The Diviners' Is Magicai

Total Page:16

File Type:pdf, Size:1020Kb

The Diviners' Is Magicai The Observer • Augustana College • Rock Island, IL • Friday, Feb. 12, 1993 ARTS First terrific film ofnew year... The Diviners' is magicai Dante explores By Angela Mikoslavic Special to the Observer fear in "Matinee" "Mant!" ("Part man, part hat a magicai event By Brian Crowley ant...all terror!"). As the town the theatre is! Itisaplace Staff Repórter creates an uproar over the where characters have the graphic violence of "Mant!", the potential to exist, where /\dvertisements for "Matinee" world teeters on near-destruc- actors breathe life into the sell the film as a screw-ball com- tion nearly one hundred miles likes of a 17 year old edy full of pratfalls and sight- away. "idiot-boy", and a charis- gags. Thepreviewsletyouknow To give more details would matic preacher who has that "Matinee" was directed by ruin the fun of the film. Dante given up the faith. It is a Joe Dante, most famous for the and Haas move the film along at place where the combina- light-weight "Gremlins" and a quick pace that never lets it- tion of lighting and a "Innerspace." Judging by the self fali into slap-stick or high painted backdrop create way the promotional people have drama. A perfect balance of for us the spark of a storm sold this film, you would think goofiness and sentiment is and the beauty of a sunset. that "Matinee" is just another maintained as every aspect of The elements of costume: wacky comedy starring John American life in the sixties is overalls, a work shirt, an Goodman. tackled. (The duo did the same apron, or a staw hat sig- for theeightiesin "Gremlins 2".) nify the typesof people we FilmReview The performances also comple- will meet in this small Susanna Turunen / Observer ment the tone of the picture, with town. Ali of these come Jenny Mae (Greta Hanson) encounters a newcomer to town, C.C. "Matinee" Goodman standing out. together to form Augus- Showers (Estlin Feigley). With "Matinee," Joe Dante tana Theater Department' s has raised his craft above the current produetion: "The Divin- sky behind them. A trio of "You young field workers Dewey (Tony Actually, "Matinee" is a film fluff of "The 'Burbs" and ers." are his sunshine" which took place Maca! uso) and Melvin (Thomas about fear: the childish fear that thrills you as the monster stalks "Innerspace." He has retained Written by Jim Leonard, Jr., on the Layman porch with the faint "S tymie" Skawski), and also by the a woman on the screen, or even the wackiness of his cinematic "The Diviners" is the story of light of the night fading into the women of Zion: Norma (Heather the realistic fear of a world on suburbia while injecting more Buddy Layman (played by Ken close of the first half of the story. McCarty), Luella (Beth the brink of war. The film ex- serious subject matter into the Johnson), a "simple boy", whose And the final scene at the water, Crookham), Goldie (Kari plores the truths of fear that can story-line. This blend works fear of water and quest to under- where Buddy is finally reunited Eisenhardt), and Darlene (Kim- connect these to scenarios and superbly. "Matinee" is the first stand the death of his mother are with his mother, was both unfor- berly Bath). In addition to these show that they are not far off from terrific film of the new year. tunate and gratifying. we have the roles of Jenny Mae made magicai by his ability to each other. "Matinee" is also a "divine" for water and predict the "A simple story, simply told. (Greta Hanson), Basil (Robby comment on film's ability to re- coming of rain. He is encoun- But its effect is magicai and mys- Moore), and Sara (Susan Vairus) flect American society. "Matinee" is a film tered by the newcomer in Zion, a terious," said director Jeffrey who deserve a large round of ap- Yes, "Matinee" is ali this. And about fear: the preacher by the name of C.C. Coussens, whosueceededintrans- plause. it is a wacky comedy as well. Showers (Estlin Feigley), who at- forming his students into town folk Gil and Patty Koenigsaeker childish fear that Director Joe Dante's films tempts to instill Buddy with some of the Great Depression era. The created an incredible set design and thrills you as the have always been a little "differ- understanding of the workings of actors, Feigley (C.C.) and Johnson technical directing, as well as ent." Dante's typical world of monster stalks a heaven and nature, and to help (Buddy), established a tremendous Chris Eicher,the lighting designer small-town suburbia has always Buddyovercomehishydrophobia. sense of interaction and feeling without whom we would not have woman on the seemed much like Steven with one another. Dirk Doughty, There are many scenes in this "felt" the weather changes. Spielberg's, but whereas