Issue 42 Autumn 2007 ISSN 0268-1951

Total Page:16

File Type:pdf, Size:1020Kb

Issue 42 Autumn 2007 ISSN 0268-1951 Issue 42 Autumn 2007 ISSN 0268-1951 mejmej media education journal 2 contents editorial issue 42, Autumn 2007 2 Editorial 3 38 Reviews Membership of AMES, the Association for Media Education in Scotland, will enable you to have a say in the future direction of media education in Scotland. AMES is the subject association for media studies and related disciplines in the Scottish education system. AMES has been strong and successful because it has actively involved teachers from all education sectors in the varied aspects of its work. AMES is active in lobbying and negotiating with education planners at all levels in Scotland. Members of AMES receive FREE copies of MEJ and the AMES newsletter. Annual Membership (the fee is tax deductible) Personal: £20.00 Editor: Des Murphy All text © AMES 2007 and individual Institution: £35.00 Editorial group: Liz Roberts, Anne Marie Begg contributors. Cover photo, ???????????????? and Douglas Allen ????????????????????????????????????????? Enquiries about membership should Typesetting and Design: Roy Stafford, itp ??????. Other images as credited alongside, be addressed to: Printed by: Thistle Reprographics, 55 Holburn unless unknown. Scans of book covers © the Des Murphy (Secretary AMES) Street, Aberdeen AB10 6BR publishers. 24 Burnett Place The views expressed in the journal do not ABERDEEN AB24 4QD Teachers may reproduce material from this necessarily refl ect the views of AMES as an journal for educational purposes only. Written organisation or of the institutions where email: [email protected] permission is required for any other use. contributors work. media education journal 42 3 Celebrity Big Brother 2007 Douglas Allen Introduction opening up issues which were clearly and offensive remarks about her name, When I wrote in MEJ 40 about psychology,psychology, bubbling under the surface and waiting to accent, social status, cooking skills and reality television and its brand leader Big erupt – areas of social panic, uncertainty eating habits escalating into a full-scale Brother, little did I realise that within and unease, such as youth aggression, confrontation between Jade and Shilpa on months so many of the issues raised bullying, racism, class anger and confl ict Wednesday 17 January, with the rest of in the article would explode on to the and the role of good citizenship through the housemates at a loss about whether world stage in a diplomatic crisis of intervention by third parties. to intervene. A massive number of public unprecedented proportions. The ‘Jade complaints to media watchdog Ofcom racist bullying’ controversy made such an 4) institutional factors – how the indicated that the confrontation was impact that discussion about Celebrity Big means of production of a TV show were raising concern and anger beyond the Brother 5 (CBB5) and reality TV migrated revealed as seldom before, with issues house, and the controversy escalated into from the proverbial water cooler to the coming up for public scrutiny and debate a ‘racism’ row, reaching even Cabinet level fl oor of the House of Commons and the such as TV editing techniques, media when Chancellor Gordon Brown had to streets and corridors of power of India. fi nance, advertising and sponsorship, the give his views during an offi cial visit to economics of telephone voting, the powers India. What follows is a brief attempt to of Ofcom, the role of showbiz agents, disentangle some of those issues which and the cultural and political position of It became a Jade v Shilpa eviction contest teachers may fi nd themselves discussing Channel 4. on Friday 19 January, and when Jade was in class if they teach reality TV. It makes evicted by a massive public vote, she was no claim to great originality or theoretical Chronology virtually smuggled out of the house to provenance or rigour – it is more an Firstly a brief narrative reminder of avoid what was feared could become a attempt to organise and refl ect on some of what happened. CBB5 was launched on public lynching. Eventually Shilpa won the discourses and debates in circulation Wednesday 3 January 2007; housemates the contest on Sunday 28 January, to at the time (January 2007). were Leo Sayer, Dirk Benedict, Jermaine popular acclaim. The tabloid uproar – seen Jackson, Danielle Lloyd, Jo O’Meara, Ken by many as a witch-hunt – against the These can be covered under four main Russell, Donny Tourette, Carole Malone, ‘racist’ members of the house took quite headings : Shilpa Shetty, Cleo Roccos, Ian ‘H’ a few days to subside, as both TV channel Watkins. Initial viewing fi gures of 7.1m and participants counted the cost of their 1) audience pleasures – how aspects of the fell to 3.2m and 2.8m by the weekend, lost sponsorship deals. show – such as the narrative trajectories and most of the media gossip was about that make the routine BB series such how dull the programme was, not even For a more detailed account of events see compulsive viewing – were especially saved by CBB’s big gimmick – to introduce a well documented chronicle in Wikipedia at work on this occasion, through celebrity mag favourite and former http://en.wikipedia.org/wiki/Celebrity_ mechanisms such as our parasocial housemate Jade Goody, her boyfriend Big_Brother_2007_(UK) relationships with the ‘performers’, and Jack and her mother Jackiey as privileged our audience position of superiority as the guests who would be served by the others. Audience Pleasures possessors of privileged knowledge. This led to tensions and walkouts. Jackiey The power of narrative to hook an in particular raised the temperature audience proved to be crucial in CBB5. 