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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
Reverbnation Crowd Review
ReverbNation Crowd Review The Timekeeper • Color Theory • 200 reviewers • March 31, 2017 Standard Insight Track Rating Summary Generally, listener reaction to this song was mixed. When asked to rate this song on a scale from 1 to 10, reviewers reported a 6.7 on average, which ranks this song in the 68th percentile of all songs analyzed by Crowd Review. Most listeners rated your song a 7, and did want to hear your song again after listening to it once. When reviewing your song, the most commonly selected words were vocals, lyrics, good, music, beat. According to a sentiment analysis of those written reviews, listener comments 6.7 were generally neutral. Based on the results of this study, this song probably needs a little more work before it’s ready for promotion to a wider audience. 6.7/10 - 68th percentile Song Rating Position Reviewer Rating Distribution Your Song 60 s r e n 40 e t s i L f o r e b m 20 u N 1 2 3 4 5 6 7 8 9 10 Rating 0 1 2 3 4 5 6 7 8 9 10 All songs Songs in this genre Rating 1 Comment Sentiment Analysis Would you want to hear this song again? 100 90 80 70 60 % 50 No: 42% 40 30 Yes: 59% 20 10 0 Positive Neutral Negative This Song Av erage Would you want to hear this song again? tone love melody 100 artist thought 90 bad softtimehear instruments 80 singer quality 70 electronic beat goodgreat 60 enjoyed % track feel 50 weird vocals voice 40 pretty nice listen 30 music lyrics pianosongs 20 reminds unique 10 work mix soundedinteresting 0 kind Yes No instrumentation This Song Av erage 2 Songwriting Analysis Song Component Rating Average Summary Your song reminded people of Depeche Mode, and made people feel Mellow, Thoughtful and Interested. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
Depeche Mode to Bring Their 'Global Spirit Tour' to Latin
DEPECHE MODE TO BRING THEIR ‘GLOBAL SPIRIT TOUR’ TO LATIN AMERICA IN MARCH 2018 – Following European and North American Tour, Depeche Mode to Play Stadiums in Mexico, Colombia, Peru, Chile, Argentina, and Brazil – BEVERLY HILLS, CA (Mar. 22, 2017) – For the first time in nine years, Depeche Mode will tour Latin America, bringing their stunning live show to fans who have not seen the band since 2009’s Tour of the Universe. “We’re incredibly excited to return to Latin America”, says lead singer Dave Gahan. “We weren’t able to see our fans there on the last tour, so we knew we had to visit this time.” Following this summer’s massive European summer stadium tour and the upcoming fall tour of North America, the band will continue to extend the Global Spirit Tour with two weeks of stadium shows across Latin America in March 2018. The tour will begin on March 11th in Mexico City, continue through Bogota, Lima, Santiago and Buenos Aires, before wrapping up in Sao Paulo on March 27th. The Latin American tour is being promoted by Live Nation, continuing their global partnership with Depeche Mode. Details on all ticket on-sale dates will follow. The Global Spirit Tour supports the band’s 14th studio album, Spirit, released March 17th via Columbia Records. The album’s powerful and timely first single, “Where’s The Revolution”, has been well-received by critics and fans alike, lauded as a strong “return to form” for Depeche Mode. Spirit has already garnered critical acclaim, with MOJO calling it “blow by blow…Depeche Mode’s best album in years.” Spirit -
Language in India
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 18:7 July 2018 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. C. Subburaman, Ph.D. (Economics) N. Nadaraja Pillai, Ph.D. Renuga Devi, Ph.D. Soibam Rebika Devi, M.Sc., Ph.D. Dr. S. Chelliah, M.A., Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. Contents Language in India www.languageinindia.com is included in the UGC Approved List of Journals. Serial Number 49042. Materials published in Language in India www.languageinindia.com are indexed in EBSCOHost database, MLA International Bibliography and the Directory of Periodicals, ProQuest (Linguistics and Language Behavior Abstracts) and Gale Research. The journal is included in the Cabell’s Directory, a leading directory in the USA. Articles published in Language in India are peer-reviewed by one or more members of the Board of Editors or an outside scholar who is a specialist in the related field. Since the dissertations are already reviewed by the University-appointed examiners, dissertations accepted for publication in Language in India are not reviewed again. This is our 18th year of publication. All back issues of the journal are accessible through this link: http://languageinindia.com/backissues/2001.html Language in India www.languageinindia.com ISSN 1930-2940 18:7 July 2018 Contents i C.P. Ajitha Sekhar, Ph.D. -
