Download Booklet

Total Page:16

File Type:pdf, Size:1020Kb

Download Booklet ACKNOWLEDGMENTS PUBLISHERS Recorded by Paul Hennerich on John Adams’ American Berserk and 16-19 May and 26-27 July, 2009, Chen Yi’s Ba Ban are published by Opperman Music Hall, Hendon Music, Inc.; Joan Tower’s No Drive American The Florida State University, Longer Very Clear is published by New York Steinway Model D Associated Music Publishers, Inc.; Augusta Read Thomas’ Traces is Heidi Louise Williams, piano Edited and Mastered at the published by G. Schirmer, Inc.; William Pan Galactic Company by Paul Bolcom’s 12 New Etudes is published Hennerich and Boris Golynskiy by E.B. Marks Music Co.; and Daniel Piano Technician: Anne Garee Crozier’s Winter Aubade is available direct from the composer. Hall Manager: Nicholas Smith Producers: Heidi Louise Williams, This recording is made possible in part Karyl Louwenaar, Daniel Crozier by a generous 2009 Planning Grant Artwork: Paul Buxman from The Florida State University. Photographers: Steve Buhman SINCERE THANKS TO: (Heidi Louise Williams), Dean Don Gibson, Dean Leo Welch, Andrew Shinn Christopher Williams, Ann Schein, Denise Von Glahn, E. T. Kawaguchi, Paul Buxman, Jerram & Vicki Barrs, Niki Mousikos, Edward Rothmel, Roberto Sinha, Wendy Smith, Kathleen Ginther, Kudzai Musumhi WORKS BY DEDICATION John Adams This recording is dedicated, with Joan Tower gratitude and admiration, to each WWW.ALBANYRECORDS.COM Daniel Crozier TROY1298 ALBANY RECORDS U.S. of the composers whose works I am 915 BROADWAY, ALBANY, NY 12207 Chen Yi TEL: 518.436.8814 FAX: 518.436.0643 honored to present on this disc, and ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD to the memory of my mother, Melodie Augusta Read Thomas TEL: 01539 824008 © 2011 ALBANY RECORDS MADE IN THE USA MacLeod Buxman (1944-2003). DDD William Bolcom WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Artist Notes on the Music the National Endowment for the Arts, Governor Composer, conductor, and creative thinker — Arnold Schwarzenegger of California, the French Praised by New York critic Harris Goldsmith for her ‘dazzling performances’ and John Adams occupies a unique position in the Legion of Honor, and Northwestern University, ‘impeccable solistic authority’, American pianist Heidi Louise Williams has world of American music. His works, both operatic where he was awarded an honorary doctorate and appeared in performances across the United States and internationally, winning and symphonic, stand out among contemporary the first Michael Ludwig Nemmers Prize in Music numerous prizes. Her 2004 New York debut in Alice Tully Hall, Lincoln Center classical compositions for their depth of expres- Composition. For more information, visit John under the auspices of Artists International received highest critical acclaim, sion, brilliance of sound, and the profoundly Adams’ official website at www.earbox.com. leading to a return engagement at Carnegie Hall’s Weill Recital Hall in 2006. Her humanist nature of their themes. Over the past 25 American Berserk was composed in 2001 for concert schedule has included solo and chamber music recitals at the Kennedy years, Adams’s music has played a decisive role in pianist Garrick Ohlsson. It is a fast, fractured study Center, the Chicago Cultural Center, Weill Hall at Carnegie Hall, the Brevard turning the tide of contemporary musical aesthet- of what could be called “indigenous” rhythms. Summer Music Festival, the Peabody Conservatory of Music, the Society for ics away from academic modernism and toward a The surface is studded with sudden twists and American Music and the College Music Society National Conferences, the French more expansive, expressive language, entirely curves and punctuated with unexpected stabs of Embassy in Washington D.C., and a debut recital in St. Louis as winner of its 2000 Artist Presentation characteristic of his New World surroundings. Born syncopation and unpredictable, bipolar shifts of Society Auditions, as well as concerto appearances with the Chicago Chamber Orchestra, the Oregon and raised in New England and educated at mood and tempo. At times the musical material Symphony, and others. An avid chamber musician, Williams has collaborated with many outstanding Harvard, Adams moved in 1971 to California, threatens to come apart at the seams, only to pick American and international artists. She is also actively involved