2) popular psychology – how the skills and with her forthright manner and casual Indeed as events unfolded they seemed theories of psychology were needed even approach to remembering Shilpa’s name to take on the trappings of classical more to decode and explain the extremes and pronouncing it correctly. drama, with a fi gure of overweening pride of behaviour; and how the role of or hubris facing her nemesis and being psychology experimentation in reality TV After the servant experiment ended and destroyed through a fatal fl aw – a tragedy really came to the fore, raising sharply the Jackiey was fi rst to be evicted, Jade’s bringing catharsis to us the audience. Like issue of ethics for the programme makers. extravert personality began to dominate a scenario from a Propp fairy tale analysis, the house, attracting a clique of the young good battled evil, and the beautiful 3) reality TV as social barometer – how a female housemates around her, comprising princess vanquished the wicked witch. The simple, much derided programme became Jo and Danielle. Their behind-the-back ‘just desserts’ ending could not have been for a moment a topic of national debate, remarks centred on Shilpa, with casual bettered, as the fi nal six went out in exact media education journal 42 4 order of ‘villainy to virtue rewarded’, from The usual pop psychology issues know in advance what is in store for Danielle in sixth place (‘boos’) to Shilpa emerged and were discussed in spin- them, and have made the calculation that fi rst (‘cheers’). The previous ‘guilty parties’ off programmes like Big Brother’s Big it is worth it for their career prospects. had already been dispatched in the fi rst Brain – group dynamics, body language So in effect anyone who gets involved watershed battle between Jade and Shilpa, etc. But these took on a much greater is asking for it, as the argument goes. which had become almost a national urgency when the crisis blew up, In case of any problems or adverse ethics referendum. Morality tales were bringing in a whole new raft of heavier criticisms, psychologists are involved played out in the house and the endings psychological issues, such as prejudice, behind the scenes looking after the state appeared to satisfy our need for natural in-groups, scapegoating, aggression, of mind of participants throughout the justice – that all is right with the world, bullying, and bystander behaviour. (http: process from selection to eviction. This that what goes around comes around //news.bbc.co.uk/1/hi/magazine/ time, questioning of such a laissez- – and to offer us guidance on correct ways 6273975.stm) faire approach reached a new peak as to behave. programme and post-programme reports of depression, addiction and suicide Other narrative devices increased risk created one of the heaviest our pleasure. The superior fallouts to date for a British BB. knowledge of the omniscient (‘Ethics of Reality TV’, http: viewer allowed us to watch ‘real’ //news.bbc.co.uk/1/hi/magazine/ characters act out their daily soap 6702315.stm) existence unaware of the storm (See separate boxed panel for around them outside the house. information on the role of the There were particularly piquant British Psychological Society in TV, dramatic ironies, such as Danielle’s with its TV Ethics Code) musings about boyfriend Teddy while the tabloids were charting Reality TV as Social Barometer his progressive disenchantment Jade Goody and Shilpa Shetty The crucial nature of the reality TV with her on-screen ‘performance’. as a barometer of our times seemed Our parasocial interaction with to be reinforced in this series, which the characters made them our temporary As the aggression escalated, the acted out a raft of social concerns and friends or enemies, as we gossiped about programme began to look more and more battles about how to behave and what who said what to who, as we took sides, like a variation on Zimbardo’s Stanford is acceptable and what is not. Each issue expressed outrage at one or the other, Prison Experiment, with characters locked that came up had no simple answers. debated the merits or not of the ‘hands up in pressure cooker conditions to see Even basic questions such as whether off’ tactics of the other housemates, and what would happen if, as in this case, a Jade was guilty of racism and/or bullying disagreed on whose behaviour was to be volatile personality like Jade was added prompted the answer – it depends .
