A Midsummer Night's Dream
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American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
WWD-Mainrelease 9-07
For 200 million years the Dinosaurs ruled the earth Now, they’re back to roam the arenas of America in an extraordinary new theatrical production WALKING WITH DINOSAURS The Live Experience Based on the award-winning BBC Television Series WALKING WITH DINOSAURS – The Live Experience comes to North America on a two-year tour September 30, 2007 --- Dinosaurs return to the earth in a live theatrical arena show, WALKING WITH DINOSAURS – The Live Experience , based on the award-winning BBC Television Series. After playing for ten sold-out weeks in five cities in Australia, WALKING WITH DINOSAURS – The Live Experience is now on tour in North America for two years. 350,000 Americans have already seen the production since it opened in July 2007. WALKING WITH DINOSAURS – The Live Experience is brought to North America by Immersion Edutainment , headed by Bruce Mactaggart. Mactaggart said, “The BBC Series was a brilliant blend of special effects, escapism, excitement and information. Our show has that -- and it’s live. In this show, fifteen roaring, snarling “live” dinosaurs mesmerize the audience – and are as awe-inspiring as when they first walked on earth.” Mactaggart continued, “This is a show that could only fit in arenas – as the creatures are so absolutely immense in size. Audiences seated in the lower seats are all but overwhelmed by the dinosaurs, while those seated in higher seats can view the entire spectacle and panorama of the production. It is the closest you’ll ever get to experiencing what it was like when they walked and ruled the earth.” For more information, please visit www.dinosaurlive.com . -
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021 Announcing The Fellows Webinar Weekend Mark Your Calendars Now! Dear Fellows, With the onset of 2021, the College of Fellows is continuing its joyous work of honoring artists and educators, like yourself, who have transformed our field through their expertise and distinguished service. This April we will not be able to gather together on site to honor new Fellows. However, we hope that you will join us by ZOOM WEBINAR, as we bring everyone together in a virtual community. Please join us to celebrate the Fellows for the Class of 2020 and the Class of 2021, to present the business of the College, to share in the Roger L. Stevens address and for the Orlin Corey toast. In two hours of virtual connection, we are combining the highlights of our normal meetings and gatherings at the annual meeting. The ZOOM WEBINAR will be recorded and available on our website. All Fellows are invited to participate. Please email administrative assistant [email protected] by April 1 to RSVP. You will be sent a link for the meeting prior to April 18, pre-sign in will begin at 11:45. Our virtual meeting with run from 12 Noon - 2 PM EST. We are in times of unprecedented change and challenges and I do hope that you can join us to celebrate the tradition and innovation of The College of Fellows. At this time, more than ever, we need to join together to rejoice in the power of the arts! Best, Gail Dr. -
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography. -
CAMERON MACKINTOSH and the REALLY USEFUL THEATRE COMPANY, INC
........................................................................................................................................................................................................................................... CAMERON MACKINTOSH and THE REALLY USEFUL THEATRE COMPANY, INC. present THE STUDY GUIDE FOR Music by ANDREW LLOYD WEBBER Lyrics by CHARLES HART Additional Lyrics by RICHARD STILGOE Book by RICHARD STILGOE and ANDREW LLOYD WEBBER Based on the novel Le Fantôme de LOpéra by Gaston Leroux Production Design by MARIA BJÖRNSON Lighting by ANDREW BRIDGE Sound by MARTIN LEVAN Musical Staging and Choreography by GILLIAN LYNNE Directed by HAROLD PRINCE ........................................................................................................................................................................................................................................... Study Guide by Peter Royston THE PHANTOM OF THE OPERA LYRICS, MASK LOGO & TITLE TREATMENT © 1986 RUG PLC About the PHANTOM of the Opera ............................................................................................................................... ........................................................................ elcome to a strange new world! Andrew Lloyd Webbers darkly W roMantic musical aBout a mysterious Opera Ghost who inspires a young singer has becoMe a legend, drawing standing-rooM audiences throughout the world. The Phantom of the Opera is a perfect way to introduce young people to the pleasures and mysteries -
BTW.C.Schedule2017(MH Edit)
Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
DAR CV/Bio Nov 2017.Pages