in the promotion of new music and has where he taught for ten years at the San Francisco itself up again and continue charging forth. I owe worked with many distinguished composers including Ellen Taaffe Zwilich, Chen Yi, Augusta Read Conservatory and was composer-in-residence at the title to a phrase from novelist Philip Roth. Thomas, Daniel Crozier, Robert Sirota, and Frank Stemper. In 2007 she recorded chamber music of New the San Francisco Symphony. Adams’s operatic —John Adams, Road Movies York composer Bernard Hoffer in collaboration with the innovative trio Neoteric on the Albany Label, and works are among the most successful of our time, Nonesuch Records Inc, she was featured in a recording of piano concertos of Ellen Taaffe Zwilich on the Naxos Label in 2010. drawing many of their subjects from archetypical Berkeley, California, 2004 Williams joined the piano faculty at the Florida State University College of Music in 2007, after having themes in contemporary history. On the taught at the Southern Illinois University Carbondale School of Music since 1999. She completed her BM, Transmigration of Souls, written for the New York MM, and DMA degrees at the Peabody Conservatory of Music in Baltimore, Maryland, where she studied Philharmonic to mark the first anniversary of the Widely regarded as one of the most important with renowned pianist Ann Schein and coached chamber music with Earl Carlyss, Samuel Sanders, World Trade Center attacks, received the 2003 American composers living today, Joan Tower Stephen Kates, and Robert McDonald. Prior to her studies at Peabody, she studied under William Pulitzer Prize for Music, and won a rare “triple has made lasting contributions to musical life in Phemister at the Wheaton College Conservatory of Music, where she later taught as visiting professor in crown” of GRAMMY® awards: “Best Classical the U.S. as composer, performer, conductor, and 1999. She is an Artist-Faculty for the MasterWorks Summer Music Festival in Lake Winona, Indiana. She Recording,” “Best Orchestral Performance,” and educator during a career spanning more than is the niece of the Californian plein-air painter, Paul Buxman. “Best Classical Contemporary Composition.” fifty years. Commissioned by major ensembles, Adams has been awarded honorary degrees and soloists, and orchestras, including the Emerson, proclamations by Cambridge University, Harvard Tokyo and Muir quartets, Evelyn Glennie, Carol University, Yale School of Music, Phi Beta Kappa, Wincenc, David Shifrin, John Browning, and orchestras of Chicago, New York, St. Louis, Franklin and Marshall College for John Browning, competition for his second, With Blood, With Ink. In appropriately, “dawn music.” Pittsburgh, and Washington D.C., She was the who premiered both works at The Ann and Richard May, 2010 New York Times critic Anthony Tommasini —Daniel Crozier, 2009 first composer chosen for a Ford Made in America Barshinger Center for Musical Arts in Hensel Hall praised the opera as “Driven by Mr. Crozier’s har- consortium commission, Made in America. Its at Franklin & Marshall College in September 2000. monically lush and lyrically soaring score…” Born in Guangzhou, China, Dr. Chen Yi is the top-selling recording won three 2008 GRAMMY® In Vast Antique Cubes, I wanted to create a sense Daniel Crozier is currently Associate Professor of Distinguished Professor at the Conservatory of awards, including “Best Classical Contemporary of a very large space that moved quite slowly from Theory and Composition at Rollins College. the University of Missouri-Kansas City, and the Composition.” She was Composer in Residence low to high and higher still. Within this reaching Winter Aubade was conceived with the special recipient of the prestigious Charles Ives Living with the St Louis Symphony (1985–88), Orchestra upwards, are suggestions of Debussy and Chopin gifts of the pianist Heidi Louise Williams in mind. Award from the American Academy of Arts and of St Lukes (1997–2007), and Season Composer — two composers whom I played frequently as a It was absolute joy to return to writing music for Letters. Her music is published by Theodore with the Pittsburgh Symphony (2010–11). Tower pianist. By contrast, in the much more energetic my most favorite instrument with the confidence Presser Company, commissioned and performed studied piano and composition at Bennington and faster Throbbing Still, the music of