Recommended publications
  • Félags- Og Mannvísindadeild
    Félags- og mannvísindadeild MA-ritgerð blaða- og fréttamennska „Sápan dugir að eilífu“ : Ritgerð um sápuóperur Nína Margrét Jónsdóttir Júní 2009 Félags- og mannvísindadeild MA-ritgerð blaða- og fréttamennska „Sápan dugir að eilífu“ : Ritgerð um sápuóperur Nína Margrét Jónsdóttir Júní 2009 Leiðbeinandi við ritgerð: Þorbjörn Broddason Leiðbeinandi við blaðagreinar: Pétur Blöndal Nemandi: Nína Margrét Jónsdóttir Kennitala: 13.06.80-3729 3 Útdráttur Hér fer á eftir rannsóknarritgerð um sjónvarpsefnið sápuóperur. Saga, útbreiðsla, viðtökur og ímyndir sápuópera verða skoðaðar með ítarlegri umfjöllun um þessa þætti. Forverar þeirra verða kynntir, formgerð þeirra og mismunandi tegundum eftir löndum lýst, auk þess sem skýrt verður frá þróun þeirra frá upphafi fjöldamenningar fram til dagsins í dag. Langlífi sápuópera í vinsældamenningunni verður rakið og reynt að útskýra ímynd þeirra og lágmenningarstöðu innan hennar. Stuðst verður við kenningar þekktra fræðimanna á sviði viðtökufræða og femínisma sem stundað hafa sápuóperurannsóknir undanfarna áratugi. Í samræmi við efni ritgerðarinnar, verður einnig notast við ýmsar tilvitnanir og tilvísanir úr vinsældamenningunni. Í niðurstöðum verður greint frá nýju lífi sápuópera í netvæddum heimi, hnignandi áhorfi og spáð fyrir um framtíð þessa dagskrárefnis. Abstract Following is a study on soap operas. It includes a detailed discussion of the history, distribution, reception and many images of soap operas. Their antecedents, genre and different types in different countries will be introduced. Furthermore, there will be given an account of soap opera’s development from the beginning of mass culture until present time. Their longevity as a part of popular culture will also be described with an attempt to explain their low-brow cultural status. In this essay, some theories of well-known audience researchers and feminist scholars, who have studied soap operas over the last decades, will be used to support this study.
    [Show full text]
  • Issue 42 Autumn 2007 ISSN 0268-1951
    Issue 42 Autumn 2007 ISSN 0268-1951 mejmej media education journal 2 contents editorial issue 42, Autumn 2007 2 Editorial 3 38 Reviews Membership of AMES, the Association for Media Education in Scotland, will enable you to have a say in the future direction of media education in Scotland. AMES is the subject association for media studies and related disciplines in the Scottish education system. AMES has been strong and successful because it has actively involved teachers from all education sectors in the varied aspects of its work. AMES is active in lobbying and negotiating with education planners at all levels in Scotland. Members of AMES receive FREE copies of MEJ and the AMES newsletter. Annual Membership (the fee is tax deductible) Personal: £20.00 Editor: Des Murphy All text © AMES 2007 and individual Institution: £35.00 Editorial group: Liz Roberts, Anne Marie Begg contributors. Cover photo, ???????????????? and Douglas Allen ????????????????????????????????????????? Enquiries about membership should Typesetting and Design: Roy Stafford, itp ??????. Other images as credited alongside, be addressed to: Printed by: Thistle Reprographics, 55 Holburn unless unknown. Scans of book covers © the Des Murphy (Secretary AMES) Street, Aberdeen AB10 6BR publishers. 24 Burnett Place The views expressed in the journal do not ABERDEEN AB24 4QD Teachers may reproduce material from this necessarily refl ect the views of AMES as an journal for educational purposes only. Written organisation or of the institutions where email: [email protected]
    [Show full text]
  • Jassi Jaissi Koi Nahin Serial Written Updates
