Of Chinese Film Studies

Total Page:16

File Type:pdf, Size:1020Kb

Of Chinese Film Studies 2021·VOLUME 1·NUMBER 1 JOURNAL OF CHINESE FILM STUDIES EDITORS-IN-CHIEF Wang Haizhou Jin Haina The publisher, together with the authors and editors, has taken great pains to ensure that all information presented in this work refl ects the standard of knowledge at the time of publication. Despite careful manuscript preparation and proof correction, errors can nevertheless occur. Authors, editors and publisher disclaim all responsibility for any errors or omissions or liability for the results obtained from use of the information, or parts thereof, contained in this work. ISSN 2702-2277 ∙ e-ISSN 2702-2285 All information regarding notes for contributors, subscriptions, open access, back volumes and orders is available online at www.degruyter.com/jcfs. All correspondence concerning editorial matters, manuscripts, or proposals for special issues should be sent to the editorial offi ce ([email protected]). EDITORS-IN-CHIEF Prof. Haizhou Wang, Beijing Film Academy at No.4 Xitucheng Road, Haidian District, Beijing 100088, Tel.: +8613621366097, E-mail: [email protected]; Prof. Haina Jin, Communication University of China at No.1 East Dingfuzhuang Road, Chaoyang District, Beijing 100024, Tel.: +8618610676130, E-mail: [email protected]. EDITORIAL BOARD Hsiu-chuang Deppman, Oberlin College Vanessa Frangville, Université libre de Bruxelles Ping Fu, Towson University Xuelei Huang, University of Edinburgh Sangjoon Lee, Nanyang Technological University Jie Li, Harvard University Seio Nakajima, Waseda University Aaron Han Joon Magnan-Park, University of Hong Kong Gary Rawnsley, University of Nottingham Ningbo China Josh Stenberg, University of Sydney Sugawara Yoshino, Kansai University ADVISORY BOARD Chris Berry, Kingʼs College London Gary Bettinson, Lancaster University Paul Clark, University of Auckland David Desser, University of Illinois Ding Yaping, Chinese National Academy of Arts Tom Gunning, University of Chicago Margaret Hillenbrand, University of Oxford Stefan Kramer, Universität zu Köln Li Daoxin, Peking University Paul Pickowicz, University of California, San Diego Keyan Tomaselli, University of Johannesburg Ban Wang, Stanford University PUBLISHER Walter de Gruyter GmbH, Berlin/Boston, Genthiner Straße 13, 10785 Berlin, Germany JOURNAL MANAGER Dr. Masha Dorogova, De Gruyter, Jarzabka str. 22/123, 05-500 Piaseczno, Poland. Tel.: +48 798 238 728, E-mail: [email protected] RESPONSIBLE FOR ADVERTISEMENTS Sabine von Wittke-Holweg, De Gruyter, Genthiner Straße 13, 10785 Berlin, Germany. Tel.: +49 (0)30 260 05–170, E-mail: [email protected] © 2021 Walter de Gruyter GmbH, Berlin/Boston TYPESETTING TNQ Technologies, Chennai, India PRINTING Franz X. Stückle Druck und Verlag e.K., Ettenheim Offenlegung der Inhaber und Beteiligungsverhältnisse gem. § 7a Abs 1 Ziff 1, Abs 2 Ziff 3 des Berliner Pressegesetzes: Die Gesellschafter der Walter de Gruyter GmbH sind: Cram, Gisela, Rentnerin, Berlin; Cram, Elsbeth, Pensionärin, Rosengarten-Alvesen; Cram, Dr. Georg-Martin, Unternehmens- Systemberater, Stadtbergen; Cram, Maike, Wien (Österreich); Cram, Jens, Mannheim; Cram, Ingrid, Betriebsleiterin, Tuxpan/Michoacan (Mexiko); Cram, Sabina, Mexico, DF (Mexiko); Cram, Silke, Wissenschaftlerin, Mexico DF (Mexiko); Cram, Björn, Aachen; Cram, Berit, Hamm; Cram-Gomez, Susana, Mexico DF (Mexiko); Cram-Heydrich, Walter, Mexico DF (Mexico); Cram-Heydrich, Kurt, Angestellter, Mexico DF (Mexico); Duvenbeck, Brigitta, Oberstudienrätin i.R., Bad Homburg; Gädeke, Gudula, M.A., Atemtherapeutin/Lehrerin, Tübingen; Gädeke, Martin, Student, Ingolstadt; Gomez Cram, Arturo Walter, Global Key Account Manager, Bonn, Gomez Cram, Ingrid Arlene, Studentin, Mexico, DF (Mexiko), Gomez Cram, Robert, Assistant Professor. London UK, Lubasch, Dr. Annette, Ärztin, Berlin; Schütz, Dr. Christa, Ärztin, Mannheim; Schütz, Sonja, Diplom.