Depeche Mode Policy of Truth Album
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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
Reverbnation Crowd Review
ReverbNation Crowd Review The Timekeeper • Color Theory • 200 reviewers • March 31, 2017 Standard Insight Track Rating Summary Generally, listener reaction to this song was mixed. When asked to rate this song on a scale from 1 to 10, reviewers reported a 6.7 on average, which ranks this song in the 68th percentile of all songs analyzed by Crowd Review. Most listeners rated your song a 7, and did want to hear your song again after listening to it once. When reviewing your song, the most commonly selected words were vocals, lyrics, good, music, beat. According to a sentiment analysis of those written reviews, listener comments 6.7 were generally neutral. Based on the results of this study, this song probably needs a little more work before it’s ready for promotion to a wider audience. 6.7/10 - 68th percentile Song Rating Position Reviewer Rating Distribution Your Song 60 s r e n 40 e t s i L f o r e b m 20 u N 1 2 3 4 5 6 7 8 9 10 Rating 0 1 2 3 4 5 6 7 8 9 10 All songs Songs in this genre Rating 1 Comment Sentiment Analysis Would you want to hear this song again? 100 90 80 70 60 % 50 No: 42% 40 30 Yes: 59% 20 10 0 Positive Neutral Negative This Song Av erage Would you want to hear this song again? tone love melody 100 artist thought 90 bad softtimehear instruments 80 singer quality 70 electronic beat goodgreat 60 enjoyed % track feel 50 weird vocals voice 40 pretty nice listen 30 music lyrics pianosongs 20 reminds unique 10 work mix soundedinteresting 0 kind Yes No instrumentation This Song Av erage 2 Songwriting Analysis Song Component Rating Average Summary Your song reminded people of Depeche Mode, and made people feel Mellow, Thoughtful and Interested. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
Depeche Mode to Bring Their 'Global Spirit Tour' to Latin
DEPECHE MODE TO BRING THEIR ‘GLOBAL SPIRIT TOUR’ TO LATIN AMERICA IN MARCH 2018 – Following European and North American Tour, Depeche Mode to Play Stadiums in Mexico, Colombia, Peru, Chile, Argentina, and Brazil – BEVERLY HILLS, CA (Mar. 22, 2017) – For the first time in nine years, Depeche Mode will tour Latin America, bringing their stunning live show to fans who have not seen the band since 2009’s Tour of the Universe. “We’re incredibly excited to return to Latin America”, says lead singer Dave Gahan. “We weren’t able to see our fans there on the last tour, so we knew we had to visit this time.” Following this summer’s massive European summer stadium tour and the upcoming fall tour of North America, the band will continue to extend the Global Spirit Tour with two weeks of stadium shows across Latin America in March 2018. The tour will begin on March 11th in Mexico City, continue through Bogota, Lima, Santiago and Buenos Aires, before wrapping up in Sao Paulo on March 27th. The Latin American tour is being promoted by Live Nation, continuing their global partnership with Depeche Mode. Details on all ticket on-sale dates will follow. The Global Spirit Tour supports the band’s 14th studio album, Spirit, released March 17th via Columbia Records. The album’s powerful and timely first single, “Where’s The Revolution”, has been well-received by critics and fans alike, lauded as a strong “return to form” for Depeche Mode. Spirit has already garnered critical acclaim, with MOJO calling it “blow by blow…Depeche Mode’s best album in years.” Spirit -
HALO 31 Dokument Nepredstavuje Konečnou Podobou Časopisu
HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. Hello Friends, Zdravíme Vás opět s novým číslem časopisu Halo. Máme za sebou vydání posledního nosiče Depeche Mode a před sebou velké letní prázdniny a dovolenou. Připravili jsme pro Vás v tomhle čísle doplnění k 2DVD/VHS One Night in Paris, dále jsme pro Vás připravili nabídku nového oblečení, spousty perliček v okénku do minulosti, pár novinek k připravovaným sólovým deskám a spousty jiných informací. Přejeme Vám krásné počtení tohoto čísla, které Vám doufáme zkrátí dlouhou cestu na dovolenou v letadle či v jiném dopravním prostředku. see you next time DMF Adresa DMF: Depeche Mode Friends, P. O. BOX 239, 160 41 Praha 6, tel. (+420) 603/420 937, 0608/208 342 http://www.dmfriends-silence.cz http://www.depechemode.cz http://www.depechemode.sk e-mail: [email protected], [email protected] Pobočky DMF: DMF Slovensko: DM FC Friends, Kozmonautov 26/28, 036 01 Martin, Slovensko 0903/531 015, 0903/547 978 http://www.dmfdepechemode.host.sk e-mail: [email protected] 1 HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. DM NEWS Mute Records přechází pod EMI V pátek 10. května EMI Recorded Company slavnostně oznámila, že získala nezávislou gramofonovou firmu Mute Records rozšířením již 15 let trvající smlouvy, na jejímž základě dosud Mute spolupracovala s Virgin Records, která je rovněž jednou z akvizicí EMI. Daniel Miller bude nadále pokračovat v jedné z vedoucích funkcí ve společnosti. Není tajemstvím, že EMI zaplatí za Mute Records celkem 23 miliónů liber plus 19 miliónů liber během nejbližších 4 let. -
