Seitenwege, Korridore Thirty Years a Friend Joe Dante
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Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
¥PDF Programa De Ma 06.Fh9
Disseny: IMF DESCOMPTE DEL25%PERALS CLIENTSDECAIXACATALUNYA (El nombred’entradesambdescompte éslimitat) PROGRAMACIÓ * Les sessions que porten un asterisc compten amb la presència de part de l’equip artístic i/o tècnic. DIVENDRES 6 9.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 11h. Casino Prado. Black Moon (Europa Imaginària) 11.15h. El Retiro. Seance (Orient Express – Casa Asia) 13h. El Retiro. Eye of the Spider (Orient Express – Kurosawa) 13.15h. Casino Prado. La Sabina (Europa Imaginària) 13.45h. Auditori. Ils (Secció Oficial Fantàstic) 15h. El Retiro. Taxidermia (Secció Oficial Fantàstic) 15h. Casino Prado. Ulisse (Europa Imaginària) 15.15h. Auditori. Broken (S.O.Méliès) 17h. El Retiro. Duelist (Orient Express – Casa Asia) * 17h. Casino Prado. Blue Velvet (Sitges Clàssics – Lynch) 18h. Auditori. Gala Inauguració Sitges 2006: For(r)est in the Des(s)ert (curt) + El Laberinto del Fauno * 19.15h. El Retiro. La Hora Fría (Secció Oficial Fantàstic) 19.15h. Casino Prado. Fantastic Voyage (Sitges Clàssics - Fleischer) 20.50h. Auditori. El Laberinto del Fauno (Passi privat Tel-Entrada Caixa Catalunya) 21.15h. El Retiro. Avida (S.O. Noves Visions) 21.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 23h. Auditori. Ils (Secció Oficial Fantàstic) * 23h. El Retiro. The Pulse (Secció Oficial Première) 23h. Casino Prado. Soylent Green (Sitges Clàssics - Fleischer) 00.45h. Auditori. Broken (S.O. Méliès) 1h. El Retiro. Masters of Horror (I) (Midnight X-Treme) 1h. Casino Prado. Mondo Macabro (I): The Warrior + Devil’s Sword (Midnight X-Treme) DISSABTE 7 9h. El Retiro. Edmond (S.O. -
Post-Gazette 9-5-08.PMD
VOL. 112 - NO. 35 BOSTON, MASSACHUSETTS, SEPTEMBER 5, 2008 $.30 A COPY Back-to-School Jamboree Palin Gets the Call, and the Tide Turns at City Hall Plaza by David Karki Senator John McCain mentalist lobby. changed the entire dynamic She can also credibly of the presidential campaign speak to tax cutting, con- with his selection of Alaska trolling spending and perhaps Governor Sarah Palin as his most importantly, self-suffi- vice-presidential running ciency. To conservatives, mate. For the first time, President Bush’s “compas- there is an excitement about sionate conservative” spiel the Republican ticket. And has only cemented the lib- judging by the most telling eral principle of looking to big barometer — how much government first and only to Democrats hate the choice solve problems, if not to be — he could not have chosen taken care of outright. Palin, better. who along with her husband Tactically, Palin is the per- Todd, fed her family on the fect help for the three con- game they hunted and fished stituencies McCain needed and who fired the staff chef to reach out to the most — Alaska Governor upon becoming governor so women, conservatives and Sarah Palin her kids wouldn’t get used to rural blue-collar men. having meals cooked for Women. Many supporters That makes it doubly painful them, is the epitome of the of Senator Hillary Clinton for him. rugged individualism that are still very unhappy she Conservatives. McCain built and made America. And didn’t wind up on the Demo- had a very hard sell to pull which we need to get back to cratic ticket, and Palin made off with his own base, given in order to keep it, according a direct appeal to these folks how frequently he crossed to many conservatives — in her speech on Saturday, them over the last eight this one included. -
The Developing Conjuncture and Some Insights from Hubert Harrison and Theodore W. Allen on the Centrality of the Fight Against White Supremacy
