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Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
¥PDF Programa De Ma 06.Fh9
Disseny: IMF DESCOMPTE DEL25%PERALS CLIENTSDECAIXACATALUNYA (El nombred’entradesambdescompte éslimitat) PROGRAMACIÓ * Les sessions que porten un asterisc compten amb la presència de part de l’equip artístic i/o tècnic. DIVENDRES 6 9.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 11h. Casino Prado. Black Moon (Europa Imaginària) 11.15h. El Retiro. Seance (Orient Express – Casa Asia) 13h. El Retiro. Eye of the Spider (Orient Express – Kurosawa) 13.15h. Casino Prado. La Sabina (Europa Imaginària) 13.45h. Auditori. Ils (Secció Oficial Fantàstic) 15h. El Retiro. Taxidermia (Secció Oficial Fantàstic) 15h. Casino Prado. Ulisse (Europa Imaginària) 15.15h. Auditori. Broken (S.O.Méliès) 17h. El Retiro. Duelist (Orient Express – Casa Asia) * 17h. Casino Prado. Blue Velvet (Sitges Clàssics – Lynch) 18h. Auditori. Gala Inauguració Sitges 2006: For(r)est in the Des(s)ert (curt) + El Laberinto del Fauno * 19.15h. El Retiro. La Hora Fría (Secció Oficial Fantàstic) 19.15h. Casino Prado. Fantastic Voyage (Sitges Clàssics - Fleischer) 20.50h. Auditori. El Laberinto del Fauno (Passi privat Tel-Entrada Caixa Catalunya) 21.15h. El Retiro. Avida (S.O. Noves Visions) 21.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 23h. Auditori. Ils (Secció Oficial Fantàstic) * 23h. El Retiro. The Pulse (Secció Oficial Première) 23h. Casino Prado. Soylent Green (Sitges Clàssics - Fleischer) 00.45h. Auditori. Broken (S.O. Méliès) 1h. El Retiro. Masters of Horror (I) (Midnight X-Treme) 1h. Casino Prado. Mondo Macabro (I): The Warrior + Devil’s Sword (Midnight X-Treme) DISSABTE 7 9h. El Retiro. Edmond (S.O. -
Post-Gazette 9-5-08.PMD
VOL. 112 - NO. 35 BOSTON, MASSACHUSETTS, SEPTEMBER 5, 2008 $.30 A COPY Back-to-School Jamboree Palin Gets the Call, and the Tide Turns at City Hall Plaza by David Karki Senator John McCain mentalist lobby. changed the entire dynamic She can also credibly of the presidential campaign speak to tax cutting, con- with his selection of Alaska trolling spending and perhaps Governor Sarah Palin as his most importantly, self-suffi- vice-presidential running ciency. To conservatives, mate. For the first time, President Bush’s “compas- there is an excitement about sionate conservative” spiel the Republican ticket. And has only cemented the lib- judging by the most telling eral principle of looking to big barometer — how much government first and only to Democrats hate the choice solve problems, if not to be — he could not have chosen taken care of outright. Palin, better. who along with her husband Tactically, Palin is the per- Todd, fed her family on the fect help for the three con- game they hunted and fished stituencies McCain needed and who fired the staff chef to reach out to the most — Alaska Governor upon becoming governor so women, conservatives and Sarah Palin her kids wouldn’t get used to rural blue-collar men. having meals cooked for Women. Many supporters That makes it doubly painful them, is the epitome of the of Senator Hillary Clinton for him. rugged individualism that are still very unhappy she Conservatives. McCain built and made America. And didn’t wind up on the Demo- had a very hard sell to pull which we need to get back to cratic ticket, and Palin made off with his own base, given in order to keep it, according a direct appeal to these folks how frequently he crossed to many conservatives — in her speech on Saturday, them over the last eight this one included. -
Diciembreenlace Externo, Se Abre En