Stravinsky that virtually anything that the music demanded worldwide by such ensembles as the Cleveland College and Columbia University. Her earliest and the Latin Inca rhythms that I grew up with in would be possible. Winter Aubade continues to Orchestra, the Sachsische Staatskapelle Dresden, works were serial in concept, but her music soon South America, continue to play a powerful role — explore some of the principal concerns expressed and the Singapore Symphony, and recorded on developed the lyricism, rhythmic drive, and colorful to “throb still” in my music. in the orchestral works that immediately preceded Bis, New Albion, Teldec, New World, Albany, Koch orchestration that characterize her subsequent —Joan Tower, www.schirmer.com it, namely the narrative power
Recommended publications
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • Rmc193chiprograml5.Pdf
    SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago.
    [Show full text]
  • Augusta Read Thomasâ•Žs Sun Threads for String Quartet: a Study
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Augusta Read Thomas's Sun Threads for String Quartet: A Study and Performer's Guide Kristin Ann Pfeifer Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AUGUSTA READ THOMAS’S SUN THREADS FOR STRING QUARTET: A STUDY AND PERFORMER’S GUIDE By KRISTIN ANN PFEIFER A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2013 Kristin Pfeifer defended this treatise on October 28, 2013. The members of the supervisory committee were: Eliot Chapo Professor Directing Treatise Evan Jones University Representative Melanie Punter Committee Member Corinne Stillwell Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ! ii! ACKNOWLEDGEMENTS I owe my gratitude to all of the people who helped make this treatise possible. I am forever grateful to my violin professor, Eliot Chapo, for his extraordinary teaching, faith, and support in me throughout my studies at the Florida State University. I have been fortunate enough to have a wonderful committee, who challenged me and always questioned my thoughts in order for me to further express my ideas. I would like to sincerely thank Dr. Evan Jones, Melanie Punter, and Corinne Stillwell for their tremendous mentorship and encouragement. My sincere thanks goes to Augusta Read Thomas for allowing me to have a wonderful interview in her beautiful home.
    [Show full text]
  • Indianapolis Symphonic Choir Announces Augusta Read Thomas As Newest Commissioned Composer, Work to Premiere in 2022
    Indianapolis Symphonic Choir announces Augusta Read Thomas as newest commissioned composer, work to premiere in 2022 Choir’s dedicated commitment to commissioned work underscores ongoing support and recognition of the world’s top living composers INDIANAPOLIS (May 12, 2020) – One of the nation’s oldest and most established symphonic choruses, the Indianapolis Symphonic Choir announces renowned composer Augusta Read Thomas as its newest commissioned composer, with plans to premiere her work for chorus and orchestra in spring 2022. The announcement marks the third major commission for the Indianapolis Symphonic Choir in 18 years, following Kyle Gann’s “Transcendental Sonnets” in 2002, and Mohammed Fairouz’s “Zabur” in 2014, which the Choir subsequently performed at New York’s famed Carnegie Hall and recorded via Naxos Records. A three-year process, the plans for a commissioned composer have long been a part of the organization’s strategic planning and fundraising efforts, made possible in part by the generosity of the Lilly Endowment and the Allen Whitehill Clowes Charitable Foundation. Early on, following discussion with leading professionals in the choral world including conductors, directors and music professors from many of the country’s leading musical institutions, the Choir focused on plans to engage a female composer in recognition of the significant yet still too infrequently heard work among this growing group of individuals. “I am incredibly honored and excited to have the opportunity to present a new work by much-heralded composer Augusta Read Thomas,” said Indianapolis Symphonic Choir Artistic Director Eric Stark. “We are very proud to be partnering with a composer of worldwide stature, recognized depth and boundless promise, who has written works for the Chicago and Boston symphonies, the Berlin Philharmonic, the Cleveland Orchestra and the Washington Choral Arts Society.
