Four Rooms 1995
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Official Web Site of the United States District Court for the Southe
Case 3:11-cv-01557-BTM-RBB Document 57 Filed 03/04/13 Page 1 of 10 1 2 3 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 SOUTHERN DISTRICT OF CALIFORNIA 10 11 SCORPIO MUSIC (BLACK SCORPIO) Case No. 11cv1557 BTM(RBB) S.A. and CAN’T STOP PRODUCTIONS, 12 INC., ORDER DENYING MOTION TO DISMISS COUNTERCLAIM 13 Plaintiffs, v. 14 VICTOR WILLIS, 15 Defendant. 16 17 VICTOR WILLIS, 18 Counterclaimant, 19 v. 20 SCORPIO MUSIC (BLACK SCORPIO) S.A. and CAN’T STOP PRODUCTIONS, 21 INC., 22 Counterclaim-Defendants, 23 -and- 24 HENRI BELOLO, 25 Additional Counterclaim-Defendant. 26 27 28 1 11CV1557 BTM(RBB) Case 3:11-cv-01557-BTM-RBB Document 57 Filed 03/04/13 Page 2 of 10 1 Plaintiffs-Counterdefendants Scorpio Music (Black Scorpio) S.A. and Can’t Stop 2 Productions, Inc. (“Plaintiffs”) have filed a Motion to Dismiss Counterclaim. On January 10, 3 2013, the Court held oral argument on the motion. For the reasons discussed below, 4 Plaintiffs’ motion is DENIED. 5 6 I. BACKGROUND 7 This lawsuit concerns the termination by Defendant Victor Willis of his post-1977 8 grants of his copyright interests in certain musical compositions. 9 Willis is the original lead singer of the Village People. Plaintiff Scorpio Music S.A. 10 (“Scorpio”) is a French corporation engaged in the business of publishing and otherwise 11 commercially exploiting musical compositions. Plaintiff Can’t Stop Productions, Inc. (“Can’t 12 Stop”) is the exclusive sub-publisher and administrator in the United States of musical 13 compositions published and owned by Scorpio. -
Program BMIM 2012
PROGRAM 2012 (May 24, 2012 – Pakhuis de Zwijger, Amsterdam) Music and Audio Branding for Games .................................................................................................... 2 Case Study: Stars of Football .................................................................................................................. 2 Composing for Advertising, Film and TV: Getting Started ...................................................................... 3 Listening to Chanel No.5: How Music Maps the Sense of Smell ............................................................. 5 BMIM Talent Award: Van God Los Score Competition (Kick-Off Session) .............................................. 5 Composing for Kids and Teens ................................................................................................................ 6 The Challenges of Composing for Games ............................................................................................... 8 BMIM Talent Award: Van God Los Score Competition (Fine Tuning Session) ........................................ 9 DIY – Making Money with Your Music Copyright ................................................................................. 10 Music in Advertising – Joined at the Hip? ............................................................................................. 10 From Band to Screen ............................................................................................................................. 12 BMIM New Talent Award: Van God Los -
Download the Word Farm 2016 Program
Word Farm 2016 Students Aubrie Amstutz Phalguni Laishram Joe Arciniega Gustavo Melo December Brown Claudia Niles Charlotte Burns Mia Roncati Derek Buss Melvin Singh Isabelle Carasso Corine Toren Christopher Connor Mel Weisberger Brendan Dassey Sydney Wiklund Phoebe DeLeon Dwight Yao Phi Do Julia Dumas Sylvia Garcia Gustavo A. Gonzalez Christine Hwynh Jae Hwan Kim Class Schedule Friday, January 29 9:00 Coffee & Snacks Sign-In 10:00-12:00 Session 1 Bryce & Jackie Zabel Tom Lazarus 12:00-1:00 Lunch 1:00-3:00 Session 2 David Gerrold Mitchell Kreigman Saturday, January 24 9:00 Coffee & Snacks 10:00-12:00 Session 3 Cheri Steinkellner J Kahn 12:00-1:00 Lunch 1:00-3:00 Session 4 Matt Allen & Lisa Mathis Dean Pitchford 3:00-3:30 Snacks 3:30-5:30 Session 5 Anne Cofell Saunders Toni Graphia 6:30 Dinner Annenberg Conference Room - 4315 SSMS Sunday, January 25 9:00 Coffee & Snacks 10:00-12:00 Session 6 Glenn Leopold Kevin McKiernan 12:00-1:00 Lunch 1:00-3:00 Session 7 Amy Pocha Allison Anders 3:00-3:30 Snacks 3:30-5:00 Session 8 Omar Najam & Mia Resella Word Farm Bios Allison Anders Allison Anders is an award-winning film and television writer and director. She attended UCLA film school and in 1984 had her first professional break working for her film mentor Wim Wenders on his movie Paris, Texas (1984). After graduation, Anders had her first film debut,Border Radio (1987), which she co-wrote and co-directed with Kurt Voss. -
Laurel Canyon Pressbook Revised
FRANCES McDORMAND CHRISTIAN BALE KATE BECKINSALE NATASCHA McELHONE and ALESSANDRO NIVOLA in “LAUREL CANYON” a film by Lisa Cholodenko 103 Minutes. Rated R by the MPAA. A Sony Pictures Classics Release. EAST COAST: WEST COAST: EXHIBITOR CONTACTS: MAGIC LANTERN, INC. BLOCK -KORENBROT SONY PICTURES CLASSICS JESSICA UZZAN MELODY KORENBROT CARMELO PIRRONE AMY GORDON ZIGGY KOZLOWSKI MARISSA MANNE 250 WEST 57TH STREET 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1718 SUITE 200 8TH FLOOR NEW YORK, NY 10107 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 586-7233 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 586-7282 FAX: (323) 655-7302 FAX: (212) 833-8844 www.magiclanternpr.com Visit the Sony Pictures Classics internet site at: http:/www.sonyclassics.com 1 LAUREL CANYON Cast Jane FRANCES McDORMAND Sam CHRISTIAN BALE Alex KATE BECKINSALE Sara NATASCHA McELHONE Ian ALESSANDRO NIVOLA Fripp LOUIS KNOX BARLOW Rowan RUSSELL POLLARD Dean IMAAD WASIF Mickey MICKEY PETRALIA Claudia MELISSA DE SOUSA Darla ALEXANDRA CARTER China MICHELLE DEMIRJIAN Wyatt RICK GONZALEZ Mr. Elliot DENNIS HOWARD Mrs. Elliot CATHERINE McGOOHAN Woman 1 JUDITH MONTGOMERY Woman 2 PATRICIA PLACE Cambridge party guest #1 WILLO HAUSMAN Cambridge party guest #2 GREG WOLFSON Cambridge party guest #3 BRANDY NIGHTINGALE stewardess CATHARINE SCOTT Tom MARCUS ASHLEY Hospital patient #1 LYLE KANOUSE Hospital patient #2 MARCIA CHOLODENKO Gloria GINA DOCTOR Landlord LAURI JOHNSON Manager TOM GRIFFITHS ER doctor REEF KARIM Elderly man LOU CUTELL Elderly man’s dog ZEUS Justin NICK KIRIAZIS Laura HEIDI SULZMAN Mark ARIEL FELIX Debby MARIE BLANCO Room service guy TED KOLAND Concierge PHILIP PAVEL Doctor MARK ROGERSON Soft rocker JUSTIN MELDAL-JOHNSEN Mark Linkous HIMSELF Daniel Lanois HIMSELF 2 LAUREL CANYON Filmmakers Written and Directed By LISA CHOLODENKO Producers SUSAN A. -
The Top Five Films You Did Not Know Were Based on Roald Dahl Stories
The top five films you didn’t know were based on Roald Dahl stories Many Roald Dahl stories have been turned into family film favourites that we know and love, but did you know there’s more than just the books? Roald Dahl is responsible for a number of classic screenplays and storylines that we wouldn’t normally associate him with. Here’s five of our favourites, which you can enjoy once again on the big screen as part of Roald Dahl on Film: 1. Chitty Chitty Bang Bang Roald Dahl was responsible for the screenplay of this truly magical, musical film. In fact, it was Roald Dahl that added in the Child Catcher as an extra character – so he’s responsible for giving us all those nightmares when we were small! 2. 36 hours This war movie released in 1965 was based on the short story ‘Beware of the Dog’ by Roald Dahl, which was first published in Harper’s Magazine in 1946. The story was also said to have influenced television series, The Prisoner. 3. You Only Live Twice The screenplay of this James Bond classic was another of Roald Dahl’s after he was approached by James Bond producers, Harry Saltzman and Albert Broccoli. The screenplay was the first to stray from Ian Fleming’s original story, as Roald Dahl famously said that the original wasn’t Fleming’s best work. 4. Gremlins The 1984 Steven Spielberg film Gremlins features characters developed from one of Roald Dahl’s earliest books, The Gremlins. In fact, there’s every chance that it was Roald Dahl’s first ever book for children! It impressed his bosses at the British Embassy so much that they sent it to Walt Disney to make into a feature film. -