screen, or even the heart-warming play that deserve who played Buddy's father Ferris, "The Diviners" will be per- Spielberg's suburbia is visited by realistic fear of a displayed a very stableand natural formed from this Thursday through recognition, and these are but a friendly aliens ("E.T." and world on the brink few: C.C. and Buddy, atop the composure through his role on the Saturday , at 8 p.m. on Potter Hall "Close Encounters of the Third mound centerstage, "fly" through stage. Some of the comedywithin stage in the Bergendoff Fine Arts Kind"), Dante's version is in- ofwar. the heavens with the cool shade of the play was provided by the two Building. fested with carnivorous creatures or psycho murderers ("Grem- "Matinee" also offers hope for líns" and "The BurbV"). commercial films that want to Jazz swings into Augustana Throughout his career, Dante has aspire for artistic greatness. always had a biting edge that Faith in Steven Spielberg has gives me an opportunity to do Mercer and Harold Arlen plus Spielberg has apparently soft- been lost in the schmaltz of By Brian Crowley wildly diversified things," said three elassies from Cole Porter ened, and lately, completely "Hook" and "Always." Dante Staff Repórter got it right this time; let's hope Lidral. "I am not locked into any among others. avoided. he can do it again. Spielberg one particular style. It's a lot of "It'sa variety show," Lidral said It is the slightly twisted vision seems to be softening his edge; fun because it allows me tobounce of the upcoming concert. "You of Dante (along with screenwriter Dante is sharpening it. In case you have not noticed (or around from one period of jazz to will hear many styles of music Charlie Haas) that makes "Mati- heard), the Augustana Campus has the next and do whatever comes to represented with different soloists nee" so successful. The film tells Note—While l' m gushing over been overrun recently with the mind." from various sections. It will be the story of a young boy (Simon Joe Danle here, lei me suggest smoothsoundsofjazz. Withthree LidraPs lecture focused on the much more diverse than the combo Fenton) in Key West who's mili- renting 1990's "Gremlins 2." concerts scheduled in as many literature of jazz and the an and setting of the Education Recital." tary father has left for the seas in weeks, Dr. Karel Lidral, Assistant the heat of the Cuban missile Yes, l cringed when I heard thal craft of soul construetion. Sophomore Chris Godwin, who Professor of Music, along with his crisis. Justastheweek-longscare this film was beíng made, but This past Tuesday sa w Lidral on plays alto saxophone in the en- different jazz groups, have filled begins, the boy's hero, "B" Dante and screenwriter Haas take stage again, this time direct- semble, looks forward to the chal- Larson and Centennial Halls with movie producer Lawrence created a sharp comedy thal is ing the larger Augustana Jazz Lab lenges of playing in a larger band. the music of crooning saxophones Band in a concert at Centennial Woolsey (Goodman), pulls into much smarter than it would have "In some respects, there is and rhythm keyboards. Hall. Following the Augustana town with his newest feature you think. Trust me on this one. greater versatility in a large band," In an Education Recital spon- Varsity Band, the sixteen member saidGodwin. "Itcanbecomemore sored by Phi Mu Alpha and given group opened with "Easy Minor" complicated and the writing is on January 27 in Larson Hall, by Tom Davis and fivejazznum- moreintricate. Italsooffersunique Lidral gave both a concert and a bers. Now challenges because it gives both lecture on jazz techniques. The "I am really happy with this con- the players and the audience more concert was attended by students cert," said Lidral. "The music is Open to listen to. But there will still be of jazz as well as general students wonderful, complicated, and di- 11-6 Mon.-Fri. andcommunitymembers. Lidral's versified." outlets for improvisation." three piece combination band, Those who have missed the first Lidral also plays in the smaller 10-4 Sal comprisedof Lidral onsaxophone, two opportunities to hear the combination setting at many off- ÍXCHIINGÍ Terry Lidral on keyboards and R ic campusevents. Upcoming perfor- sounds of "Augustana jazz" will Specializing in Neiv and Penhallegon on drums, played getanotherchanceonWednesday, mances include an appearance at a 1325 30th Street such jazz tunes as "Freddie the Jazz Festival at Blackhawk Col- Recycled Men's and February 17 at Centennial Hall. Rock Island, IL. Freeloader" by Miles Davis, and Lidral will be directing the nine- lege on March 25 and 27.
Recommended publications
  • Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
    BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre.
