PUBLICATIONS Autumn 2013 CORNERHOUSE PUBLICATIONS AUTUMN 2013 INDEX TO FEATURED PUBLISHERS Cornerhouse provides a specialist sales and distribution service for many of the most Art Editions North 1 Art Editions North Blain|Southern distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide innovative publishers, galleries and museums working in contemporary visual arts. Our Blain|Southern 1 list encompasses all the visual arts including architecture, art theory and education, The Bluecoat 2 design, digital media, fashion, fi lm and video, painting, performance, photography and sculpture. We have over 2,800 titles currently available. If you require further details or British Council 2 if you want to place an order please contact us or visit our online bookstore. Chinese Arts Centre 3 For further information about our services, please contact Paul Daniels, Publications Cornerhouse 3 Director. Drawing Room 4 Cornerhouse Publications Ffotogallery 4 70 Oxford Street, Manchester M1 5NH, England Focal Point Gallery 4 Publications Director Paul Daniels GlobalArtAffairs Publishing 5 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies Hayward Publishing 5 trade orders / enquiries +44 (0)161 200 1501 Ikon Gallery 7 mail order / enquiries +44 (0)161 200 1502 Information as Material 8 Catrin Huber WALK ON Bill Viola general enquiries +44 (0)161 200 1503 Fictional Spaces From Richard Long to Janet Frustrated Actions John Hansard Gallery 9 fax +44 (0)161 200 1504 Cardiff: 40 Years of Art Walking and Futile Gestures email [email protected] JRP|Ringier* 9 texts by Sean Ashton, Sacha Craddock, Shelley Hales online bookstore www.cornerhouse.org/books Kerber Verlag** 17 artists: Alec Finlay, Atul Bhalla, Brendan Stuart texts by Mario Codognato, Bill Viola, Kira Perov Burns, Brian Thompson, Bruce Nauman, edited by Kira Perov TRADE TERMS Verlag der Buchhandlung Walther König 22 Catrin Huber’s idiosyncratic Carey Young, Catherine Yass, Chris Drury, Please email orders to [email protected] work explores abstraction and Dan Holdsworth, Francis Alÿs, Hamish Fulton, Lisson Gallery 34 Frustrated Actions and Futile Standard discount 35%. James Hugonin, Janet Cardiff, Jeremy Wood, representations of architectural Gestures is a museum-scale A small order surcharge of £3.00 will be added to orders of less than £25 invoice Mac Birmingham 35 space. Her wall paintings and Julian Opie, Marina Abramovic, Melanie Manchot, Mike Collier, Plan B, Rachel Clewlow, exhibition of nine new works by the value. UK orders carriage free. Overseas carriage charged at cost. Manchester Metropolitan University 35 installations transform distinctive Rachel Reupke, Richard Long, Richard internationally renowned, pioneering RETURNS Matt’s Gallery 35 sites: a polygonal, glass-walled kiosk Wentworth, Sarah Cullen, Simon Pope, video artist Bill Viola. Created in Herford, Germany; a drawing room Sophie Calle, Tim Brennan, Tim Knowles, Tim Returns by permission only. In case of damage, defect or dispatch error please Modern Art Oxford 36 Robinson, walkwalkwalk, Wrights & Sites between 2012 and 2013, both on contact Cornerhouse Publications at the address above. at Sir John Soane's former country location and in the artist’s studio in The New Art Gallery Walsall 36 residence, Pitzhanger Manor; the texts by Cynthia Morrison-Bell, Mike Collier, Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, Alistair Robinson, Tim Ingold Southern California, the exhibition Airport Business Centre (ABC), 10 Thornbury Road, Plymouth, PL6 7PP, England. New Contemporaries (1988) Ltd 37 room at the Hatton Gallery, Newcastle presents three distinct bodies of that in 1966 became the new home for edited by Cynthia Morrison-Bell, Mike Collier Please note that returns sent to Cornerhouse’s Manchester address will not be Verlag für moderne Kunst Nürnberg 38 works: the Frustrated Actions, the accepted. Kurt Schwitters’ displaced Merzbarn WALK ON is the fi rst exhibition to Mirage and the Water Portraits Parasol Unit 43 wall. This catalogue also highlights PAYMENT examine the astonishingly varied ways series. Through these works, Viola Research Group for Artists Publications 44 two of Huber’s most resonant collage in which artists since the 1960s have engages with complex aspects of Cheques should be made payable to Cornerhouse Publications and drawn on a UK series: Syntax of Clouds and As bank. Payment can be made directly into our bank account – please contact us for Richter|Fey Verlag 44 undertaken a seemingly universal act human experience, including mortality, Above So Below. Essayists exploring – taking a walk – as their means to transience and our persistent, yet further details. We also accept payment by American Express, Eurocard, Maestro, Ridinghouse 46 Huber’s work include writer and critic MasterCard, PayPal and VISA. All payments must be made in £ sterling. create new types of art. The exhibition ultimately futile attempts to truly and Sainsbury Centre for Visual Arts 49 Sean Ashton, who examines collage (and this accompanying catalogue) objectively understand ourselves SALES REPRESENTATIVES Spike Island 49 in relation to Schwitters’ Merzbarn offers an as-yet-unwritten history of and the meaning of our brief lives. For details of our sales representatives please refer to the Trade Information page on and Huber’s As Above So Below. Stour Valley Arts 50 recent art practice. It proposes that, For over 40 years, Viola’s practice our website www.cornerhouse.org/books Elsewhere, curator and critic Sacha across all four of the last decades, has continuously transformed our Stuart Shave Modern Art 50 Craddock writes about Huber’s site- ONLINE BOOKSTORE artists have worked as kinds of understanding of video as an artform, specifi c practice, while Shelley Hales, Full details of all titles distributed by Cornerhouse are available from our online *JRP|Ringier titles are distributed by Cornerhouse in the UK explorers, whether making their marks expanding its technological scope a lecturer in Visual Arts, investigates bookstore www.cornerhouse.org/books where customers can purchase titles quickly and Europe (excluding Germany, Austria, Switzerland and on rural wildernesses or acting as and historical relevance. He draws the dialogue between Huber’s work and securely. France) urban expeditionaries. WALK ON from a range of infl uences, including and Roman wall painting. **Kerber Verlag titles are distributed by Cornerhouse in the UK, tours the UK in 2013–14 to Northern Eastern and Western art and the Greater Manchester Arts Centre Limited trading as Cornerhouse Publications Scandinavia and Eastern Europe Art Editions North £12.00 Gallery for Contemporary Art, spiritual traditions of Zen Buddhism, Reg no. 1681278 VAT no. GB125522146 Reg Charity no. 514719 Cornerhouse also distributes titles for the following publishers: ISBN 9781906832094 Sunderland; mac birmingham; The Islamic Sufi sm and Christian Cornerhouse is Greater Manchester’s international centre for contemporary visual Arnolfi ni | The Arts Catalyst | Artangel | Aspex | Autograph softback 80 pages Atkinson, Southport; and Plymouth mysticism, to express fundamental arts and fi lm. Located in the heart of Manchester, UK, the centre has 3 fl oors of ABP | Aye-Aye Books | Beam | Camerawork | Castlefi eld 37 colour illustrations City Museum and Art Gallery. truths underpinning human existence. contemporary art galleries, 3 cinema screens, a bar, café and bookshop. For Gallery Publications | Centre for Contemporary Arts (CCA) 220 x 170 mm Published on the occasion of the Art Editions North £14.95 weekly updates on fi lms, exhibitions, events