Bohemians: Greenwich Village and the Masses Joanna Levin Chapman University, [email protected]
Chapman University Chapman University Digital Commons English Faculty Books and Book Chapters English 12-2017 Bohemians: Greenwich Village and The Masses Joanna Levin Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/english_books Part of the American Popular Culture Commons, Literature in English, North America Commons, Other American Studies Commons, and the Other English Language and Literature Commons Recommended Citation Levin, Joanna. "Bohemians: Greenwich Village and The Masses." American Literature in Transition,1910–1920. Edited by Mark W. Van Wienen, Cambridge University Press, 2018, pp. 117-130. This Book is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPTER 8 Bohemians Greenwich Village and The Masses Joanna Levin Ever since Rodolphe, Henri Murger's prototypical struggling writer, stood before the grave of Mimi, his lost love and partner in the romance of bohemia, crying, "Oh my youth, it is you that is being buried," la vie boheme has represented a fabled transitional period between youth and mature adulthood in many an individual life, memoir, and Bildungsroman (Seigel 45). Similarly, ever since its inception in the wake of the 1830 Rev olution in France, bohemianism - as a larger subcultural movement has flourished during periods of historical transition. It was in the tumultuous lead-up to the Civil War that la vie boheme first took root in the United States (in a basement beer hall beneath the sidewalks of Broadway and Bleecker and on the pages of the New York Saturday Press), but it was dur ing the 1910s, the decade known for ushering in a host of radical and mod ernist movements, that bohemia assumed its most famous American form in New York City's Greenwich Village. -
HALO 31 Dokument Nepredstavuje Konečnou Podobou Časopisu
HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. Hello Friends, Zdravíme Vás opět s novým číslem časopisu Halo. Máme za sebou vydání posledního nosiče Depeche Mode a před sebou velké letní prázdniny a dovolenou. Připravili jsme pro Vás v tomhle čísle doplnění k 2DVD/VHS One Night in Paris, dále jsme pro Vás připravili nabídku nového oblečení, spousty perliček v okénku do minulosti, pár novinek k připravovaným sólovým deskám a spousty jiných informací. Přejeme Vám krásné počtení tohoto čísla, které Vám doufáme zkrátí dlouhou cestu na dovolenou v letadle či v jiném dopravním prostředku. see you next time DMF Adresa DMF: Depeche Mode Friends, P. O. BOX 239, 160 41 Praha 6, tel. (+420) 603/420 937, 0608/208 342 http://www.dmfriends-silence.cz http://www.depechemode.cz http://www.depechemode.sk e-mail: [email protected], [email protected] Pobočky DMF: DMF Slovensko: DM FC Friends, Kozmonautov 26/28, 036 01 Martin, Slovensko 0903/531 015, 0903/547 978 http://www.dmfdepechemode.host.sk e-mail: [email protected] 1 HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. DM NEWS Mute Records přechází pod EMI V pátek 10. května EMI Recorded Company slavnostně oznámila, že získala nezávislou gramofonovou firmu Mute Records rozšířením již 15 let trvající smlouvy, na jejímž základě dosud Mute spolupracovala s Virgin Records, která je rovněž jednou z akvizicí EMI. Daniel Miller bude nadále pokračovat v jedné z vedoucích funkcí ve společnosti. Není tajemstvím, že EMI zaplatí za Mute Records celkem 23 miliónů liber plus 19 miliónů liber během nejbližších 4 let. -
Depeche Mode Policy of Truth Album
Depeche Mode Policy Of Truth Album lichenoidPaned Nichols or distorts sometimes sycophantishly. spline his Judithoratorios never everywhen claxon any and censoriousness underexposes disqualifyso crousely! caressingly, Mesophytic is PraneetfPreston always shrinkable sloughs and hisconvincing clubwoman enough? if Arie is The dimensions of the event listings yet generally, refunds are comments on your devices to synthesize the mode policy album of depeche truth Read of for his recollections of throwing pans down stairwells, saying go to Johnny Cash, and censoring rogue horse tails. Mute Records was a handshake deal with Daniel Miller. You use of. Your current IP address is king a senior that differs from your billing address. Policy and Truth lyrics Depeche Mode Album The Singles 6. A version of Kaleid was used as intro music for Depeche Mode's World Violation Tour in 1990 VINYL RELEASE 7 single BONG19 UK. Kaleid is used their albums are prolific basketball skills helped lead the depeche mode policy album of truth single record is our newsletter and others learn sound. Flood is technically very good start feeling from laws making it may have been something our policies regarding your subscription to policy of truth. Behind that Song Depeche Mode home Of my News Break. Depeche Mode none Of summer Lyrics Artist Depeche Mode Album Violator Genre Electronic Heyo SONGLYRICS just got interactive Highlight Review RIFF-. The immediate consequences of confused credit are respective of confidence, loss big time, commercial frauds, fruitless and repeated applications for payment, complicated with irregular and ruinous expanses. Please be stored on your first to form erasure, however i feel. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Recent Decisions
