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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Magical Creatures in Isadora Moon
The Magical Creatures of Isadora Moon In the Isadora Moon stories, Isadora’s mum is a fairy and her dad is a vampire. This means that, even though Isadora lives in the human world, she has adventures with lots of fantastical creatures. Harriet Muncaster writes and draws the Isadora Moon books. Writers like Harriet often look at stories and legends from the past to get ideas for their own stories. What are some of the legends that Harriet looked at when telling the story of Isadora Moon, and what has she changed to make her stories as unique as Isadora herself? Fairies In the modern day, we picture fairies as tiny human-like creatures with wings like those of dragonflies or butterflies. However, up until the Victorian age (1837- 1901), the word ‘fairy’ meant any magical creature or events and comes from the Old French word faerie, which means ‘enchanted’. Goblins, pixies, dwarves and nymphs were all called ‘fairies’. These different types of fairies usually did not have wings, and were sometimes human- sized instead of tiny. They could also be good or bad, either helping or tricking people. Luckily, Isadora’s mum, Countess Cordelia Moon, is a good fairy, who likes baking magical cakes, planting colourful flowers, and spending time in nature. Like most modern fairies, she has wings, magical powers, and a close connection with nature, but unlike fairies in some stories, she is human-size. Isadora’s mum can fly using her fairy wings and can use her magic wand to bring toys to life, make plants grow anywhere, and change the appearance of different objects, such as Isadora’s tent. -
URMC V124no16 20150901.Pdf (6.799Mb)
Tuesday, September 1, 2015 Construction, because it’s hard enough to navigate Old Town after six beers Volume 124, No. 16 • collegian.com without falling into a pile of dirt. Now that smoking is banned in most public places, and Train horns. Nothing is a bigger mood killer than a deafening blast interrupting THE will be in Old Town soon, we your cute Sunday brunch date. wonder: What other things STRIP should Fort Collins ban The Greenpeace clipboard people who make every crosswalk encounter in Old Town? off College and Mountain an awkward conversation about a panda. #sadpanda NEWS OPTION ENTERTAINMENT $3M for Su ering Netfl ix research With a focus Clarissa Davies Watch [CTV] Professor works on American suggests titles live at on limb recovery women’s struggles, to watch this 7 p.m. tonight PAGE 3 foreign women month are forgotten PAGE 10 PAGE 5 STIFLED SMOKE Phase one of city smoking ban begins today PAGE 7 Fort Collins will be expanding the city smoking ordinance as of September 1st. City parks, trails, natural areas, golf courses and other areas of town will be smoke-free.PHOTO ILLUSTRA- TION BY CAMERON BUMSTEAD COLLEGIAN 2 Tuesday, September 1, 2015 | The Rocky Mountain Collegian collegian.com ON THE OVAL FORT COLLINS FOCUS Semester at Sea building under construction near CSU campus The Semester at Sea offices will now have a home in Fort Collins. A new Semester at Sea building broke ground last week, beginning the process of moving the program’s offices from Charlot- tesville, Virginia to Fort Collins. -
From Jay-Z to Dead Prez: Examining Representations of Black
JBSXXX10.1177/0021934714528953Journal of Black StudiesBelle 528953research-article2014 Article Journal of Black Studies 2014, Vol. 45(4) 287 –300 From Jay-Z to Dead © The Author(s) 2014 Reprints and permissions: Prez: Examining sagepub.com/journalsPermissions.nav DOI: 10.1177/0021934714528953 Representations of jbs.sagepub.com Black Masculinity in Mainstream Versus Underground Hip-Hop Music Crystal Belle1 Abstract The evolution of hip-hop music and culture has impacted the visibility of Black men and the Black male body. As hip-hop continues to become commercially viable, performances of Black masculinities can be easily found on magazine covers, television shows, and popular websites. How do these representations affect the collective consciousness of Black men, while helping to construct a particular brand of masculinity that plays into the White imagination? This theoretical article explores how representations of Black masculinity vary in underground versus mainstream hip-hop, stemming directly from White patriarchal ideals of manhood. Conceptual and theoretical analyses of songs from the likes of Jay-Z and Dead Prez and Imani Perry’s Prophets of the Hood help provide an understanding of the parallels between hip-hop performances/identities and Black masculinities. Keywords Black masculinity, hip-hop, patriarchy, manhood 1Columbia University, New York, NY, USA Corresponding Author: Crystal Belle, PhD Candidate, English Education, Teachers College, Columbia University, 525 West 120th Street, New York, NY 10027, USA. Email: [email protected] Downloaded from jbs.sagepub.com at Mina Rees Library/CUNY Graduate Center on January 7, 2015 288 Journal of Black Studies 45(4) Introduction to and Musings on Black Masculinity in Hip-Hop What began as a lyrical movement in the South Bronx is now an international phenomenon. -