    [Show full text]
  • ERIC NATHAN, David S
    ERIC NATHAN, David S. Josephson Assistant Professor of Music, Department of Music 1 Young Orchard Avenue, Orwig Music Building, Brown University, Providence RI, 02912, USA [email protected] | http://www.ericnathanmusic.com | (914) 391-8394 CURRICULUM VITAE TABLE OF CONTENTS i-ii Academic Education 1 Professional Appointments 1 Non-Academic Study (Festivals, Summer Programs, Workshops) 1 I. RESEARCH AND PROFESSIONAL RECOGNITION 2 Discography 2 Published Compositions and Writings 3 Professional Awards and Honors 3 Selected Commissions 4 Invited Lectures and Talks 5 Academic Awards/Research Grants 7 From Brown University 7 Student Awards 8 II. TEACHING 8 Course Instruction 8 Brown University 8 Williams College 10 Advising 10 Guest Lectures/Teaching 11 Teaching Development Awards 12 Non-Academic Teaching 12 III. SERVICE 12 To The Department/University 12 Brown University (as faculty) 12 Previous Institutions (as a student) 14 To The Profession 14 To The Community 14 IV. PUBLIC PRESENTATION AND RECEPTION OF RESEARCH 15 List of Selected Performances and Exhibitions 15 Radio, Television, and Podcast Broadcasts (Of Performances, Interviews) 26 Selected Press and Reviews 28 For CD Album Releases (Print and Web) 28 Interviews and Feature Articles 29 Selected Reviews and Other Press 31 Writing/Presentation On My Music 33 Published writings (non-academic) 33 Academic writing 34 Guest Appearances and Participation (Festivals, Conferences) 34 Selected Performance Experience 35 Professional Affiliations 36 Eric Nathan – Composer – p. ii V. LIST OF WORKS 36 Musical Compositions 36 Completed Original Orchestrations 41 Collaborative Compositions 42 ERIC NATHAN, David S. Josephson Assistant Professor of Music, Department of Music 1 Young Orchard Avenue, Orwig Music Building, Brown University, Providence RI, 02912, USA [email protected] | http://www.ericnathanmusic.com | (914) 391-8394 ACADMIC EDUCATION: 2008-2012 Cornell University (D.M.A.
    [Show full text]
  • Holly Roadfeldt-Wichita State Program
    Program Spark (2014)* Kala Pierson (b. 1977) Six Preludes for Piano (2014) Daniel Perttu No. 1 Allegro giocoso (b. 1979) No. 2 Con moto No. 3 Maestoso No. 4 Allegretto giocoso Preludes, Book I (2014)* Anthony Donofrio No. 1 Nocturne (b. 1981) No. 2 Canon I Twenty-Six Preludes for Piano (2014)* Kirk O’Riordan XXIV. floating, like distant chimes (b. 1968) VI. agitato, unsettled VII. floating, with trepidation VIII. hushed, with energy IX. child-like with simplicity X. sparkling; bright, with energy XI. freely, blurry XII. gently, fragile XIII. presto feroce, with intensity XVII. hypnotic, distant XXVI. gently, with sadness -Intermission- Kaddish (2012) Aleksander Sternfeld-Dunn (b. 1980) Rain Tree Sketch II (1992) Toro Takemitsu (1930-1996) Petite Suite for Piano (2003) Alan Theisen I. Song without Words (b. 1981) II. Humoresque III. Nocturne IV. Galop in Sixty Seconds No Longer Very Clear Joan Tower Holding a Daisy (1996) (b. 1938) Or Like a…an Engine (1994) Vast Antique Cubes/Throbbing Still (2000) *World Premiere Friday, September 12, 2014 7:30 PM Wichita State University Performer Biography Holly Roadfeldt holds degrees in piano performance from the Eastman School of Music, Indiana University, and the University of Colorado in Boulder. She made her orchestral debut with the Toledo Symphony Orchestra at the age of 13 and she continues to be an active solo pianist and chamber musician performing standard and eclectic recital programs in the United States, Europe, and Asia. Recent honors include participation in the World International Competition held in Santa Fe, New Mexico during the fall of 2007 as one of twelve selected pianists.