and the latest news, log on Coracle | DuMont Buchverlag | Éditions Revue Noire | Engage exhibition at Blain|Southern, London, (National Association for Gallery Education) | Firstsite | Forma ISBN 9781906832087 to www.cornerhouse.org FutureEverything | Haunch of Venison | Henry Moore Institute softback 134 pages 5 June – 27 July 2013. Institute of International Visual Arts (Iniva) | Inventory | Len Grant illustrated in colour Blain|Southern £20.00 While every effort has been made to ensure that the contents of this catalogue are Photography | Liverpool Biennial | Lowry Press | Manchester 220 x 270 mm accurate, all details are subject to change at any time and without notice. Art Gallery | Mead Gallery | Milton Keynes Gallery | National ISBN 9780956990495 Museums Liverpool | Pharos Arts Foundation | Photoworks hardback 120 pages Cover: Image from Veni Etiam © f&d cartier 2009. From Wait and See: f&d cartier, Rakennustieto Publishing | Salon3 | Site Gallery | Tatton Park 101 colour, 3 b&w illustrations published by Ffotogallery, 2013 Biennial | Tramway | Ümran Projects | University of Hertfordshire 240 x 190 mm Velvet Press | The Wellcome Trust | Witte de With

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i exist (in some way) SOFT ESTATE Jeremy Deller Ice Lab Reversed Fiction and The last known pose Edward Chell English Magic New Architecture and Science Other Means of Memory Essays and refl ections on the artists: Boushra Almutawakel, Geoge Awde, in Antarctica Antonia Low works of Qasim Riza Shaheen Hicham Benohoud, Hichem Driss, Issa texts by Edward Chell, Sara-Jayne Parsons, text by Hal Foster Touma, Lamya Gargash, Larissa Sansour, Richard Mabey, Bryan Biggs texts by Sam Jacob, Professor David Walton texts by Karin Albinnson, Chris Clarke, Sandra Laura Boushnak, Laura El–Tantawy, Nathalie texts by Antonia Low, Richard Brook, Laura English Magic has been published Mansfi eld, Swen Steinhäuser Dudley, Karoline Gritzner, Ali Moeen, Omar Kardjiane, Tanya Habjouqa edited by Bryan Biggs edited by Sandra Ross alongside Turner prize-winning Kasmani, Henry Proctor, Rajni Shah, Qasim texts by Bryan Biggs, Sara-Jayne Parsons Edward Chell investigates motorway artist Jeremy Deller's British Pavilion Commissioned by the British Council Berlin-based artist Antonia Low Riza Shaheen, Fintan Walsh, Oliver Winchester, was artist-in-residence at Chinese Manuel Vason, Ali Mehdi Zaidi Featuring the work of 11 landscapes, linking these with exhibition at the Venice Biennale in and curated by the Arts Catalyst, Arts Centre in Spring 2013. The edited by Monica Pearl contemporary artists, i exist (in some eighteenth century ideas of the 2013 (1 June – 24 November), and Ice Lab is a new international starting point for her residency was way) was developed by the Bluecoat Picturesque which were formed at refl ects the roots of much of Deller’s touring exhibition that illustrates how The last known pose is a collection a desire to explore the history of the in partnership with LOOK/13, a time when commerce and tourism work, focusing on British society – its innovative contemporary architecture of written and visual responses to North West of the UK, infl uenced Liverpool’s international photography drove the development of roads people, icons, myths, folklore and its is enabling scientists to live and the works of British artist Qasim Riza by her father’s architectural memory festival, the Liverpool Arab Arts and laid the foundations of today’s cultural and political history. English work in one of the most extreme Shaheen. Essays, refl ections and of Manchester and Liverpool in Festival, and Belgian nomadic arts network. SOFT ESTATE features Magic is also a new fi lm work by environments on our planet. The conversations by eminent scholars, the 1970s. It became apparent organisation Moussem. The exhibition art works by Chell which explore the Deller which forms a major part of exhibition features fi ve imaginative curators, artists and collaborators, that Manchester’s cityscapes had responds to the theme of LOOK/13, interface between history, ecology and his exhibition for the British Pavilion. designs for Antarctic research consider the multiple aspects and transformed dramatically since her 'Who do you think you are?' and speed, alongside essays giving new The fi lm brings together many of the stations and opens at The Lighthouse, the experience of his works. Through parents' last visit, which led Antonia presents a platform for subjective perspectives on how roads and travel ideas behind the works in the Pavilion, Glasgow, 26 July – 2 October depictions of his own body and a into an exploration of the process refl ection. The title was inspired by have shaped both what we see and featuring visual and thematic elements 2013, and tours to the Manchester vocabulary of simulation set within of memory itself. Through forging the words of Syrian photographer Issa how we look at it. 'These verges and that refl ect the artist's interest in the Museum of Science and Industry, 21 the photographic frame, Shaheen’s connections with local residents, Touma. When asked if he described island hyper-landscapes, pulsing with diverse nature of British society and October 2013 – 6 January 2014, and inter-disciplinary and socially-engaged writers, architects, researchers and his work as political Touma replied, wildlife, contain worlds where our its broad cultural, socio-political and then internationally. From the newly practice explores notions of gender, artists, she encountered historical 'everything in the Middle East can be rapid through-transit alters our sense economic history. The exhibition will opened British Antarctic Survey’s atypically through the poetics of references and locations. Reversed political if you have censorship. They of scale, which is simultaneously tour the UK in 2014 to the William Halley VI Research station to the Sufi sm and the performance of Fiction and Other Means of Memory do not like the freedom I have, but diminished and increased,' says Chell. Morris Gallery, London Borough of speculative Iceberg Living Station, Ice cultural texts. This uniquely conceived was produced by Chinese Arts they also do not have much choice. I 'Through making these paintings Waltham Forest; Bristol Museum and Lab includes architectural drawings, and co-designed artist's book comes Centre and Antonia Low to bring exist in some way. They cannot cancel I’ve become acutely aware of the Art Gallery; and Turner Contemporary, models, photographs and fi lms that together with a limited edition print together her correspondences me, so they need to accept me.' visual and metaphorical richness of Margate. This offi cial catalogue give the visitor a sense of what it takes and a DVD containing existing and drawings, and includes text Touma’s insistence on being is infused these fragile, yet self-sustaining and (available in four different colour to live and work in Antarctica. Sources and new video documents and by architect Richard Brook – who with ambiguity and uncertainty. tough environments.' The publication covers) features a new essay by Hal of inspiration for the projects including testimonials marking a trajectory of specialises in Postwar Architecture at If identity is not fi xed in time and accompanies the exhibition, SOFT Foster and an interview between an original drawing from Archigram’s internationally acclaimed work. Manchester Metropolitan University, place, then what 'ways of being' are ESTATE at the Bluecoat, Liverpool, Jeremy Deller, Chris Dercon and John Walking City are on display as well as and authors Laura Mansfi eld and Cornerhouse £39.00 possible? Published on the occasion December 2013 – March 2014. Paul Lynch. a newly commissioned fi lm and audio Swen Steinhäuser. Each copy is ISBN 9780956957160 of the exhibition at the Bluecoat, work by artist Torsten Laushmann. the Bluecoat £16.00 tbc British Council £15.00 signed by the artist from a published hardback + DVD pages tbc Liverpool, 18 May – 14 July 2013. ISBN 9780953899678 ISBN 9780863557118 British Council £4.00 edition of 300. illustrated in colour and b&w hardback 160 pages softback 128 pages dimensions tbc the Bluecoat £10.00 ISBN 9780863557170 100 colour illustrations illustrated in colour Chinese Arts Centre £6.00 English and Urdu text ISBN 9780953899685 softback 64 pages 240 x 165 mm 215 x 130 mm ISBN 9780954544096 softback 36 pages 17 colour, 23 b&w illustrations December 2013 softback 36 pages 21 colour, 6 b&w illustrations 210 x 150 mm 4 b&w illustrations 230 x 190 mm 208 x 145 mm