The Guardian, Week of April 20, 2020
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 4-20-2020 The Guardian, Week of April 20, 2020 Wright State Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State Student Body (2020). The Guardian, Week of April 20, 2020. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Weekly Horoscopes Star Signer April 20, 2020 Long walks and good books might be in store for you this quarantine week dear star children. Read more about your week in astrology. ARIES The stars encourage you to stay on task this week Aries, as much as your bed might be calling for midday naps try to stay strong. Your quarantine go to song is ‘Six Feet Apart’ by Alec Benjamin. TAURUS Take the time this week to learn a new skill Taurus! The moon is tilted to the left side, which means you are an unstoppable force. Try out that new tiktok dance and discover your inner choreographer. GEMINI Missing your friends a little extra this week Gemini? Try hosting a Zoom Happy Hour. The stars will align on Wednesday for light-hearted conversation and laughs. Pop open your favorite bottle of wine (or beer) and enjoy human interaction. CANCER Have you exhausted the trails at your local park dear Cancer? Try exploring other parks and trails! There are literally so many parks. -
"The Little Mermaid"</I
Volume 38 Number 1 Article 25 October 2019 The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" by Lucy Fraser Bianca L. Beronio Texas State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beronio, Bianca L. (2019) "The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" by Lucy Fraser," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 1 , Article 25. Available at: https://dc.swosu.edu/mythlore/vol38/iss1/25 This Book Reviews is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Lucy Fraser employs her vast knowledge of Japanese and English literature and pop culture to present -
Mhtml:File://S:\Shared\Library\Fairy Tales\DISNEY's SUBVERSION
Page 1 of 9 The link information below provides a persistent link to the article you've requested. Persistent link to this record: Following the link below will bring you to the start of the article or citation. Cut and Paste: To place article links in an external web document, simply copy and paste the HTML below, starting with "<a href" To continue, in Internet Explorer, select FILE then SAVE AS from your browser's toolbar above. Be sure to save as a plain text file (.txt) or a 'Web Page, HTML only' file (.html). In FireFox, select FILE then SAVE FILE AS from your browser's toolbar above. In Chrome, select right click (with your mouse) on this page and select SAVE AS Record: 1 Title: Disney's sub/version of Andersen's The Little Mermaid. Language: English Authors: Trites, R. Source: Journal of Popular Film & Television; Winter91, Vol. 18 Issue 4, p145, 8p, 5 Black and White Photographs Document Type: Article Publication Taylor & Francis Ltd Information: Subject Terms: LITTLE Mermaid, The (Film) MOTION pictures Abstract: Contends that Walt Disney's 1989 film version of `The Little Mermaid' contains changes that make the movie more sexist than the original story by Hans Christian Andersen. Andersen's mermaid quests for a soul, Disney's for a mate; Disney's message about repressing children; Dependency on male protection; Contrasts between the stories; Andersen's imagery; Reliance on women to create conflict; Movie's weight consciousness; Characterization of the little mermaid. Document Essay last updated: 19910101 Information: Lexile: -
Disney's the Little Mermaid
Disney’s The Little Mermaid A production by Variety Children’s Theatre October 24 - 26, 2014 Touhill Performing Arts Center University of Missouri - St. Louis Dear Educators, Variety Children’s Theatre is proud to present its sixth annual production, Disney’s The Little Mermaid. Once again under the direction of Tony Award nominee Lara Teeter, this show boasts some of the city’s greatest professional actors and designers. We all eagerly await the results of their craft— bringing the story of Ariel to life. Be sure that you and your students are there to experience the beauty of an opera house with a full orchestra, dazzling sets and brilliant costumes (including a trip under the sea). Musical theatre can enhance learning on so many levels. It builds an appreciation for the arts, brings to life a lesson on the parts of a story (i.e. characters, plot, conflict) and provides the perfect setting to learn a thing or two about fairy tales and why they are important windows into important facets of our lives. Variety takes that learning one step further, however, presenting an inclusive cast where adult equity actors, talented adults from community theatre, and gifted theatrical children, work side-by-side with children who have a wide range of disabilities. The production is truly a lesson in acceptance, perseverance and the “I CAN” spirit that shines through all Variety programs. In the near future, we will have Disney’s The Little Mermaid study guide to help you incorporate the show into your curriculum and to help your students prepare for the show. -