F I L M O T E C A E S P A Ñ O L A Sede: Cine Doré C/ Magdalena nº 10 c/ Santa Isabel, 3 28012 Madrid 28012 Madrid Telf.: 91 4672600 Telf.: 91 3691125 Fax: 91 4672611 (taquilla) [email protected] 91 369 2118 http://www.mcu.es/cine/MC/FE/index.html (gerencia) Fax: 91 3691250 MINISTERIO DE CULTURA Precio: Normal: 2,50€ por sesión y sala 20,00€ abono de 10 PROGRAMACIÓN sesiones. Estudiante: 2,00€ por sesión y sala diciembre 15,00€ abono de 10 sesiones. 2009 Horario de taquilla: 16.15 h. hasta 15 minutos después del comienzo de la última sesión. Venta anticipada: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. Horario de cafetería: 16.45 - 00.00 h. Tel.: 91 369 49 23 Horario de librería: 17.00 - 22.00 h. Tel.: 91 369 46 73 Lunes cerrado (*) Subtitulaje electrónico DICIEMBRE 2009 Monte Hellman Dario Argento Cine para todos - Especial Navidad Charles Chaplin (I) El nuevo documental iberoamericano 2000-2008 (I) La comedia cinematográfica española (II) Premios Goya (y V) El Goethe-Institut Madrid presenta: Ulrike Ottinger Buzón de sugerencias Muestra de cortometrajes de la PNR Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las copias que se exhiben son las de mejor calidad disponibles. Las duraciones que figuran en el programa son aproximadas. Los títulos originales de las películas y los de su distribución en España figuran en negrita. -
Bibliothèque François Villon Liste Des Films Classés Par Réalisateur
Bibliothèque François Villon liste des films classés par réalisateur Sommaire Nom des réalisateurs commençant par la lettre : Cliquez sur la lettre pour atteindre la page correspondante A J S B K T C L U D M V E N W F O X - Y G P Z H Q Elaborée au mois de mars 2013, cette liste a une portée indicative. Elle ne peut I R refléter à l’exact notre fonds au moment où vous la consultez, notre fonds étant rythmé par de nouvelles acquisitions ou de dvd retirés pour cause de vétusté ou de vol. A Territoires Abbou, Olivier TER La vierge, les coptes et moi Abdel, Namir messeh VIE L'iceberg Abel, Dominique ICE Rumba Abel, Dominique RUM Garage Abrahamson, Lenny GAR Mission impossible 3 Abrams, J. J. MIS Star Trek Abrams, J.J. STA SUPER 8 Abrams, Jeffrey Jacob SUP Madame Brouette Absa, Moussa Sene MAD Paradise now Abu-Assad, Hany PAR Le hérisson Achache, Mona HER Dernière séance Achard, Laurent DER Le dernier des fous Achard, Laurent DER Numéro 9 Acker, Shane NUM Le monde de Narnia Adamson, Andrew MON Le monde de Narnia Adamson, Andrew MON Shrek Adamson, Andrew SHR Under the skin Adler, Carine UND Bagdad Café Adlon, Percy BAG New York Masala Advani, Nikhil NEW Gone baby gone Affleck, Ben GON The town Affleck, Ben TOW I'm Still Here Affleck, Casey IMS Pédale douce Aghion, Gabriel PED Rencontres Agostini, Philippe REN Entre deux rives Agresti, Alejandro ENT Une nuit avec Sabrina love Agresti, Alejandro NUI Haute tension Aja, Alexandre HAU Mirrors Aja, Alexandre MIR Piranha Aja, Alexandre PIR Golden eighties Akerman, Chantal GOL Jeanne Dielman 23 quai du commerce, 1080 Bruxelles Akerman, Chantal JEA La captive Akerman, Chantal CAP De l'autre côté Akin, Fatih DEL Head-on Akin, Fatih HEA Soul kitchen Akin, Fatih SOU 8th wonderland Alberny, Nicolas EIG La petite Jérusalem Albou, Karin PET Coup d'éclat Alcala, José COU Les maîtres de l'animation russe Aldashin, M. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
The Casting Director Guide from Now Casting, Inc
The Casting Director Guide From Now Casting, Inc. This printable Casting Director Guide includes CD listings exported from the CD Connection in NowCasting.com’s Contacts NOW area. The Guide is an easy way to get familiar with all the CD’s. Or, you might want to print a copy that lives in your car. Keep in mind that the printable CD Guide is created approximately once a month while the CD Connection is updated constantly. There will be info in the printable “Guide” that is out of date almost immediately… that’s the nature of casting. If you need a more comprehensive, timely and searchable research and marketing tool then you should consider using Contacts NOW in NowCasting.com. In Contacts NOW, you can search the CD database directly, make personal notes, create mailing lists, search Agents, make your own Custom Contacts and print labels. You can even export lists into Postcards NOW – a service that lets you create and mail postcards all from your desktop! You will find Contacts NOW in your main NowCasting menu under Get it NOW or Guides and Labels. Questions? Contact the NowCasting Staff @ 818-841-7165 Now Casting.com We’re Back! Many post hiatus updates! October ‘09 $13.00 Casting Director Guide Run BY Actors FOR Actors More UP- TO-THE-MINUTE information than ANY OTHER GUIDE Compare to the others with over 100 pages of information Got Casting Notices? We do! www.nowcasting.com WHY BUY THIS BOOK? Okay, there are other books on the market, so why should you buy this one? Simple. -