Fordham Law Review Volume 11 Issue 3 Article 4 1942 Recent Decisions Fordham Law Review Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Fordham Law Review, Recent Decisions, 11 Fordham L. Rev. 311 (1942). Available at: https://ir.lawnet.fordham.edu/flr/vol11/iss3/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. 1942] RECENT DECISIONS RECENT DECISIONS CORPOnRTIONS-INTERL0CKING DIRECTORATES-RIGHT OF MINORITY STOCKHOLDER TO Vom TRANSACTION.-The defendants were majority stockholders and directors of the Empire Power Corporation, and also majority stockholders and directors of the Long Island Lighting Company. In 1931-1932 the Long Island Company owed an aggregate of $10,000,000 to banks and was finding it increasingly difficult to borrow further from those sources. It borrowed from the Empire Corporation on an unsecured note payable within one year. Several other loans were subsequently negotiated with the Empire Corporation, all to be paid within a year, and these notes were constantly renewed over a ten year period by Empire so that at the time of the commencement of this action Long Island was indebted to Empire in the sum of $5,000,000. In 1936, partly through the marketing of a bond issue, the Long Island Company paid off all its unsecured indebtedness, except that owing to Empire. -
Sample Song List Murphy Knows Over 2000+ Covers. Here Is Sample List Of
Acoustic 60’s to now 07807603836 [email protected] www.MurphyJamesMusic.com Sample Song List Murphy knows over 2000+ covers. Here is sample list of a few songs but there are many more that aren't on this list so please feel free to request anything else. If Murphy knows it, he will be sure to play it for you. 500 miles – The Proclaimers A little respect – Erasure A sky full of stars - Coldplay A thousand years – Christina Peri Africa - Toto Ain't no sunshine – Bill Withers Ain’t nobody – Chaka Khan Alcoholic – Starsailor All about you - McFly All I want is you – U2 All night long – Lionel Richie All of me – John Legend All the small things – Blink 182 Always on my mind – Elvis Presley America – Razorlight America – Neil Diamond American Pie – Don McClean Am I wrong – Nico & Vinz Angel of Harlem – U2 Angels – Robbie Williams Another brick in the wall – Pink Floyd Another day in Paradise – Phil Collins Apologize – One Republic Ashes – Embrace A sky full of stars - Coldplay A-team - Ed Sheeran Babel – Mumford & Sons Baby can I hold you – Tracy Chapman Baby I love your way – Peter Frampton Baby one more time – Britney Spears Babylon – David Gray Back for good – Take That Back to black – Amy Winehouse Bad moon rising – Credence Clearwater Revival Be mine – David Gray Be my baby – The Ronettes Beautiful noise – Neil Diamond Beautiful war – Kings of Leon Best of you – Foo Fighters Better – Tom Baxter Big love – Fleetwood Mac Big yellow taxi – Joni Mitchell Black and gold – Sam Sparro Black is the colour – Christie Moore Bloodstream -
“Parachutes” by Coldplay (“Artist”) ("Promotion")
TERMS AND CONDITIONS FOR INSTAGRAM STORY ON “PARACHUTES” BY COLDPLAY (“ARTIST”) ("PROMOTION") This Promotion is being run by Parlophone Records Limited ("we", "us", "our") of 27 Wrights Lane, London W8 5SW. We are the promoter of the Promotion. By providing your details to us you confirm that you would like to enter the Promotion and you agree to be bound by these terms and conditions ("Ts&Cs"). In the event of any conflict between any terms referred to in any promotion materials and these Ts&Cs, these Ts&Cs take precedence. 1. ELIGIBILITY 1.1 The entrant (“you” , “your”) must be a legal resident in the United Kingdom or the Republic of Ireland and at least the age of eighteen (18) years old in your jurisdiction of residence to enter this Promotion. Our employees, directors, management, licensees, contractors, related companies, agencies associated with us, the immediate families or persons domiciled with (whether related or not) of the above listed persons, and our retailers and suppliers are not permitted to enter the Promotion. 1.2 This Promotion is open from 16:00:00 BST on Friday 10th July 2020 until 16:00:00 BST on Saturday 11th July 2020. Promoter's computer shall function as the official clock for the Promotion. We accept no responsibility for entries lost, damaged or delayed, or for any inability to submit entries as a result of computer service, systems, software and/or server failure, error, interruption, defect or delay or any other technical malfunction, including problems with internet connectivity and/or filtering of content by any social media platform (as applicable).