Third Coast Percussion
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Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Claire Chase: Cerchio Tagliato Dei Suoni and Density
Claire Chase: Cerchio Tagliato dei Suoni and Density Sat, Apr 4 PART ONE Grazie Migranti! Royce Hall Marcos Balter (b. 1974): Alone (2014), 4pm for flute and wine glasses and ambient The Center would like to thank all the flute enthusiasts percussion who have joined us this week to bring Cutting the Circle WEST COAST PREMIERE of Sounds to vibrant life, both here today and earlier in rehearsals at the Hammer Museum. It has been a true Salvatore Sciarrino (b. 1947): Il cerchio migration, with performers traveling from San Diego and tagliato dei suoni (1977), for four flute RUNNING TIME: Santa Barbara and participants joining in where and when soloists and one hundred migrating flutists Approximately two and a WEST COAST PREMIERE they can. We were able to capture most of the names of the half hours; migrating flutists you will see here tonight in time for this One intermission Claire Chase Flutes printing. Each person on site today has our deep gratitude Michael Matsuno Flute for their generous contribution of time and energy to this Erin McKibben Flute unique project. Members of the migranti include: Christine Tavolacci Flute Levy Lorenzo Sound Engineer Robert Gonyo Production Aika Dan, Aileen Garcia, Ann Carlson, Amanda Vader, Amy Two, Arlette Flores, Barbara Gasior, Beth Ross CAP UCLA SPONSOR: Manager Supported in part by Intermission Buckley, Breanna Ohler, Catherine Marshall, Carlos The Andrew W. Mellon Cherish Zinn, Christine Buckley, Claire Hafteck, Daniel Foundation. PART TWO Valle, Dickson McMurray, Diego Monico, Elena Yarritu, Additional support Eloisa Perez, Emily Flores, Evan Caplinger, Eve Newton, Steve Reich (b. -
Rmc193chiprograml5.Pdf
SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago. -
175-Booklet.Pdf
Cover Philip Glass arr. Third Coast Percussion* Philip Glass, arr. Third Coast Percussion* 1 Madeira River (5:43) 15 Xingu River (4:59) Third Coast Percussion Jacob Druckman Paddle to the Sea** (33:57) Reflections on the Nature of Water 2 The Lighthouse and 16 III. Tranquil (2:45) the Cabin (4:23) Robert Dillon 3 Flow (2:34) 17 IV. Gently Swelling (2:09) 4 Open Water (4:19) David Skidmore 5 Thaw (3:36) Philip Glass arr. Third Coast Percussion* 6 The Stewards (2:44) 18 Japurá River (2:57) 7 Niagara (3:20) 8 Sanctuary (5:07) Jacob Druckman 9 The Locks (3:08) Reflections on the Nature of Water 10 Release (1:52) 19 V. Profound (4:35) 11 The Lighthouse (2:54) Robert Dillon Traditional, arr. Musekiwa Chingodza 20 VI. Relentless (2:15) 12 Chigwaya (2:57) Sean Connors Jacob Druckman Philip Glass arr. Third Coast Percussion* Reflections on the Nature of Water 21 Amazon River (9:35) 13 I. Crystalline (2:56) David Skidmore TT: (78:52) 14 II. Fleet (1:52) Peter Martin * from Aguas da Amazonia **World Premiere Recording In building a performance project around this story, the four members of Third Coast Percussion composed music together as a team to perform The protagonist of Holling C. live with the 1966 film adaptation Holling’s 1941 children’s book of Paddle to the Sea — music Paddle to the Sea is a small inspired by, and interspersed wooden figure in a canoe, with, other music that bears lovingly carved by a Native thematic connections to water. -
KSU School of Music Thanks Our Sponsors
Instruments and Bows KSU School of Music Guest Artist Recital Rentals Third Coast Percussion Repairs presents Stephanie Voss, Certified Master Violin Maker New Making "Points of Contact" 620 Glen Iris Drive, Suite 104 • Atlanta, GA 30308 • 404.876.8617 www.vossviolins.com • [email protected] Sean Connors, Robert Dillon, Peter Martin, David Skidmore, percussionists KSU School of Music Thanks Chastain Road our Located at the corner of Chastain Road & Busbee Parkway Sponsors 770-422-0153 Monday through Saturday 6 am - 10 pm Please join us in showing our appreciation with your support! Photos by Saverio Truglia program program notes Fractalia | Owen Clayton Condon Former Third Coast Percussion