100 Years: a Century of Song 1910S
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The Blue Review Literature Drama Art Music
Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Hackney Archives - History Articles in Hackney Today by Subject
Hackney Archives - History Articles in Hackney Today by Subject These articles are published every fortnight in Hackney Today newspaper. They are usually on p.25. They can be downloaded from the Hackney Council website at http://www.hackney.gov.uk/w-hackneytoday.htm. Articles prior to no.158 are not available online. Issue Publication Subject Topic no. date 207 11.05.09 125-130 Shoreditch High Street Architecture: Business 303 25.03.13 4% Industrial Dwellings Company Social Care: Jewish Housing 357 22.06.15 50 years of Hackney Archives Research 183 12.05.08 85 Broadway in Postcards Research Methods 146 06.11.06 Abney Park Cemetery Open Spaces 312 12.08.13 Abney Park Cemetery Registers Local History: Records 236 19.07.10 Abney Park chapel Architecture: Ecclesiastical 349 23.02.15 Activating the Archive Local Activism: Publications 212 20.07.09 Air Flight in Hackney Leisure: Air 158 07.05.07 Alfred Braddock, Photographer Business: Photography 347 26.01.15 Allen's Estate, Bethune Road Architecture: Domestic 288 13.08.12 Amateur sport in Hackney Leisure: Sport 227 08.03.10 Anna Letitia Barbauld, 1743-1825 Literature: Poet 216 21.09.09 Anna Sewell, 1820-1878 Literature: Novelist 294 05.11.12 Anti-Racism March Anti-Racism 366 02.11.15 Anti-University of East London Radicalism: 1960s 265 03.10.11 Asylum for Deaf and Dumb Females, 1851 Social Care 252 21.03.11 Ayah's Home: 1857-1940s Social Care: Immigrants 208 25.05.09 Barber's Barn 1: John Okey, 1650s Commonwealth and Restoration 209 08.06.09 Barber's Barn 2: 16th to early 19th Century Architecture: -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
Items Highlighted in Yellow Need to Be Updated Or Edited. DRAFT RAY
Items highlighted in yellow need to be updated or edited. DRAFT RAY AVERY COLLECTION 86-009 1860-1888. ca. 1920-1986. [Bulk: ca. 1920-1975] 10.5 linear feet including 3 volumes and 17 audio discs The Center for Popular Music, Middle Tennessee State University, Murfreesboro, TN May 1989 Ellen Garrison Updated 2007 and 2011 Lucinda Cockrell Ray Avery Collection 86-009 2 Table of Contents Ray Avery Collection 86-009 [Check page numbers after editing – these are incorrect.] Creator, Type of Material, Physical Description, Dates, Abstract (Descriptive Summary)……………………………………………………............................................. 3 Provenance and Acquisition Information, Subject/Index Terms, Agency History/Biographical Sketch………………………………................................... 3 Scope and Content……………………………………………………................................. 4 Series Description I. Black History Subject Files .................................................................................... 5 II. "Jazz Scrapbook" ................................................................................................... 5 III. New Orleans ......................................................................................................... 5 IV. Subject Files ......................................................................................................... 6 V. Record Covers ....................................................................................................... 6 VI. Record Company Announcements ...................................................................... -
A Variety Show from Tagora
Roll-call La Belle Époque is created, directed and performed by: V David Adamson, Joceline Adamson, Ian Bennett, Maimu Berg, Yucel Biricik, David Bousquet, Angela Brewer, David Crowe, Grégoire de Victor, Isabelle Dousset, Catherine Dreyfus, Imogen Hattenville, Louis Hattenville, Nell Hattenville, Paula Hinchy, Pelin Iscan, Banu Karamanoğlu, Selina Kenny, Julia Laffranque, Oscar Laffranque, Tobias Laffranque, Elena Malagoni, Roger Massie, Ann Meyer, Tina Mul- cahy, Bridget O’Loughlin, Maria Oreshkina, Louise Palmer, Simon Palmer, Edmond Perrier, Edouard Per- rier, Lucy Perrier, Maria Psarrou, Sabine Rinck, Milica Sajin, Doris Schaal, Mónica Soler-Pérez, Martin Swit- zer, Janis Symons, Martyn Symons, Andrew Tattersall, Richard Thayer, François Thouvenin, William Valk, Julie Vauboin, Armelle Weber, Julia Whitham, Andrew Wright, Jonah Wright, Liam Wright, Marie- Anne Wright, Martin Wright, Owen Wright. Backstage V Morgane Agez, Dianne Bartsch, Hazel Bastier, Lois Ceredig, Sara Rekar. Wardrobe V Marie-Claude Leroux, with the help of Janis Symons and Julie Vauboin. A variety show Décor V Martyn Symons. from Tagora Technical team V Albin Bernard, Richard Cruse, Hal d’Arpini, Carlos Hernández, Jeannine O’Kane, Rob Simmons. Cube noir Front-of-house/bar Koenigshoffen, V Guido Brockmann, Pelin Iscan, Marloes Kerstens, Michèle Lotz, Claire Massie, Lourd McCabe, Dave Strasbourg Parrott, Milica Sajin. 13-15 December 2013 Acknowledgements Grateful thanks to: Michèle Adamson, Amicale du per- 18-20 December 2013 sonnel du Conseil de l’Europe; Albert Ashok; Pierre Charpilloz; CREPS; Finnish National Gallery, Hel- sinki; Ann and Christopher Grayson; Adrienne and Michael Ingledow; David-Michel Muller; Xavier Schmaltz; Marie-José Schneider; Collectif Trois 14; Ville de Strasbourg V uProgramme The music hall tradition u Tagora asked J.R. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Ecg1151 EJF2017 FINAL.Indd
14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint. -
Lazarsfeld AJVS Final-Layout
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The English Warner Brother triumphs over religious hegemony on the road to celebrity and dynasty Ann Lazarsfeld-Jensen In late Victorian England, music halls were often besieged by fanatical Christians who wanted to shut them down. Evangelicals manipulated justifiable public concerns about alcohol abuse to conflate popular entertainment with social erosion. The complex legislation surrounding places of entertainment began in the 1830s with concerns about limelight and sawdust, but by the 1880s it was firmly focused on morality (Victorian Music Halls 63) The music hall wars were an alarming threat for the predominantly Jewish artists and hall managers barely one generation beyond refugee poverty. It was unwise for them to oppose anything rooted in the national religious hegemonies, and they could not find a moral high ground to protect their livelihood. In this context, the fin de siècle Jewish theatrical agent, Dick Warner, began to use networks of men’s clubs and newspaper publicity to redefine the industry. The peaceful assimilation of Jews with its concomitant benefits for the pursuit of profit (Jews of Britain 77-79) was not a cynical ambition. Warner subscribed to the Victorian Anglo-Jewish world view of judicious assimilation and restrained observance, and he embraced it as the way forward for theatrical entrepreneurs who were losing ground to what Kift refers to as the “sour-faced, austere and ascetic” social reformers (157). The themes of Warner’s publicity campaign are recognisable today.