    [Show full text]
  • ST276 HR Cover.Jpg
    THE AMERICAN MASTERS SERIES PURE The exuberantly prolific Augusta Read Thomas has no time for creative boundaries By Thomas May 24 April 2018 / Strings StringsMagazine.com 25 ANTHONY BARLICH o matter how gloomy she withdrew because she felt they failed to you may be feeling meet her standards. about the state of the The early Edgar Allan Poe–inspired opera world, it seems impos- Ligeia (1994), for example, was commissioned sible to come away by Mstislav Rostropovich for the Evian- from an encounter les-bains Spring Festival in France, and was with Augusta Read produced multiple times in Europe and the Thomas without a surge of fresh hope. The United States back in the 1990s, but Thomas NChicago-based composer radiates an exuber- withdrew it “because I’m a perfectionist and ance about music’s inexhaustible potential I was so young when I wrote it.” Currently, for that is both powerful and infectious. And she Santa Fe Opera’s new initiative Opera for All has been channeling it for decades into a Voices: Stories of our Time, Thomas is at work vast, ongoing body of compositions that rep- on an (as yet unnamed) one-act opera with resents one of the most remarkable achieve- the writer and literary scholar Leslie Dunton- ments of contemporary American music: a Downer (her librettist for Ligeia as well) to unique vision of the poetry of sound that is at premiere in the fall of 2019. the same time anchored in an exquisite Thomas has written extensively for attention to craft and technique. orchestra and for chamber configurations, It’s also easy to feel like a slacker when including a wide spectrum of pieces for confronted with Thomas’ prolific creativity.
    [Show full text]
  • ( ( ( ( ( ( ( ( ( ( ( ( ROCKEFELLER CARILLON NEW MUSIC FESTIVAL ) ) ) ) ) ) ) ) ) ) ) )I
    ( ( ( ( ( ( ( ( ( ( ( ( ROCKEFELLER CARILLON NEW MUSIC FESTIVAL ) ) ) ) ) ) ) ) ) ) ) )I FRIDAY MAY 25 TO SATURDAY MAY 26, 2018 Harper Court Campus North Parking ( ( ( ( ( ( ( ( ( ABOUT THE FESTIVAL ))))))))) The contemporary carillon owes its origin to bell towers that functioned in medieval times as primary means of communication to the inhabitants of the cities in which they were located. The ringing of bells signaled not only the time of day but also the start of civic and spiritual events: a call to prayer, the arrival of visitors, a warning such as the outbreak of a fire. From the beginning of the sixteenth century, bellringers in Flanders and neighboring areas (today Belgium and The Netherlands) began to add the playing of melodies, using a baton keyboard, and thus the carillon that we know today was born. In the early twentieth century, as technical keyboard innovations began to allow for the expression of Medical touch, the carillon started developing as a concert instrument. Today’s carillonneurs perform all kinds of Campus Parking B music on the bells, to the delight of listeners: classical arrangements, jazz standards, pop tunes, folk songs, film music, and original compositions. And now we are heralding a new era during which music is being written especially for the carillon, and prolifically. Every piece of carillon music played at this weekend festival here at Rockefeller Chapel has been written in the twenty-first century, some 95% of it within the past five years, representing an extraordinary outpouring of new music for bells. Rockefeller Chapel regularly commissions the composition of new music—choral, organ, or carillon—and University carillonneur Joey Brink works with composers both here at the University of Chicago and worldwide to add to the rapidly flowing stream of new carillon repertoire.
