The State of the Art and the Art of the State
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Mughal Paintings of Hunt with Their Aristocracy
Arts and Humanities Open Access Journal Research Article Open Access Mughal paintings of hunt with their aristocracy Abstract Volume 3 Issue 1 - 2019 Mughal emperor from Babur to Dara Shikoh there was a long period of animal hunting. Ashraful Kabir The founder of Mughal dynasty emperor Babur (1526-1530) killed one-horned Department of Biology, Saidpur Cantonment Public College, rhinoceros and wild ass. Then Akbar (1556-1605) in his period, he hunted wild ass Nilphamari, Bangladesh and tiger. He trained not less than 1000 Cheetah for other animal hunting especially bovid animals. Emperor Jahangir (1606-1627) killed total 17167 animals in his period. Correspondence: Ashraful Kabir, Department of Biology, He killed 1672 Antelope-Deer-Mountain Goats, 889 Bluebulls, 86 Lions, 64 Rhinos, Saidpur Cantonment Public College, Nilphamari, Bangladesh, 10348 Pigeons, 3473 Crows, and 10 Crocodiles. Shahjahan (1627-1658) who lived 74 Email years and Dara Shikoh (1657-1658) only killed Bluebull and Nur Jahan killed a tiger only. After study, the Mughal paintings there were Butterfly, Fish, Bird, and Mammal. Received: December 30, 2018 | Published: February 22, 2019 Out of 34 animal paintings, birds and mammals were each 16. In Mughal pastime there were some renowned artists who involved with these paintings. Abdus Samad, Mir Sayid Ali, Basawan, Lal, Miskin, Kesu Das, Daswanth, Govardhan, Mushfiq, Kamal, Fazl, Dalchand, Hindu community and some Mughal females all were habituated to draw paintings. In observed animals, 12 were found in hunting section (Rhino, Wild Ass, Tiger, Cheetah, Antelope, Spotted Deer, Mountain Goat, Bluebull, Lion, Pigeon, Crow, Crocodile), 35 in paintings (Butterfly, Fish, Falcon, Pigeon, Crane, Peacock, Fowl, Dodo, Duck, Bustard, Turkey, Parrot, Kingfisher, Finch, Oriole, Hornbill, Partridge, Vulture, Elephant, Lion, Cow, Horse, Squirrel, Jackal, Cheetah, Spotted Deer, Zebra, Buffalo, Bengal Tiger, Camel, Goat, Sheep, Antelope, Rabbit, Oryx) and 6 in aristocracy (Elephant, Horse, Cheetah, Falcon, Peacock, Parrot. -
Miskina, Sarwan and Bhura, C1590-95 Akabarnama; Mines Exploding During the Siege of Chitor, (Mughal)
Miskina, Sarwan and Bhura, c1590-95 Akabarnama; Mines exploding during the siege of Chitor, (Mughal) Key facts: Artists: Composition by Miskina, colours and details painted by Sarwan and Bhura. Date: circa 1590-95 Medium: opaque watercolour and gold on paper Dimensions: 33 x 18.8 cm Source: this belongs to a presentation copy of the Akbarnama, the history of the reign of the Mughal emperor Akbar (1542-1605). The Persian text of this copy has 116 paintings done by Akbar’s artists. Location: Victoria and Albert Museum, London (IS.2:66-1896 and IS.2:67-1896) 1. ART HISTORICAL TERMS AND CONCEPTS Subject matter: The four-month siege to capture the fort of Chitor began in October 1567. It was a key part of Akbar’s campaign against the Hindu ruler of the province of Mewar in Rajasthan, who had refused to make friendly alliances with the emperor through marriage, unlike his Rajput neighbours. The fort was seen as impregnable, and a Mughal victory here would deter future resistance. In this painting, Mughal sappers prepare covered paths and lay mines to protect the advancing army. Akbar directs their work. He is identifiable by the feather in his turban: this is an emblem of royalty, as is the flywhisk held by the attendant behind him. The text explains that the placing of the mines had been done against his advice. These exploded when the invading Mughal army rode over them, and some of Akbar’s best generals were blown up. Composition: The scene is shown in a stylised, not realistic, manner. -
Behind the Veil:An Analytical Study of Political Domination of Mughal Women Dr