Erasure Rain Mp3, Flac, Wma
Erasure Rain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Rain Country: Belgium Released: 1997 Style: Synth-pop MP3 version RAR size: 1786 mb FLAC version RAR size: 1707 mb WMA version RAR size: 1749 mb Rating: 4.9 Votes: 193 Other Formats: MMF AU XM AUD MPC VOC MP2 Tracklist Hide Credits Rain Engineer [Assistant] – Darren Tai, Graham DominyEngineer [Recording Engineer] – George 1 4:13 Holt, Luke GiffordMixed By – Mark StentMixed By [Assisted By] – Paul Walton*Producer – Gareth Jones, Neil McLellan 2 Sometimes (Live In Oxford) 3:29 3 Love To Hate You (Live In Oxford) 4:05 Companies, etc. Phonographic Copyright (p) – Mute Records Ltd. Copyright (c) – Mute Records Ltd. Credits Written-By – Clarke/Bell Notes Comes in slimline jewel case. Released under licence by PIAS Beneleux. ℗ 1997 Mute Records Limited © 1997 Mute Records Limited Barcode and Other Identifiers Barcode: 5413356863222 Other versions Category Artist Title (Format) Label Category Country Year Mute, INT 8 84697 2, 7243 8 INT 8 84697 2, 7243 8 Erasure Rain (CD, Maxi) Mute, Germany 1997 84697 2 2, MUTE 208 84697 2 2, MUTE 208 Mute CDLPMUTE 208, Rain (Plus) (CD, Mute, CDLPMUTE 208, Erasure Europe 1997 CDLP MUTE 208 EP) Mute CDLP MUTE 208 Rain (Plus) (12", P12 MUTE 208 Erasure Mute P12 MUTE 208 UK 1997 TP, W/Lbl) Rain (CD, Single, CD MUTE 208 Erasure Mute CD MUTE 208 UK 1997 Promo) LPMUTE 208, Rain (Plus) Mute, LPMUTE 208, Erasure UK 1997 LPMUTE208 (2x12", EP) Mute LPMUTE208 Related Music albums to Rain by Erasure Erasure - It Doesn't Have To Be Erasure - Live In Hamburg Collection Erasure - You Surround Me Erasure - Ghost Erasure - The Circus (Live) Erasure - Gaudete Erasure - Blue Savannah Erasure - Drama Remix! Erasure - Drama! Erasure - Run To The Sun Erasure - Abba-Esque Erasure - Who Needs Love Like That. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Rogue Cinema - Depeche Mode - the Dark Progression (2009) - by Sha
Rogue Cinema - Depeche Mode - The Dark Progression (2009) - By Sha... http://www.roguecinema.com/article-1773--0-0.html Rogue Cinema Related Links Depeche Mode - The Dark Progression (2009) - By Sharon Martin · Home · More about Film Reviews · Current & Past Issues Posted on Thursday, July 02 @ Mountain Daylight Time by Duane · News by Duane · Feedback · Forums Most read story about Film · Search Reviews: Angel Guts: Red Porno (1981) - · Special Features The Dark Progression is By Duane L. Martin · Submission Info a new, · Surveys unauthorized · Web Links documentary · Your Account of one of the best known and well Article Rating regarded electronic Contact & Submissions bands to Average Score: 0 spring forth Votes: 0 from the 80's Before requesting to have your music scene, Please take a second and vote film reviewed, please make sure Depeche for this article: to read the Film Submission FAQ Mode. The documentary encompasses the in the Submission Info section time from the start of their career in 1980, nmlkj through the release of their Songs of Faith and then contact the editor to nmlkj request the review and get the and Devotion album and the resulting shipping address. Devotional Tour (1993/1994) that followed. nmlkj It does mentions their newer albums nmlkj Note: Our Submission FAQ has briefly, but doesn't really discuss them in any detail, which is a shame because nmlkj been recently updated, so please Depeche Mode, like all great bands, read it carefully before submitting continues to evolve and grow with each your film for review. Cast my Vote! new album. The group was formed in Basildon, Essex, England, by Martin Gore, Andrew Fletcher Rogue Cinema is always on the and Vince Clark. -
Violator (1990)