    [Show full text]
  • A Program of Works by Guest Composer STEVEN MACKEY and by ANTHONY BRANDT PIERRE JALBERT KARLHEINZ STOCKHAUSEN
    NEW MUSIC AT RICE A program of works by guest composer STEVEN MACKEY and by ANTHONY BRANDT PIERRE JALBERT KARLHEINZ STOCKHAUSEN Friday, February 5, 2010 8:00 p.m. Lillian H Duncan Recital Hall RICE UNIVERSITY PROGRAM String Trio (2008) Pierre Jalbert (b. 1967) Cho-Liang Lin, violin James Dunham, viola Norman Fischer, cello Focus (2010) Anthony Brandt Glow (b. 1961) Blur Flicker Dapple Embers Leone Buyse, flute Christian Slagle, percussion Michael Webster, clarinet Luke Hsu, violin Andrew Staupe, piano Rosanna Butterfield, cello Sadie Turner, harp Cristian Mdcelaru, conductor The Little Harlequin (1975) Karlheinz Stockhausen (1928-2007) Carlos Cordeiro, clarinet PAUSE Gaggle and Flock (2001) Steven Mackey Gaggle (b. 1956) Flock Quartet A Kaoru Suzuki (guest) and Terna Watstein, violins James Dunham, viola, Morgen Johnson, cello Quartet B David Huntsman and Tina Zhang, violins Roberto Papi, viola, Norman Fischer, cello The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use ofrecording equipment are prohibited. PROGRAM NOTES String Trio Pierre Jalbert My String Trio was commissioned by the South Bay Chamber Music Soci­ ety in Los Angeles for the Janaki String Trio, and was premiered there by the Janaki Trio in September 2008. The piece is in one movement and follows a conventional slow-fast-slow structure. The work begins very atmospherically, with a slow, lyrical melody introduced by the cello. This quickly gives way to a faster, more aggressive section ofmusic where a rapid, repeated note figure, played with a jete - bouncing bow technique, is taken up by each player.
    [Show full text]
  • Juilliard Orchestra Jeffrey Milarsky , Conductor Brenden Zak , Violin
    Thursday Evening, November 8, 2018, at 7:30 The Juilliard School presents Juilliard Orchestra Jeffrey Milarsky , Conductor Brenden Zak , Violin AUGUSTA READ THOMAS (b. 1964) Prayer Bells LEONARD BERNSTEIN (1918 –90) Serenade (After Plato’s “Symposium”) Phaedras - Pausanias: Lento - Allegro Aristophanes: Allegretto Eryximachus: Presto Agathon: Adagio Socrates - Alcibiades: Molto tenuto - Allegro molto BRENDEN ZAK , Violin Intermission SERGEI PROKOFIEV (1891 –1953) Suite from Romeo and Juliet Montagues and Capulets The Young Juliet Romeo and Juliet Before Parting Romeo at Juliet’s Tomb Masks Balcony Scene Death of Tybalt Performance time: approximately 1 hour and 45 minutes, including one intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Notes on the Program Thomas composed Prayer Bells in 2001 on commission from the Pittsburgh Symphony by James M. Keller Orchestra and its conductor, Mariss Jansons, who presented its premiere on May 4 of Prayer Bells that year. She provided this comment AUGUSTA READ THOMAS about the piece: Born April 24, 1964, in Glen Cove, New York Currently residing in Chicago There is an indisputable journey taking place during the 12-minute composition. Augusta Read Thomas, who began com - In general the score falls into a three-part posing as a child, has become one of the form: a slow-growing introduction of 90 most admired and fêted of her generation seconds (which is a section of music I of American composers.