11 Behind The Veil:An Analytical study of political Domination of Mughal women Dr. Rukhsana Iftikhar * Abstract In fifteen and sixteen centuries Indian women were usually banished from public or political activity due to the patriarchal structure of Indian society. But it was evident through non government arenas that women managed the state affairs like male sovereigns. This paper explores the construction of bourgeois ideology as an alternate voice with in patriarchy, the inscription of subaltern female body as a metonymic text of conspiracy and treachery. The narratives suggested the complicity between public and private subaltern conduct and inclination – the only difference in the case of harem or Zannaha, being a great degree of oppression and feminine self –censure. The gradual discarding of the veil (in the case of Razia Sultana and Nur Jahan in Middle Ages it was equivalents to a great achievement in harem of Eastern society). Although a little part, a pinch of salt in flour but this political interest of Mughal women indicates the start of destroying the patriarchy imposed distinction of public and private upon which western proto feminism constructed itself. Mughal rule in India had blessed with many brilliant and important aspects that still are shining in the history. They left great personalities that strengthen the history of Hindustan as compare to the histories of other nations. In these great personalities there is a class who indirectly or sometime directly influenced the Mughal politics. This class is related to the Mughal Harem. The ladies of Royalty enjoyed an exalted position in the Mughal court and politics. -
Baburnama Bangla Pdf
Baburnama bangla pdf Continue literally: The Story of Babur or Letters of Babur; as ,' ;ﻧﺎﻣ :Supported by WBEIDC Ltd., supported by SSTIS Technologies Pvt Ltd Memoirs Babur, founder of the Mughal Empire Awards Ceremony at the court of Sultan Ibraham, before being sent on an expedition to Sambhal Beburnama (Chagatai /Persian an alternative known as Tuzk-e-Babri) - a memoir of the Ẓahīr-ud-Dev Muhammad Babur (1483-1530), the empire of the founder of the Great Moguls and great-grandson Timur. It is written in Chagatai language, known to Baburu as Turks (meaning Turkic), the colloquial language of asijan-timurids. During the reign of Emperor Akbar, the work was fully translated into Persian, the usual literary language at the court of the Mughals, the court of the Mughals, Abdul Rahim, in 998 AD (1589-1590). Translations into many other languages followed, mostly from the 19th century. Babur was educated by Prince Timurid, and his observations and comments in his memoirs reflect an interest in nature, society, politics and economics. His vivid account of events covers not only his own life, but also the history and geography of the areas in which he lived, as well as the people with whom he came into contact. The book covers such diverse topics as astronomy, geography, state craft, military issues, weapons and battles, plants and animals, biographies and family chronicles, courtiers and artists, poetry, music and paintings, wine parties, historical monuments tours, and reflections on human nature. Although Babur himself did not appear to have ordered any illustrated versions, his grandson began as soon as he was presented with a finished Persian translation in November 1589. -
Mughal Period: Akbar
MUGHAL PERIOD: AKBAR (1556 -1605 CE) Mughal Shield This magnificent shield belongs to Emperor Akbar. It bears the inscription ‘Buland Ikbal Shahanshah Akbar Year A.H. 1002’. The decorations on the shield run in three circular bands around the sun in the centre .The outer band around the centre has a bold meandering pattern. The next band has representations of the twelve Zodiac signs. The name of each sign is mentioned in the oval panel next to it. This shield is only one of its kind and displayed in Chhatrapati Shivaji Vastu Sanghralaya, Mumbai. Jalal – ud- din Akbar, also known as Akbar ‘The Great’ was the third Mughal emperor after Babur and Humayun. Akbar was 13 years old when he ascended the throne. At that time Delhi was the capital which he later shifted to Fatehpur Sikri. Akbar proclaimed the throne in the midst of a war against Sikander Shah of the Sur dynasty. Akbar was a commander of the stature who built the largest army in the history of the Mughal Empire. The Mughal army resembled a city on the move. TWO FAMOUS BATTLES FOUGHT BY AKBAR 1. Second Battle of Panipat 2. Battle of Haldighati Battle of Panipat During his early reign Akbar fought the battle of Panipat to reclaim his capital when he had been away to subdue the forces of Sher Shah‟s dynasty who were the biggest threats at that time. Akbar defeated Sikander Shah Suri easily but when he was away, Hemu defeated the Mughal forces in Delhi. Akbar‟s army met Hemu‟s forces in Panipat and hence started the second battle of Panipat between Akbar and Hemu. -
