180736 Justice D
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Recent Decisions
Fordham Law Review Volume 11 Issue 3 Article 4 1942 Recent Decisions Fordham Law Review Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Fordham Law Review, Recent Decisions, 11 Fordham L. Rev. 311 (1942). Available at: https://ir.lawnet.fordham.edu/flr/vol11/iss3/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. 1942] RECENT DECISIONS RECENT DECISIONS CORPOnRTIONS-INTERL0CKING DIRECTORATES-RIGHT OF MINORITY STOCKHOLDER TO Vom TRANSACTION.-The defendants were majority stockholders and directors of the Empire Power Corporation, and also majority stockholders and directors of the Long Island Lighting Company. In 1931-1932 the Long Island Company owed an aggregate of $10,000,000 to banks and was finding it increasingly difficult to borrow further from those sources. It borrowed from the Empire Corporation on an unsecured note payable within one year. Several other loans were subsequently negotiated with the Empire Corporation, all to be paid within a year, and these notes were constantly renewed over a ten year period by Empire so that at the time of the commencement of this action Long Island was indebted to Empire in the sum of $5,000,000. In 1936, partly through the marketing of a bond issue, the Long Island Company paid off all its unsecured indebtedness, except that owing to Empire. -
The Basis of Vicarious Liability
THE BASIS OF VICARIOUS LIABILITY I If a master choose to give orders to his servant, no one can fail to understand why he should be held liable for the conse- quences of their commission.' Nor is the case in substance dif- ferent when he ratifies his servant's act. To stamp what is done for him with the seal of his approval is tacitly, but obviously, to accept the act as his own ;2 and that is true no less where the ratification is implicit, than where it is expressly made manifest.3 No one, however, deems it necessary to take objection to lia- bility which is consequent upon a general negligence.4 I may knowingly employ a clearly incompetent person.' I may con- sciously fail to provide proper means for the performance of the allotted work. I may fail to give my servant information which I know to be essential to the right completion of his task.7 I may fail to take adequate precautions against the commission of a tort in my presence.8 In cases such as these, where the master is directly involved, it is essential to any scheme of law that he should be held liable for such damage as his servant may cause. The problem is far different where express authority does not exist. A state in which it is an accepted doctrine that the sins of the servant may, even when unauthorized, be visited upon the master, has won a tolerable respect for its law. Yet the thing is sufficiently novel to be worth some careful investigation. -
What Is Family Law?: a Genealogy Part II
What is Family Law?: A Genealogy Part II The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Janet Halley, What is Family Law?: A Genealogy Part II, 23 Yale J.L. & Human. 189 (2011). Published Version http://digitalcommons.law.yale.edu/yjlh/vol23/iss2/1/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12991692 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Yale Journal of Law & the Humanities Volume 23 | Issue 2 Article 1 5-8-2013 What is Family Law?: A Genealogy Part II Janet Halley Follow this and additional works at: http://digitalcommons.law.yale.edu/yjlh Part of the History Commons, and the Law Commons Recommended Citation Halley, Janet (2011) "What is Family Law?: A Genealogy Part II," Yale Journal of Law & the Humanities: Vol. 23: Iss. 2, Article 1. Available at: http://digitalcommons.law.yale.edu/yjlh/vol23/iss2/1 This Article is brought to you for free and open access by Yale Law School Legal Scholarship Repository. It has been accepted for inclusion in Yale Journal of Law & the Humanities by an authorized administrator of Yale Law School Legal Scholarship Repository. For more information, please contact [email protected]. Halley: What is Family Law?: A Genealogy Part II Articles What is Family Law?: A Genealogy Part II Janet Halley INTRODUCTION This Article offers a genealogy of domestic relations law (later renamed family law). -
Othello and the Master-Servant Dialectic