The Developing Conjuncture and Some Insights from Hubert Harrison and Theodore W. Allen on the Centrality of the Fight against White Supremacy Jeffrey B. Perry Epigraph (In 22 parts) “The King James version of the Bible . does not contain the word ‘race’ in our modern sense . as late as 1611 our modern idea of race had not yet arisen.” – Hubert Harrison “World Problems of Race,” 1926 “When the first Africans arrived in Virginia in 1619, there were no ‘white’ people there; nor, according to the colonial records, would there be for another sixty years.” – Theodore W. Allen The Invention of the White Race, Vol. 1, 1994 (Written after searching through 885 county-years of Virginia’s colonial records) “In the latter half of the seventeenth century, [in] Virginia and Maryland, the tobacco colonies . Afro-American and European-American proletarians made common cause in this struggle to an extent never duplicated in the three hundred years since.” – Theodore W. Allen Class Struggle and the Origin of Racial Slavery: The Invention of the White Race, 1975 “ . the plantation bourgeoisie established a system of social control by the institutionalization of the ‘white’ race whereby the mass of poor whites was alienated from the black proletariat and enlisted as enforcers of bourgeois power.” – Theodore W. Allen Class Struggle and the Origin of Racial Slavery: The Invention of the White Race, 1975 Jeffrey B. Perry 2 “ . the record indicates that laboring-class European-Americans in the continental plantation colonies showed little interest in ‘white identity’ before the institution of the system of ‘race’ privileges at the end of the seventeenth century.” – Theodore W. -
The Diviners' Is Magicai
The Observer • Augustana College • Rock Island, IL • Friday, Feb. 12, 1993 ARTS First terrific film ofnew year... The Diviners' is magicai Dante explores By Angela Mikoslavic Special to the Observer fear in "Matinee" "Mant!" ("Part man, part hat a magicai event By Brian Crowley ant...all terror!"). As the town the theatre is! Itisaplace Staff Repórter creates an uproar over the where characters have the graphic violence of "Mant!", the potential to exist, where /\dvertisements for "Matinee" world teeters on near-destruc- actors breathe life into the sell the film as a screw-ball com- tion nearly one hundred miles likes of a 17 year old edy full of pratfalls and sight- away. "idiot-boy", and a charis- gags. Thepreviewsletyouknow To give more details would matic preacher who has that "Matinee" was directed by ruin the fun of the film. Dante given up the faith. It is a Joe Dante, most famous for the and Haas move the film along at place where the combina- light-weight "Gremlins" and a quick pace that never lets it- tion of lighting and a "Innerspace." Judging by the self fali into slap-stick or high painted backdrop create way the promotional people have drama. A perfect balance of for us the spark of a storm sold this film, you would think goofiness and sentiment is and the beauty of a sunset. that "Matinee" is just another maintained as every aspect of The elements of costume: wacky comedy starring John American life in the sixties is overalls, a work shirt, an Goodman. tackled. (The duo did the same apron, or a staw hat sig- for theeightiesin "Gremlins 2".) nify the typesof people we FilmReview The performances also comple- will meet in this small Susanna Turunen / Observer ment the tone of the picture, with town. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Paul Shottner Eta' 45/50 Provenienza
PAUL SHOTTNER ETA’ 45/50 PROVENIENZA Roma FILM (selection) Reves A Vendre Man In Gallery Lola Peploe/ Wildside Pictures Goldfish Starter Kit Joe Phil Miller/ Y Films The Palm Reader Robin Jonathan Bentovim/ Indivision Films The Image Thief Weston/ Supporting Corin Sworn/ Film & Video Umbrella Why did you buy me plastic Leonard/Lead Phil Miller/ Y Films flowers? Girlfriend Experience Pimp/ Supporting Ileana Pietrobruno/ Cineworks The Men’s Room Seth/ Lead David Crossman/ Quest Productions Part Time Mugger Mark Smith/ Lead Paul Shottner/ Oil Film Karma Cowboy Narrator Sonja Heiss & Vanessa Van Houten/ Komplizen Film/ REM Doku Holdin’ On Killer/ Lead Frank Feiler/ Atomic Film Production Mimic NYPD Officer/ Supporting Guillermo Del Toro/ Dimension Films Turkey Day Luzio/ Supporting Steven Sorentos/ Mustang Films Volcano National Guard/ Supporting Mick Jackson/ 20th Century Fox The Black Widow The Man/ Lead Andrew Blackwell/ Long And Winding Road Productions Sullivan Street Alan Barrow/ Lead Jesse E. Evans/ Big Dawg Productions The Prodigal Son Carl/ Lead Lamia Joreige/ Djinn House Productions TELEVISION (Selection) Zwei Brueder - Tod Im See Pater Steinhauer/ Principal Lars Becker/ ZDF The Second