Historiography of Mughal Period-An Analytical Study
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-6, 2016 ISSN: 2454-1362, http://www.onlinejournal.in Historiography of Mughal Period-An Analytical Study Dr. Shahina Bano Department Of History, Assistant Professor, Maharni’s Arts College For Women-Bangalore-1 Abstract: In the Mughal period an innovative class Moghul Empire and great grandson of Timur. It is of historiography- that of official histories or an autobiographical work.It was originally written namah- came in to vogue in india under Persian in the Chagatai language, known to baburas influence.Akbar introduced the practice of “Turk”(meaning Turkic), the spoken language of commissioning officials or others to write the the Andijan-Timurids. Babur’s prose is highly history of his new empire giving them access for Persianised in its sentences structure, morphology, this purpose to state records.This practice and language. It is also contains many pharases and continued down to the reign of Aurangzeb who, smaller poems in Persian.During the Emperor’s however, stopped it in his eleventh regnal reign, the work was completely translated to year.Besides,, such official histories, biographical Persian by a Moghul courtier, Abdul Rahim, in works great historical interst were also produced (1589-90) during the period under survey. And we not entirely dependent upon chroniclers; we have in some Baburnamah can be divided into three Parts. The instances contemporary, independent historians. first part begins with his accession to the throne of The historians of the Mughal Period did not Fargana and ends with his driving out from his develop any philosophy of history from which flight to his last invasion of lndia. -
Francesca Galloway
FRANCESCA GALLOWAY INDIAN PAINTINGS 1450 -1850 Catalogue by JP Losty 11th June - 20th July 2018 It is our great pleasure to introduce this group, rich in the coming year is to be decided by God. It is per- in early Mughal and pre-Mughal paintings, many of haps telling that so much of the energy of the Mughal which come from an important private collection. art of this period (the mid-18th century), when the Among this group are three folios from the first il- empire is beginning to decentralize and to decline lustrated Baburnama (cat. 5 – 7) (also known as the politically and economically, can be seen to go into V&A Baburnama), an extraordinary memoir de- the lavish detailing of courtly celebration. This is tailing the nomadic life of the Central Asian prince reflected here in the sumptuous display of conspicu- Babur, displaced from his home and in search of ous wealth, with intricately illustrated fireworks and a kingdom fit for his Timurid ancestry – an ambi- hanging lakeside lanterns, a gaudy elephant-shaped tion realised at last with his conquest of Delhi and candelabra and attending musicians, in a scene full of founding of the Mughal empire. This particular copy opulent costumes, jewels and sweetmeats. was an important event in itself, commissioned by Babur’s grandson Akbar and translated into Persian There are several fine and characterful Pahari paint- for the first time in the 1580s. In a sense this was a ings. Cat. 20 sees Raja Mahendra Pal of Basohli political act, an illustrated manuscript to enact the setting out for an expedition with his man ladies. -
King of the Birds