    Jassi Jaissi Koi Nahin Serial Written Updates Jassi Jaissi Koi Nahin Serial Written Updates 1 / 3 2 / 3 Jassi Jaissi Koi Nahin cast: How do the actors look now. Last updated on - Apr 5, 2019, 19:52 ISTShare fbsharetwsharepinshareComments (6). close .... Even it's title track sung by Shaan was popular among television viewing audience. Written by Sana Farzeen | Mumbai | Published: September 9, .... Written By Bhavna Agarwal 382634 reads Mumbai Updated: November 4, 2019 11:43 pm. EXCLUSIVE: Jassi Jaissi Koi Nahin actor Mona Singh all set to tie the .... One of the iconic shows of television, Jassi Jaissi Koi Nahi's prime cast ... Kumkum Bhagya written update February 8, 2019: Pragya accepts .... Jassi Jaisi Koi Nahin actor Karan Oberoi charged of rape, arrested by police ... The name of 'Jassi Jaisi Koi Nahin' TV show actor Karan Oberoi has been ... Latest Tv Serials, Written Updates, And Serial Gossips, It Offers Articles On Bollywood, ... Written By Pinkvilla Desk 214232 reads Mumbai Updated: February 9, 2020 02:01 pm. PHOTOS: Jassi Jaissi Koi Nahin fame Mona Singh's mehendi ceremony .... Jassi Jaissi Koi Nahin fame Mona Singh says "I want to start a cafe of my own. It's just one... Latest Updates. Sony TV Latest News: Bade Ache Lagte Hai to rerun .... MUMBAI: Jassi Jaisi Koi Nahin was one of the most successful shows of its time and ... Purab Mehra, shared a post with the leads of the serial Mona Singh and Apurva Agnihotri. ... Here we offer you a complete written update.. Watch Jassi Jaissi Koi Nahin All Episodes Online - Catch Quality Streaming of all Jassi Jaissi Koi Nahin Sony LIV Videos and Clips for Free on MX Player.
    [Show full text]
  • Glocalized Telenovelas and National Identities A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Glocalized telenovelas and national identities A ‘textual cum production’ analysis of the ‘telenovelle’ Sara, the Flemish adaptation of Yo soy Betty, la fea Fien Adriaens & Daniel Biltereyst Abstract This article examines the globalization of the telenovela format in relation to issues of adaptation, proximities and national identities. As a case study of glocalized telenovelas, it deals with the domestic adaptation of one of the most popular Latin American telenovelas, Yo soy Betty, la fea (1999-2001) into the „telenovelle‟ Sara (2007-08), which takes place in a Belgian (more specifically Flemish) context. Therefore, this article specifically asks how Flemish identities are represented through the production process of Sara. While examining the international flow of telenovelas and the cross-cultural adaptation of the telenovela format, this case study considers an additional geopolitical and cultural context, as well as confronts and combines thematic textual analysis with expert interviews. Considering the successful export of „canned‟ telenovelas and the adaptation of this format within the framework of national identity and identification, this paper deals with the emergence of the „telenovelle‟ as a local genre that is inspired by, and modifies, the Latin American original format. 1 Introduction This article focuses on the globalization of the telenovela format in relation to issues of adaptation and national identities. It deals with the question of how the telenovela format is successfully adapted to regions outside Latin America, particularly in Western Europe. Since a television format‟s success is closely tied to the local and national culture, and domestic television programs play a crucial role in the construction and reproduction of national identities (Biltereyst, 1991; Straubhaar, 1991; Waisbord, 2004), we question whether and how national identities are represented through production decisions in the creation process.
