Final Nominations List
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Maroon 5 Red Pill Blues Mp3, Flac, Wma
Maroon 5 Red Pill Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Red Pill Blues Country: Brazil Released: 2017 Style: Pop Rock MP3 version RAR size: 1142 mb FLAC version RAR size: 1160 mb WMA version RAR size: 1295 mb Rating: 4.5 Votes: 474 Other Formats: AA XM AUD FLAC WAV ASF RA Tracklist Hide Credits 1.1 –Maroon 5 Best 4 U What Loves Do 1.2 –Maroon 5 + SZA Featuring – SZA 1.3 –Maroon 5 Wait 1.4 –Maroon 5 Lips On You 1.5 –Maroon 5 Bet My Heart Help Me Out 1.6 –Maroon 5 + Julia Michaels Featuring – Julia Michaels Who I Am 1.7 –Maroon 5 + LunchMoney Lewis Featuring – LunchMoney Lewis Whiskey 1.8 –Maroon 5 + A$AP Rocky* Featuring – A$AP Rocky* 1.9 –Maroon 5 Girls Like You 1.10 –Maroon 5 Closure Bônus Track 1.11 –Maroon 5 Denim Jacket 1.12 –Maroon 5 Visions Don't Wanna Know 1.13 –Maroon 5 Featuring – Kendrick Lamar Cold 1.14 –Maroon 5 Featuring – Future 2.1 –Maroon 5 Moves Like Jagger (Live In Manchester) 2.2 –Maroon 5 Stereo Hearts (Live In Manchester) 2.3 –Maroon 5 Animals (Live In Manchester) 2.4 –Maroon 5 Daylight (Live In Manchester) 2.5 –Maroon 5 Maps (Live In Manchester) 2.6 –Maroon 5 This Love (Live In Manchester) Companies, etc. Marketed By – Universal Music Credits Executive-Producer – Adam Levine, Jacob "J Kash" Hindlin* Notes Deluxe edition with exclusive content Barcode and Other Identifiers Barcode: 602567053002 Other versions Category Artist Title (Format) Label Category Country Year 222 Records , Red Pill Blues B0026740-02 Maroon 5 Interscope B0026740-02 US 2017 (CD, Album) Records 222 Records , Red Pill -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
Bob Stuart Awarded Prince Philip Medal by Royal Academy of Engineering Prestigious Award Presented to Founder of MQA for Career of Innovations
Bob Stuart awarded Prince Philip Medal by Royal Academy of Engineering Prestigious award presented to Founder of MQA for Career of Innovations News by Hi-Fi+ Staff Sep 16, 2020 Categories: Audio From the press release London, 14 September 2020 – Bob Stuart, creator of MQA and co-founder of Meridian Audio, is awarded the Royal Academy of Engineering Prince Philip Medal for ‘his exceptional contribution to audio engineering which has changed the way we listen to music and experience films’. Stuart is the first audio engineer to receive the award in its 20-year history. Previous recipients of the Prince Philip Medal include inventor of the turbojet engine, Air Commodore Sir Frank Whittle OM KBE CB FREng FRS; geothermal power innovator, Lucien Bronicki; and the electrical engineer who revolutionised fibre optics, Dr Charles Kao CBE FRS FREng. Commissioned by HRH Prince Philip, The Duke of Edinburgh KG KT, Senior Fellow of the Royal Academy of Engineering, the Prince Philip Medal is awarded periodically to an engineer of any nationality who has made exceptional contributions to engineering through practice, management or education. In accepting this award, Bob Stuart reflects: “Audio engineering sits at an intersection between analogue and digital engineering, music and the human listener. My passion to enable great sound recording and playback has required a multi-disciplinary approach, but that quest to preserve and share music performances is very satisfying and important. I am honoured and humbled to receive this award from the Royal Academy of Engineering.” Legendary, multi-Grammy Award winning Mastering Engineer, Bob Ludwig[1], shared his thoughts: “Bob Stuart is a connoisseur of both engineering and music and that is what sets him apart. -
Incursiona En Los Cómics