David Andrews Rogers MUSIC DIRECTOR - CONDUCTOR ORCHESTRATOR - ARRANGER www.MaestroDAR.com 484 W. 43rd St., Apt. 31p (917) 951-7657 New York, NY 10036 [email protected] BROADWAY NATIONAL TOURS An American in Paris Broadway 1st National Tour Christopher Wheeldon, director Les Misérables Broadway National Tour (Marius Company. 1998-2000) Trevor Nunn/John Caird, director Show Boat Broadway National Tours (3 companies, 1997-98) Harold Prince, director (starring, I: Cloris Leachman/Dean Jones, II: Tom Bosley, III: Pat Harrington/Anita Gillette) Phantom of the Opera Broadway National Tour (Raoul Company, 1996-97, Associate MD) Harold Prince, director NATIONAL & INTERNATIONAL TOURS The Wizard of Oz (ALW Production) North American Tour II (2015-16) Michael McGoff, associate director Le Magicien D’Oz (ALW Production) European Tour (2014-15) (MD/Conductor/Assoc. Music Supervisor) Jeremy Sams, director The Wizard of Oz (ALW Production) North American Tour I (2013-14) Jeremy Sams, director Fiddler on the Roof North American Tour (2009-12) Sammy Dallas Bayes, director (starring Topol, Theo Bikel, Harvey Fierstein, John Preece) Cats North American Tour (2008-09) Richard Stafford, director Chicago North American Tour (2007-08) Scott Faris, director Puttin’ on the Ritz Kaye Playhouse/Tour (1998) (starring Carol Lawrence) Karen Azenberg, director Heart Strings DIFFA National Tour (1992) David H. Bell, director Sing For Your Supper RSVP National Tour (1988) Ed DeLatte, director CONCERT APPEARANCES - Guest Conductor The Wonderful Music of Oz Oklahoma City -
Book Reviews, Edited by James Fisher
Spring 1990 213 Book Reviews, edited by James Fisher American Alternative Theatre, By Theodore Shank. London and Basingstoke: The Macmillan Press, Ltd., 1982. xi + 202 + illus. ISBN 0-333-28883- 1. Acrobats of the Soul. Comedy & Virtuosity in Contemporary American Theatre. By Ron Jenkins. New York: Theatre Communications Group, 1988. xx + 179 + illus. ISBN 0-930452-72-0. The Bread and Puppet Theatre. By Stefan Brecht. London/New York: Methuen/Routledge, 1988. Vol. 1: 783 pp. + illus. ISBN 0-413-59890- X; Vol. 2: 813 pp. + illus. ISBN 0-413-60510-8. Radical People's Theatre. By Eugene Van Erven. Bloomington and Indianapolis: Indiana University Press, 1988. 238 pp. + illus. ISBN 0-253-34788-2. In recent years, there has been a growing interest in the performance techniques of circus, commedia deWarte, vaudeville, music hall, puppetry, and a wide variety of street entertainments and folk traditions, especially as they apply to the creation of a radical or "alternative" form of politicized theatre. Before the early 1980's, little about this kind of theatre could be found in scholarly studies or theatrical histories and remained, as perhaps it intends, outside accepted and mainstream stage traditions. Undoubtedly, it is their non-literary style that has often kept these forms out of standard dramatic studies. Absurdist and existentialist dramatists, Bertolt Brecht, and even Dario Fo, who were inspired by many of the same aspects of street theatre, are regularly examined and re-examined, at least in part because they have individually written plays that remain in the canon of performed works. With a significant emphasis on improvisation and highly topical, ever-changing subject matter, the alternative artist or group may seem too temporary and too intangible to be pinned down in a scholarly study. -
The Three Penny Opera
Kurt Weill Born on the 2nd of March, 1900 in Dessau, Germany, the son of a cantor, Weill displayed THE THREE musical talent early on. By the time he was twelve, he was composing and mounting concerts and dramatic works in the hall above his family's quarters in the Gemeindehaus. After studying theory and composition, Weill enrolled PENNY OPERA at the Berlin Hochschule für Musik, but found the conservative training and the infrequent lessons with Engelbert Humperdinck too stifling. After a season as conductor of the newly formed municipal theater in Lüdenscheid, he returned to Berlin and was accepted into Ferruccio Busoni's master class in composition. By 1925, a series of performances in Berlin and at international music festivals established Weill as one of the leading composers of his generation. A commission from the Baden-Baden Music Festival in 1927 led to the creation of Mahagonny (Ein Songspiel) , Weill's first collaboration with Brecht. The succès de scandale of Mahagonny encouraged Weill and Brecht to continue work on a full-length opera. Exploiting their aggressive popular song-style, Weill and Brecht also wrote several works for singing actors in the commercial theater, including Die Dreigroschenoper and Happy End . The music Music is very strongly present in The Threepenny Opera . The play's By Kurt Weill and Bertolt Brecht score is strongly influenced by jazz. “The Ballad of Mackie Messer,” later translated into “Mack the Knife,” became the play's most well known song. It was written at the last minute because the actor playing I was aroused straightaway by the raw intensity of the Macheath threatened to quit if his character did not receive a proper songs .. -