Index Des Revues Des Cahiers Du Cinéma, Óþóõ
Index des revues des Cahiers du Cinéma, óþóÕ Les ó Alfred de Bruno Podalydès . ßßó Ch. G. ¢þ–¢Õ Le Õ¢ h Õß pour Paris deClintEastwood ........................... ßߦ M. M. ß–ßÉ Õ¦ì rue du désert d’Hassen Ferhani . ßßß M. M. Õ¦–Õ¢, C. A. Õ¢–Õä óþþ mètres d’AmeenNayfeh ........................................ ßßß M. M. ì¦ À l’abordage de Guillaume Brac . ßßä O. C.-H. ó¦–ó¢, C. A., E. M. óä–óÉ, C. A., E. M. ìþ–ìó, M. U. ìì–ì¢, P.F. ìä–ìß À nos amours de Maurice Pialat . ßß P.B. Õìó–Õì¢ L’Aaire collective d’Alexander Nanau . ßßÉ R. P. ì Aer Love d’AleemKhan ............................................ ßßÉ L. S. ¦¦ L’Amour existe de Maurice Pialat . ßß M. U. ÕÕß–ÕÕ Les Amours d’Anaïs de Charline Bourgeois-Tacquet . ßßÉ O. C.-H. ìä e Amusement Park deGeorgeA.Romero ............................ ßßß É. L. ìþ Annette de Leos Carax . ßß M. U. Õó–Õ¦, P.F., M. U. Õä–Õß, Ch. G., M. U. Õ–óì, E. K. ó¦, É. T. óä El año del descubrimiento de Luis López Carrasco . ßßó É. T. ¦ä Army of the Dead de Zack Snyder . ßßß Y.S. ¦ì–¦¦ Autour de Jeanne Dielman de Sami Frey . ßßì P.L. äþ–äÕ Aya et la sorcière de Goro Miyazaki . ßß M. M. ¢¦ Bac Nord de Cédric Jimenez . ßß O. C.-H. ¢¦ Back Door to Hell deMonteHellman ............................... ßßß Y.S. –É La Bataille du rail de Jean-Charles Paugam . ßß R. N. ¢¦ Beast from Haunted Cave deMonteHellman ........................ ßßß J.-M. S. Beef House d’Eric Wareheim et Tim Heidecker . -
Berenice Malohe Former Bond Girl Cast in Dennis Bartok Horror Pov
Beat: Entertainment BERENICE MALOHE FORMER BOND GIRL CAST IN DENNIS BARTOK HORROR POV FORTISSIMO PRESALES AT CANNES FILMMARKET Paris, Cannes, 17.05.2015, 20:23 Time USPA NEWS - Former Bond girl, Bérénice Marlohe (SKYFALL, 5 TO 7, Terrence Malick´s upcoming WEIGHTLESS) has been cast to star in Dennis Bartok´s (TRAPPED ASHES) English-language horror P.O.V. Pre-sales are currently underway at the Cannes Marche, with a number of deals under negotiation by Fortissimo Films. "P.O.V. follows the story of Dana Milgrom (Marlohe), a track coach who, having survived a near-death car accident, finds herself completely paralysed and trapped inside her own body. While recovering she becomes convinced that an evil presence exists inside her hospital room and is intent on killing her. Believing her to be experiencing a mental breakdown, Dana´s family brush away her concerns. Becoming increasingly terrified, Dana soon realises that she may not be the only target. Unable to leave her bed, she risks losing the ones she cares for most. A well-established French television and film actress, Bérénice is best known for her role as Bond girl, Sévérine, in the twenty-third James Bond film, SKYFALL. She recently starred in Victor Levin´s romantic comedy 5 TO 7 and is set to appear in Joe Miale´s REVOLT and Terrence Malick´s WEIGHTLESS alongside Ryan Gosling, Natalie Portman and Michael Fassbender. Principal photography for P.O.V. will begin later this year with filming taking place in Ireland and various locations around the UK. Bartok will direct from his own script, which was co-written with Tom Abrams. -
Newsletter 10/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 10/08 DIGITAL EDITION Nr. 230 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 10/08 (Nr. 230) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Kost nicht zu kurz. DIE BAND VON NE- Begründung heisst es: “Der liebe Filmfreunde! BENAN empfiehlt sich hier. Die irrwitzige Appellationsausschuss hat nach ausführli- Nur noch ein paar Tage und dann beginnt Geschichte eines ägyptischen Polizei- cher Diskussion über mögliche Wirkungen das erste große CinemaScope-Festival in orchesters, das zu einem Konzert nach des Films diese Entscheidung gefällt, da der Karlsruher Schauburg. Und es gibt jetzt Israel eingeladen wird und dann im falschen anderenfalls die Erziehung von sechs- oder schon eine Programmänderung zu melden. Ort landet, hat ebenso viele amüsante wie siebenjährigen Kindern beeinträchtigt wer- Denn die schwierige rechtliche