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Searching for a New Cultural Identity: China's Soft Power and Media Culture Today Liu Kang Version of Record First Published: 02 Aug 2012
This article was downloaded by: [Duke University Libraries] On: 25 December 2012, At: 21:43 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Contemporary China Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cjcc20 Searching for a New Cultural Identity: China's soft power and media culture today Liu Kang Version of record first published: 02 Aug 2012. To cite this article: Liu Kang (2012): Searching for a New Cultural Identity: China's soft power and media culture today, Journal of Contemporary China, 21:78, 915-931 To link to this article: http://dx.doi.org/10.1080/10670564.2012.701032 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Journal of Contemporary China (2012), 21(78), November, 915–931 Searching for a New Cultural Identity: China’s soft power and media culture today LIU KANG* The paper argues that China’s global expansion and calls for its use of soft power are provoking an ideological crisis which is becoming one of the most critical challenges of the present time. -
Physiology, Cybernetics, Humanistic Systems in Ergonomics a Dissertation SUBMITTED to the FACULTY of T
Care of the Machine Self: Physiology, Cybernetics, Humanistic Systems in Ergonomics A dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESTOTA BY: Mark A. Martinez IN PARTIAL FULFILLMENT OF THE REQUIERMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Ronald Walter Greene January 2013 © Mark A. Martinez 2014 i Acknowledgements There are numerous people to whom I am grateful for their support during this arduous process. Thank you to Dr. Kyle Stine, who welcomed me either at The Foxhead or Georges, where there were no shortage of whiskey or ideas. I thank my oldest and dearest friend Juan Linz who, either in person, by phone or by text, sent positive energy my way. To Dr. Matthew Bost who I thank for being my closest “theory-head” confidant in our department, and who pushed me to know more through his own excellence. To my entire committee I thank you for your efforts and feedback. Thank you Dr. Donald Browne for stepping up to my committee and contributing on such short notice—and thank you for letting me meet my future wife in your Mass Communication course. Thank you Dr. Rembert Hueser for giving me access to another body of literature, another community of scholars, another direction for me to take, and ultimately in my opinion, another way to try to become a better person through philosophy. I thank Dr. Ronald Walter Greene for giving me a communication scholar to look up to. Thank you for having patience with slow work and tolerance for strange tangents. Thank you for producing nothing but generosity and productive guidance that showed me you truly have love for thinking anew. -
To Be Young, Queer and Chinese
FILM AT REDCAT PRESENTS Mon Nov 30 | 8:00 PM | ONLINE Jack H. Skirball Series $10 [members $8] To get tickets, visit: To Be Young, Queer and Chinese To Be Young, Queer and Chinese Program curated by Jenny Man Wu, with Popo Fan and Yang Yang Presented in collaboration with Love Queer Cinema Week (former Beijing Queer Film Festival, BJQFF) Love Queer Cinema Week was funded in 2001 by university students as the first LGBTQ film festival in mainland China – where it remains one of the few grassroots events involved in independent queer film screenings and cultural exchange, providing a platform for sexual and other minorities worldwide. It has hosted international guests and offered travel grants to young Chinese participants. It has created ties with queer film festivals/events in Brazil, Belgium, Italy and Denmark, and the Berlinale Teddy Awards. Often harassed by the authorities and forced to change locations, it has survived as a site of resistance for social, cultural and artistic fluidity. Three festival organizers will hold a panel discussion on the evolution of queer media in China. Also: screening of Popo Fan’s The Drum Tower (Gu Lou Xi, 2019) and Yang Yang’s Our Story - 10-year "Guerrilla Warfare" of Beijing Queer Film Festival (Wo men de gu shi, 2011) In person via Zoom from Beijing and Berlin: Director on Duty Jenny Man Wu (rotating position), Committee Members Yang Yang and Popo Fan “… what made the BJQFF screening among the most moving and memorable experiences we’ve had on the festival circuit was the realization that it was more than an entertainment, it was a statement. -
News China March. 13.Cdr