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Drawing Time Reading Wait and See Milly Thompson Tris Vonna-Michell Joe Fyfe All That Is Solid Time / Marking Language f&d cartier Savoir Faire Capitol Complex / Ulterior Vistas Melts Into Air edited by Galerie Christian Lethert Jeremy Deller artists: Allen Ruppersberg, Annabel Daou, texts by David Drake, Rudolf Scheutle text by Nicholas Cullinan text by Tris Vonna-Michell Bernardo Ortiz, Carl Andre, Deb Sokolow, Guy Joe Fyfe is an artist based in New York edited by Andrew Hunt, Tris Vonna-Michell de Cointet, Johanna Calle, Karl Holmqvist, The relationships between This book includes an essay by City. After an encounter with works Turner Prize-winning artist Jeremy Marcel Broodthaers, Matias Faldbakken, photography and time are manifold: Nicholas Cullinan and an interview Capitol Complex / Ulterior Vistas is by Imi Knoebel and Blinky Palermo Deller has been a hugely infl uential Mirtha Dermisache, Molly Springfi eld, Nina time can be directly represented with the artist by Andrew Hunt. at the DIA Art Foundation in the late fi gure in the story of British art over Papaconstantinou, Pavel Büchler, Sean an artist’s book based on the English Landers, Shahzia Sikander within the image, it can be its theme Published to accompany the exhibition landscape movement that contains a 1980s, he turned away from fi gurative the past two decades, helping to and philosophical horizon, and it Milly Thompson: Savoir Faire at Focal painting. 'These works seemed to rewrite the rules of contemporary texts by Claire Gilman, Melissa Gronlund, spoken word script for a performance. Kate Macfarlane can also represent the historical Point Gallery, Southend-on-Sea, The script is accompanied by a related codify abstraction as something that artistic practice. In All That Is Solid and conceptual framework in which 4 July – 15 August 2009. sound-work on a 10" vinyl record, as could speak to the body, the eye and Melts Into Air, Deller questions the This publication documents two photographic practices develop the mind directly while simultaneously effect of the Industrial Revolution, Focal Point Gallery £8.00 well as a separate series of large- parallel exhibitions, presented by and change through time. All of sending one away from art and back ISBN 9781907185014 scale photographs. This publication not only on the British landscape Drawing Room, London, 10 October – these elements converge in the art softback 64 pages accompanies an artwork by British out into the world', he said. At this and economy, but also on the 14 December 2013, and The Drawing of f&d cartier, two Swiss artists 38 colour, 2 b&w illustrations artist Tris Vonna-Michell that will be time he began to question abstract consciousness and culture of the Center, New York, 22 November living and working in Biel/Bienne, 210 x 147 mm permanently installed within Focal painting as a physical form. Using people. In this volume, Deller explores 2013 – 12 January 2014, that explore Switzerland. Since 1995, Françoise Point Gallery’s new building, which is a variety of materials, his works are the roots of working-class musical the relationship between linguistic and Daniel Cartier have merged due to open in late September 2013. strongly connected to the places culture, from nineteenth-century communication and drawing in their respective practices, plastic Printed in an edition of 400. where they are made. Joe Fyfe has industrial folk to glam and heavy recent art. Throughout the twentieth arts and photography, and created travelled in Mexico, Turkey, Sri Lanka, rock music in the 1970s and 1980s. century, and in particular since the a unifi ed artistic identity in order to Focal Point Gallery £25.00 Bangladesh, Vietnam, and Cambodia. This richly illustrated publication 1960s, artists have mined language discover new approaches. Examining ISBN 9781907185144 Infl uenced by these cultures, he features a vast range of objects and hardback + 10" vinyl record 44 pages for the subject and matter of their the indispensable prerequisites for produces cloth works made out images, including new work by Deller, illustrated in colour art, incorporating the mode, format, photography, light and photosensitive of fabric from local markets. This 262 x 262 mm historical paintings depicting factories and meaning of text into their work. paper, they mainly make ‘camera-less’ catalogue provides an overview of Joe and forges, political tracts, poems and Collectively, the exhibiting artists’ works incorporating found objects. Fyfe’s intriguing work accompanied by popular ballads against exploitation, works demonstrate an inventive use of The two bodies of work featured in an interview where the artist answers as well as works by William Blake and words and text, creating work that is this publication, Wait and See and questions posed by 20 different William Morris. The accompanying visually rich and narratively resonant. Veni Etiam, exemplify their minimalist artists, curators, and gallery owners. exhibition tour opens at Manchester tendencies, and the duo’s questioning Art Gallery, 12 October 2013 – Drawing Room / GlobalArtAffairs Publishing / Galerie of everyday life, intimacy, the passing The Drawing Center £16.00 tbc Christian Lethert £15.00 19 January 2014, and goes on to ISBN 9780942324785 of time. Published on the occasion of ISBN 9783941763142 Nottingham Castle, Mead Gallery and softback 160 pages the exhibition f&d cartier: Wait and softback 114 pages Laing Art Gallery during 2014. 100 colour illustrations See. A Retrospective at Ffotogallery, 69 colour illustrations Hayward Publishing £14.99 tbc 228 x 153 mm Cardiff, 22 June – 27 July 2013. 280 x 210 mm ISBN 9781853323195 available to customers in the UK only English and German text November 2013 Ffotogallery £15.00 softback tbc 128 pages tbc ISBN 9781872771939 other details tbc Johanna Calle, RAIN, 2012-13. Adapted typewriter hardback 84 pages October 2013 on ledger paper. Courtesy Casas Riegner Gallery, 56 colour illustrations Bogota. W. Clayton, Photographs of Welsh ironworkers. 250 x 200 mm Photo © Manchester City Galleries