member Owen Clayton Condon writes music influenced by minimalism, electronica and taiko drumming. Condon has been commissioned to write music for the 75th anniversary celebration of Frank Lloyd Wright’s Fallingwater, and the video and light installation Luminous Field Tuesday, October 20, 2015 at 8:00 pm at Anish Kapoor’s iconic public sculpture Cloud Gate in Chicago’s Millennium Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Park. Twenty-fifth Concert of the 2015-16 Concert Season Fractalia, written for Third Coast Percussion, is a sonic celebration of fractals, geometric shapes whose parts are each a reduced-size copy of the whole OWEN CLAYTON CONDON (b.1978) (derived from the Latin fractus, meaning “broken”). The kaleidoscopic fractured Fractalia (2011) melodies within Fractalia are created by passing a repeated figure through four players in different registers of the marimba. THIERRY DE MEY (b. 1956) Duration: 4 minutes Table Music (1987) Table Music | Thierry De Mey AUGUSTA READ THOMAS (b. -
Third Coast Percussion Presents "Points of Contact" Sean Connors, Robert Dillon, Peter Martin, David Skidmore, Percussionists
KSU School of Music Guest Artist Recital Third Coast Percussion presents "Points of Contact" Sean Connors, Robert Dillon, Peter Martin, David Skidmore, percussionists Photos by Saverio Truglia program Tuesday, October 20, 2015 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Twenty-fifth Concert of the 2015-16 Concert Season OWEN CLAYTON CONDON (b.1978) Fractalia (2011) THIERRY DE MEY (b. 1956) Table Music (1987) AUGUSTA READ THOMAS (b. 1964) Resounding Earth II. Prayer (2012) DAVID SKIDMORE (b. 1982) Trying (2014) Intermission STEVE REICH (b. 1936) Music for Pieces of Wood (1973) TOBIAS BROSTRÖM (b. 1978) Twilight (2001) ALEXANDRE LUNSQUI (b. 1969) Shi (2008) JOHN CAGE (1912-1992) Third Construction (1941) program notes Fractalia | Owen Clayton Condon Former Third Coast Percussion member Owen Clayton Condon writes music influenced by minimalism, electronica and taiko drumming. Condon has been commissioned to write music for the 75th anniversary celebration of Frank Lloyd Wright’s Fallingwater, and the video and light installation Luminous Field at Anish Kapoor’s iconic public sculpture Cloud Gate in Chicago’s Millennium Park. Fractalia, written for Third Coast Percussion, is a sonic celebration of fractals, geometric shapes whose parts are each a reduced-size copy of the whole (derived from the Latin fractus, meaning “broken”). The kaleidoscopic fractured melodies within Fractalia are created by passing a repeated figure through four players in different registers of the marimba. Duration: 4 minutes Table Music | Thierry De Mey Musique de Tables clearly displays Belgian composer and filmmaker Thierry De Mey’s interest in merging the visual and audio aspects of music into a performance art that engages multiple senses. -
Mellissa Hughes SOPRANO
SOPRANO Mellissa Hughes “A magnetic presence” – THE NEW YORK TIMES “A dazzling diva adept at old and new music” – TIME OUT NEW YORK “note-perfect...by turns coolly composed and legitimately frightening” – Pitchfork “Riveting” – THE NEW YORKER “Haunting and beautiful” – Feast of Music “I actually wasn't prepared for the strength of her physical performance…” – THE AWL “A postclassical siren” – TIME OUT NEW YORK Photo: Mark Hughes “Mellissa Hughes ratcheted the work to a wild, intoxicating pitch.” -- THE WASHINGTON POST “indispensable to New York’s new-music ecosystem.” – THE NEW YORK TIMES Hailed by The New York Times as “ a versatile, charismatic soprano endowed with brilliant technique and superlative stage instincts…indispensable to New York’s new-music ecosystem” MELLISSA HUGHES enjoys a busy career in both contemporary and early music. A dedicated interpreter of living composers, Hughes has worked closely with Julia Wolfe, Michael Gordon, David Lang, Steve Reich, Neil Rolnick, and has premiered works by David T. Little, Missy Mazzoli, Ted Hearne, Caleb Burhans, Christopher Cerrone, Jacob Cooper, and Frederick Rzewski, among others. In the classical concert hall she has performed Mozart’s Vespers