-Betriebswirtin (FH), Berlin; Schütz, Juliane, Berlin; Schütz, Antje, Berlin; Schütz, Valentin, Mannheim; Seils, Dorothee, Apothekerin, Stuttgart; Seils, Gabriele, Journalistin, Berlin; Seils, Christoph, Journalist, Berlin; Siebert, John-Walter, Pfarrer, Oberstenfeld; Anh Vinh Alwin Tran, Zürich (Schweiz), Tran, Renate, Mediatorin, Zürich (Schweiz). J. Chin. Film Stud. 2021 | Volume 1 | Issue 1 Contents Editorial Haizhou Wang and Haina Jin Introduction to Journal of Chinese Film Studies 1 Research Article Paul Clark Generating History: Rethinking Generations in Chinese Filmmaking 5 Hsiu-Chuang Deppman Realism and Fantasy in Jia Zhangke’s The World 19 Andrew Stuckey Special Effects and Spectacle: Integration of CGI in Contemporary Chinese Film 49 Stephen Teo Confucian Orientalism and Western Outlook in Martial Arts Film 65 Yaping Ding A Few Issues Surrounding Research into the General History of Chinese Film 83 Haizhou Wang The Historical Roots and Cultural Core of the Chinese Film School 101 Markus Nornes Subtitling Calligraphy 115 Gina Marchetti Chinese Film Studies Online: Technological Innovations, Pedagogical Challenges, and Teaching Chinese-Language Cinema in the Digital Age 135 David Desser New York: Gateway to the East 153 J. Chin. Film Stud. 2021 | Volume 1 | Issue 1 Seio Nakajima Studies of Chinese Cinema in Japan 167 Gary D. Rawnsley Cultural Outreach: Cinema and Soft Power 187 Stanley Rosen Obstacles to Using Chinese Film to Promote China’s Soft Power: Some Evidence from the North American Market 205.
Recommended publications
  • To Be Young, Queer and Chinese
    FILM AT REDCAT PRESENTS Mon Nov 30 | 8:00 PM | ONLINE Jack H. Skirball Series $10 [members $8] To get tickets, visit: To Be Young, Queer and Chinese To Be Young, Queer and Chinese Program curated by Jenny Man Wu, with Popo Fan and Yang Yang Presented in collaboration with Love Queer Cinema Week (former Beijing Queer Film Festival, BJQFF) Love Queer Cinema Week was funded in 2001 by university students as the first LGBTQ film festival in mainland China – where it remains one of the few grassroots events involved in independent queer film screenings and cultural exchange, providing a platform for sexual and other minorities worldwide. It has hosted international guests and offered travel grants to young Chinese participants. It has created ties with queer film festivals/events in Brazil, Belgium, Italy and Denmark, and the Berlinale Teddy Awards. Often harassed by the authorities and forced to change locations, it has survived as a site of resistance for social, cultural and artistic fluidity. Three festival organizers will hold a panel discussion on the evolution of queer media in China. Also: screening of Popo Fan’s The Drum Tower (Gu Lou Xi, 2019) and Yang Yang’s Our Story - 10-year "Guerrilla Warfare" of Beijing Queer Film Festival (Wo men de gu shi, 2011) In person via Zoom from Beijing and Berlin: Director on Duty Jenny Man Wu (rotating position), Committee Members Yang Yang and Popo Fan “… what made the BJQFF screening among the most moving and memorable experiences we’ve had on the festival circuit was the realization that it was more than an entertainment, it was a statement.