    [Show full text]
  • 10700990.Pdf
    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • Starlog Magazine Issue
    'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws:
    [Show full text]
  • That Guy Dick Miller Long Synopsis 140520
    “That Guy Dick Miller” Bronx born Dick Miller got his start where so many movie mavericks also began: with “The King of the B’s”, director and producer Roger Corman. Dick was a struggling writer, and so when a mutual friend introduced them, naturally he thought he’d gotten his big break. He did, but not as a writer… As an actor! Dick Miller might not be a household name, but his face is known in millions of households as everything from a busboy/beatnik turned murderer to a by-the-book cop, and from a pickup artist to a priest. His career spans 6 decades in which he has appeared in more than 175 motion pictures, had 4 television series and over 2000 television appearances under his belt. Dick has worked for such directors as Steven Spielberg, Martin Scorsese, Joe Dante, Roger Corman, James Cameron, Ernest Dickerson, and the great Sam Fuller, just to name a few. He has shared the silver screen with Boris Karloff, Arnold Schwarzenegger, Jack Nicholson, Robert De Niro, William Sadler, a misbehaving monkey, The Ramones, John Goodman and countless others. In this unprecedented documentary, we follow Dick from his first big role in Bucket of Blood, on to Gremlins, The Terminator, to the E.R. TV series, and up to one of his latest roles in Cutaways. “That Guy Dick Miller” is so much more than a dissertation of a life’s work, so much more than a collection of anecdotes, Hollywood history, home movies and rare film clips; it is Dick Miller’s story in his own words.
    [Show full text]
  • AFI PREVIEW Is Published by the Age 46
    ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.
    [Show full text]
  • The Loft Cinema Film Guide
    loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 JUNE 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from JUNE 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan LOFT MEMBERSHIPS 5 cookies and more! *Pizza served after 5pm daily. SPECIAL ENGAGEMENTS 6-27 SOLAR CINEMA 6, 9, 14, 17, 21 NATIONAL THEATRE LIVE 10 BEER OF THE MONTH: LOFT JR. 11 SUMMERFEST ESSENTIAL CINEMA 13 SIERRA NEVADA BREWING CO. LOFT STAFF SELECTS 19 ONLY $3.50 ALL THROUGH JUNE! COMMUNITY RENTALS 23 REEL READS SELECTION 25 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! THE FILMS OF CHER 26-27 The Loft Cinema offers Closed Captions and Audio NEW FILMS 32-43 Descriptions for films whenever they are available. Check our MONDO MONDAYS 46 website to see which films offer this technology. CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza BE NATURAL... • Ermanos • Raging Sage (SEE PAGE 37) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, JUNE 14 AT 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, Military • Black Rose Tattoo Cafe • Humanities $6.75 - Senior (65+) or Child (12 & under) • Southern AZ AIDS $6.00 - Loft Members • Bookman’s Seminars Foundation *MATINEE: ANY SCREENING BEFORE 4:00PM • Bookstop • Jewish Community • The Historic Y Tickets are available to purchase online at: • Borderlands Center • Time Market loftcinema.org/showtimes Brewery • KXCI or by calling: 520-795-0844 • Tucson Hop Shop • Brooklyn Pizza • La Indita • UA Media Arts Phone & Web orders are subject to a • Cafe Luce • Maynard’s Market $1 surcharge.
    [Show full text]
  • Pertaining to Justin Chin's "Undetectable"
    Pertaining to Justin Chin's "Undetectable" PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF&nbsp;generated&nbsp;at:&nbsp;Wed, 26 Aug 2009 16:14:57 UTC Contents Articles Viral load 1 Fantastic Voyage 3 B movie 10 Blight 39 References Article Sources and Contributors 40 Image Sources, Licenses and Contributors 41 Article Licenses License 42 Viral load 1 Viral load Viral load is a measure of the severity of a viral infection, and can be calculated by estimating the amount of virus in an involved body fluid. For example, it can be given in RNA copies per milliliter of blood plasma. Determination of viral load is part of the therapy monitoring during chronic viral infections, and in immunocompromised patients such as those recovering from bone marrow or solid organ transplantation. Currently, routine testing is available for HIV-1, cytomegalovirus, hepatitis B virus, and hepatitis C virus. HIV viral load test Several different HIV viral load tests have been developed, and three are currently approved for use in the US: • Amplicor HIV-1 Monitor test (Hoffman-La Roche), better known as the PCR test • NucliSens HIV-1 QT, or NASBA (bioMerieux) • Versant/Quantiplex HIV-1 RNA, or bDNA (Chiron/Bayer) These tests have been approved by the Food and Drug Administration in the United States for use in monitoring the health of people with HIV, in conjunction with other markers. Higher numbers in the viral load tests indicate an increased risk of getting sick from opportunistic diseases. These tests are also approved for monitoring the effects of anti-HIV therapy, to track viral suppression and detect treatment failure.