Texty: Depeche Mode – Violator (1990) World in My Eyes Svět v mých očích Let me take you on a trip Pojeď se mnou na cestu Around the world and back kolem světa, And you won´t have to move nemusíš přece jenom You just sit still potichu sedět Now let your mind do the walking Tak dovol své duši, aby se vznášela And let my body do the talking a nechej mé tělo, aby promluvilo Let me show you the world in my eyes Prohlédni si ten svět v mých očích I´ll take you to the highest mountain Vezmu Tě do nejvyšších hor To the depths of the deepest sea a do nejhlubších moří, We won´t need a map, believe me nepotřebujeme žádnou mapu, věř mi Now let my body do the moving Tak dovol mému tělu hýbat se And let my hands do the soothing a mým rukám laskat Tě Let me show you the world in my eyes Prohlédni si ten svět v mých očích That´s all there is Tohle není nic proti tomu, Nothing more than you can feel now co bys nyní mohla cítit That´s all there is Tohle není nic proti tomu, Let me put you on a ship Odjedeme lodí On a long, long trip na dlouhou cestu, Your lips close to my lips Tvé rty se dotknou mých All the islands in the ocean Všechny ostrovy v oceánu, All the heaven´s in the motion celá nebesa se pohybují Let me show you the world in my eyes Zahleď se do světa v mých očích That´s all there is Tohle všechno není nic proti tomu, Nothing more than you can touch now čeho se teď můžeš dotknout That´s all there is Tohle všechno není nic proti tomu, Let me show you t he world in my eyes. -
How to Re-Shine Depeche Mode on Album Covers
Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Reshine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space. -
Kevin Milburn Futurism and Musical Meaning in Synthesized
Kevin Milburn Futurism and Musical Meaning in Synthesized Landscapes Abstract The purpose of this paper is to explore how musicians engaged with a particular form of technology, the synthesizer, to create imaginative geographies of the near future. It examines the output of numerous ‘synth-pop’ acts involved in the production of this commercially successful, urban-focussed music, focussing on the period between 1977 and 1984. Attention is given to how this music both embedded and self-consciously reflected notions of futurism, a theme that, until that time, had largely been neglected in popular music. The role of earlier futuristic visionaries, such as Fritz Lang, JG Ballard and Stanley Kubrick, in shaping musicians depictions of futurism is highlighted. Throughout, the music is interpreted by situating it within the specific cultural, economic and sociotechnical realms in which it was produced. Whilst the emphasis is on debates concerning futurism that were played out within a British musical context reference is also made to related significant developments that occurred outside the UK. This paper assesses the way that notions of futurism were enrolled into electronic music in certain times and places. Naturally, in many respects, all contemporary popular music is now ‘electronic’; if not in its instrumentation then almost certainly in terms of its recording, distribution and consumption. However, my analysis of ‘electronic music’ refers to music in which electrically powered keyboard instruments, and specifically synthesizers, are to the fore of the mix, and where many of the sounds produced are clearly synthetically generated. In particular, the focus is on a form of electronic music, given the genre-label ‘synth-pop’ for marketing purposes, that was produced by artists sometimes referred to as ‘futurists’. -
Enjoy the Silence: Laibach 'Cover' John Cage's 4'33” – Moo
Enjoy the silence: Laibach ‘cover’ John Cage’s 4’33” All posts January 18, 201911:33 am Mute Records has just announced a box set with 50 acts ‘performing’ John Cage’s infamous 1952 avant-garde composition 4’33” – which directs musicians not to play any instruments. It’s just the kind of high-concept piece that suits Slovenian industrial art provocateurs Laibach, whose version is the first to be released. The box set, STUMM 433, features interpretations and a short film from iconic Mute acts such as Depeche Mode, New Order, Michael Gira, Wire, Einstürzende Neubauten, Nitzer Ebb, and 40-odd more. Label boss Daniel Miller has even recorded a version by The Normal. But Laibach have predictably set the bar high. Laibach’s version is a collaboration with Croatian performance artist Vlasta Delimar, recorded during an installation Chess Game for Four in Zagreb, with the conceit here being that the game – also featuring Laibach’s Milan Fras, Luka Jamnik and Ivan Novak – is timed for four minutes and 33 seconds. The only Laibach signifier is the famous cross armband – in Delimar’s case the only ‘clothes’ she’s wearing. Milan Fras even goes without his famous headpiece. The austere piece begins with Fras dropping a John Cage record on a floating turntable then assuming his position at the board. The game itself is captured with a slow tracking shot, as each player ponders a move, while the record crackles amid traffic white noise and subtle ASMR shuffling sounds. The tension builds as the time runs out but as 4’33” hits, the record stops without anyone making a move and it all ends in… silence.