Stirs Marimrough Oaeandmus
iNET PRESS RUN “I THE WEATHER. AVERAGE DAILY CIRCULATION Cloudy tonight. Probably show OP THE EVENING HERALD ers Tuesday. Little change in tem for the month of May, 1920. perature. 4,915 anthpBter lEufUing feraUi ____________________________ ______________________________________________ „ ----------------------------------------------- ------ --------------------- Cotaa- (TWELVE PAGES) PRICE THREE CENTS MANCHESTER, CONN., MONDAY, JUNE VOL. XLIV., NO. 223. Classified Adrertising on Page 8 Will Fly to Paris CHARCOAL PIT I Best Speller in U. S. OAEAN DM U S Sen. Warren, Dean of Congress, I TOBACCO BILL EXPEa SUNKEN RESUME PAPER Begins Eighty-third Year Today OF NATION NOW $.51 TO COME TO ‘TRAGEDY’ STIRS I Washington, June 21. — Thcj.common sense, a willingness to Ira- dean of congress in age and ser prove himself every day and a de IS SURFACETODAY MARIMROUGH M A W SOON vice, Sen. Francis E. Warren, Re sire to serve his nation first, his <» ■■ publican of W'yoming, today enter constitutents second, to the best of ed his eighty-third year, cne of the his ability.” oldest men ever to serve in the na While in the Senate, W'arren has More Money Goes to Lady This Evening or Tomorrow American Writing Paper tional legislature. seen eight men elected to the presi Little Town “ Agog” Over With a record of ne.arly 34 y.'irs dency. They were Presidents Harri in tue Senate, W.a;re i lias succeed son, Cleveland, McKinley, Roose Nicotine Than Ever Was Morning Set for Final Most Excitement in Years Company Reorganizes; ed to the post formerly held by velt, Taft, Wilson, Harding and •'Uncle Joe” Cannon. -
Discourse on Disco
Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture. -
The Ten Scariest Roald Dahl Characters on Film
The ten scariest Roald Dahl characters on film Roald Dahl’s stories have delighted generations with their imagination and adventure. But every good story needs a baddie – and Roald Dahl’s were some of the scariest! Now fans of all ages can relive their fears as Roald Dahl’s films return, with 165 confirmed screenings and special events as part of the Roald Dahl on Film season. Here are ten characters that kept us up at night: 1. The Grand High Witch If the description in The Witches book wasn’t enough to give you nightmares, the image of Anjelica Huston as the Grand High Witch peeling off her mask to reveal her true face in the 1990 film adaptation was sure to do the trick. Huston spent eight hours in make-up before filming to transform into her character! 2. The Child Catcher Many aren’t aware, but the character of the Child Catcher in Chitty Chitty Bang Bang was added into Ian Fleming’s original story by Roald Dahl; a truly terrifying addition that still has us freaked out to this day. The role was played by Robert Helpmann, who used to take out his top set of false teeth during filming to make himself look more gaunt; this also created the hissed tones in his voice that used to fill our nightmares. 3. Miss Trunchbull We’re not sure what scares us more, being swung around the playground by our pigtails or enduring a spell in the ‘chokey’ for doing absolutely nothing wrong. Either way, we wouldn’t want to get on the wrong side of Matilda’s Miss Trunchbull! Watching Pam Ferris snort and charge like a bull in the 1996 film is enough to put any child off misbehaving; apparently she used to stay in character on set to scare all the children and make sure their fear was genuine when the camera was rolling! 4. -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Pulp Fiction (1994) Ee.Uu