KING OF THE BIRDS Print of a peacock. Catherine Hettler. SPRING 2020 50 KRISTEN HICKEY KING OF THE BIRDS: MAKING SYMBOL, SUBJECT, AND SCIENCE IN THE SKIES OF HINDUSTAN When the Mughals founded an empire in Hindustan, they sought to legitimize their budding dynasty through diverse sources of power. In the texts and art produced by emperors and their courts during the sixteenth and seventeenth centuries, these performances of power constantly featured birds. Birds, enfleshed and imagined, were used as motifs that positioned the Mughals as the cultural descendants of a long Islamic tradition of storytelling and spirituality. Wild and captive birds became an extension of the imperial court as emperors strove to model the legendary rule of King Solomon, who was renowned for his just power over all creatures. During this age of scientist-kings, avians also became catalysts for experimentation and the production of knowledge. This intricate relationship between birds and power reveals a Mughal conception of empire, defined by fluid boundaries between the human and animal kingdoms. Kristen Hickey Written for Ruling Hindustan (HIST 494) Dr. Lisa Balabanlilar In the Hindustani empire of the Mughals, birds were companions, partners in the hunt, playthings, and sources of great entertainment. They were fascinating airborne creatures, worthy of great scientific attention. The subject of unimaginable hours of artistic labor, they appeared in countless folios, with their feathers adorning the jeweled turbans of only the most powerful emperors.1 The presence of birds illuminated and defined the seat of the Mughal emperor as a ruler in an ancient tradition of powerful kingships. -
Consequences and Significance of Second Battle of Panipat
International Journal of Advanced Research and Development International Journal of Advanced Research and Development ISSN: 2455-4030 Impact Factor: RJIF 5.24 www.advancedjournal.com Volume 3; Issue 2; March 2018; Page No. 19-21 Consequences and significance of second battle of Panipat Karmvir Department of History, Maharshi Dayanand University, Rohtak, Haryana, India Abstract The Second Battle of Panipat was fought between the forces of Samrat Hem Chandra Vikramaditya, popularly called Hemu, the Hindu king who was ruling North India from Delhi, and the army of Akbar, on November 5, 1556. It was a decisive victory for Akbar's generals Khan Zaman I and Bairam Khan. Background On January 24, 1556, the Mughal ruler Humanyun died in Delhi and was succeeded by his son, Akbarat Kalanaur, who was only thirteen years old. Keywords: Panipat, battle, war, second, causes, results etc. Introduction to free their nation, yet Bairam Khan ruled for war. Akbar's On February 14, 1556, Akbar was enthroned as the king. At armed force walked towards Delhi. On November 5, the two the time of his accession to the throne, the Mughal rule was armed forces met at the memorable combat zone of Panipat, confined to Kabul, Kandahar, parts of Delhi and Punjab. where, thirty years sooner, Akbar's granddad Babur had Akbar was then battling in Kabul with his watchman, Bairam crushed Ibrahim Lodi in what is presently known as the First Khan. Samrat Hem Chandra Vikramaditya or Hemu was a Battle of Panipat. H.G.Keen expresses; "Akbar and his Hindu head in Delhi by ethicalness of vanquishing watchman Bairam Khan did not take an interest in the fight Akbar/Humanyun's armed force in Battle for Delhi. -
Akbar and His Religious Policy Akbar Is Often Considered As National King
Akbar and his religious policy Akbar is often considered as national king who united all sections of the people and he is also said to have been secular ruler who kept his personal religious ideas from framing state policies and adopted policy of religious tolerance. There are two questions which primarily arises before the historiens in regard to Akbar’s religious policy: 1. To what extent Akbar’s personal believes had influenced in his state policies? And 2. What was the response of his subjects to his state policies? There are few reasons why Akbar became secular king. 1. He was influenced by teachings of his broad-minded mother, teacher and his relatives. 2. He was influenced by the prominent cultural ethos of timurid polity-YasaE-Chingesi(treating all the religions alike) 3. The increasing presence of Irani nobles at Humayun’s had created an atmosphere for Akbar to learn religious tolerance. 