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Martin Creed Ana Mendieta Dayanita Singh Hurvin Anderson François Morellet Timur Novikov Traces Go Away Closer Reporting Back Blow-up / Oceania Tapas texts by Cliff Lauson, Paul Morley, Joachim texts by Timur Novikov, Jonathan Watkins Pisarro texts by Julia Bryan-Wilson, Adrian Heathfi eld, texts by Ralph Rugoff, Geoff Dyer, Stephanie texts by Eddie Chambers, Jennifer Higgie text by François Morellet edited by Stuart Tulloch Stephanie Rosenthal Rosenthal (interview) Winner of the 2001 Turner Prize, This is the most comprehensive This exhibition and catalogue by This catalogue accompanies Russian Martin Creed has been recognised During her short career, Ana Originally trained as a photojournalist exhibition catalogue to date of acclaimed French artist François artist Timur Novikov's exhibition around the world for his conceptually- Mendieta (1948–1985) created a and bookmaker, Dayanita Singh (New paintings by British artist Hurvin Morellet comprises a selection at Ikon Gallery, Birmingham, 13 driven art that is at once playful, body of work that was provocative Delhi, 1961) has exhibited widely Anderson, evoking sensations of of paintings made in 2006 which February – 21 April 2013, which has thought-provoking and deeply and radically inventive. Using her both in India and abroad. Her work being caught between one place replicate works originally produced been co-curated by his step-daughter ambiguous. Crossing all artistic own body, together with elemental often takes a curious view of the and another, drawn from personal by him in 1952, magnifi ed to a scale Masha Novikova-Savelyeva. Very media, and including musical materials – blood, fi re, earth and water every day, and is characterised by an experience. It surveys the artist’s of 4:1. They exemplify the profound infl uential in Russia during the 1980s performance and dance, his art – she created visceral performances un sparing view of her subject matter. career and includes work made infl uence of Pacifi c tapa barkcloth and 1990s, Novikov (1958–2002) transforms common materials and and ritual ephemeral ‘earth-body’ Best-known for her portraits of India's shortly after he graduated from the paintings on Morellet’s distinct style is best known for his distinct style of actions into surprising meditations sculptures exploring life, death, urban middle- and upper-classes, her Royal College of Art, London, in of abstraction. Morellet received no appliqué – whereby fabric motifs are on existence, choice, perception rebirth and spiritual transformation. images of people working, celebrating 1998, through the acclaimed Peter’s formal artistic training and taught sewn onto larger pieces of cloth – at and the invisible structures that Born in Cuba but sent to America as or resting depict everyday life without Series (2007–2009), inspired by his himself to paint, his early works of once formally simple and beguiling. shape everyday experience. a child, much of her art expresses embellishment, capturing insights that upbringing in Birmingham’s Afro- the 1940s marked by semi-fi gurative This book contains his fabric works, This large-format, fully illustrated the pain and rupture of cultural often challenge exotic stereotypes in Caribbean community, and ongoing painting and sculpture. Later, in the ink drawings and fi lm stills from his publication accompanies the fi rst displacement and exile. Her images the West. Working closely with the works arising out of time spent in 1950s, he turned to abstract art, extensive oeuvre. Includes texts by major survey of Creed’s work at are compelling, mysterious and poetic. artist in the concept and design of this Trinidad in 2002. Filling Ikon’s entire heralding a prolifi c and lengthy career Jonathan Watkins and Timur Novikov. Hayward Gallery, 29 January – 27 In some, the outline of her body is volume, Hayward Publishing presents exhibition space, Reporting Back characterised by simple geometric April 2014. Encompassing the full consumed by gunpowder, fi reworks, Dayanita Singh: Go Away Closer, a traces the development of Anderson’s forms encompassing drawing, Ikon Gallery £10.00 range and scale of Creed’s work, this or advancing waves; others record unique and inventive new title on the distinct fi gurative style. Including painting, sculpture and installation. ISBN 9781904864837 softback 38 pages comprehensive monograph spans its ancient goddess-forms moulded from work of this pioneer of contemporary essays by Eddie Chambers and This recent series, made more than most minimal moments to extravagant sand, carved into rock, or incised photography. Included is an interview 31 colour, 1 b&w illustrations Jennifer Higgie. Published on the 50 years after the original paintings, 290 x 230 mm room-sized installations, giant in clay. Featuring essays by Julia with the artist and an introduction occasion of the exhibition Hurvin can be seen as an adaptation to fi t neon signs, video projections and Bryan-Wilson, Adrian Heathfi eld and by the exhibition curator, Stephanie Anderson: Reporting Back at Ikon a new cultural environment. As a performances. Outstanding in scope, Stephanie Rosenthal, Chief Curator Rosenthal. Published alongside an Gallery, 25 September – gesture this series of paintings is design and scholarship, this essential at Hayward Gallery, the book also exhibition at Hayward Gallery, London, 10 November 2013. completely in keeping with Morellet’s volume features key art works and includes an anthology of never before 8 October – 15 December 2013. artistic proposition: it is repetition by a number of newly commissioned seen material. This volume provides Ikon Gallery £20.00 tbc Hayward Publishing £9.99 tbc an artist for whom repetition is a trade essays by music journalist Paul a comprehensive and enlightening ISBN 9781904864875 ISBN 9781853323188 softback pages tbc mark. Published on the occasion of Morley, Hayward Gallery curator Cliff perspective on this important artist’s softback 128 pages tbc illustrated in colour the exhibition François Morellet: Blow- Lauson and art historian Joachim work. This title accompanies the fi rst 100 illustrations tbc dimensions tbc up / Oceania Tapas at Ikon Gallery, Pisarro. monograph exhibition of this artist 220 x 165 mm tbc Birmingham, 1 May – 14 July 2013. in the UK at Hayward Gallery, 24 October 2013 Hurvin Anderson, Miss Sylvia, 2011. Acrylic Hayward Publishing £24.99 tbc on linen. Courtesy Rebecca Marks. September – 15 December 2013. Ikon Gallery £10.00 ISBN 9781853323201 Photo Richard Ivey ISBN 9781904864851 hardback 200 pages tbc Hayward Publishing £24.99 softback 36 pages other details tbc ISBN 9781853323171 illustrated in colour January 2014 softback 240 pages 290 x 230 mm Martin Creed, Work No. 1273, 2011 Arts Council 150 colour and b&w illustrations English and French text Collection, Southbank Centre, London © Martin 270 x 220 mm Creed

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Tapa Welcome to Iraq Of the Subcontract Nancy Holt and Kai Althoff Carlos Amorales Barkcloth Paintings The Iraq Pavilion – Venice Or Principles of Poetic Right Robert Smithson Souffl euse der Isolation Germinal from the Pacifi c Biennale 2013 England and Wales 1969 artist: Nick Thurston texts by Angus Cook, Antje Majewski, Patrik texts by Carlos Amorales, Michel Blancsubé, Scherrer Magnolia de la Garza, Jon Kun, Reinaldo text by Nicholas Thomas artists: Abdul Raheem Yassir, Akeel Khreef, Ali texts by McKenzie Wark, Darren Wershler text by Ben Tufnell Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Laddaga edited by Julie Adams, Stuart Tulloch interviews with Nancy Holt by Joy Sleeman & Fully illustrated and conceived by the Furat al Jamil, Hareth Alhomaam, Jamal edited by José Kuri, Mónica Manzutto Of the Subcontract is a collection Simon Grant Ikon presents the fi rst major European Penjweny, Kadhim Nwir, WAMI (Yaseen Wami & of poems about computational celebrated German artist, this book Hashim Taeeh) gallery exhibition of tapa, the great capitalism, each of which was written In 1969 Nancy Holt and Robert traces the evolution of the work from