Islamic Art and the Supernatural

TO MANCHESTER MANCHESTER TO MALACCA FROM CURATING ISLAMIC COLLECTIONS WORLDWIDE Kanaris Lecture Theatre Manchester Museum 23—24 February, 2017 Workshops and visits 22 February Presented by the Manchester Museums Partnership In collaboration with the John Ellerman Foundation 1 2 ABSTRACTWELCOME AND BIOGRAPHIES 3 WELCOME WELCOME TO FROM DIRECTOR’S WELCOME MALACCA TO MANCHESTER: Dear conference attendees, I’d like to extend a very warm welcome to all attendees CURATING ISLAMIC of From Malacca to Manchester: Curating Islamic COLLECTIONS WORLDWIDE Collections Worldwide. This conference is the flagship public event of an For us in Manchester, work to better understand our ongoing 18-month programme of cataloguing, Islamic collections intersects with our current research, and curatorial training taking place across programming around South Asian art and culture. the Manchester Museums Partnership and funded This will see a number of special exhibitions and by the John Ellerman Foundation. collaborations take place across the Manchester Museums Partnership throughout 2017 and beyond. We’re delighted to be able to welcome speakers and The projected opening of Manchester Museum’s new attendees from all over the world to Manchester permanent gallery dedicated to the history and culture Museum. At a time when it is more important than of South Asia in 2020 – a partnership project with the ever for a diversity of viewpoints and voices to be British Museum – is a key milestone in this celebration represented in cultural institutions everywhere, of place, identity, history and connections between we hope this conference will contribute to a global the North of England and South Asia in all their forms. conversation that foregrounds values of understanding, compassion, and curiosity about humanity and its As we work to tell new stories, attract a diversified place in the world. audience, and deliver our mission to promote understanding between cultures, it is ever more We hope you enjoy the explorative, critical, and necessary to reflect on how to present Islamic art and exciting presentations and discussions to follow. material culture within the museum setting in nuanced and engaging ways. This conference will be a welcome You can continue the discussion online using the contribution to that process, and I hope you will all hashtag #MalaccatoManchester. return home inspired and enthused. I am sorry that I am not able to join you: I will be on my first visit to With best wishes, Pakistan to develop partnerships there. JENNY AND STEPHEN DR NICK MERRIMAN DIRECTOR Manchester Museum 4 ABSTRACT AND BIOGRAPHIES 5 EVENTS SCHEDULE OF 6 ABSTRACTSCHEDULE ANDOF EVENTS BIOGRAPHIES 7 11.00 —12.00 and 13.00—14.00 VISIT 22 FEBRUARY WEDNESDAY 11.30—12.30 and 16.00—17.00 Collection Encounter: Islamic Manuscript Highlights at The John Rylands Library Special Collections. WORKSHOP Presented by Elizabeth Gow, Manuscript Curator and Reaching for the Stars: The Astrolabe in the Archivist, The John Rylands Library. Please allow Islamic World. further time for self-guided exploration of the Rylands Gallery, the temporary exhibition, and the building. Presented by Christopher Parkin, Lead Education Officer, Museum of the History of Science, University The John Rylands Library, University of Manchester, 150 of Oxford. Deansgate, Manchester M3 3EH. This workshop will provide conference attendees with an introduction to the astrolabe, an instrument which 13.00—15.45 was studied and developed by scholars and craftsman throughout the early centuries of the expansion of WORKSHOP Islamic civilization. The workshop will explore the significance of this instrument within Islamic culture The Practicalities of Working in the Middle East and including its use in a religious context and scope for South Asia: A Workshop Organised by the Subject design and craftsmanship. Participants will be able Specialist Network for Islamic Art and Material Culture. to handle replica instruments and to make a working model based on one from the Museum’s collection of Beginning to think about working in or with institutions astrolabes from the Islamic world. in the Middle East and South Asia can be a daunting prospect but one which does offer huge benefits in Collections Study Centre, Manchester Museum, Oxford terms of curating your institution’s ‘Islamic’ collections. Road, Manchester, M13 9PL. This session aims to be a practical ‘how to’ guide, and includes speakers with considerable experience in this area, who will share their understanding of the challenges and benefits from the perspective of their own work. The workshop is divided into three sessions: • Where to begin? What are the opportunities and the practicalities of organising your visit to the Middle East and South Asia? • Case