4. His childhood psychology fearing about god shaped his religious outlook. For instance, abul- fazl states, as akbar says” if he had displeased God in any manner, 'may that elephant finish us for we cannot support the burden of life under God's displeasure.'” 5. His personal engagement in Islamized version of greek philosophy through Shaikh Mubaraq and his sons faizi and abul-fazl shaped his religious world outlook through Ibadatkana debates from 1575- 1578. Akbar was, in his early part of reign, following intolerant policies towards non-muslims as the following statements testify: One knows from unimpeachable evidence, including some of Akbar's own sayings recorded after 1581 that in his early years he was not only a practising Muslim but also had a very intolerant attitude htowards Hindus. -
Mughal Harem Ladies and Their Administrative Rights
International Journal of Humanities & Social Science: Insights & Transformations Vol. 5, Issue 2 – 2020 ISSN: 2581-3587 Mughal Harem Ladies and their Administrative Rights Rajdeep Sinha1, Annapurna Sinha Das2 1Ph.D Research Scholar, Department of History, Visva-Bharati University. 2Ph.D Research Scholar Department of History, Visva-Bharati University. Abstract The role of Mughal royal ladies in politics was remarkable which was neglected by some prominent historians. Our male-centric history is written by historians who gave prominence to the male Mughal rulers although the Mughal women contributed to the Mughal Empire. Women were actively participated in harem and court politics. They have many legal rights and decision making powers. Their ideologies impacted rulers greatly and many of them were the ‘king makers’ who ruled the Mughal world behind the curtains. Objectives: Through this article, I want to discuss some issues like 1) Role of harem women in the history of Mughals. 2) What were the special rights enjoyed by Mughal royal ladies. 3) Their active role in Mughal politics. Keyword: Harem women, Farman, Hukm, Nishan, Parwana. Introduction In the Mughal India, royal women are found enjoying many legal rights and exceptional powers. They had right to issue many official documents such as farman, hukm, nishan, parwanas. According to Ira Mukhoty, most of the women of the Mughal harem were, in fact, not wives at all; they were mothers, like Hamida Banu and Harkha Bai, unmarried sisters, like Jahanara and Roshanara, divorced women, like Khanzada, single daughters, like Zeb-un- Nisa and Zeenat-un-Nisa, aunts like Gulbadan, distant relatives, like Salima Sultan, elderly dependents, etc. -
Mughals at War: Babur, Akbar and the Indian Military Revolution, 1500 - 1605
Mughals at War: Babur, Akbar and the Indian Military Revolution, 1500 - 1605 A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew de la Garza Graduate Program in History The Ohio State University 2010 Dissertation Committee: John F. Guilmartin, Advisor; Stephen Dale; Jennifer Siegel Copyright by Andrew de la Garza 2010 Abstract This doctoral dissertation, Mughals at War: Babur, Akbar and the Indian Military Revolution, examines the transformation of warfare in South Asia during the foundation and consolidation of the Mughal Empire. It emphasizes the practical specifics of how the Imperial army waged war and prepared for war—technology, tactics, operations, training and logistics. These are topics poorly covered in the existing Mughal historiography, which primarily addresses military affairs through their background and context— cultural, political and economic. I argue that events in India during this period in many ways paralleled the early stages of the ongoing “Military Revolution” in early modern Europe. The Mughals effectively combined the martial implements and practices of Europe, Central Asia and India into a model that was well suited for the unique demands and challenges of their setting. ii Dedication This document is dedicated to John Nira. iii Acknowledgments I would like to thank my advisor, Professor John F. Guilmartin and the other members of my committee, Professors Stephen Dale and Jennifer Siegel, for their invaluable advice and assistance. I am also grateful to the many other colleagues, both faculty and graduate students, who helped me in so many ways during this long, challenging process.