Magadalen Wing-Chi Ki Othello and the Master-Servant Dialectic We cannot be all masters, nor all masters Cannot be truly follow’d. (Othello 1.1.43–4)1 HOMAS RYMER famOUsly concludes that Othello is “a Bloody TFarce,” a “tragedy of the Handkerchief,” because he cannot make sense of the master/servant logic in the play.2 First, he believes that “neither His- tory nor Heraldry” would allow Othello—a “Black-amoor”—to become a master. Second, an audience can recognize nothing grand in the characters: “noble Desdemona” falls in love with a black soldier and behaves like a “Country Chamber-maid.” “We see nothing done by [Othello] or related concerning him that comports with the condition of a General—or, indeed, of a Man.”3 Third, Iago is “the most intolerable” of servants because, unlike “other Souldiers of our acquaintance,” he is a “dissembling, false, insinuat- ing rascal instead of an open-hearted, frank, plain-dealing Souldier.”4 As a result, Rymer calls it “an affront” to present these masters and this servant to an audience. This essay argues that the master-servant dialectic is central to the tragedy of Othello, and highlights five modes of master-servant relation- ship featured in the play, namely, might and the Hegelian master-servant dialectic, language and Lacanian master-slave discourse, prerogative and 1 All references to Othello are to the Arden Shakespeare, ed. E.A.J. Honigmann (Surrey: Thomas Nelson & Sons, 1997). 2 Thomas Rymer,A Short View of Tragedy (1693), in A Routledge Literary Sourcebook on Wil- liam Shakespeare’s Othello, ed. -
The Partial Performance Interesst Of
MARQUETTE LAW REVIEW Vol. 38 FALL, 1954 No. 2 THE PARTIAL PERFORMANCE INTEREST OF THE DEFAULTING EMPLOYEE-PART ONE CALVIN W. CORMAN* I. INTRODUCTION The problem of the defaulter's part performance interest is funda- mental in that it brings into conflict basic doctrines underlying the Anglo-American legal system. It pits contracts against restitution, con- dition precedent against unjust enrichment, sanctity of the legally bind- ing promise against legal abhorrence of the unnecessary forfeiture. The problem is basically one of evaluating conflicting interests. Few questions that have occurred so frequently and have such practical im- portance have at the same time created such diversity of views and have become so difficult of adequate solution.' Text writers, beginning with Woodward,2 divide the subject as to the type of contract performance involved. Four classifications have been established: the service contract, construction contract, contract for the sale of goods, and contract for the payment of money. The first of these classifications, the iervice contract, is to be considered in this article. Keener 3 classifies the problem on the basis of default causation, i.e., where the default is wilful or inexcusable, or performance is im- possible or illegal. Consideration will be given primarily to the "wilful" default and to contracts both valid and voidable. Distinction is drawn between the employment contract calling for the creation of an end unit product and the service-employment contract providing for continued employment * B.B.A., LL.B., Baylor University; LL.M., University of Michigan; Professor of Law, Marquette University Law School; Member, Wisconsin and Texas Bars; Member, Milwaukee and Wisconsin Bar Associations. -
The Scholar and Her Servants: Further Thoughts on Postcolonialism and Education
Claremont Colleges Scholarship @ Claremont CMC Faculty Publications and Research CMC Faculty Scholarship 1-1-2007 The cholS ar and Her Servants: Further Thoughts on Postcolonialism and Education Nita Kumar Claremont McKenna College Recommended Citation Kumar, Nita. "The choS lar and Her Servants: Further Thoughts on Postcolonialism and Education." The oP litics of Gender, Community and Modernities: Essays on Education in India. New Delhi: Oxford University Press, 2007. This Book Chapter is brought to you for free and open access by the CMC Faculty Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CMC Faculty Publications and Research by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Chapter 12 The Scholar and her Servants: further thoughts on Postcolonialism and Education The hypothesis of the paper is twofold. By juxtaposing the two subject-positions of mistress and servant, moving between one and the other to highlight how each is largely constructed by the interaction, we illuminate the questions of margin and centre, silence and voice, and can ponder on how to do anthropology better. But secondly, to the work of several scholars who propose various approaches to these questions, I add the particular insight offered by the perspective of education. Because one of the subject-positions is that of ‘the scholar’, someone professionally engaged in knowledge production, the new question I want to consider is regarding the formation of this authoritative knowledge, its seemingly autonomous history, and the existing and potential intersections of that history with the history of the ‘non-scholar’. If I study India the question is how the history of India impinges on the history of the subjects involved in the study. -
1980S Retro Playlist