    [Show full text]
  • Arts & Culture
    ARTS & CULTURE ART P42 ART P48 IN PRINT P52 CINEMA P56 STAGE that’smags www.thebeijinger.com Novemberwww. 200 thatsbj.com8 / the Beijinger Sept. 200541 Hovering Child by American artist Fran Forman. See Preview, p46; photo courtesy of Common Ground All event listings are accurate at time of press and subject to change For venue details, see directories, p43 Send events to [email protected] by Nov 10 Nov 8-30 its over 150 art pieces of contem- porary art around the world from Wang Jie the 1960s to the present day. The By eliminating human figures in curatorial approach of the show is rt his paintings, Wang Jie’s emphasis basically chronological, showing is on clothes – our “second skin.” the historical development of the New Age Gallery (5978 9282) world of contemporary art that A Nov 8-Dec 21 parallels the trajectory of the Swiss Chinese Contemporary Art Awards bank’s tastes throughout the dec- ades. Expect big names including ART 2008 Founded in 1997 by Uli Siggs, CCAA Damien Hirst, Andy Warhol, Lucien has awarded Liu Wei this year as Freud, Jasper Johns, as well as its pick for “Best Artist” and Tseng emerging Chinese artists including Yu-chin as “Best Young Artist” (see Cao Fei, Qiu Anxiong and Xu Zhen. Feature, p44). Ai Weiwei has also National Art Museum of China been given a lifetime achievement (6401 2252/7076) award. The works of these three Until Nov 12 artists will be exhibited at the larg- Coats! est art space in 798. Ullens Center Until Jan 10: Edward Burtynsky’s China Beijing is the third stop – after for Contemporary Art (6438 6576) Berlin and Tokyo – for this exhibi- A fresh take on manufacturing art.
    [Show full text]
  • Research on Chinese-Language Film in the Context of Globalization Jing
    Advances in Social Science, Education and Humanities Research, volume 113 International Seminar on Social Science and Humanities Research (SSHR 2017) Research on Chinese-Language film in the Context of Globalization Jing Yi 1, a and Jianxun Wu 2, b 1 Beijing Film Academy, China 2 Beijing Film Academy, China [email protected], [email protected] Keywords: Film Globalization; Chinese-language film; Film industry Abstract. Chinese-language films have experienced the whole - divide - cooperation - integration process in the past 68 years has experienced. In recent years, mainland China, Hong Kong, Macao, Taiwan and overseas Chinese new generation of directors have realized the century cultural integration of Chinese-language film across different nation and region. This article critically reviewed the development of Chinese-language film on the basis of national film and Chinese film, trying to construct an analytical framework of Chinese-language films in the era of globalization, and exploring the Chinese movie industry how to realize the new development in the new pattern culture of globalization. 1 Introduction The Chinese-language film refers to the film produced by the mainland China, including Hong Kong, Macao and overseas Chinese of east Asia and southeast Asia. Over the past century, the number of Chinese films has been over a million, including Chinese, Cantonese, Hakka, Hujian (Taiwanese), tidal language, dialect and a small number of English. The profound social background, cultural roots and industrial connections all promote the coming out and acceptance of the concept of Chinese-language film. The shared cultural traditions such as the language, literature and food are rooted in the same culture—the long lasting traditional Chinese culture and the consistent film traditions—Shanghai film traditions before 1949.
