2021·VOLUME 1·NUMBER 1

JOURNAL OF CHINESE FILM STUDIES

EDITORS-IN-CHIEF Wang Haizhou Jin Haina The publisher, together with the authors and editors, has taken great pains to ensure that all information presented in this work refl ects the standard of knowledge at the time of publication. Despite careful manuscript preparation and proof correction, errors can nevertheless occur. Authors, editors and publisher disclaim all responsibility for any errors or omissions or liability for the results obtained from use of the information, or parts thereof, contained in this work.

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EDITORS-IN-CHIEF Prof. Haizhou Wang, Beijing Film Academy at No.4 Xitucheng Road, Haidian District, Beijing 100088, Tel.: +8613621366097, E-mail: [email protected]; Prof. Haina Jin, Communication University of China at No.1 East Dingfuzhuang Road, Chaoyang District, Beijing 100024, Tel.: +8618610676130, E-mail: [email protected].

EDITORIAL BOARD Hsiu-chuang Deppman, Oberlin College Vanessa Frangville, Université libre de Bruxelles Ping Fu, Towson University Xuelei Huang, University of Edinburgh Sangjoon Lee, Nanyang Technological University Jie Li, Harvard University Seio Nakajima, Waseda University Aaron Han Joon Magnan-Park, University of Hong Kong Gary Rawnsley, University of Nottingham Ningbo China Josh Stenberg, University of Sydney Sugawara Yoshino, Kansai University

ADVISORY BOARD Chris Berry, Kingʼs College London Gary Bettinson, Lancaster University Paul Clark, University of Auckland David Desser, University of Illinois Ding Yaping, Chinese National Academy of Arts Tom Gunning, University of Chicago Margaret Hillenbrand, University of Oxford Stefan Kramer, Universität zu Köln Li Daoxin, Peking University Paul Pickowicz, University of California, San Diego Keyan Tomaselli, University of Johannesburg Ban Wang, Stanford University PUBLISHER Walter de Gruyter GmbH, Berlin/Boston, Genthiner Straße 13, 10785 Berlin, Germany

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Contents

Editorial

Haizhou Wang and Haina Jin Introduction to Journal of Chinese Film Studies 1

Research Article

Paul Clark Generating History: Rethinking Generations in Chinese Filmmaking 5

Hsiu-Chuang Deppman Realism and Fantasy in Jia Zhangke’s The World 19

Andrew Stuckey Special Effects and Spectacle: Integration of CGI in Contemporary Chinese Film 49

Stephen Teo Confucian Orientalism and Western Outlook in Martial Arts Film 65

Yaping Ding A Few Issues Surrounding Research into the General History of Chinese Film 83

Haizhou Wang The Historical Roots and Cultural Core of the Chinese Film School 101

Markus Nornes Subtitling Calligraphy 115

Gina Marchetti Chinese Film Studies Online: Technological Innovations, Pedagogical Challenges, and Teaching Chinese-Language Cinema in the Digital Age 135

David Desser New York: Gateway to the East 153 J. Chin. Film Stud. 2021 | Volume 1 | Issue 1

Seio Nakajima Studies of Chinese Cinema in Japan 167

Gary D. Rawnsley Cultural Outreach: Cinema and Soft Power 187

Stanley Rosen Obstacles to Using Chinese Film to Promote China’s Soft Power: Some Evidence from the North American Market 205