1980s Retro Playlist Instructor Song Name Time Artist BPM Contributor Uses Take A Chance On Me 4:07 Abba 107 Lisa Piquette I love this for an opening song Richard Poison Arrow 3:24 ABC 126 Newman intro song while class is setting up I Saw the Sign 3:12 Ace of Base 97 J Sage fast flat. Great for cadence drills My roommate at UCSB was in love with Adam Ant, so I can't think of the 1980s without thinking of her and this song! It has a great beginning for your cyclists; there's no way to not grab that distinctive drum Goody Two Shoes 3:28 Adam Ant 95 J Sage beat for your higher-cadence flats. Take On Me 3:47 Aha 84 Lisa Piquette Fast Cadence, Hill Back to the 80s 3:43 Aqua Annette Warm up Freeway of Love 5:33 Aretha Franklin 126 Lisa Piquette Cadence Surges Venus 3:37 Bananarama 126 Lisa Piquette Muscular Endurance Richard Take My Breath Away 4:12 Berlin 96 Newman cool down In my Top 5 for sure. I thought this song was so unique at the time—it didn't sound like many of the other typical songs of the era. The Scottish accents and the bagpipes gave it an exotic sound. I use this in almost all of my retro playlists. You can only climb to it, and at 2:28 you power out of the saddle after Big Country 3:55 Big Country 125 J Sage he sings "When every single hope has been shattered" until 2:45. -
Intervent and Compromise in Sang Hu's Movies from 1947 to 1948 By
Intervent and Compromise in Sang Hu’s Movies from 1947 to 1948 by Jie Wu A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts Approved November 2012 by the Graduate Supervisory Committee: John Zou, Chair Xiaoqiao Ling Stephen West ARIZONA STATE UNIVERSITY December 2012 ABSTRACT During 1947-1948, three commercial films:Everlasting Love(不了情, 1947) Long Live the Wife (太太萬歲,1947) and Happiness and Sorrow of Middle Ages (哀樂中年,1948) from the director Sang Hu 桑弧 were released. Although the results from box-office were stunning, they suffered fierce criticism from progressive critics largely because the films lacked descriptions of China as a nation-state with critical explorations on nationalism, anti-imperialism, and feudalism. This ideological bias resulted in a long time neglect of the artistic and social value of these three films. This paper attempts to analyze the directors original intention through the love story vehicle, illustrate his concern toward individuals, society, urban culture and moral standards and further discuss this new film genre through a comparison of today’s film market. In my opinions, his films contain considerable artistic and social values which deserve scholarly attentions. They show great compassion toward the dilemma of ordinary human beings and privilege the perspectives of common citizens; The director depicts various kinds of interpersonal relationships in a semi-colonial city and thus demonstrates considerable concern with the social realities. In their particular political environment, these films negotiate the economic market and yet successfully contribute their own intervention in the wider cultural discussion of post-war social reconstruction and the development of ethical values. -
Revising the Roles of Master and Servant: a Theory of Work Law
ARTICLE 4 (NAYAK-YOUNG).DOCX (DO NOT DELETE) 9/29/15 2:25 PM REVISING THE ROLES OF MASTER AND SERVANT: A THEORY OF WORK LAW Stephen Nayak-Young* In this article, I critically examine the claim that work law is best conceived as a subspecies of contract law, arguing that this characterization is neither descriptively accurate nor normatively instructive. Rather than understanding work law as a set of restraints on freedom of contract, we should see it as creating and defining special relationships, much like the codified definitions of marriages and business partnerships. I trace the development of work relationships through the common law of “master and servant” and their more recent statutory modification. I argue that the history and present form of work law are not consistent with the contract- centered view of work law as “interfering” with an otherwise free labor market. In addition, I set the stage for a future research project in which I will argue that since work relationships permit employers to exercise authority over workers, a just work law would narrowly circumscribe employers’ authority in order to achieve work law’s justifiable aims while minimizing overreaching by employers. I.WORK LAW AS I SEE IT ......................................................................... 1224 A. Brief Introduction .................................................................. 1224 B. What I Mean By “Work Law” ............................................... 1225 II.INITIAL SKIRMISH WITH THE FREEDOM-OF-CONTRACT VIEW ............ 1227 III.MOTIVATIONS FOR THE FREEDOM-OF-CONTRACT VIEW ................... 1233 A. Maine’s “From Status to Contract” ....................................... 1233 B. Where Maine Went Wrong ................................................... 1235 IV.WHY THE FREEDOM-OF-CONTRACT VIEW IS MISTAKEN .................. 1238 A. Master and Servant ............................................................... -
THORO PRODUCTS CO., [CERCLA/EPCRA] Docket No
