwith Corbett
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Tilting at Modern: Elizabeth Gordon's "The Threat to the Next America" Permalink https://escholarship.org/uc/item/87m3z9n5 Author Corbett, Kathleen LaMoine Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” By Kathleen LaMoine Corbett A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Andrew M. Shanken, Chair Professor Kathleen James-Chakraborty Professor Galen Cranz Professor Laurie A. Wilkie Fall 2010 Abstract Tilting at Modern: Elizabeth Gordon’s “The Threat to the Next America” by Kathleen LaMoine Corbett Doctor of Philosophy in Architecture University of California, Berkeley Professor Andrew Shanken, Chair This dissertation addresses the ways that gender, politics, and social factors were exploited and expressed in the controversy surrounding the April 1953 House Beautiful editorial, “The Threat to the Next America.” House Beautiful’s editor, Elizabeth Gordon, wrote and published this editorial as a response to ongoing institutional promotion of experimental modern residential architecture, which fell under the umbrella of the International Style, a term that came from a 1932 exhibition at the Museum of Modern Art. Gordon warned her readers that the practitioners of the International Style, which she deplored as “barren,” were designing and promoting unlivable housing. She specifically condemned German immigrant architects Walter Gropius and Ludwig Mies van der Rohe, as well as French architect Le Corbusier.
    [Show full text]
  • William W. Wurster/Wurster, Bernardi & Emmons Collection
    http://oac.cdlib.org/findaid/ark:/13030/tf8k40079x Online items available Inventory of the William W. Wurster/Wurster, Bernardi & Emmons Collection, 1922-1974 Processed by Laura Tatum, Betsy Frederick-Rothwell, MacKenzie Bennett, Kelcy Shepherd, and Dara Douraghi. Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Email: [email protected] hhttp://archives.ced.berkeley.edu/ © 2004 The Regents of the University of California. All rights reserved. Inventory of the William W. 1976-2 1 Wurster/Wurster, Bernardi & Emmons Collection, 1922-1974 Inventory of the William W. Wurster/Wurster, Bernardi & Emmons Collection, 1922-1974 Collection number: 1976-2 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Laura Tatum, Betsy Frederick-Rothwell, MacKenzie Bennett, Kelcy Shepherd, and Dara Douraghi Date Completed: March 2004 Encoded by: Dayna Holz © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: William W. Wurster/Wurster, Bernardi & Emmons collection, Date (inclusive): 1922-1974 Collection number: 1976-2 Creator: Wurster, Bernardi and Emmons Wurster, William Wilson Bernardi, Theodore C., 1903-[1990] Emmons, Donn Extent: 66 cartons, 131 manuscript boxes, 22 1/2 flat boxes, 26 flat file drawers, 4 negative boxes, 1 shoebox, approximately 500 tubes, 1 artifact125 digital images Repository: Environmental Design Archives. College of Environmental Design.