VOL. XXV No. 3 March 2013 Rs. 10.00 The first session of the 12th National People’s Congress (NPC) opens at the Great Hall of the People in Beijing, capital of China on March 5, 2013. (Xinhua/Pang Xinglei) Chinese Ambassador to India Mr. Wei Wei meets Indian Chinese Vice Foreign Minister Cheng Guoping , on behalf Foreign Minister Salman Khurshid in New Delhi on of State Councilor Dai Bingguo, attends the dialogue on February 25, 2013. During the meeting the two sides Afghanistan issue held in Moscow,together with Russian exchange views on high-level interactions between the two Security Council Secretary Nikolai Patrushev and Indian countries, economic and trade cooperation and issues of National Security Advisor Shivshankar Menon on February common concern. 20, 2013. Chinese Ambassador to India Mr.Wei Wei and other VIP Chinese Ambassador to India Mr. Wei Wei and Indian guests are having a group picture with actors at the 2013 Minister of Culture Smt. Chandresh Kumari Katoch enjoy Happy Spring Festival organized by the Chinese Embassy “China in the Spring Festival” exhibition at the 2013 Happy and FICCI in New Delhi on February 25,2013. Artists from Spring Festival. The exhibition introduces cultures, Jilin Province, China and Punjab Pradesh, India are warmly customs and traditions of Chinese Spring Festival. welcomed by the audience. Chinese Ambassador to India Mr. Wei Wei(third from left) Chinese Ambassador to India Mr. Wei Wei visits the participates in the “Happy New Year “ party organized by Chinese Visa Application Service Centre based in the Chinese Language Department of Jawaharlal Nehru Southern Delhi on March 6, 2013. -
Arts & Culture
ARTS & CULTURE ART P42 ART P48 IN PRINT P52 CINEMA P56 STAGE that’smags www.thebeijinger.com Novemberwww. 200 thatsbj.com8 / the Beijinger Sept. 200541 Hovering Child by American artist Fran Forman. See Preview, p46; photo courtesy of Common Ground All event listings are accurate at time of press and subject to change For venue details, see directories, p43 Send events to [email protected] by Nov 10 Nov 8-30 its over 150 art pieces of contem- porary art around the world from Wang Jie the 1960s to the present day. The By eliminating human figures in curatorial approach of the show is rt his paintings, Wang Jie’s emphasis basically chronological, showing is on clothes – our “second skin.” the historical development of the New Age Gallery (5978 9282) world of contemporary art that A Nov 8-Dec 21 parallels the trajectory of the Swiss Chinese Contemporary Art Awards bank’s tastes throughout the dec- ades. Expect big names including ART 2008 Founded in 1997 by Uli Siggs, CCAA Damien Hirst, Andy Warhol, Lucien has awarded Liu Wei this year as Freud, Jasper Johns, as well as its pick for “Best Artist” and Tseng emerging Chinese artists including Yu-chin as “Best Young Artist” (see Cao Fei, Qiu Anxiong and Xu Zhen. Feature, p44). Ai Weiwei has also National Art Museum of China been given a lifetime achievement (6401 2252/7076) award. The works of these three Until Nov 12 artists will be exhibited at the larg- Coats! est art space in 798. Ullens Center Until Jan 10: Edward Burtynsky’s China Beijing is the third stop – after for Contemporary Art (6438 6576) Berlin and Tokyo – for this exhibi- A fresh take on manufacturing art. -
Common Man's Confucius for the West 10:55, May 08, 2009
Common man's Confucius for the West 10:55, May 08, 2009 When Yu Dan, a media expert and professor at Beijing Normal University, sat down to interpret Confucian thoughts in 2006, little did she realize that this effort would catapult her to overnight fame, turning the wise and dusty old Confucian teachings into a Chinese version of Chicken Soup for the Soul. Yu Dan's Insights into the Analects, based on 7 lectures that Yu Dan gave in 2006 on China Central Television's (CCTV) primetime show "Lecture Room", sold a record 12,600 copies on the launch day. Within two years, the book sold 5 million legal copies and an estimated 6 million pirated ones, remaining at the top of the Chinese bestseller lists even today (ranked 23rd in the non-fiction category in March 2009). While the Chinese version continued to reap in rich harvests, last week, UK-based Macmillan Publishers Ltd, released the English version of Yu Dan's bestseller, Confucius from the Heart: Ancient Wisdom for Today's World, bringing 2500-year-old Confucian wisdom to modern Western readers. Translated from Yu Dan's original book, published by Zhonghua Book Company, which is based in Beijing, the English version has trumped the previous record money of 100,000 U.S. dollars Jiang Rong's Wolf Totem cost Penguin in September 2005. Macmillan has paid a record 100,000 British pounds to Zhonghua for obtaining the copyright of Yu's book. Macmillan published the book in UK on May 1, 2009. To promote her book, Yu Dan visited UK and gave speeches at Cambridge University, Manchester University and Asian House in April, attracting hundreds of British audience.(Photo: en.huanqiu.com) A few years ago, Chinese traditional culture was brought back in vogue by the CCTV show "Lecture Room", triggering nationwide enthusiasm and it also caught the attention of the Western media. -
Remake Remodel