2017 Oregon Scholastic Art Awards 2
Grace Marvin Abiqua Academy Moyano Gold Key Art Painting Blue Grace Julius Samiee Hauswirth Abiqua Academy Moyano Silver Key Art Fashion JSH Jacket Marisol Ceballos Academy Of InternationalJohnstone Studies Gold Key Art Printmaking La madre eternal Victor Anthony Aloha High School Ottum Honorable Mention Art Design Printed as an Ugly Duckling Mitchel Arndt Aloha High School Ottum Gold Key Art Mixed Media A Dream Within A Dream Jarrad Ashman Aloha High School Ottum Gold Key Art Drawing and Illustration Memories Jarrad Ashman Aloha High School Ottum Honorable Mention Art Drawing and Illustration The Death of Agriculture Jarrad Ashman Aloha High School Ottum Silver Key Art Drawing and Illustration Pride Jarrad Ashman Aloha High School Ottum Silver Key Art Painting Flowers Won't Blossom Jarrad Ashman Aloha High School Ottum Silver Key Art Drawing and Illustration Parrot Embodiment Mercedes Barraza Aloha High School Ottum Silver Key Art Digital Art It's Okay To Be Queer Mercedes Barraza Aloha High School Ottum Silver Key Art Digital Art Equality for LGBTQ Pheodor Beliaev Aloha High School Daley Gold Key Art Sculpture An Alcoholic's Time Line Pheodor Beliaev Aloha High School Ottum Gold Key Art Mixed Media I lost my trumpet from TB Pheodor Beliaev Aloha High School Ottum Gold Key Art Sculpture Inner-Mongolian Kiddie Pool, Water Included! (Made in China, Designed in California) Pheodor Beliaev Aloha High School Ottum Honorable Mention Art Painting The many instances of the fat man losing his liquor Pheodor Beliaev Aloha High School Ottum Silver -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 58th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2014 through September 30, 2015 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. and/or Mixer(s) & Mastering Engineer(s), if other than the artist. 1. REALLY LOVE 1. SOUND & COLOR D'Angelo And The Vanguard Alabama Shakes D'Angelo, producer; Russell Elevado & Ben Kane, Alabama Shakes & Blake Mills, producers; Shawn Everett, engineer/mixer; Bob Ludwig, mastering engineer engineers/mixers; Dave Collins, mastering engineer [ATO Records] Track from: Black Messiah [RCA Records] 2. TO PIMP A BUTTERFLY Kendrick Lamar 2. UPTOWN FUNK Bilal, George Clinton, James Fauntleroy, Ronald Isley, Rapsody, Mark Ronson Featuring Bruno Mars Snoop Dogg, Thundercat & Anna Wise, featured artists; Taz Arnold, Jeff Bhasker, Bruno Mars & Mark Ronson, producers; Josh Boi-1Da, Ronald Colson, Larrance Dopson, Flying Lotus, Fredrik Blair, Serban Ghenea, Wayne Gordon, John Hanes, Inaam "Tommy Black" Halldin, Knxwledge, Koz, Lovedragon, Terrace Haq, Boo Mitchell, Charles Moniz & Mark Ronson, Martin, Rahki, Sounwave, Tae Beast, Thundercat, Whoarei & engineers/mixers; Tom Coyne, mastering engineer Pharrell Williams, producers; Derek "Mixedbyali" Ali, Thomas Burns, James "The White Black Man" Hunt, 9th Wonder & Matt Track from: Uptown Special Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer [RCA Records] [TDE/Aftermath/Interscope] 3. -
Belly Pain, Diarrhea, and Worms Everyone Gets Pain in the Belly, Nausea, Vomiting, Constipation, Or Diarrhea at One Time Or Another
1 Belly Pain, Diarrhea, and Worms Everyone gets pain in the belly, nausea, vomiting, constipation, or diarrhea at one time or another. Most belly problems make you feel bad but are not dangerous. If pain or nausea is not severe, wait a few days and see if it gets better. It usually will. Belly problems can be caused by many things. For example, someone may have a belly ache because of a cold or flu, because she ate bad food, or because she is worried about her children. Every cause requires a different kind of help. (Giving tablets for pain will do nothing to cure any of these causes!) But the cause of diarrhea, belly pain, or nausea may not be clear. As with all health problems, understanding the cause of the problem is the key to treating it. Begin by asking questions about the general problem, such as diarrhea, and then ask questions to help you learn more. ! Danger Signs Some belly problems are dangerous and should not wait to be treated: ··Severe pain that gets worse and worse (page 8) ··Severe pain when you touch the outside of the person’s belly (page 8) ··Diarrhea in small children or people who are malnourished (page 25) ··A very large amount of watery diarrhea (cholera, page 28) ··Diarrhea with blood (dysentery, page 30) ··Vomiting that goes on for more than 1 day and 1 night (page 24) ·· Black stools that look like tar (caused by bleeding in the stomach or upper intestines, page 38) NEW WHERE THERE IS NO DOCTOR: ADVANCE CHAPTERS 2 CHAPTER 15: BELLY PAIN, DIARRHEA, AND WORMS Questions to ask if there is pain Is the pain very bad? Severe pain that gets worse is very Is it getting worse? dangerous! This is called acute abdomen.