Germinal brings together a series of painted barkcloths from the islands texts by Tamara Chalabi, Jonathan Watkins by an underpaid worker subcontracted Smithson spent one month the early 1990s until today. Through pieces by Carlos Amorales, who has painting, collages, drawings, videos, developed a graphic language that of the Pacifi c. For millenia, Pacifi c Welcome to Iraq features 11 through Amazon.com’s Mechanical travelling together in England and Islanders have made traditional cloth Turk service. The collection is ordered Wales. The exhibition provides an and installations, Kai Althoff engages detaches itself from the compression contemporary artists from Iraq, with topics such as (masculine) and fragmentation of images compiled from the bark of trees. Often taking on working across a wide range of media according to cost-of-production immersive overview of this journey, ceremonial signifi cance, its decoration and repurposes metadata about bringing together, for the fi rst time, identity, sensuality, the politics of in his Liquid Archive, a project he including photography, drawing, violence, and (notably German) has developed since 1998. This is extraordinary, with patterns that painting, video, installation, sculpture, the effi ciency of each writer to photographic and sculptural works are enjoyed for their abstraction as generate informatic typographic produced by the artists throughout history. Borrowing stylistically as much process gave rise to a codifi ed and textiles. This special selection from avant-garde collage as from fairy- alphabet, to which we do not initially much as their symbolism. Primarily represents two generations of artists embellishments. Those one hundred their journey, alongside original created by women using inherited poems are braced between two newly archival material. Nancy Holt is an tale illustration, his work possesses have access, but whose plasticity who live and work in the country. a timeless quality, 'where narratives locates it at the limit between image clan designs, the manufacture of Included are texts by exhibition curator commissioned essays; the whole American artist well-known for her barkcloth formed a major vehicle book is threaded with references to large-scale sculptural works in the are suggested with confessional and sign. This language is used Jonathan Watkins and acclaimed intimacy and rendered with exquisite in traditional printed formats like for both creative expression and Iraqi writer Tamara Chalabi. Illustrated Jean-Jacques Rousseau, Wolfgang environment, such as Sun Tunnels social cohesion, maintaining and von Kempelen, and the emerging (1976) in the Utah desert. Alongside sensitivity.' The book includes newly posters, books, and newspapers. throughout, this book includes commissioned texts by the artist, Nevertheless, in exploring media like communicating the artists’ deep images of selected work and recent iconography of cloud living. Of the her sculptures, Holt has always used connection to their ancestors and Subcontract reverses out of the photography and fi lm as a continuation Angus Cook, Antje Majewski, and sculpture and video, these works photographs of everyday life in Patrik Scherrer. Published with the explore the use of language and its country. This exhibition includes Baghdad, Babylon, Basra, Erbil and database-driven digital world of of her interest in memory, perception, cloths spanning over 200 years, from new labour pools into poetry’s black time and space. Robert Smithson Kunsthalle Zürich. limits, posing the question of what Sulaymaniyah. Published to coincide lies beyond language. Published with Papua New Guinea, the Solomon box: the book. It reduces the poetic (1938–1973) was an American artist JRP|Ringier £55.00 with Welcome to Iraq, an Iraqi Kurimanzutto and Yvon Lambert. Islands, Fiji, Samoa, Tonga, the Cook participation in the 55th International imagination to exploited labour and, famous for his seminal land art pieces. ISBN 9783905829280 Islands and elsewhere in the Pacifi c. Art Exhibition la Biennale di Venezia, equally, elevates artifi cial intelligence In this exhibition he is represented by softback 300 pages JRP|Ringier £38.00 Published on the occasion of the 1 June – 24 November 2013. to the status of the poetic. In doing exhibition prints of original Slideworks, 110 colour, 120 b&w illustrations ISBN 9783037643389 280 x 255 mm exhibition Tapa: Barkcloth Paintings Published by Ikon Gallery in so, it explores the all-too-real changes most notably his Mirror Displacement softback 384 pages English & German text from the Pacifi c at Ikon Gallery, partnership with Ruya Foundation for that are reforming every kind of work, Series, and a museum replica of 176 b&w illustrations 280 x 217 mm Birmingham, 1 May – 14 July 2013. Contemporary Culture in Iraq. each day more quickly, under the his non-site sculpture, Chalk Mirror surface of life. Displacement. English and Spanish text Ikon Gallery / Museum of Archaeology Ikon Gallery / Ruya Foundation for and Anthropology, University of Contemporary Culture in Iraq £20.00 Information as Material £9.99 John Hansard Gallery £8.95 tbc Cambridge £10.00 ISBN 9781904864844 ISBN 9781907468186 ISBN 9780854329656 ISBN 9781904864868 softback 144 pages softback 144 pages softback pages tbc softback 40 pages illustrated in colour and b&w 2 b&w illustrations illustrated in colour and b&w illustrated in colour 260 x 215 mm 197 x 130 mm 210 x 150 mm 290 x 230 mm Robert Smithson, Mirror Displacement (Grassy Slope) England, 1969 © Estate of Robert Smithson / licensed by DACS, London 2013. Image courtesy James Cohen Gallery, New York/ Shanghai.

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Zbynek Baladran / Pierrette Bloch Jay DeFeo Jeff Derksen Ecart Latifa Echakhch Jiri Kovanda Chiaroscuro After Euphoria (1969–1980) The Nervous System texts by Julie Enckell Julliard, Pamela M. Lee, texts by Florence Derieux, Ben Borthwick, Nicolas Müller, Philippe Piguet, Laurence Alessandro Rabottini text by John Yau text by Jeff Derksen texts by Lionel Bovier, Christophe Cherix Schmidlin, Catherine de Zegher edited by Florence Derieux texts by Zbynek Baladran, Jiri Kovanda edited by Kathy Slade edited by Lionel Bovier edited by Julie Enckell Julliard In this new monograph on DeFeo, edited by Alessandra Poggianti, Andrea Wiarda, John Yau looks at the breadth of the After Euphoria is a collection of Jeff The book focuses on Swiss artist Born in 1974 in Morocco and currently Juan Pablo Macías, Katia Anguelova Born in 1928, Swiss artist Pierrette artist’s work and her broad range of Derksen's writings on art, architecture, John Armleder’s early Fluxus-related living in Switzerland, Latifa Echakhch Bloch has been active in the A dialogue between two artists about interests and infl uences, and focuses and globalism. The selected essays in works with Ecart, a group Armleder recently exhibited at the Hammer fi eld of postwar abstraction and the Voynich Manuscript: how ideas on her late work, paintings of the this book focus on artistic practices founded with Patrick Lucchini and Museum, Los Angeles; Tate Modern, contemporary drawing since the come in artistic practice, propitious 1980s as well as the exceptional and modes of cultural criticism Claude Rychner in Geneva in the late London; Kunsthaus Zurich; MACBA 1950s. A student of Henri Goetz and situations, memory of the conscious corpus of drawings of the 1980s that aim their questions, research, 1960s. The Ecart Group published in Barcelona, and the Fridericianum in André Lhote, she developed a corpus and unconscious, transcribing poetry, and