This is the new version of s���. Since the most recent issue, no. 29–30 (2010), we have had to cope with the diffi cult problem of having our funding from the Swedish Cultural Council reduced Remake by two thirds. While for decades this government body has been )VNCPMEU a major and generous source for Swedish cultural journals, and 6OJWFSTJUZ has made it possible for a small country like Sweden to sustain a JOSVJOT 1IPUP Remodel highly diverse publication ecology, recent shifts seem to intro- )BOT(OUIFS duce a diff erent policy. 2VBTDIJOTLZ The drastic cuts were made for reasons that to us appeared obscure: the offi cial explanation cannot be deemed as anything but intellectually vacuous — the funding was cut down because of the journal’s “low quality,” a judgment not accompanied by any further exemplifi cations or explanations. Since then we have been forced to remake and remodel our way of working, which as such need not be a negative thing. Instead of publishing in a tabloid format, we have switched to a more book-like format that makes it possible to continue inter- national distribution in a more effi cient way, and in the end hopefully makes the journal easier to buy for readers inside, as well as outside, of Sweden. s��� will henceforth be available from most Internet booksellers, selected bookstores, and will be easy to order in those who will not keep us in stock. The necessity of remaking and remodeling is however not restricted to journals. In recent years the European univer- sity system has been aff ected by major changes due to fi nancial restrictions and policy changes that seem to directly target teaching and research in the humanities. -
Parrhesia 31 · 2019 Parrhesia 31 · 2019 · 1-16
parrhesia 31 · 2019 parrhesia 31 · 2019 · 1-16 gaston bachelard and contemporary philosophy massimiliano simons, jonas rutgeerts, anneleen masschelein and paul cortois1 There are philosophers whose name sounds familiar, but who very few people know in more than a vague sense. And there are philosophers whose footprints are all over the recent history of philosophy, but who themselves have retreated somewhat in the background. Gaston Bachelard (1884-1962) is a bit of both. With- out doubt, he was one of the most prominent French philosophers in the first half of the 20th century, who wrote over twenty books, covering domains as diverse as philosophy of science, poetry, art and metaphysics. His ideas profoundly influ- enced a wide array of authors including Georges Canguilhem, Gilbert Simondon, Roland Barthes, Michel Foucault, Bruno Latour and Pierre Bourdieu. Up until the 1980s, Bachelard’s work was widely read by philosophers, scientists, literary theo- rists, artists, and even wider audiences and in his public appearances he incar- nated one of the most iconic and fascinating icons of a philosopher. And yet, surprisingly, in recent years the interest in Bachelard’s theoretical oeuvre seems to have somewhat waned. Apart from some recent attempts to revive his thinking, the philosopher’s oeuvre is rarely discussed outside specialist circles, often only available for those able to read French.2 In contemporary Anglo-Saxon philosophy the legacy of Bachelard seems to consist mainly in his widely known book Poetics of Space. While some of Bachelard’s contemporaries, like Georges Canguilhem or Gilbert Simondon (see Parrhesia, issue 7), who were profoundly influenced by Bachelard, have been rediscovered, the same has not happened for Bachelard’s philosophical oeuvre. -
Tracing Confucianism in Contemporary China
TRACING CONFUCIANISM IN CONTEMPORARY CHINA Ruichang Wang and Ruiping Fan Abstract: With the reform and opening policy implemented by the Chinese government since the late 1970s, mainland China has witnessed a sustained resurgence of Confucianism first in academic studies and then in social practices. This essay traces the development of this resurgence and demonstrates how the essential elements and authentic moral and intellectual resources of long-standing Confucian culture have been recovered in scholarly concerns, ordinary ideas, and everyday life activities. We first introduce how the Modern New Confucianism reappeared in mainland China in the three groups of the Chinese scholars in the Confucian studies in the 1980s and early 1990s. Then we describe how a group of innovative mainland Confucian thinkers has since the mid-1990s come of age launching new versions of Confucian thought differing from that of the overseas New Confucians and their forefathers, followed by our summary of public Confucian pursuits and activities in the mainland society in the recent decade. Finally, we provide a few concluding remarks about the difficulties encountered in the Confucian development and our general expectations for future. 1 Introduction Confucianism is not just a philosophical doctrine constructed by Confucius (551- 479BCE) and developed by his followers. It is more like a religion in the general sense. In fact, Confucius took himself as a cultural transmitter rather than a creator (cf. Analects 7.1, 7.20), inheriting the Sinic culture that had long existed before him.2 Dr. RUICHANG WANG, Professor, School of Culture & Communications, Capital university of Economics and Business. Emai: [email protected]. -