VIERNES 12 21‘30 h. PULP FICTION (1994) EE.UU. 153 min. Ttulo Orig.- Pulp Fiction. Dire tor.- Quentin Tarantino. Argumento.- Quentin Tarantino y Roger vary. Gui&n.- Quentin Tarantino. Fotografa.- ndrze$ Sekula (DeLu)e - Panavision). Montaje.- Sally Menke. M+si a.- ,aryn Rachtman. Produ tor.- La.rence /ender. Produ i&n.- /and part Prod. 0 1ersey Films para Mirama) Films. Int.rpretes.- 1ohn Travolta (Vincent Vega)2 Samuel L. 1ackson (Jules)2 Uma Thurman (Mia)2 3arvey ,eitel (Seor Lobo)2 Tim Roth (Pumpkin)2 manda Plummer (Honey Bunny)2 /ruce 4illis (Butch)2 Maria de Medeiros (Fabienne)2 5ing Rhames (Marsellus Wallace)2 Eric Stoltz (Lance)2 Rosanna r6uette (Jody)2 Christopher 4alken ( oons). v.o.s.e. Palma de Oro del Festival de Cannes 1 Oscar: Gui'n Original 6 candidaturas: Pel)cula, Director, ,ctor principal -John .ravolta/, ,ctor de reparto -Samuel L. Jackson/, ,ctri1 de reparto -2ma .hurman/ y Monta3e Msica de sala: Canciones de la banda sonora de Pulp Fiction (1994) de Quentin Tarantino Entre0ista a 1uentin Tarantino 213355 3emos charlado con el creador de PULP FICTION2 un autor tachado ahora de neofascista por todos a6uellos 6ue aplaudieron sus traba$os anteriores2 Reser0oir Dogs (director) y Amor a 6uemarropa (guionista). El propio Tarantino se ha defendido hasta aburrirse2 pero ya est: harto de 6ue siempre se hable de la violencia como ;nico signo -negativo- rese<able2 de su e)celente segundo film. 3ay 6ue andarse con pies de plomo2 por6ue en cuanto escucha la palabra violencia se eriza de pies a cabeza. -=Por 6ué cree 6ue a los $?venes de hoy les gusta un cine muy determinado2 desde el manga $aponés2 el cine de m;sculos2 el de historias irreales y2 por supuesto2 un cine violento como el suyo? ,4u) me muevo en el terreno de la especulaci'n. -
Hollywood in Hell –
Hollywood in Hell – SIN CITY, religiöse Motive und die Darstellung des Bösen Masterarbeit zur Erlangung des Grades Master of Arts (M.A.) an der Philosophisch-Sozialwissenschaftlichen Fakultät der Universität Augsburg Betreuer: Prof. Dr. Thomas Hausmanninger Michaela Strasser An der Brühlbrücke 1 86152 Augsburg Matr. Nr. 801231 Augsburg, 26. Juli 2007 Für die Filmanalyse wurde auf die amerikanische Originalversion zurückgegriffen. FRANK MILLER’S SIN CITY. Recut – Extreme XXL-Edition (USA 2005) 119 min 136 min extended-Version Produktion: Dimension Film, Troublemaker Studios Produzenten: Elizabeth Avellan, Robert Rodriguez, Frank Miller, Harvey und Bob Weinstein Regie: Robert Rodriguez, Frank Miller Drehbuch: Frank Miller (Comics) Kamera: Robert Rodriguez Musik: John Debney, Graeme Revell, Robert Rodriguez Schnitt: Robert Rodriguez Darsteller: Mickey Rourke (Marv), Jaime King (Goldie/Wendy), Elijah Wood (Kevin), Rutger Hauer (Cardinal Roark), Clive Owen (Dwight), Benicio Del Toro (Jackie Boy), Rosario Dawson (Gail), Michael Clarke Duncan (Manute), Alexis Bledel (Becky), Devon Aoki (Miho), Brittany Murphy (Shellie), Bruce Willis (Hartigan), Jessica Alba (Nancy Callahan), Nick Stahl (Roark Junior/Yellow Bastard), Michael Madsen (Bob), Powers Boothe (Senator Roark), Nicky Katt (Stuka), Carla Gugino (Lucille), Josh Hartnett (The Salesman), Marley Shelton (The Customer) FSK: Keine Jugendfreigabe Start: 1. April 2005 (USA), 11. August 2003 (Deutschland) Budget: 40 Mio US $ Einspielergebnis 159.098.862 US $ (weltweit) Für die Comics wurde die amerikanische Version von Millers Sin City Reihe verwendet (2. Auflage). Frank Miller’s Sin City Volume 1 (2005): The Hard Goodbye. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 3 (2005): The Big Fat Kill. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 4 (2005): That Yellow Bastard.