funcion@gimm ABC . c om.m INCURSIONA EN LOS CÓMICS x Figuras como Stan Lee, James Cameron y Ryan Reynolds, entre otros, además de @Funcion_Exc producciones como Guardianes de la Galaxia, Dr. Strange y Agents of S.H.I.E.L.D. estarán presentes en la Comic Con 2016, a la cual puedes asistir después de conocer nuestras recomendaciones. Entérate qué es lo que necesitas para disfrutar de este evento que se llevará a cabo en el Centro de Convenciones de San Diego del 21 al 24 de julio >4 3 EXCELSIOR DISCOS SÁBADO 9 DE JULIO tiene en su carrera la DE 2016 agrupación sueca. Foto: Clasos Foto: VA AL QUIRÓFANO Luego de haber sido dada de alta hace unas semanas por una neumonía, Evita Muñoz Chachita regresó al hospital para ser sometida a una operación de vesícula. La actriz, de 79 años, se recupera de manera satisfactoria de la intervención, informó Lourdes Pellegrino, secretaria de Previsión Social de la ANDA. (De la Redacción) apoya A a la Unicef GHOST Foto: Archivo Foto: NUEVA YORK.- Thalía fue nombrada embajadora de buena voluntad del Fondo de las Naciones Unidas para la Infancia (Unicef), con lo que redoblará sus esfuerzos en favor de VENCE LA los programas que se desarrollan. En una ceremonia realizada en la sede del organismo en Nueva York, la cantante y actriz expresó su beneplácito de poder llevar el mensaje de la organización a su gran cantidad CENSURA de seguidores. (NTX) A pesar de los obstáculos que ha encontrado en EU por el contenido de sus letras y su imagen, la banda de heavy metal ya logró tres Grammy. -
Meliora Ghost Album Download Meliora (Album) Ghost Began Crafting Their Third Studio Album, the Follow-Up to 2013'S Infestissumam, at the End of 2014
meliora ghost album download Meliora (album) Ghost began crafting their third studio album, the follow-up to 2013's Infestissumam, at the end of 2014. The impetus for its "futuristic" theme came to a Nameless Ghoul a month or so prior to starting the Infestissumam tour. While trying out a new guitar rig during a rehearsal, the Ghoul created a "spacey echoed" effect that made a guitar riff sound "futuristic [and] sci-fi". At this point, he had the idea for their next album. A Nameless Ghoul said that, because guitar took a backseat on Infestissumam, the band focused on guitar riffs from the beginning of the new album. He explained that part of this was achieved by having four different guitars, each played through three different amps, making four performances going through 12 amplifiers. They used two Gibson SGs, one from the early 1980s and the other from the 1960s; a 1962 Gibson Les Paul; and a Fender Telecaster. Discussing the selection of Klas Åhlund as producer, the Ghoul said that despite his reputation for working with pop singers and having never produced a heavy metal band before, Åhlund had many of the same musical interests as Ghost. [4] A band member also said, "I definitely think that we got a lot of ideas and a lot of new angles that we wouldn't have had, had we worked with a more established rock producer". A member of the band said that the pre-production, writing and arranging of Meliora took a long time, not allowing for the luxury of recording any non-album songs with the exception of "Zenith", which was left off the main album but added as an extra track to a limited edition. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Submitting Entries for Grammy Consideration
SUBMITTING ENTRIES FOR GRAMMY CONSIDERATION ACADEMY RIGHTS AND REGULATIONS The Recording Academy reserves these rights regarding entries: • To disqualify the affected entry without liability if information is incorrect or incomplete. • To disqualify the affected entry without liability if the signer fails to send the required product for entries by the due dates. • To place any selection into the category it deems appropriate; to pass on the eligibility of any selection. • To designate the classification of achievement (such as performing, songwriting, producing, etc.) to be recognized in the categories. • To make the final determination of the persons entitled to awards recognition. • It is the Academy’s policy that the GRAMMY be awarded to the person who, at the Academy’s sole discretion, is properly entitled to it. • To determine what constitutes a single and what constitutes an album for purposes of entering. • To replace track entries by an entry for the entire album if several tracks by the same artist, totaling over 51% of the album’s playing time, are accepted in the same category. • To withdraw any category in any one year if the Academy determines that there is an insufficient number of entries in that category, and, at the Academy’s discretion, to place the affected entries in one or more other categories. • To disqualify without liability what the Academy considers excessive entries. • To take whatever measures it deems necessary to protect the integrity of the GRAMMY Awards from outside influence, bloc voting or any other factors that could jeopardize this process. • If a recording is entered inappropriately, and if the error in entering is not discovered by the Recording Academy before the First Ballot mailing, the entry will be disqualified from the process without any liability for further action from the Recording Academy. -