studies on the benefits. How working or visiting the Middle East and South Asia can positively impact on the work carried out by you and / or your organisation in the UK. • Building your relationships with organisations in the Middle East and South Asia. The Whitworth Art Gallery Study Centre, University of Manchester, Oxford Road, Manchester, M15 6ER. 8 ABSTRACTSCHEDULE ANDOF EVENTS BIOGRAPHIES 9 10.30—10.50 BREAK 10.50-12.20 Refreshments provided 23 FEBRUARY THURSDAY THE QUR'AN IN THE MAIN MUSEUM Chaired by Elizabeth Gow, Manuscript Curator and CONFERENCE Archivist, The John Rylands Library, University of Manchester, UK. PROGRAMME 10.50-11.50 A Shared Identity: The Birmingham Qur’an – from Kanaris Lecture Theatre, Manchester Museum, University Academia to Community. of Manchester, Oxford Road, M13 9PL. Rebecca Bridgman, Curator of Islamic and South Asian Arts and Curatorial Team Leader, Birmingham 09.00—09.20 Museums Trust; Susan Worrall, Director of Special Collections, University of Birmingham, Cadbury REGISTRATION AND Research Library, University of Birmingham; Alba Fedeli, Postdoctoral Researcher, Central European REFRESHMENTS University, Budapest; Sarah Kilroy, Head of Conservation and Programming, Special Collections, 09.20—09.40 Cadbury Research Library, University of Birmingham; Mohammed Ali MBE, internationally acclaimed artist, WELCOME founder of Soul City Arts. 09.40—10.30 11.50-12.10 Nicoletta Fazio, Former Curatorial Trainee, Museum of Islamic Art, Berlin and PhD Candidate, University of KEYNOTE LECTURE Heidelberg, Germany; Words that Matter: Exhibiting the Qur’an in the Museum of Islamic Art, Berlin. Stefan Weber, Director, Museum of Islamic Art, Berlin, Germany; Pulling the Past into the Present – Islamic Art 12.10-12.20 and the Museum in Times of Migration and Extremism. Panel discussion. 12.20–13.20 LUNCH Provided 10 ABSTRACTSCHEDULE ANDOF EVENTS BIOGRAPHIES 11XX 13.20—15.00 PUSHING THE LIMITS: DEFINING ISLAMIC ART AND MATERIAL CULTURE Chaired by Emma Martin, Lecturer in Museology, University of Manchester, and Senior Curator of Ethnology, National Museums Liverpool, UK. Chiara Formichi, Assistant Professor in Southeast Asian Studies, Cornell University, New York, USA; 15.20 —17.00 Islamic Art or Asian Art? Mirjam Shatanawi, Curator, Tropenmuseum, Amsterdam FAITH AND IDENTITY ON and Museum of Ethnology, Leiden, The Netherlands; DISPLAY Islamic Art and Ethnographic Collections. Francesca Leoni, Yousef Jameel Curator of Islamic Art, Chaired by Fahmida Suleman, Phyllis Bishop Curator Ashmolean Museum of Art and Archaeology, University for the Modern Middle East, The British Museum, of Oxford, UK; Occultism and the Museum. The Case of London, UK. Power and Protection: Islamic Art and the Supernatural. Heba Nayel Barakat, Head Curator, Curatorial Affairs Silke Ackermann, Director and Christopher Parkin, Department, Islamic Arts Museum, Malaysia; Lead Education Officer, Museum of the History of Representation of Faith in Islamic Galleries: Where Do Science, University of Oxford, UK; Interpreting Scientific We Go Wrong? Instruments from the Islamic World in the Museum. Beyza Uzun, Independent Researcher, Turkey; Display of the Sacred Relics Gallery in the Museum of Turkish and 15.00—15.20 Islamic Art, Istanbul. James Bennett, Curator of Asian Art at the Art Gallery BREAK of South Australia, Adelaide, Australia, and Sam Refreshments provided Bowker, Lecturer in Art History and Visual Culture at Charles Sturt University, Wagga Wagga, Australia; Not Melaka but Marege: Islamic Art in Australia (Or, ‘What Have the Umayyads Ever Done for Us?’). Ana P. Labrador, Deputy Director and Chief Curator and Cyril A. Santos, Museum Researcher, National Museum of the Philippines; Representing the Bangsamoro in an Exhibition of Ethnography at the National Museum of the Philippines. 17.15—Onwards DRINKS RECEPTION AT KRO BAR 325 Oxford Rd, Manchester M13 9PG. 12 ABSTRACTSCHEDULE ANDOF EVENTS BIOGRAPHIES 13 09.00—10.40 10.40—11.00 INTERPRETING AND BREAK 11.00—12.40 Refreshments provided 24 FEBRUARY 24 FRIDAY EXHIBITING ISLAMIC ART CASE STUDIES: NEW AND MATERIAL CULTURE INSTALLATIONS Chaired by Lara Eggleton, Independent Art Historian WORLDWIDE Nancy Demerdash-Fatemi, Visiting Assistant Professor of Art History, 2016-2017, Department of Visual Arts, Chaired by Professor Dr Stefan Weber, Director of the Wells College, New York, USA; Border Crossings at Museum of Islamic Art, Berlin, Germany. the Museum: Interpretation, Integration and Empathic Sharon Laor-Sirak, Curator, Museum of Islamic and Near Curatorial Strategies in an Era of Trauma and Displacement. Eastern Cultures, Be’er Sheva, Israel; From Mosque to Klas Grinell, Curator of Contemporary Global Issues, Museum - the Museum of Islamic and Near Eastern Cultures

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