    [Show full text]
  • Studies International Journal of Cultural
    International Journal of Cultural Studies http://ics.sagepub.com/ Traveling style: Aesthetic differences and similarities in national adaptations of Yo soy betty, la fea Lothar Mikos and Marta Perrotta International Journal of Cultural Studies published online 10 November 2011 DOI: 10.1177/1367877911428116 The online version of this article can be found at: http://ics.sagepub.com/content/early/2011/11/09/1367877911428116 Published by: http://www.sagepublications.com Additional services and information for International Journal of Cultural Studies can be found at: Email Alerts: http://ics.sagepub.com/cgi/alerts Subscriptions: http://ics.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav >> Proof - Nov 10, 2011 What is This? Downloaded from ics.sagepub.com at Universita' degli studi Roma Tre on November 29, 2011 International Journal of Cultural Studies 1 –17 © The Author(s) 2011 Reprints and permission: sagepub.co.uk/ journalsPermissions.nav DOI: 10.1177/1367877911428116 ics.sagepub.com Article Traveling style: Aesthetic differences and similarities in national adaptations of Yo soy Betty, la fea Lothar Mikos University of Film and Television Potsdam-Babelsberg, Germany Marta Perrotta University of Rome III, Italy Abstract The global television landscape in the first decade of the 21st century is a complex terrain of contradictory developments and trends. Since the early years of television the United States has been the most important exporter of TV series, TV serials and game shows. But nowadays times have changed. Admittedly the USA is still the leading nation in selling TV fiction all over the world, but since the deregulation of the TV market in Western Europe in the 1990s Great Britain and the Netherlands are the leading exporters of non-fiction formats like reality shows, Australia sells its soap operas all over the world and Latin American countries are important exporters of telenovelas.
    [Show full text]
  • Yo Soy Betty, La Fea. Capítulo 27 16
    Yo soy Betty, la fea. Capítulo 27 1 Funciones comunicativas Pedir permiso a alguien Denegar permiso a alguien Conceder permiso a alguien Pedir aprobación Expresar desaprobación Expresar aprobación Hacer un brindis Aspectos culturales Vivir con los padres La importancia de la familia Los usos de tú y de usted El matrimonio por la iglesia Yo soy Betty, la fea. Capítulo 27 2 Antes de ver … Introducción Al enterarse de los planes de Daniel Valiencia, Betty se da cuenta de que necesita a Armando. Sandra intenta localizar a don Armando … Yo soy Betty, la fea. Capítulo 27 3 Vocabulario y expresiones Sustantivos el ánimo – spirit, energy, excitement (as in un momentico/momentito – just a little a desire to do something) bit, a small moment el asunto – issue el patrimonio – personal assets, heritage el bochorno – embarrassment la pesadilla – nightmare el buzón – mail box el piso – floor el calentamiento – warm-up, warming el ritual – ritual el cerezo – cherry tree la rumba – [in this context] party; la rumba el cómplice – accomplice is a type of music and dance las cotizaciones – prices la solterona – old maid el crucero – cruise el susto – fright el empujón – a big push el trago – a drink el extranjero – [in this context] overseas las trampas (trampitas) – traps, tricks los extraños – strangers (little traps, tricks) el grillo – cricket la vagancia – laziness, idleness el hogar – home la validez – validity la liquidación – liquidation la vista – sight la melcocha – molasses (thick brown juice la vocería – position
    [Show full text]
  • Transposições Narrativas: Analisando a Série House of Cards
    UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE ARTES E DESIGN PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES, CULTURA E LINGUAGENS Diogo de Melo Gomes Silva Transposições Narrativas: analisando a série House Of Cards Juiz de Fora 2020 Diogo de Melo Gomes Silva Transposições Narrativas: analisando a série House Of Cards Dissertação apresentada ao Programa de Pós- Graduação em Artes, Cultura e Linguagens, da Universidade Federal de Juiz de Fora, como requisito para obtenção do grau de Mestre em Artes, Cultura e Linguagens. Área de concentração: Teorias e Processos Poéticos Interdisciplinares. Linha de pesquisa: Cinema e Audiovisual. Orientador: Prof. Dr. Christian Hugo Pelegrini Juiz de Fora 2020 Diogo de Melo Gomes Silva Transposições Narrativas: analisando a série House Of Cards Dissertação apresentada ao Programa de Pós- Graduação em Artes, Cultura e Linguagens da Universidade Federal de Juiz de Fora como requisito parcial à obtenção do título de Mestre em Artes, Cultura e Linguagens. Área de concentração: Teorias e Processos Poéticos Interdisciplinares. Aprovada em 26 de outubro de 2020. BANCA EXAMINADORA -- _______________________________________ Prof. Dr. Christian Hugo Pelegrini - Orientador Universidade Federal de Juiz de Fora ________________________________________ Prof. Dr. Sérgio José Puccini Soares Universidade Federal de Juiz de Fora ________________________________________ Prof. Dr. Cesar Adolfo Zamberlan Universidade de São Paulo Ficha catalográficaelaboradaatravésdoprogramadegeração automática daBibliotecaUniversitáriaUFJF, com
    [Show full text]
  • New Flows in Global TV
    New Flows Moran in Global TV By Albert Moran New Flows Although TV distribution has undergone a massive Albert Moran has given us a thoughtful and increase in volume and value over the past fifty readable account of the flows of formats and the implications of this new form of ‘cultural years, there is a systematic lack of curiosity and merchandising’. The book is mandatory for knowledge on the part of both industry and anyone wanting to understand the business of scholars about this area. This book assists in global television. the filling of this gap by studying what in fact Professor Janet Wasko, Knight Chair in occurs in global trade in TV program formats Communication Research, University of Oregon within international markets such as Cannes, Las Vegas and Singapore. The study investigates The timely and eagerly awaited New Flows in key components of this trade, elucidating the Global TV expands scholarly investigation and crucial dynamics at work in the most significant analysis into television program distribution in Global TV contemporary transnational cultural industry. across the world. Milly Buonanno, Sapienza University of Rome Albert Moran is Senior Lecturer in Media at Griffith University, Brisbane, Australia. ISBN 978-1-84150-194-9 00 9 781841 501949 intellect | www.intellectbooks.com New Flows in Global TV This book is for James Moran New Flows in Global TV Albert Moran ^ciZaaZXi7g^hida!J@8]^XV\d!JH6 First published in the UK in 2009 by Intellect Books, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2009 by Intellect Books, The University of Chicago Press, 1427 E.
    [Show full text]
  • La Construcción Televisiva De La Poblacion Migrante Mexicana En Eu
    BELLEZA, FEALDAD Y OTREDAD: LA CONSTRUCCIÓN TELEVISIVA DE LA POBLACION MIGRANTE MEXICANA EN E.U. A TRAVÉS DE UGLY BETTY. Tesis presentada por Sandra Leticia Murillo Sandoval para obtener el grado de MAESTRA EN ESTUDIOS SOCIOCULTURALES Tijuana, B. C., México 2010 CONSTANCIA DE APROBACIÓN Director de Tesis: Dr. Luis Escala Rabadán Aprobada por el Jurado Examinador: 1. 2. 3. DEDICATORIA Dedicar mi tesis es algo que he hecho en todo momento porque eso me ha dado fuerzas para terminarla. Dedico la tesis a mis personas especiales a las que adoro: A mis Padres. Porque sin su ayuda no habría aplicado a esta maestría, no hubiera podido desplazarme, no podría seguir adelante, superando metas y durmiendo tranquila. Gracias porque aún están aquí y han decidido apoyarme aunque me pare de cabeza. Porque me dejaron irme y regresar, por no decir NO, nunca, aunque eso implicara estar lejos de mí. Por obligarme a comer y regañarme cuando no salía del cuarto por culpa de los miles ensayos, lecturas, exámenes y trabajos que debía hacer o revisar. GRACIAS otra vez, en otra tesis, porque ni con todo el amor o el dinero del mundo podré pagar lo que soy o lo que pienso… LOS AMO… POR SIEMPRE… A CADA MOMENTO… A mi Hermano y su familia que es la mía. Por compartir conmigo y apoyarme, aunque por dentro estén seguros que pierdo tiempo y dinero. Gracias Iván y Susy porque durante este proyecto trajeron al mundo a la personita que más me ha gustado conocer durante este tiempo: IVANA. Porque me hizo saber que puedo dejar de hacer lo que sea (eso incluye dormir) por verla correr, destruir cosas y sonreír.