AVENUE of the ARTS HUNTINGTON AVENUE THEATRE in the Late 1970S, Truman Capote and Andy Warhol Decided That They Were Destined to Create a Broadway Play Together
LEGENDARY ACCLAIMED MUSICAL MERRILY WEMUSIC & LYRICS BY BOOK BY STEPHEN GEORGE SONDHEIM FURTH DIRECTED BY ROLL ALONG MARIA FRIEDMAN SEPT.8-OCT.15 AVENUE OF THE ARTS HUNTINGTON AVENUE THEATRE In the late 1970s, Truman Capote and Andy Warhol decided that they were destined to create a Broadway play together. Over the course of the next several months, they would sit down to record a series of intimate, wide-ranging conversations. The play never came to be, and the hours and hours of tape were lost to the ages. Until now. n on inventio A non-ficti from the Words of Truman Capote and Andy Warhol Adapted by Rob roth directed by michael mayers NOW PLAYING Tickets from $25 AmericanRepertoryTheater.org CONTENTS SEPTEMBER–OCTOBER2017 5 THE PROGRAM 12 MERRILY WE ROLL ALONG IN CONTEXT 15 SONDHEIM ON SONGS PLUS: 16 About the Company 12 36 Patron Services 37 Emergency Exits 40 Guide to Local Theatre 43 Boston Dining Guide 46 Dining Out: Top of the Hub 15 theatrebill STAFF Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of President/Publisher: Tim Montgomery Panorama: The Official Guide to Boston, 560 Harrison Ave., Suite 412, Boston, MA 02118, 857-366-8131. Art Director: Scott Roberto Assistant Art Director: Laura Jarvis Editorial Assistant: Olivia J. Kiers WARNING: The photographing or sound recording of any performance or the possession of any device Vice President Publishing: Rita A. Fucillo for such photographing or sound recording inside Vice President Advertising: Jacolyn Ann Firestone this theatre, without the written permission of the Senior Account Executive: Andrea Renaud management, is prohibited by law. -
A Little Night Music
A Little Night Music Music and Lyrics by Stephen Sondheim Book by Hugh Wheeler Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced & Directed on Broadway by Harold Prince Directed by Kelly Ward Bing Theatre | March 31–April 10, 2016 CAST OF CHARACTERS (in order of appearance) MUSICAL NUMBERS Fredrika Armfeldt Madame Armfeldt ACT 1 Sarah Rosenthal Camille Langston Night Waltz PRESENTS Mr. Lindquist Frid Company Austin Dalgleish Kyle McLaughlin Now Mrs. Nordstrom Henrik Egerman Fredrik Liz Buzbee Dorian Tayler Later A Little Night Music Mrs. Anderssen Anne Egerman Henrik Brooke Lewis Maxine Phoenix Soon MUSIC AND LYRICS BY BOOK BY Mr. Erlanson Fredrik Egerman Anne, Henrik, Fredrik Chas Conacher Taubert Nadalini The Glamorous Life Stephen Sondheim Hugh Wheeler Mrs. Segstrom Petra Fredrika, Desiree, Madame Armfeldt, Julianna Keller Molly Chiffer Mrs. Nordstrom, Mrs. Segstrom, Orchestrations by Jonathan Tunick Mrs. Hult Desiree Armfeldt Mrs. Anderssen, Mr. Lindquist, Suggested by a Film by Ingmar Bergman Carson Klasner Annika Ellwanger-Chavez Mr. Erlanson, Mr. Solberg, Mrs. Hult Originally Produced and Directed on Broadway by Harold Prince Mr. Solberg Malla Remember? Robert Lee Terry Ashley Busenlener Mr. Lindquist, Mrs. Nordstrom, Mrs. Segstrom, Mr. Erlanson, Osa Count Carl-Magnus Malcolm Mrs. Anderssen, Mr. Solberg, Mrs. Hult WITH (in alphabetical order) Shannon Sheridan Connor McCreary Bertrand, Theatre Page Countess Charlotte Malcolm You Must Meet My Wife Ashley Busenlener Liz Buzbee Molly Chiffer -
Hugh Panaro Is One of Those Rare Artists Whose Unique Versatility Has
Hugh Panaro is one of those rare artists whose unique versatility has allowed him a distinguished career, not only in the theater, but also in recording studios and concert halls throughout the world. He is currently starring as the Phantom in The Phantom of the Opera on Broadway. He also has the distinction of having played both Raoul and the Phantom, a role he performed over 1000 times. Also on Broadway, Mr. Panaro has been seen as Gaylord Ravenal in the Harold Prince revival of Show Boat, Marius in Les Miserables and created the roles of Buddy Foster in Side Show, Julian Craster in Jule Styne’s final musical The Red Shoes and the title role of the seductive vampire in Elton John’s musical Lestat. Mr. Panaro made his West End debut as Gaylord Ravenal in Show Boat and went on to perform the title role in Martin Guerre. Some of Mr. Panaro’s Off-Broadway credits include White Lies at the Triad Theater, Noa Noa at Playwright’s Horizons, Heathcliff in Wuthering Heights at the John Housman Theatre, Children of Eden at the Actor’s Playhouse and the role of Robert in Little Fish at Second Stage Theatre. In Los Angeles, Mr. Panaro has participated in “Reprise!” concert performances of Merry We Roll Along, Gentlemen Prefer Blonds and Call Me Madam, for which he received an “Ovation” nomination. At the Kennedy Center, he portrayed Anthony Hope in Sweeney Todd and participated in “The Stephen Sondheim Gala”. At Avery Fischer Hall in New York City, he performed in Jerry Herman’s Mack and Mabel.