and Requiem under the baton of Sir Neville Marriner, Handel’s Dixit Dominus with Sir David Willcocks, and the role of Dido under the direction of Andrew Lawrence King. Equally at home in front of a rock band, Hughes has received widespread acclaim in her role as lead vocalist of Newspeak, an amplified alt-classical band, and for her work with Missy Mazzoli’s Victoire. In the 2013/14 season, Hughes continues touring with John Zorn for Zorn@60 celebrations, singing his “Madrigals” and “Earthspirit” in Jerusalem, Paris and at Alice Tully Hall in New York (having sung the works last season in Montreal, Ghent, Warsaw, at the Barbican in London, and at the Guggenheim New York.) She also stars in Jonathan Berger’s double bill opera, Visitations, in a Beth Morrison Production/HERE production for Protoype 2014 at Roulette, led by Christopher Rountree. -
Esopus Cd #16: Thirteen Composers
ESOPUS CD #16: THIRTEEN COMPOSERS 1 Anthony Cheung, excerpt from vis-à-vis (2010) Performed by the Ensemble Modern, conducted by Franck Ollu Recording © 2011 Hessischer Rundfunk, hr2-kultur. Used by permission. 2 Enno Poppe, excerpt from Rad (2003) Performed by Benjamin Kobler and Ernst Surberg, keyboards Score © 2003 G. Ricordi & Co. Munich (Universal Music Publishing); recording © 2004 col legno and © 2003 Südwestrundfunk Baden-Baden. Used by permission. Available on Col Legno Records: Donaueschinger Musiktage, 2003 3 Tristan Murail, excerpt from L’esprit des dunes (1994) Performed by the Ensemble Intercontemporain, conducted by David Robertson Score © 1994 Éditions Henry Lemoine; recording © 1996 Ensemble Intercontemporain, Ircam, Musidisc France, a Universal Music label. Used by permission. Available on Accord Records: Tristan Murail: compositeurs d’aujourd’hui, 1996 4 Fausto Romitelli, excerpt from Professor Bad Trip, Lesson 1 (1998) Performed by the Talea Ensemble, conducted by Scott Voyles Score © 1998 Casa Ricordi Milan (Universal Music Publishing). Archive recording from the Bang on a Can Marathon, June 2010 5 Steve Lehman, “Echoes” from Travail, Transformation, and Flow (2009) Performed by the Steve Lehman Octet © 2009 Pi Recordings. Used by permission. Available on Pi Recordings: Steve Lehman Octet: Travail, Transformation, and Flow, 2009 6 Unsuk Chin, “Immense Voix” from Cantatrix Sopranica (2004–05) Performed by Anu Komsi and Piia Komsi, sopranos; David Cordier, countertenor; musikFabrik conducted by Stefan Asbury Score © 2005 Boosey & Hawkes; recording © 2010, courtesy of Wergo/Schott Music & Media GmbH and musikFabrik/Landesensemble NRW e.V. Available on Wergo Records: Sprechgesänge [Speech Songs], 2010 7 Marcos Balter, excerpt from Portmanteaux (2008) Performed by the International Contemporary Ensemble (ICE), conducted by Michael Lewanski © 2008 Marcos Balter. -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Augusta Read Thomas╎s Sun Threads for String Quartet: a Study
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Augusta Read Thomas's Sun Threads for String Quartet: A Study and Performer's Guide Kristin Ann Pfeifer Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AUGUSTA READ THOMAS’S SUN THREADS FOR STRING QUARTET: A STUDY AND PERFORMER’S GUIDE By KRISTIN ANN PFEIFER A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2013 Kristin Pfeifer defended this treatise on October 28, 2013. The members of the supervisory committee were: Eliot Chapo Professor Directing Treatise Evan Jones University Representative Melanie Punter Committee Member Corinne Stillwell Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ! ii! ACKNOWLEDGEMENTS I owe my gratitude to all of the people who helped make this treatise possible. I am forever grateful to my violin professor, Eliot Chapo, for his extraordinary teaching, faith, and support in me throughout my studies at the Florida State University. I have been fortunate enough to have a wonderful committee, who challenged me and always questioned my thoughts in order for me to further express my ideas. I would like to sincerely thank Dr. Evan Jones, Melanie Punter, and Corinne Stillwell for their tremendous mentorship and encouragement. My sincere thanks goes to Augusta Read Thomas for allowing me to have a wonderful interview in her beautiful home. -