.. "'f. UNITED STATES ENVIRONMENTAL PROTECTION AGEN1fl&~~ \1" JgJID BEFORE THE ADMINISTRATOR IJI.t < /ol~y 22 1992 v EPA Region VIII '~eglonaJ Heartnt Clltrk IN THE MATTER OF THORO PRODUCTS CO., [CERCLA/EPCRA] Docket No. EPCRA VIII-90-04 Respondent 1. EPCRA: 42 U.S.C. § 11004; CERCLA: 42 U.S.C. § 9603; IMMEDIATE NOTIFICATION; KNOWLEDGE OF RELEASE: The emergency notification requirement imposed by Section 304 of EPCRA requires the owner or operator of the facility to provide notice to the State Emergency Response Committee (SERC) and the Local Emergency Planning Committee (LEPC) immediately after the owner or operator acquires knowledge of the release of an extremely hazardous substance in a quantity equal to or in excess of a reportable quantity (RQ). 2. EPCRA: 42 U.S.C. § 11004; CERCLA: 42 U.S.C. § 9603; IMMEDIATE NOTIFICATION; KNOWLEDGE OF RELEASE: The condition precedent of knowledge which is incorporated into Section 304(a) of EPCRA may be met if the owner or operator of the facility personally possesses the required knowledge or if the knowledge of the release of an RQ of a reportable substance which is possessed by the person in charge of the facility may be imputed, under the particular circumstances of the case, to the owner or operator of the facility. I 3. EPCRA: 42 U.S.C. § 11004; CERCLA: 42 U.S.C. § 9603; KNOWLEDGE OF RELEASE: Knowledge of the release includes either actual knowledge or constructive knowledge. 4. EPCRA: 42 U.S.C. § 11004; CERCLA: 42 U.S.C. § 9603; ACTUAL KNOWLEDGE: -Actual knowledge, which is not necessarily absolute certainty, is an assurance of a fact that has happened or occurred. -
COLLECTED the Alan Wilder/Depeche Mode Historic Equipment, Vinyl & Memorabilia Auction
auction.recoil.co.uk omegaauctions.co.uk COLLECTED THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL & MEMORABILIA AUCTION Saturday 3rd September 2011 COLLECTED THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL & MEMORABILIA AUCTION Saturday 3rd September 2011 at 3.00pm Zion Arts Centre, 335 Stretford Road, Hulme, Manchester, M15 5ZA ON VIEW Friday 2nd September 11.00am - 8.00pm Saturday 3rd September 10.00am - 2.45pm Catalogue £5.00 Omega Auctions Telephone: +44 161 865 0838 Email: [email protected] www.omegaauctions.co.uk HISTORY - ALAN WILDER FOREWORD After classical training from an early age, Alan Wild- “Since those heady DM years, I have concentrated fully on my once side project Recoil (which originated in er’s career in music began at the age of 16 when he 1986). The most significant work has evolved since 1996. Free from former commitments, I began operating secured the position of studio assistant at DJM Studi- from my own studio, ‘The Thin Line’, and at my own pace, gradually piecing together what would become the os in London’s West End. Following 3 years of moder- ‘Unsound Methods’, ‘Liquid’ and ‘subHuman’ albums. Over the course of the last 12 years I have been ably ac- ate success in a variety of different bands, he joined companied by Paul Kendall who brings his idiosyncratic view to the whole procedure. Depeche Mode in 1981 after replying to an advert in Melody Maker. The recent ‘Selected’ collection is made up of my personal favourites, remastered and edited together into what I consider a cohesive and total listening experience. -
The Last Legally Beaten Servant in America: from Compulsion to Coercion in the American Workplace1
The Last Legally Beaten Servant in America: From Compulsion to Coercion in the American Workplace1 Lea VanderVelde2 A master may by law correct his apprentice or servant . .3 – Blackstone’s Commentaries The relation of master and slave begins in violence; it must be sus- tained by violence—the systematic violence of general laws, or the irregular violence of individual caprice.4 – Theodore Parker, 1830 CONTENTS INTRODUCTION ..................................................................................... 728 I. PRIVATE RELATIONSHIPS AND CORPORAL PUNISHMENT .................. 739 II. BEATINGS’ PURPOSES ...................................................................... 743 A. Hypotheses: Whipping as the Litmus Test in Four Progress Narratives ......................................................................................... 748 B. The Evidence ................................................................................ 750 1. This piece is intended both as a free standing article and as a chapter in a book that I have had in mind for many years, entitled The Master Narrative of the Nineteenth Century. In that book, I proceed by isolating and examining different privileges and prerogatives of the master-servant rela- tion. My article, The Legal Ways of Seduction, 48 STAN. L. REV 817 (1996) [hereinafter VanderVelde, Legal Ways] concerns the writ of seduction. My article, The Gendered Origins of the Lumley Doctrine: Binding Men’s Consciences and Women’s Fidelity, 101 YALE L.J. 775 (1992) [hereinafter VanderVelde, Gendered