Civil War Journalist/ Supporting Joe Dante/ HBO Films Melrose Place Counter Clerk/ Supporting Charlie Corell/ Spelling TV/ Fox THEATER (Selection) A Hatful Of Rain Polo Pope/ Lead Simon Longmore/ VADA D. Centre The Usual Suspects Fred Fenster/ Principal 2 Way Mirror Prod./ UK & Ireland Tour In Transit Gregorio Kapelov/ Principal Sahar Thompson/ Open Space Theatre Nothing Zed/ Lead Paul Shottner/ Man In The Moon Theatre Les Liaisons Dangereuses Comte De Valmont/ Lead Irma Saundrey/ Strasberg Theatre Fool For Love Eddie/ Lead Irma Saundrey/ Strasberg Theatre Danny & The Deep Blue Sea Danny/ Lead Michael Margotta/ Strasberg Theatre COMMERCIALS & VOICE OVER List available upon request. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Infinity Magazine
INFINITY - THE INDEX - VOLUME 1 (ISSUES 1-12) From Alien to Z.P.G. - via Creepozoids, Blake’s 7 and Bunty - here’s an exhaustive index from INFINITY contributor Mark Campbell. It includes everything in the first 12 issues of your favourite Sci-Fi / Nostalgia magazine NB: Interviews and features will only appear in the following categorised lists if they give the subject more than just a passing mention. I know this is subjective, but I’ve tried to use my judgement as to what constitutes ‘meat on the bone’, if you see what I mean. You’ll find wide-ranging interviews and articles that cover many subjects in the Miscellaneous section at the end. What follows is strictly alphabetical, except with franchises like Star Wars where you’ll find them chronologically listed for ease. Reviews will normally be of the DVD, Blu-ray or cinema release. If it says ‘Feature’ then that will be solely on the subject in question; if, say, ‘John Carpenter feature’, then it will be part of a wider article. Contributors’’ initials are in brackets. CONTRIBUTORS AB: Allan Bryce DB: David Brilliance JA: Jon Abbott MP: Mark Phillips RF: Robert Fairclough AJ: Adrian James DF: David Flint JM: John Martin MR: Martin Ruddock RH: Richard Holliss AL: Andrew Llewellyn DM: Denis Meikle JO: Joseph Oldham NP: Neil Pettigrew RME: Rick Melton AP: Andy Pearson DR: David Ryan JW: John Walsh PF: Peter Fuller RM: Richard Molesworth API: Andrew Pixley ES: Eugene Smith KC: Kevin Coward PJ: Pat Jankiewicz SG: Steve Green BJR: Brian J Robb GL: Giacomo Lee LR: Liam Ronan PM: Paul Mount -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Catalog Sixty-Five Log Sixty-Five
Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
Small Soldiers
SMALL SOLDIERS Produttore: Michael Finnell, Colin Wilson per DreamWorks/Universal Sceneggiatura: Gavin Scott,Adam Rifkin,Ted MEDIE INFERIORI Elliott,Terry Rossio Montaggio: Marshall Harvey Fotografia: Jamie Anderson Musica: Jerry Goldsmith. Interpreti: Gregory Smith (Alan Abernathy), Kirsten Dunst (Christy Fimple), Jay Mohr (Larry Benson), David Cross (Irvin Wayfair), Kevin Dunn (Stuart Abernathy),Ann Magnuson (Irene Abernathy), Phil Hartman (Phil Fimple), Wendy Schaal (Marion Fimple), Denis Leary (Gil Mars),Alexandra Wilson (Mrs. Kegel), Dick Miller (Joe), Robert Picardo (Ralph, il tecnico della Globotech). SMALL SOLDIERS Durata: 112 min. Distribuzione: Uip USA, 1998 di Joe Dante SMALL SOLDIERS A CURA DI MARCO BORRONI SINOPSI I due disegnatori di giocattoli Larry e Irwin si recano dall’arrogante Gil Mars, presidente della potente multinazionale Globotech, per sottoporgli le loro nuove creazioni. Irwin, sognatore e idealista, ha progettato i “Gorgonauti”, bizzarri mostriciattoli alieni che vengo- no accolti con scarso entusiasmo dal nuovo principale; dal canto suo Larry, più in linea con la moda attuale dei giocattoli ultraviolenti, presenta il “Commando Elite”: una serie di sol- datini-Rambo armati fino ai denti e capeggiati dal maggiore Chip Hazard, pupazzo a metà strada fra G.I. Joe e Arnold Schwarzenegger. Insoddisfatto da entrambi i progetti, Mars commissiona ai due inventori la messa a punto di una nuova generazione di giocattoli intelligenti, in grado di parlare, di muoversi e di com- battere come soldati in carne e ossa.All’insaputa di Irwin, Larry utilizza dei sofisticati micro- chip concepiti per uso militare allo scopo di animare le due serie di pupazzi, programman- do i membri del Commando Elite per scovare e distruggere i Gorgonauti.