The Hits Keep Coming: Pop Music and Violent Relationships
Chapter 4: Teen Dating and Relationships | Exercise 7 Abuse Abuse Aggressive Control Perpetrator THE HITS KEEP Popular culture Power Social Norms Victim Violence COMING Domestic Violence Act POP MUSIC AND VIOLENT RELATIONSHIPS 1. To help learners recognise the role that popular culture plays in our 45 minutes ideas about relationships. Worksheet: ‘The Hits Keep Coming’ 2. For learners to identify messages in lyrics as relating to healthy (provided) (equal) or unhealthy (unequal/controlling) relationships. Teacher Answer Key 3. For learners to consider how their own attitudes about ideal Teen Power and Control Wheel relationships and dating behaviour are influenced by pop music. Teen Equality Wheel e. What do you think are the effects when men and women get these PROCEDURE messages from so many different sources all the time? Introduce the exercise by telling learners that they are going to analyse lyrics from popular songs in order to identify what these songs tell us about relationships. You should include the following: • They think this is normal, and the way relationships should Provide each learner with a copy of the Worksheet: ‘The Hits Keep be Coming’ and copies of both the ‘Teen Equality Wheel’ and ‘Teen Power • They cannot tell if they are in unhealthy relationships and Control Wheel’. You could also put an enlarged copy of each wheel because they have no healthy role models. on the board where all learners can see them. • Women expect to be treated poorly Explain that learners should read the lyrics carefully and then fill out the • Men expect that they should be dominant or aggressive which segment of either wheel (Teen Power or Teen Equality) that best • Relationships are less fulfilling because partners are not describes the lyric (column 2), and the reason that it fits this segment taught or modelled communication, respect and trust. -
![Through Romany Songland. [With Musical Notes.]](https://docslib.b-cdn.net/cover/6048/through-romany-songland-with-musical-notes-536048.webp)
Through Romany Songland. [With Musical Notes.]
BkhhP 1 rais mMBit mm THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. THROUGH ROMANY SONGLAND Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/throughromanysonOOsmit THROUGH ROMANY SONGLAND BY LAURA ALEXANDRINE SMITH Authoress 0/""The Music of the Waters." " Only in the Land of Dreams is Freedom, Only blooms the beautiful in Song." "In ancient Germany there was a town known by the name of Sing-one, and referred to by Ptolemy ; it is believed that in all probability our English word "sing," in Dutch "zingen," and its various forms in other languages, were derived from the habit of singing of the gypsies." —Henry Kilgour. DAVID STOTT, 370, OXFORD STREET, W. 1! : LONDON HENDERSON & SPALDING, GENERAL PRINTERS 3 & 5, MARYLEBONE LANE, W. Deoicateb by special permission MR WILSON BARRETT CONTENTS. PAGE Gypsy Song .. ... i x Introduction xi Magyar or Hungarian Gypsy Songs ; or, Songs of the Tzigani I Songs of the Gitanos or Spanish Gypsies 47 Russian Romany Songs ; or, Songs of the Tziggani 89 Anglo- Romany Songs ... - 107 Scotch Gypsy or Tinkler Songs ... 157 Songs of the Bohemiens; or, French Gypsy Songs 1S1 The Zigeuner or Gypsies of the Vaterland ... 205 Indian Gypsy Songs and Dance Tjnes 211 Finale 225 : You ask, what is the gypsy life ? Hark, then, and I will tell GYPSY SONG. gg^iSgg± Tra la la la.Tra la la la, A gj'p-sy gay and free, Tra liiliiiillll^ la la la, Tra la la la, A rov-inglife for me— Tra -J£=ZJK=WZ^^^^^^m.