    [Show full text]
  • Tiananmen's Most Wanted
    TIANANMEN’S 2004 .2, MOST WANTED—WHERE ARE NO THEY NOW? FORUM RIGHTS COMPILED BY STACY MOSHER CHINA On June 13, the Beijing Public Security Bureau issued a list of 21 leaders of the 1989 protest 49 movement who were being sought for arrest. Following is the list, and what has become of those people since. DEBT THE ACTIVIST THEN NOW Wang Dan A history student at Peking University, and an On April 18, 1998,Wang was freed on medical organizer of the Beijing Students Autonomous parole and sent into exile to the United States. He is HONORING Federation,Wang was arrested on July 2, 1989 and now completing his Ph.D. studies in history at Y: on January 26, 1991 was sentenced to 4 years in Harvard University. He is an honorary member of prison on charges of counterrevolutionary propa- HRIC’s board of directors ganda and incitement. Released on parole on MEMOR February 17, 1993,Wang was detained again on May 21, 1995 after participating in petitions calling for release of all prisoners arrested in connection with June 4th. On October 30, 1996 he was sentenced to 11 years in prison for subversion. Wuer Kaixi A Uighur student leader from Beijing Normal Univer- Wuer Kaixi studied at Harvard, then at Dominican sity,Wuer Kaixi evaded arrest and escaped to the West College in San Rafael, California, before moving to by way of Hong Kong. Taiwan, where he is now the host of a radio talk show. Liu Gang A graduate in physics at Peking University, Liu worked Following his release in 1995, Liu fled China via at The Beijing Social and Economic Sciences Research Hong Kong in May 1996, saying that he and his fam- Institute in late 1988, and was a close associate of ily had been subjected to official harrassment.After Fang Lizhi.
    [Show full text]
  • School Choice Guide 2017-2018 5 Perfectfinding the Right Curriculum Fit: for Your Child by Nimo Wanjau, Andy Killeen, and Vanessa Jencks
    January 2017 Fresh Look Recent Profiles: 58 of Beijing’s finest schools SCHOOL CHOICE GUIDEGUIDE Comparing Apples Stats and Questions for your Search by Vanessa Jencks *Statistics are based on schools included in this guide. Experience Matters Percentage of Schools…. Boarding Students: 25% Oldest School Age: Accredited by Ministry of Education: 81% years Accepting Foreign Passport Holders: 98% 52 Accepting Chinese Locals: 70% Staffing Nurses or Doctors: 94% Median Age of School: 14 years Median Class Size: Most Common Curriculum Characteristics: 22 IB (at any level) 31% Median Max Ratios: Bilingual 64% 1:9 Chinese National 22% Median Number of Total Students: 600 Montessori 23% Talking about Tuition Don’t forget to ask schools at the Beijing International School Expo: Most Inexpensive: RMB 36,000 What is your school homework policy? Who acts as substitutes during teacher maternity leaves or long-term emergencies? RMB RMB RMB Does tuition include textbooks and supplies? What is the school library policy? Most Expensive: RMB 360,000 Is the school library open after classroom hours for student research? Is the community allowed to use school facilities? RMB RMB RMB RMB RMB RMB How many school events involving parents take place during the workweek? During RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB weeknights? During the weekend? RMB RMB RMB RMB RMB RMB What is the student illness policy? RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB RMB What is the student vaccinations policy? What is the youngest/oldest age allowed for each extra curricular
    [Show full text]
  • Li YANG 杨莉 [email protected] (512) 294-8368