    [Show full text]
  • De Betty, La Fea a Ugly Betty. Circulación Y Adaptación De Narrativas Televisivas from Betty, La Fea to Ugly Betty
    MURILLO, S. y ESCALA, L. De Betty, la Fea a Ugly Betty. CUADERNOS.INFO VOLº 33 ISSN 0719-3661 Versión electrónica: ISSN 0719-367x http://www.cuadernos.info DOI: 10.7764/cdi.33.531 De Betty, la fea a Ugly Betty. Circulación y adaptación de narrativas televisivas From Betty, la fea to Ugly Betty. Circulation and adaptation of TV narratives SANDRA L. MURILLO SANDOVAL, Universidad del Mar Campus Huatulco e Instituto de la Comunicación Santa Cruz Huatulco, Oaxaca, México ([email protected]) DR. LUIS ESCALA RABADÁN, El Colegio de la Frontera Norte. Departamento de Estudios Culturales. Tijuana, Baja California, México ([email protected]) RESUMEN En este artículo se examina la adaptación de la tele- ABSTRACT novela colombiana Yo soy Betty, la fea al serial esta- In this paper, we assess the adaptation of the Colombian dounidense Ugly Betty, con el propósito de examinar soap opera Yo soy Betty, la fea to the US TV series Ugly el proceso de construcción simbólica de la fealdad a Betty, and explain the process of symbolic construction partir de la condición étnica de su personaje central. of ugliness, based on the ethnic condition of the main Para ello, se evalúa el discurso desarrollado a través character. We examine the discourse built around Betty de dicho personaje, Betty Suárez, que sirve como Suarez, which works as a resource to forge a narrative vehículo para elaborar una narrativa de identidad of national identity on the Latino population in the nacional sobre la población latina en Estados Uni- United States. The resulting series makes possible to dos.
    [Show full text]
  • Redalyc.A Transnacionalização De Programas Televisivos Na Região
    Matrizes ISSN: 1982-2073 [email protected] Universidade de São Paulo Brasil SINCLAIR, JOHN A transnacionalização de programas televisivos na região ibero-americana Matrizes, vol. 8, núm. 2, enero-junio, 2014, pp. 63-77 Universidade de São Paulo São Paulo, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=143032897004 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto A transnacionalização de programas televisivos na região ibero-americana Transnationalisation of television programming in the Iberoamerican region JOHN S iNCLAIR* University of Melbourne, School of Historical and Philosophical Studies. Melbourne, Victoria, Austrália RESUMO Noções como as de imperialismo cultural ou cultura global, relacionadas a supostas * Honorary Professorial Fellow na University tendências de homogeneização da globalização cultural, pecam por desconsiderar of Melbourne. Sua o efeito heterogeneizador do local. Tal como a rede McDonald’s entende ser neces- pesquisa, publicada internacionalmente, sário oferecer hambúrgueres vegetarianos na Índia, os estudos de televisão global abrange aspectos culturais nos familiarizam com um mercado transnacional de formatos televisivos, no qual e político-econômicos da globalização das indústrias a homogeneização procede através da heterogeneização: isto é, através da adaptação da mídia e
    [Show full text]
  • The Networked Fictional Narrative: Seriality and Adaptations in Popular Television and New Media
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-13-2020 10:00 AM The Networked Fictional Narrative: Seriality and Adaptations in Popular Television and New Media. Nandita Dutta, The University of Western Ontario Supervisor: Suárez, Juan Luis, The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Doctor of Philosophy degree in Hispanic Studies © Nandita Dutta 2020 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Digital Humanities Commons, Other Film and Media Studies Commons, Other Spanish and Portuguese Language and Literature Commons, and the Television Commons Recommended Citation Dutta, Nandita, "The Networked Fictional Narrative: Seriality and Adaptations in Popular Television and New Media." (2020). Electronic Thesis and Dissertation Repository. 7287. https://ir.lib.uwo.ca/etd/7287 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract From creating elaborate fan-worlds to driving large amounts of revenue into the economy, popular culture has proved to be the motivation behind, as well a reflection of, large scale acquisitions of conglomerates that have governed popular interests since the mid-20th Century. If its movements across geographic space, time, and media can be traced, popular cultural production is an apt subject of research into how a cultural entity is conceptualised, transported and appropriated within another. In this study, adaptations of fictional products in the 20th and 21st Centuries are considered as manifestations of neobaroque forms of cultural production and consumption.
    [Show full text]