Indianapolis Symphonic Choir Announces Augusta Read Thomas As Newest Commissioned Composer, Work to Premiere in 2022
Indianapolis Symphonic Choir announces Augusta Read Thomas as newest commissioned composer, work to premiere in 2022 Choir’s dedicated commitment to commissioned work underscores ongoing support and recognition of the world’s top living composers INDIANAPOLIS (May 12, 2020) – One of the nation’s oldest and most established symphonic choruses, the Indianapolis Symphonic Choir announces renowned composer Augusta Read Thomas as its newest commissioned composer, with plans to premiere her work for chorus and orchestra in spring 2022. The announcement marks the third major commission for the Indianapolis Symphonic Choir in 18 years, following Kyle Gann’s “Transcendental Sonnets” in 2002, and Mohammed Fairouz’s “Zabur” in 2014, which the Choir subsequently performed at New York’s famed Carnegie Hall and recorded via Naxos Records. A three-year process, the plans for a commissioned composer have long been a part of the organization’s strategic planning and fundraising efforts, made possible in part by the generosity of the Lilly Endowment and the Allen Whitehill Clowes Charitable Foundation. Early on, following discussion with leading professionals in the choral world including conductors, directors and music professors from many of the country’s leading musical institutions, the Choir focused on plans to engage a female composer in recognition of the significant yet still too infrequently heard work among this growing group of individuals. “I am incredibly honored and excited to have the opportunity to present a new work by much-heralded composer Augusta Read Thomas,” said Indianapolis Symphonic Choir Artistic Director Eric Stark. “We are very proud to be partnering with a composer of worldwide stature, recognized depth and boundless promise, who has written works for the Chicago and Boston symphonies, the Berlin Philharmonic, the Cleveland Orchestra and the Washington Choral Arts Society. -
ERIC NATHAN, David S
ERIC NATHAN, David S. Josephson Assistant Professor of Music, Department of Music 1 Young Orchard Avenue, Orwig Music Building, Brown University, Providence RI, 02912, USA [email protected] | http://www.ericnathanmusic.com | (914) 391-8394 CURRICULUM VITAE TABLE OF CONTENTS i-ii Academic Education 1 Professional Appointments 1 Non-Academic Study (Festivals, Summer Programs, Workshops) 1 I. RESEARCH AND PROFESSIONAL RECOGNITION 2 Discography 2 Published Compositions and Writings 3 Professional Awards and Honors 3 Selected Commissions 4 Invited Lectures and Talks 5 Academic Awards/Research Grants 7 From Brown University 7 Student Awards 8 II. TEACHING 8 Course Instruction 8 Brown University 8 Williams College 10 Advising 10 Guest Lectures/Teaching 11 Teaching Development Awards 12 Non-Academic Teaching 12 III. SERVICE 12 To The Department/University 12 Brown University (as faculty) 12 Previous Institutions (as a student) 14 To The Profession 14 To The Community 14 IV. PUBLIC PRESENTATION AND RECEPTION OF RESEARCH 15 List of Selected Performances and Exhibitions 15 Radio, Television, and Podcast Broadcasts (Of Performances, Interviews) 26 Selected Press and Reviews 28 For CD Album Releases (Print and Web) 28 Interviews and Feature Articles 29 Selected Reviews and Other Press 31 Writing/Presentation On My Music 33 Published writings (non-academic) 33 Academic writing 34 Guest Appearances and Participation (Festivals, Conferences) 34 Selected Performance Experience 35 Professional Affiliations 36 Eric Nathan – Composer – p. ii V. LIST OF WORKS 36 Musical Compositions 36 Completed Original Orchestrations 41 Collaborative Compositions 42 ERIC NATHAN, David S. Josephson Assistant Professor of Music, Department of Music 1 Young Orchard Avenue, Orwig Music Building, Brown University, Providence RI, 02912, USA [email protected] | http://www.ericnathanmusic.com | (914) 391-8394 ACADMIC EDUCATION: 2008-2012 Cornell University (D.M.A.