    Li YANG 杨莉 [email protected] (512) 294-8368 EDUCATION Ph.D., Comparative Literature, University of Texas at Austin Dissertation: “The Second Wave of Chinese Art Film: Film System, Film Style, and Alternative Film Culture in the 1990s” Dissertation Chair: Dr. Sung-sheng Yvonne Chang M.A., Comparative Literature, University of Texas at Austin Thesis: “A Glimpse at the Field of Chinese Fiction Production at the End of the 1990's—Wei Hui, Shanghai Baby, and ‘Post 70's’” B.A., English Language and Literature, Peking University, Beijing, China Thesis: “Language in Joy Luck Club: the Barometer of the Mother-Daughter Relationship” TEACHING AND RESEARCH INTERESTS Chinese language at all levels, Chinese Civilization, Chinese Literature in Translation, Contemporary Chinese Cinema, East Asian Cinemas, Chinese Film Industry, Chinese Popular Culture, Transnational Cinema, Cultural Globalization, Gender Studies, Digital Humanities ACADEMIC APPOINTMENTS Lecturer Department of Asian Studies 2019-present University of Texas at Austin Courses Contemporary Chinese Cinema, Introduction to China Part Time Assistant Professor Department of Modern Languages and Literatures 2019-present Southwestern University, Georgetown, Texas Courses Chinese III, Chinese IV Assistant Professor Department of Foreign Languages and Literatures 2010-2019 Lafayette College, Easton, Pennsylvania Courses Elementary Chinese I & II, Intermediate Chinese I&II, Advanced Chinese I & II, Introduction to Contemporary Chinese Cinema, Introduction to Asian Studies 1 PUBLICATIONS The Formation of Chinese Art Cinema: 1990-2003. New York: Palgrave Macmillan, 2018. “The Blockbuster Breakthrough: the Fantastic in Hero (2002)” in The Fantastic in Contemporary Chinese Cinemas, edited by Andrew Stuckey and Kenneth Chan. Edinburg: Edinburg University Press (forthcoming). “Mysterious Buddha, Popular Cinema, and the New Chinese Film Culture in the Early 1980s” in Cultural Studies special issue Chinese Popular Culture of the 1980s, edited by Zhao Ma and Tao Dongfeng (forthcoming).
    [Show full text]
  • Academic Work Experiences Work Experiences
    Liu 1 ⁄6 Canguo Liu 1241 Ironbark St. San Luis Obispo, CA 93401 c4xd.com [email protected] 805-858-8666 ACADEMIC WORK EXPERIENCES Fall 2015 - Present Tenured Professor, Head of Digital Design. Cuesta College, San Luis Obispo, CA. U.S.A. Fall 2012 - Fall 2013 Teaching Fellow. University of Massachusetts Dartmouth, U.S.A. Fall 2006 - Spring 2011 Lecturer. Beijing Film Academy, China Spring 2009 Lecturer. Beijing Normal University, China Fall 2008 - Fall 2009 Lecturer. Communication University of China WORK EXPERIENCES Summer 2018 Visit Design Lead. Shenzhen SOSO design studio, PIY Home Feb 2009 - Aug 2011 Art Design Lead. Beijing Typeking Culture and Design Ltd. China Nov 2009 - Jun 2011 Senior Imaging Expert & Consultant. K’s Commercial Photo Studio. Beijing, China Sep 2009 - Jul 2011 Digital Imaging Expert. Canon (China) Ltd. Jul 2010 - Jul 2011 Columnist. CHIP Foto-Video (China). Sep 2008 - Mar 2010 System Architect & UX Director. Phies Skin Care (Guangzhou) Inc. China. Sep 2003 - Jul 2008 Designer and Presenter. Beijing Spring Advertising. Inc Sep 2003 - Apr 2010 Chief Web & Graphic Designer. Publicity Department, Beijing Film Academy, China Feb 2000 - Mar 2001 CEO and Founder. eRun system. Nov 1998 - Mar 2001 Chief Web & Graphic Designer. Marketing, China Telecom - Henan EDUCATION 2011 - 2015 Master of Fine Art, Graphic Design. University of Massachusetts Dartmouth, U.S.A. 2007 - 2010 Master of Fine Art, Photography. Beijing Film Academy, China 2003 Filmmaking Certificate. Beijing Film Academy, China 2002 - 2006 Bachelor of Fine Art, Photography. Beijing Film Academy, China 1999 Adobe Certificate Designer. Adobe Systems Software (Beijing) Co., Ltd 1997 Web Design Diploma.