her photographic oeuvre of the and propositions at neoliberalism’s artists’ books, presented exhibitions Kassel. As Florence Derieux, director of paintings, collages, drawings, and ornithology, zoological gardens, 1970s. It thus complements the book alliance of the economy, affect, and performances, and opened a of the FRAC Champagne-Ardenne, three-dimensional works, whose key the fi lms of Fellini, screenplays, published on the occasion of her and the present. After Euphoria bookstore/gallery that is considered states: 'Her works are proof that art principles are an economy of means why the master of Czech literature, Whitney Museum retrospective in includes essays on the work of Rem to be 'one of the most important can be instrumental to exchange and materials (horsehair, sailing Jan Neruda, slept in the same bed 2013. Jay DeFeo (1929–1989) was Koolhaas, Brian Jungen, Sam Durant, alternative spaces in Europe in the and social engagement without ropes, paper, ink), the use of primary as his father. The conversation part of a vibrant community of avant- Andrea Geyer, Jin-me Yoon, Ken 1970s' (Ken Friedman). Ecart worked necessarily being patronizing or forms (dots, curls, lines), the almost between Zbynek Baladran and Jiri garde artists, poets, and musicians in Lum, Ron Terada, Stan Douglas, with many artists including Dick exploitative. While her sculptures exclusive use of the black and white, Kovanda is conducted in the form San Francisco during the 1950s and Sabine Bitter/Helmut Weber, and Higgins, Lawrence Weiner, Annette are elegant and delicate, the visitor ideas of seriality and variation, and of spontaneous refl ections on the 1960s. Her circle included Wallace Alfredo Jaar. Jeff Dersken is a writer, Messager, Daniel Spoerri, Giuseppe must nevertheless not be deceived a writing-like aesthetic. For this fi rst images with which they confront Berman, Joan Brown, Bruce Conner, poet, and critic based in Vancouver Chiari, Maurizio Nannucci, and Ben. by this sensibility when she examines complete monograph dedicated to each other. It is, however, a debate Wally Hedrick, Edward Kienholz, and Vienna. His on-going research Published with the Charles H. Scott subjects such as culture, geography, Pierrette Bloch’s practice from the that constantly branches out, and Michael McClure. Although best investigates the effect of globalisation Gallery, Emily Carr Institute of Art & and personal and collective histories. 1950s to the 1980s, the editor of the creating a topical mental map of the known for her monumental painting on the production and experience of Design, Vancouver. She explores these systems through book and Musée Jenisch director aesthetics, referential environments, The Rose (1958–1966), DeFeo culture. Derksen’s critical writing has mundane objects, images, and Julie Enckell Julliard has invited JRP|Ringier £7.00 and approaches of two generations. worked in a wide range of media and appeared in Springerin, Archis, Open ordinary situations, repositioning contributions from an international ISBN 9783037643310 Published within the context of the produced an astoundingly diverse Letter, Camera Austria, C Magazine, them in a social and political debate. panel of authors and art critics softback 64 pages series Tranzit, edited by Vit Havranek, and compelling body of work over four and Hunch. He is the editor of the The visual and conceptual power of including Catherine de Zegher, 40 colour, 5 b&w illustrations focusing on Central and Eastern decades. DeFeo's unconventional literary journal West Coast Line and her combination of Minimalism and Pamela M. Lee, and Philippe Piguet. 165 x 105 mm European artists, on the occasion approach to materials and her is a founding member of Vancouver's Romanticism is potent but misleading. of the Czech Republic and Slovak JRP|Ringier £40.00 intensive, physical method make her a writer-run centre, The Kootenay What emerges is a fundamental belief Republic's participation on the 55th ISBN 9783037643297 unique fi gure in postwar American art. School of Writing. This book is part of in the dignity of the subjects and what Venice Biennale 2013. hardback 224 pages art can bring in terms of refl ection, JRP|Ringier £29.00 the Documents series, dedicated to 100 colour, 70 b&w illustrations even in its most critical form.' ISBN 9783037643396 critical writings and co-published with JRP|Ringier £15.00 270 x 280 mm Published with FRAC Champagne- hardback 112 pages Les presses du réel and Emily Carr ISBN 9783037643426 English and French text Ardenne, Reims; Kunstverein softback 194 pages 36 colour, 19 b&w illustrations University Press. Bielefeld; Fridericianum Kassel; and 8 colour, 46 b&w illustrations 310 x 255 mm JRP|Ringier £15.00 206 x 150 mm English and German text GAMeC, Bergamo. ISBN 9783037641972 softback 240 pages JRP|Ringier £25.00 17 b&w illustrations ISBN 9783037642009 210 x 150 mm softback 160 pages 120 colour illustrations 286 x 237 mm

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Engadin Art Talks Geoffrey Farmer Hot Spot Istanbul Jérôme Leuba Helen Marten Takesada Matsutani Let's make the water turn black B a t t l e fi e l d A Matrix texts by Vito Acconci, Doug Aitken, Simone artists: Can Altay, Adnan Coker, Nejat Melih texts by Michael Archer, Ed Atkins, Tom Eccles, Forti, Hamish Fulton, Sarah Morris, Mai-Thu Devrim, Burhan Dogançay, Serhat Kiraz, Kit Grover, Flint Jamison, Richard Wentworth, texts by Alex Farquharson, Aram Moshayedi, texts by Jean-Philippe Toussaint, Mirjam texts by Kate van Houten, Sawako Inaniwa, Perret, Tobias Rehberger, Lawrence Weiner, Renée Levi, Ahmet Oktem, Ahmet Orhan, Beatrix Ruf, Polly Staple Heike Munder, Kathy Noble, Tobias Ostrander, Varadinis, Mathilde Villeneuve Tsutomu Mizusawa, Midori Nishizawa, Cerith Wyn Evans, Annalisa & Peter Zumthor Mübin Orhon, Abdurrahman Oztoprak, Seckin Bettina Steinbrügge, Michael Turner, edited by Beatrix Ruf, Polly Staple, Tom Eccles Ming Tiampo Pirim, Sarkis, Nejat Sati, Arslan Sükan, edited by Fabrice Stroun contributors: Vito Acconci, Doug Aitken, Nina Jan Verwoert Erdem Tasdelen, Canan Tolon, Seyhun Topuz, edited by Kate van Houten, Midori Nishizawa von Albertini, Ron Arad, Nairy Baghramian, Jan British artist Helen Marten pokes edited by Alex Farquharson, Bettina Omer Uluç, Ebru Uygun, Ekrem Yalçindag, After producing many videos and von Brevern, This Brunner & Michael Steiner, Steinbrügge, Heike Munder, Tobias Ostrander Fahrelnissa Zeid, Pari Dukovic humorously at questions of ownership From the early 1960s to the early Hans Danuser, Andrea Deplazes, Cerith fi lms, Swiss artist Jérôme Leuba has and dishonesty in materials, the 1970s, Takesada Matsutani was a key Wyn Evans, Simone Forti, Hamish Fulton, The artistic practice of Geoffrey texts by Yasemin Bay, Christoph Doswald, built a substantial corpus of 'living' Christophe Girot, Dominique Gonzalez- Hans Irrek, Beral Madra, Mehtap Ozturk, Burcu relationship of object to artifact, and member of the 'second generation' Farmer integrates forms of collecting artworks entitled battlefi eld. These Foerster, Jefferson Hack, Nikolaus Hirsch, Pelvanoglu, Dorothea Strauss, Thomas Wulffen works create or describe zones package to product. Interested in the of the Gutai Art Association Bijoy Jain, Arthur Loretz, Helen Marten, Josiah and scholarship employed by cultural edited by Christoph Doswald, Dorothea of tension by employing codes of grammatical approximations made (1954–1972), Japan’s innovative Mcelheny, Sarah Morris, Mai-Thu Perret, Gianni historians, and draws on a diverse Strauss in workmanship, Marten’s oeuvre and infl uential art