Lage lässt traurige Momente und besticht speziell in den könnte”. Begründet wird diese Ent- es momentan leider nicht zu, dass der Tony der Originalfassung durch ein ausgezeich- scheidung damit, dass die Sprache des Curtis Film DER EISERNE RITTER VON netes Schauspielerensemble. Und wer es Films häufig mit „sexualisierten, derben FALWORTH zur Aufführung kommen gerne horrormäßig spannend liebt, der soll- Ausdrucksweisen“ durchsetzt ist. Dabei wird. Aber es gibt stattdessen einen ad- te sich die Stephen King Verfilmung DER sei nicht auszuschließen, „dass die immer äquaten Ersatz: REBELL IHRER MAJE- NEBEL von Frank Darabont gönnen. Hier wieder verwandten derben, sexualisierten STÄT. -
Road to Nowhere
ROAD TO NOWHERE A picture by Monte Hellman Starring Shannyn Sossamon, Tygh Runyan, Dominique Swain, Cliff De Young, Waylon Payne, John Diehl, Fabio Testi (Press Kit from Venice Film Festival) ROAD TO NOWHERE CAST (in order of appearance) Mitchell Haven Tygh Runyan Nathalie Post Dominique Swain Laurel Graham/Velma Duran Shannyn Sossamon Bobby Billings John Diehl Cary Stewart/Rafe Tachen Cliff de Young Bruno Brotherton Waylon Payne Steve Gates Robert Kolar Jermey Laidlaw Nic Paul Nestor Duran Fabio Testi Desk Clerk Fabio Tricamo Moxie Herself Peter Bart Himself El Cholo Bartender Pete Manos Mallory Mallory Culbert Doc Holliday Bartender Beck Lattimore Man in Bar Thomas Nelson Bonnie Pointer Herself Airplane Coordinator Jim Galan Airplane Pilot Jim Rowell Greg Gregory Rentis Larry Larry Lerner Erik Lathan McKay Joe Watts Michael Bigham Araceli Araceli Lemos Sarah Sarah Dorsey Female Cadaver Mandy Hughes Morgue Technician Cathy Parker Male Cadaver Brett Mann Room Service Waitress Vanessa Golden Cop Voices Dean Person Jared Hellman Jones Clark Guard Mitchell Allen Jenkin PRODUCTION Directed and Produced by Monte Hellman Written and Produced by Steven Gaydos Produced by Melissa Hellman Executive Producers Thomas Nelson, June Nelson Director of Photography Joseph M Civit Edited by Celine Ameslon Production Designed by Laurie Post Music by Tom Russell Co-Producers Peter R J Deyell, Jared Hellman Associate Producers Lea-Beth Shapiro, Robin-John Gibb Costumes Designed by Chelsea Staebell Production Sound by Rich Gavin Visual Effects Supervisor Robert Skotak First Assistant Director Larry Lerner Second Assistant Director Noreen Perez Supervising Sound Editors Ayne O Joujon-Roche, Kelly Cabral Re-Recording Mixers Scott Sanders, Perry Robertson First Assistant Editors Gregory Rentis, Harold Hyde Producers Representative Jonathan Dana Worldwide Sales E1 Entertainment ROAD TO NOWHERE "Well the ditches are on fire, And there ainʼt no higher ground. -
Wartime Atrocities and the Politics of Treason in the Ruins of the Japanese Empire, 1937-1953
Wartime Atrocities and the Politics of Treason in the Ruins of the Japanese Empire, 1937-1953 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lawson, Konrad. 2012. Wartime Atrocities and the Politics of Treason in the Ruins of the Japanese Empire, 1937-1953. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9795484 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 – Konrad Mitchell Lawson Some Rights Reserved This work is licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ iii Dissertation Advisor: Professor Andrew Gordon Konrad Mitchell Lawson Wartime Atrocities and the Politics of Treason in the Ruins of the Japanese Empire, 1937-1953 ABSTRACT This dissertation explores the relationship between violence and betrayal in retribution against military and police collaborators who helped maintain Japan’s wartime occupations up until its defeat in 1945. Looking at the approaches taken in the colonies of British Asia, postwar treason trials in the Philippines, and Chinese Communist approaches in wartime and postwar Shandong province, this study argues that the laws and rhetoric of treason were deeply flawed tools for confronting the atrocities of war. At the very moment that war crimes trials were defining a set of acts that constituted crimes against all humanity, around the world thousands of individuals who helped perpetrate them were treated as primarily guilty of crimes against the nation.