    [Show full text]
  • Table of Contents
    2020 IEEE 20th International Conference on Software Quality, Reliability and Security Companion (QRS-C) QRS-C 2020 Table of Contents Message from the Steering Committee Chairs and General Chairs xviii Message from the Program Chairs xix Organizing Committee xx Program Committee xxii Steering Committee xxv List of Additional Reviewers xxvi Chairs of Workshops Co-Located with QRS 2020 xxvii ICCLC-Committee xxix Automated and Intelligent Software Testing Metamorphic Relations Identification on Chebyshev Rational Approximation Method in the Nuclide Depletion Calculation Program 1 Meng Li (University of South China, China; CNNC Key Laboratory on High Trusted Computing, China), Lijun Wang (University of South China, China), Shiyu Yan (University of South China, China; CNNC Key Laboratory on High Trusted Computing, China), Xiaohua Yang (University of South China, China; CNNC Key Laboratory on High Trusted Computing, China), Jie Liu (University of South China, China), and Yapin Wan (University of South China, China) Online Prediction of Server Crash Based on Running Data 7 Zou Zhuoliang (Beihang University, China) and Ai Jun (Beihang University, China) Efficiency Metrics and Test Case Design for Test Automation 15 Davrondzhon Gafurov (Norsk Helsenett SF) and Arne Erik Hurum (Norsk Helsenett SF) Agent-Based Software Testing: A Definition and Systematic Mapping Study 24 Pavithra Perumal Kumaresen (Mälardalen University), Mirgita Frasheri (Mälardalen University), and Eduard Enoiu (Mälardalen University) Intelligent Radar Software Defect Prediction
    [Show full text]
  • The BFA Program for BRICS Film Students and Talents
    The BFA Program for BRICS Film Students and Talents Since its inception, the BRICS, which is composed of Brazil, Russia, India, China and South Africa, has followed the BRICS principles of openness and transparency, solidarity and mutual assistance, deepening cooperation and seeking common development and spirit of "openness, inclusiveness, cooperation and win-win", and has been committed to building closer, more comprehensive and stronger partnerships. In addition to the traditional economic and trade cooperation, the BRICS cooperation also involves the field of cultural exchange.。 Film is an important part of cultural exchange, and BRICS have many excellent movie workers. In order to broaden the international perspective of young film talents of all parties, promote the internationalization of cinema education, and seek for the innovation of professional talents training mode, Beijing Film Academy serves the national overall strategy and launches "The BFA Program for BRICS Film Students and Talents" at the forum to promote BRICS countries’ exchange in the field of film education. I. Enrollment specialties I. Department of Screenwriting and Film Studies Enrollment specialty (recruitment Specialty code Examined language proficiency requirements direction) Drama Film and Television 130304 New HSK test level 6 (Results submitted by (Creative Planning) Drama Film and Television September 2019) (Screenwriting) II. Department of Directing Enrollment specialty (recruitment Specialty code Examined language proficiency requirements direction) Drama Film Directing (Film New HSK test level 6 (Results submitted by 130306 Directing) September 2019) III. Department of Cinematography Enrollment specialty (recruitment Specialty code Examined language proficiency requirements direction) New HSK test level 6 (Results submitted by 130311T Film Photography and Production September 2019) IV.