collective of Pettena, Philippe Rahm, Raqs Media Collective repertoire. After extensive research, representation that challenge the (Monica Narula, Shuddhabrata Sengupta, weaves constant conversations the postwar era. One of the most the artist builds collections that unite Ever since the fi rst Istanbul Biennial in meaning these images might bear. Jeebesh Bagchi), Tobias Rehberger, Camilo between counterfeit and camoufl age. important Japanese artists working 1987, art has been an essential driver His battlefi elds not only address Restrepo Ochoa, François Roche, Hans-Jörg aspects of visual art, literature, music, Image is continually tripped up by today, Matsutani’s paintings and Ruch, Rolf Sachs, Ritu Sarin & Tenzing Sonam, of cultural and civil dynamics. This zones of power confl icts, but also politics, history, and sociology, and language, by a deliberateness of error performances from throughout his Urban Think Tank (Alfredo Brillembourg & crystallise in sprawling theatrical long development has led to a critical the very personal struggles we Hubert Klumpner), Lawrence Weiner, Annalisa that postures with all the concrete practice demonstrate the ethos installations. This publication, mass which, in an abstract sense, has might experience when confronted Zumthor, Peter Zumthor, Philip Ursprung certainty of cultural recognisability. of Gutai, translated into an artistic offers a detailed insight in Geoffrey now manifested itself in the exhibition with his scenarios. For instance edited by Christina Bechler, Hans Ulrich Obrist, This publication is the fi rst to fully language that is uniquely his own. Farmer’s complex installation Let’s Hot Spot Istanbul – a group project battlefi eld #19/if you see something Beatrix Ruf document Marten’s extraordinary This publication is the most complete on Turkish abstract and conceptual say something (2005) takes the make the water turn black. Farmer and extensive recent artistic output. one available on Matsutani's practice: The Engadin Art Talks/E.A.T. have art. Held in the Zurich-based Museum form of a simple intervention in contributed his Leaves of Grass It represents a year-long touring it gathers together rare archival been initiated by Cristina Bechtler, Haus Konstruktiv in summer 2013, public space: a piece of luggage (2012) to Documenta 13; in 2011, exhibition initiated by the Kunsthalle photographs, an interview with the Beatrix Ruf and Hans Ulrich Obrist, this is the fi rst comprehensive left inconspicuously in a corner of he participated in the 12th Istanbul Zürich with the show Almost the exact artist by Tsutomu Mizusawa and and take place each August in exhibition featuring a new generation the museum, an act that since 9/11 Biennial. His work has been on display shape of Florida. Together with Plank Sawako Inaniwa, curators of The Zuoz, Switzerland. This book brings of artists, dealing equally with local has lost its innocence. Many of in numerous solo shows, as well as Salad at the Chisenhale Gallery in Museum of Modern Art, Kamakura together the presentations (or roots and global artistic questions. Leuba’s works are thus dealing with at REDCAT, Los Angeles, and Casey London and No borders in a wok that and Hayama; and texts by Kate van excerpts of presentations) by most Hot Spot Istanbul makes one thing anxiety, collective feelings, and mass Kaplan Gallery, New York (both 2011). can’t be crossed at the Center for Houten, Midori Nishizawa and Ming of the participants who discussed very clear: this megalopolis is a behaviours. A conversation with art Farmer also participated in the project Curatorial Studies at Bard College, Tiampo, co-curator of Gutai: Splendid The Crystal Chain by Bruno Taut (in bridge, not a border. Published with critic and Laboratoires d’Aubervilliers The Garden of Forking Paths ( 2011), these three exhibitions present one Playground at the Guggenheim 2010), Mapping the Alps ( in 2011) Stiftung für konstruktive, konkrete und co-director Mathilde Villeneuve, as initiated by the Migros Museum of of the most fertile, and one might say Museum, New York (2013). This and Visions for the Alps (in 2012). konzeptuelle Kunst and Museum Haus well as an essay by Kunsthaus Zürich Contemporary Art. Published with febrile, artistic productions of our time. comprehensive monograph is It is a compilation of previously Konstruktiv, Zurich. curator Mirjam Varadinis offer an Migros Museum of Contemporary published on the occasion of the unpublished thoughts and dialogues, Art, Zurich; Pérez Art Museum, overview of Jérôme Leuba’s work and JRP|Ringier £17.00 JRP|Ringier £36.00 exhibition Takesada Matsutani: A ideas and projects from well-known Miami; Kunstverein Hamburg; and its relationship to the public realm. ISBN 9783037643464 ISBN 9783037643518 hardback 156 pages Matrix at Hauser & Wirth, London artists, architects, designers, fi lm- Nottingham Contemporary. JRP|Ringier £17.00 softback 214 pages 234 colour illustrations curated by Midori Nishizawa. makers and researchers. 96 colour, 29 b&w illustrations ISBN 9783037642436 JRP|Ringier £29.00 257 x 205 mm 301 x 226 mm hardback 112 pages JRP|Ringier £36.00 JRP|Ringier £15.00 ISBN 9783037643433 English and German text English and German text 64 colour, 3 b&w illustrations ISBN 9783037643372 ISBN 9783037643501 softback 104 pages 258 x 205 mm hardback 208 pages softback 264 pages 84 colour, 7 b&w illustrations English and French text 61 colour, 49 b&w illustrations 43 b&w illustrations 292 x 215 mm 287 x 218 mm 210 x 150 mm English and German text

12/13 JRP|Ringier continued

Paul McCarthy / Robby Müller Robert Overby Djordje Ozbolt Gianni Piacentino Denis Savary Damon McCarthy Cinematography 336 to 1 August 1973–July 1969 Rebel Dabble Babble texts by Nicholas Cullinan, Gregor Muir texts by Andrea Bellini, Dan Cameron, Laura texts by Jean-Yves Jouannais, Philippe-Alain Cherubini, Christophe Khim, Hans Ulrich Michaud, Julie Pellegrin texts by Linda van Deursen, Marietta Vries, edited by Robert Overby edited by Lionel Bovier Obrist, Marc-Olivier Wahler Wim Wenders texts by Donatien Grau, Paul McCarthy, Damon edited by Clément Dirié McCarthy Beginning in 1969, Robert Overby Belgrade-born artist Djordje Ozbolt edited by Andrea Bellini Robby Müller is one of the most (1935–1993) produced an eclectic is one of the best contemporary Following a series of exhibitions held This richly illustrated publication inspiring cinematographers of our body of work that was rarely exhibited examples of an uninhibited approach One of the founding members between 2010 and 2012, this book is a selection of hundreds of still time. His infl uence is noticeable in his in his lifetime. Despite a diversity of to the venerable genre of painting. of the Arte Povera group, Gianni is the fi rst monograph dedicated photographs shot during the long-term collaborations with directors media and an equally wide range His prolifi c body of work, which also Piacentino’s practice evolved from to the Swiss artist Denis Savary. making of Rebel Dabble Babble, a such as Wim Wenders and Jim of subject matter, Overby returned includes sculpture, could be defi ned early Minimalist structures to works Spanning a wide range of media, from collaboration between Paul McCarthy Jarmusch, and his ground-breaking consistently to the human form. His by his witty take on representation infl uenced by modern industrial drawing to video, performing arts and his son Damon McCarthy. work for fi lms, such as Breaking the polyurethane stretches and ghost-like and technique. It shows a vivid design. In the 1970s he became to sculpture, his work fi ctionalises Rebel