    [Show full text]
  • Adaline Kent
    Journal of the California Garden & Landscape History Society Eden Winter 2015 • Vol. 18, No. 1 EdenJournal of the California Garden & Landscape History Society Eden Editorial Board Editor: Virginia Kean Editorial Board: Kelly Comras (Chair), Phoebe Cutler, Steven Keylon, Ann Scheid Consulting Editors: Marlea Graham, Barbara Marinacci Regional Correspondents: Bay Area: Phoebe Cutler San Diego: Vonn Marie May Graphic Design: designSimple.com Submissions: Send scholarly papers, articles, and book reviews to the editor: Virginia Kean at [email protected] or [email protected] Memberships/Subscriptions: Join the CGLHS and receive a subscription to Eden. Individual $40 • Family $60 Sustaining $100 and above Student $20 Contents Nonprofit/Library $50 Visit www.cglhs.org to join or renew your membership. Or mail Olmsted Brothers' Vision for the your check to CGLHS, PO Box 31130, Los Angeles, CA 90031. Panama-California Exposition Questions or Address Changes: [email protected] John Blocker 3 CGLHS Board of Directors Capitol Towers: President: Kelly Comras Vice President: Nancy Carol Carter Sacramento's Modernist Gem Recording Secretary: Ann Scheid Flora Chou 8 Membership Secretary: Daniel Neri Treasurer: Steven Keylon Judy Horton, Garden Designer Directors at large: Carolyn Bennett, Cecily Harris, Brandy Kuhl, Paula Panich 11 Larkin Owens, Sarah Raube, Libby Simon Kent Woodlands: Honorary Life Members An Interview with Nancy Kent Danielson Virginia Gardner Harley Jessup 12 Marlea Graham William A. Grant (Founder) Nature and Nurture: Barbara Marinacci
    [Show full text]
  • Lawrence Halprin and Panhandle Parkway in the San Francisco
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TU Delft Open Access Journals The 18th International Planning History Society Conference - Yokohama, July 2018 Imagining a Meshwork of Urban Nature – Lawrence Halprin and Panhandle Parkway in the San Francisco Meng-Tsun Su* * PhD Candidate, Graduate Institute of Architecture [email protected] The unbuilt project of Panhandle Freeway in San Francisco from the early 1960s is a unique case in the politics of design during the heyday of urban renewal in the United States in the early 1960s. The close collaboration between highway engineers and landscape architect Lawrence Halprin on this project also exemplifies cross-disciplinary thinking in redefining natural processes in the city. While Halprin emphasized the visual and visceral experience of moving through the highways integrated with parks and residential apartments, the civic function of urban freeway clashed with the local communities that would be displaced by the construction. The aesthetics of mobility eulogized a regional vision shared by Halprin and his friends informed their active involvement with the infrastructural design of the Bay Area. It presents an alternative to the criticism of the urban renewal of the 1960s. Nevertheless, the residents worked with the city council on the successful revolt against Panhandle Freeway, and none of the alternative routes was constructed, leaving the gap between southern San Francisco and Golden Gate Bridge to local traffic. While some critics see Halprin’s freeway design as an ameliorative disguise, his schemes open up a dialogue between social and aesthetic aspects of the mobility.
    [Show full text]
  • William and Catherine Bauer Wurster Papers 2008-15
    http://oac.cdlib.org/findaid/ark:/13030/c8j107vx No online items William and Catherine Bauer Wurster Papers 2008-15 Finding aid prepared by Madeleine Hamlin Includes additional donations with accession numbers 2011-02 and 2013-07. University of California, Berkeley. College of Environmental Design. Environmental Design Archives July 2009 (revised 2016) 230 Wurster Hall #1820 Berkeley, CA 94720-1820 [email protected] URL: http://archives.ced.berkeley.edu/ William and Catherine Bauer 2008-15 1 Wurster Papers 2008-15 Language of Material: English Contributing Institution: University of California, Berkeley. College of Environmental Design. Environmental Design Archives Title: William and Catherine Bauer Wurster Papers creator: Wurster, William Wilson, 1895-1973 creator: Wurster, Catherine Bauer, 1905-1964 source: Baer, Morley, 1916-1995 source: Peters, Richard C. Identifier/Call Number: 2008-15 Physical Description: 11.5 Cubic Feet - 23 document boxes Date (inclusive): 1914-1979 Abstract: The records of William and Catherine Wurster span the years 1914 to 1979. The majority of the collection contains Personal Papers of the couple, particularly their photos and slides from various trips abroad, starting with William’s 1922 trip to Europe and ending with the couple’s world tours in 1957 and 1959. Accompanying these photographs are written descriptions of the trips, including William’s travel journals and their joint notes and publications regarding their experiences. The Professional Papers houses a variety of material that the couple accumulated regarding architecture or city planning over the course of their careers including several hundred lantern slides (and negatives), which were most likely collected by Catherine for use in a lecture or for her book, Modern Housing.
    [Show full text]