    [Show full text]
  • Mise En Page 1
    INTERNATIONAL SALES MK2 PARIS CANNES MK2 - 55 rue Traversière FIVE HOTEL - 1 rue Notre-Dame 75012 Paris 06400 Cannes Juliette Schrameck, Head of International Sales & Acquisitions [email protected] Fionnuala Jamison, International Sales Executive [email protected] Victoire Thevenin, International Sales Executive [email protected] A FILM BY INTERNATIONAL PRESS RICHARD LORMAND - FILM ⎮PRESS ⎮PLUS JIA ZHANG-KE www.FilmPressPlus.com [email protected] Tel: +33-9-7044-9865 / +33-6-2424-1654 m IN CANNES o c . s Tel: 08 70 44 98 65 / 06 09 92 55 47 / 06 24 24 16 54 a e r c - l e s k a . w w w : k r o w t XSTREAM PICTURES (BEIJING) r EVA LAM A Tel: +86 10 8235 0984 Fax: +86 10 8235 4938 [email protected] Xstream Pictures (Beijing), Office Kitano Shangai Film Group Corporation & MK2 present A FILM BY JIA ZHANG-KE 133 min / Color / 1:2.4 / 2013 Xstream Pictures (Beijing ) Office Kitano Shanghai Film Group Corporation Present In association with Shanxi Film and Television Group Bandai Visual Bitters End SYNOPSIS DIRECTOR’S NOTE This film is about four deaths, four incidents which actually happened in China in recent years: three murders and one suicide. These incidents are well-known to people throughout China. They happened in Shanxi, Chongqing, Hubei and Guangdong – that is, from the north to the south, spanning much of the country. I wanted to use these news reports to build a comprehensive portrait of life in contemporary China. China is still changing rapidly, in a way that makes the country look more prosperous than before.
    [Show full text]
  • Proposal for a University of Chicago Center in China
    Proposal for a University of Chicago Center in China A Report to the President and Provost By The Ad Hoc Committee on China October 29, 2008 Table of Contents Summary of Goals and Recommendations ..................................................................... 2 Existing University of Chicago Programs and Engagements with China ................... 4 Intellectual Opportunities and Programmatic Activities ............................................... 4 Location ............................................................................................................................. 7 Institutional Partnerships ................................................................................................. 9 Programs by Other Institutions ..................................................................................... 11 Personnel and Staffing .................................................................................................... 12 Space Requirements ........................................................................................................ 15 Financial Support ............................................................................................................ 16 University Structure for International Initiatives .......................................................... 16 Next Steps and Interim Options .................................................................................... 17 Appendix A: Existing University of Chicago Programs and Engagements with China .........................................................................................................................................
    [Show full text]
  • 1 Screening Notes: Destiny (喜禾)
    SCREENING NOTES: DESTINY (喜禾) Daniel Vuillermin Institute for Medical Humanities, Peking University Film title: Destiny 喜禾 Credits: Written and Directed by Zhang Wei 张唯 Photography by Yang Wei Art Direction by Peng Shaoying Editing by Manuel De Sousa, Wu Yixiang Screenplay by Li Dan, Lele, Yang Haibo, Duan Tiantian, Wang Mancheng, Chen Jianzhong, Zhao Xu, Xue Mei Music by Liu Tao Sound by Zhen Hongmin, Gu Changning Film Specifications: Production Country: China Year: 2016 Language: Mandarin Chinese Genre: Drama Subtitle Language: English Running Time: 98 minutes Colour/Bw: Colour Aspect Ratio: 1:1.85 Frame Rate: 24 Sound Ratio: 5.1 Originally Shot on: Arri Alexa, location: Shenzhen Copyright Notice: ©2016 深圳市华浩文化传媒有限公司 [ShenZhen HuaHao Film & Media Co., Ltd.] All rights reserved. 1 Cast: Liang Jingke as Tian Lin, mother of Xi He. Liang Jingke graduated from Beijing Film Academy. She previously starred in popular TV series A Beautiful Daughter-in-law Era and Before the Dawn as well as in the films Mount Dingjun, Kill Zone and New Shaolin Temple. Feng Jun as Xi He, a young boy with autism. Feng Jun, a child actor, starred in the TV series Family Feast and Life as a House as well as in the films Love Lifting and Drug War. Zhao Ju as Li Haibin, father of Xi He. Zhao Ju graduated from the Central Academy of Drama and has played roles in the TV series such as The Courtyard of Fan Family, Salvation and Enemy at the Gates as well as in the films Mao Zedong and Snow and Born in a Lighthouse Family.
    [Show full text]