Osborne, T. S. D. (2016). Vitalism As Pathos. Biosemiotics, 9(2), 185- 205
Osborne, T. S. D. (2016). Vitalism as Pathos. Biosemiotics, 9(2), 185- 205. https://doi.org/10.1007/s12304-016-9254-7 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1007/s12304-016-9254-7 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via [insert publisher name] at [insert hyperlink]. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Biosemiotics DOI 10.1007/s12304-016-9254-7 ORIGINAL PAPER Open Access Vitalism as Pathos Thomas Osborne1 Received: 12 November 2015 /Accepted: 10 February 2016 # The Author(s) 2016. This article is published with open access at Springerlink.com Abstract This paper addresses the remarkable longevity (in spite of numerous ‘refu- tations’) of the idea of vitalism in the biological sciences and beyond. If there is to be a renewed vitalism today, however, we need to ask – on what kind of original conception of life should it be based? This paper argues that recent invocations of a generalized, processual variety of vitalism in the social sciences and humanities above all, however exciting in their scope, miss much of the basic originality – and interest – of the vitalist perspective itself. -
Research on Chinese-Language Film in the Context of Globalization Jing
Advances in Social Science, Education and Humanities Research, volume 113 International Seminar on Social Science and Humanities Research (SSHR 2017) Research on Chinese-Language film in the Context of Globalization Jing Yi 1, a and Jianxun Wu 2, b 1 Beijing Film Academy, China 2 Beijing Film Academy, China [email protected], [email protected] Keywords: Film Globalization; Chinese-language film; Film industry Abstract. Chinese-language films have experienced the whole - divide - cooperation - integration process in the past 68 years has experienced. In recent years, mainland China, Hong Kong, Macao, Taiwan and overseas Chinese new generation of directors have realized the century cultural integration of Chinese-language film across different nation and region. This article critically reviewed the development of Chinese-language film on the basis of national film and Chinese film, trying to construct an analytical framework of Chinese-language films in the era of globalization, and exploring the Chinese movie industry how to realize the new development in the new pattern culture of globalization. 1 Introduction The Chinese-language film refers to the film produced by the mainland China, including Hong Kong, Macao and overseas Chinese of east Asia and southeast Asia. Over the past century, the number of Chinese films has been over a million, including Chinese, Cantonese, Hakka, Hujian (Taiwanese), tidal language, dialect and a small number of English. The profound social background, cultural roots and industrial connections all promote the coming out and acceptance of the concept of Chinese-language film. The shared cultural traditions such as the language, literature and food are rooted in the same culture—the long lasting traditional Chinese culture and the consistent film traditions—Shanghai film traditions before 1949. -
Tiananmen's Most Wanted
TIANANMEN’S 2004 .2, MOST WANTED—WHERE ARE NO THEY NOW? FORUM RIGHTS COMPILED BY STACY MOSHER CHINA On June 13, the Beijing Public Security Bureau issued a list of 21 leaders of the 1989 protest 49 movement who were being sought for arrest. Following is the list, and what has become of those people since. DEBT THE ACTIVIST THEN NOW Wang Dan A history student at Peking University, and an On April 18, 1998,Wang was freed on medical organizer of the Beijing Students Autonomous parole and sent into exile to the United States. He is HONORING Federation,Wang was arrested on July 2, 1989 and now completing his Ph.D. studies in history at Y: on January 26, 1991 was sentenced to 4 years in Harvard University. He is an honorary member of prison on charges of counterrevolutionary propa- HRIC’s board of directors ganda and incitement. Released on parole on MEMOR February 17, 1993,Wang was detained again on May 21, 1995 after participating in petitions calling for release of all prisoners arrested in connection with June 4th. On October 30, 1996 he was sentenced to 11 years in prison for subversion. Wuer Kaixi A Uighur student leader from Beijing Normal Univer- Wuer Kaixi studied at Harvard, then at Dominican sity,Wuer Kaixi evaded arrest and escaped to the West College in San Rafael, California, before moving to by way of Hong Kong. Taiwan, where he is now the host of a radio talk show. Liu Gang A graduate in physics at Peking University, Liu worked Following his release in 1995, Liu fled China via at The Beijing Social and Economic Sciences Research Hong Kong in May 1996, saying that he and his fam- Institute in late 1988, and was a close associate of ily had been subjected to official harrassment.After Fang Lizhi.