    [Show full text]
  • Bamcinématek Presents 3D in the 21St Century, a 33- Film Showcase of Stereoscopic Cinema, May 1—17
    BAMcinématek presents 3D in the 21st Century, a 33- film showcase of stereoscopic cinema, May 1—17 Featuring big-budget blockbusters, high concept mind-benders by arthouse icons, and shorts by acclaimed visual artists in a variety of 3D formats From Jean-Luc Godard to Justin Bieber and Ken Jacobs to Katy Perry The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Apr 1, 2015—Bursting out of the screen at BAMcinématek from Friday, May 1 through Sunday, May 17, 3D in the 21st Century is a first-of-its-kind survey of recent films that showcase the full range of stereoscopic cinema’s wondrous—and sometimes divisive—potential. A literal expansion of the visual and emotional possibilities of film, 3D’s immersive landscapes and retina-dazzling imagery have, in the last few years, extended beyond their natural habitat of the big-budget blockbuster into documentaries, musicals, animation, and the avant-garde. A fad in the early 50s cherished by film buffs, 3D flirted with comebacks for half a century—until the $3 billion box office of James Cameron’s visionary, lovingly-wrought sci-fi epic Avatar (2009—May 2) assured a full-on revival, this time with easier-on-the-eyes polarized 3D supplanting the familiar red-and-blue cardboard glasses. Even before that, Robert Zemeckis’ visceral fantasy Beowulf (2007—May 8 & 9) hurled weaponry, monsters, and Angelina Jolie into your lap, and Henry Selick turned a Neil Gaiman book into the gentler (but still twisted) stop- motion fairy tale Coraline (2009—May 8 & 9).
    [Show full text]
  • Weekend Box Office Results… 4/2 – 4/4 with Comments by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Godzilla Vs
    Monday, April 5, 2021 | No. 162 Happy 95th birthday to legendary filmmaker Roger Corman, born on April 5, 1926. Known as "The Pope of Pop Cinema", Corman began his career in the 1950’s as a writer, director and producer of low-budget genre films, including westerns, horror and sci-fi cult classics such as Highway Dragnet (1954), The Day the World Ended (1955), It Conquered the World (1956), Not of This Earth (1957) and House of Usher (1960). He became the leading filmmaker for American International Pictures, the producer-distributor of 1950’s and 60’s low-budget, independent films which were popular as drive-in double features. At AIP, Corman’s technique was to work very fast and very cheap, often shooting multiple films back-to-back on the same location. AIP made the most of Corman's production skills, frequently beginning a film’s development by creating a poster and then showing it to movie fans to gauge interest. Corman created a factory for micro- budget filmmaking which gave break-in opportunities to young directors and actors at the start of Happy Birthday to their careers. Francis Ford Coppola, Martin Scorsese, Ron Howard, Peter Bogdanovich, James Roger Corman – Click to Play Cameron, Joe Dante and Jonathan Demme all learned their filmmaking techniques by working on projects with Corman. Jack Nicholson, Peter Fonda, Bruce Dern, Charles Bronson, Dennis Hopper, Talia Shire, Sandra Bullock, Diane Ladd, William Shattner and Robert De Niro gained visibility as young actors in Corman’s low-budget productions. In 1960, Corman directed for AIP the horror film House of Usher, starring Vincent Price, based on an 1839 short story by Edgar Allan Poe.
    [Show full text]
  • Pdf, 248.31 KB
    00:00:00 Music Transition “Switchblade Comb” by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:07 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I’m April Wolfe. Every week, I invite a new female filmmaker on. A writer, director, actor, or producer, and we talk—in depth—about one of their fave genre films. Perhaps one that’s influenced their own work in some small way. And today, uh, you might already know, but we are recording remotely, because we’re social distancing. Uh, I’m recording from my bedroom, so I’ll warn you right now that, again, you may hear my cat Chicken screaming in the background, um, audio’s likely going to sound a little different from our studios, but everything else is the same. Beside my cat, there’s also a little birdie outside that you might hear, uh, usually it doesn’t cause me any problems, but now it sounds a little, uh, a little loud. And today, I’m very excited to have writer/producer/actor, pretty much everything slash, Felicia Day here with me as my guest. Hi, Felicia! 00:00:56 Felicia Day Guest Hello! How are you? Thank you so much for having me, April. 00:00:59 April Host Yes! And, you know, Felicia’s got construction going on at her house, so, I’m really excited to hear some of that.
    [Show full text]
  • Cinema-Booklet-Web.Pdf
    1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927.
    [Show full text]