    [Show full text]
  • Eleanor Lee November 11 2020 Program
    The D’Angelo Department of Music at Mercyhurst University presents Faculty Recital Eleanor Lee, cello Chiaroscuro An Unaccompanied Recital Walker Recital Hall Wednesday, November 11, 2020 8:00pm www.mercyhurst.edu/music PROGRAM Suite No. 5 for Solo Cello in C Minor J.S. Bach Prelude (1685-1750) Allemande Courante Sarabande Gavottes Gigue Brief Pause (5 minutes) Variations on a Theme of Paganini Hans Bottermund (1892-1949) Arr. Janos Starker (1924-2013) Spring Song Augusta Read Thomas (b. 1964) Theme & Variations on “Draw the Sacred Circle Closer” Adolphus Hailstork Theme: Moderately (b. 1941) Variation I: Spritely Variation II: Playfully-Dramatic-Playfully-Dramatic Variation III: Adagio Variation IV Variation V: Animated The use of recording devices is strictly prohibited. Please turn off and stow all electronic devices. Thank you. NOTES Chiaroscuro - (n.), from Italian chiaro, “light,” and scuro, “dark”, technique employed in the visual arts to represent light and shadow as they define three-dimensional objects; used to dramatically enhance emotive effect and psychological impact - Encyclopedia Britannica 2020 has been an emotionally fraught year for our nation and the world at large. With COVID-19 and political division ever-looming, as a collective, we have known isolation, insecurity, grief, anger, and fear. Music and musicians have suffered some of the worst consequences, limited in our ability to both collaborate and to share. While it is true that most of our training comprises independent activities - spending countless hours practicing, score-studying, and listening - music, in its final execution, is meant to be social: a celebration of civilization, of universal human experience. If ever there was a time when we needed music, it is now.
    [Show full text]
  • News Release
    FOR IMMEDIATE RELEASE Press contacts: Christina Jensen PR, ACO/EarShot (646) 536-7864 | [email protected] Katherine E. Johnson, New York Philharmonic Director, Public & Media Relations (212) 875-5718 | [email protected] THIRTEEN EMERGING COMPOSERS SELECTED TO HAVE THEIR SCORES READ AND PERFORMED BY AMERICAN COMPOSERS ORCHESTRA AND NEW YORK PHILHARMONIC As Part of the NY PHIL BIENNIAL A Collaboration with AMERICAN COMPOSERS ORCHESTRA’S EARSHOT: THE NATIONAL ORCHESTRA COMPOSITION DISCOVERY NETWORK Three Selected Works to be Given Premieres by the New York Philharmonic in Concerts Conducted by Alan Gilbert and Matthias Pintscher June 5, 6, and 7 at Avery Fisher Hall American Composers Orchestra led by George Manahan 23rd Annual Underwood New Music Readings June 6 and 7, 2014 at The DiMenna Center for Classical Music One Composer to Win $15,000 Commission, Another to Win Audience Choice Award April 24, 2014, New York, NY – The New York Philharmonic and American Composers Orchestra (ACO), in collaboration with ACO’s EarShot: the National Orchestra Composition Discovery Network, announce the selection of 13 emerging composers from an international pool of more than 400 applicants from seven countries and 37 states ranging in age from 9 to 84, whose original scores for orchestra have been chosen for readings and performances by the Philharmonic and ACO as part of the inaugural NY PHIL BIENNIAL. Three works will be selected to receive premieres on public concerts with the New York Philharmonic as part of the NY PHIL BIENNIAL: one work on June 5 and the second on June 7 will be conducted by Music Director Alan Gilbert, and the third work will be featured on the June 6 program conducted by Matthias Pintscher.
    [Show full text]