Dabble Babble is a complex Waves and Dancer in the Dark by latex casts of walls and doors belong melting pot of styles and topics, an advisor to the laboratory of an fragments of art and literature, and installation and video projection work Lars von Trier. He not only helped to to the history of late 1960s and early ranging from the classical genres auto-body paint factory and began deals with historical fi gures such as originally inspired by both Nicholas shape their fi lms, but his contribution 1970s experiments in Anti-Form, of portrait, still life, landscape, and decorating custom-made motorcycles Max Ernst, Oskar Kokoschka, Félix Ray’s 1955 classic Hollywood fi lm also reveals an adventurous and Process art, and post-Minimalism. historical painting, to Modernism (many of which he himself raced, as he Vallotton, and Lautréamont. Savary’s Rebel Without a Cause and the creative vision which can also be seen His 1980s image paintings are and Surrealism. His extensive array proudly states in his biography). His practice weaves narratives steeped furious rumours that swirled around in other fi lms by directors such as post-Pop combinations of fi gure of subjects spans religion, human early minimal sculptures transformed in childhood fantasies and adult the off-set relationships between its Alex Cox and Barbet Schroeder. This and abstraction that explore similar relationships, exoticism – especially themselves into new shapes that phantasmagoria, notably through director and his stars James Dean, publication gives a visual insight in issues of surface, decay, and the skin African – to travel experiences and celebrate the idea of dynamism and a vision of exhibition as a domestic Nathalie Wood, and Sal Mineo. to his artistic fl exibility and technical between the real and its incorporeal cultural stereotypes. As illustrated speed, recalling the vehicles that place that the spectator can inhabit. Ultimately, Rebel Dabble Babble is expertise as a cinematographer, and other. Robert Overby’s fi rst solo by his playful titles, his pastiche, inspired his projects – motorcycles, Two essays, by the art historian and an expansive meditation upon the reveals his passionate pleasure in the exhibition was held posthumously collage-like painting is not only that of monocycles, automobiles, and planes. Centre Pompidou curator Philippe- archetypes and Oedipal tensions that nature of light in all its manifestations. in New York in 1996. This book is a an artist who wants to bring fantasy Creating these works with the same Alain Michaud, and the art critic defi ne family dynamics as they have The book includes a preface by Wim reprint of his fi rst publication, 336 to art, but also his own way to raise degree of care and attention to detail and La Ferme du Buisson director been played out in private homes, in Wenders and was made possible to 1 August 1973–July 1969, which contemporary issues, by creating as industry puts into the production of Julie Pellegrin, provide insights into the evolution of art history, and in the by the generous support of EYE, he conceived, edited, and designed audacious and eclectic images these machines, Piacentino brings the Denis Savary’s oeuvre, especially his development of the entertainment Nederlands Filmfonds, Wouter himself. Published with the Estate of that question the reverence usually highest level of handcrafted technique video works and his relationship to industry. In the fi lm, Paul McCarthy Barendrecht Film Foundation. Robert Overby. afforded to fi gures of authority. To to his perfectly fi nished forms. He has performance, exhibition making, and and his actors (including Hollywood accompany this fi rst monograph on resisted trends and fashion for almost music. An interview with Jean-Yves JRP|Ringier £30.00 JRP|Ringier £16.00 40 years, and defi es categorisation. star James Franco) play hybrids both ISBN 9783037643419 Djordje Ozbolt’s painting, the book Jouannais completes the table of ISBN 9783037643303 This book is a tribute to his art and to of Nick Ray’s cinematic characters softback 248 pages includes an essay by New York’s contents. Published with La Ferme softback 320 pages his sense of independence with works and the actors who performed as 450 colour, 250 b&w illustrations 252 colour, 169 b&w illustrations Metropolitan curator of Modern and du Buisson, Noisiel (Paris), and spanning 1966 to the present. those characters. Published with 330 x 240 mm 160 x 110 mm Contemporary Art Nicholas Cullinan, Kunsthalle Bern. Hauser & Wirth, Zurich/London/ as well as a conversation with Gregor JRP|Ringier £26.00 JRP|Ringier £17.00 New York. Muir, Director of the Institute of ISBN 9783037643273 ISBN 9783037642276 hardback 272 pages JRP|Ringier £59.00 Contemporary Arts in London. hardback 64 pages 219 colour, 46 b&w illustrations 60 colour, 10 b&w illustrations ISBN 9783037643365 JRP|Ringier £17.00 264 x 205 mm 286 x 205 mm hardback 312 pages ISBN 9783037643457 374 colour illustrations hardback 64 pages 390 x 280 mm 45 colour illustrations 286 x 205 mm

14/15 Kerber Verlag JRP|Ringier distributed by Cornerhouse in the UK, continued Scandinavia and Eastern Europe

The Swiss Institute Mungo Thomson / Xavier Veilhan Yang Fudong Carey Young Joseph Beuys Experience Michael Webster Rays Subject to contract Zeichnungen / Drawings Crickets texts by Colin Chinnery, Rey Chow, Ho Rui An texts by John Armleder, Andrew Blake, Michael edited by Lionel Bovier edited by Philippe Pirotte, Beatrix Ruf texts by Martha Buskirk, Raphael Gygax, Carey texts by Heiner Bastian, Aeneas Bastian Bracewell, Tom Burr, Antoine Catala, Florence Young, Tirdad Zolghadr texts and edited by Michael Webster, edited by Heiner Bastian Derieux, Dan Graham, Anthony Huberman, Since the mid-1990s, French artist Mungo Thomson Chinese artist Yang Fudong’s work edited by Heike Munder, Raphael Gygax Harmony Korine, Piper Marshall, Malcolm Xavier Veilhan has created an refl ects the ideals and anxieties of This publication assembles a superb Mclaren, John Miller, Bob Nickas, Walter For Crickets, artist Mungo Thomson acclaimed body of works defi ned by Since the late 1990s, Carey Young Pfeiffer, Haim Steinbach, Lawrence Weiner a generation born after the Cultural selection of some 200 drawings, has collaborated with composer his interest both in the vocabulary Revolution, struggling to fi nd their has investigated the growing infl uence watercolours and collages by Joseph edited by Gianni Jetzer Michael Webster to transcribe fi eld of modernity (speed, motion, urban place in the fast-paced changes of of international corporations on Beuys that have not been seen in The Swiss Institute Experience recordings of crickets from around life, etc.) and in classical statuary society. His fi lms and fi lm-installations the individual in works that span a public for more than a quarter of a summarises seven years of the world into a musical score. The to which he has given his own feature an a-temporal and dreamlike variety of media including video, century. The drawings can be read exhibitions, performances, concerts, result is a dynamic composition for contemporary reinterpretation. quality in long and suspended performance, text, and installation, much as one might read the dialogues talks, and readings at the Swiss a 17-person classical ensemble: He uses a large array of materials sequences, dividing narratives, and and which draw on the tradition of of travellers between different Institute Contemporary Art New York. violin, fl ute, clarinet, and percussion. and techniques to produce three- multiple story lines. Yang calls his conceptual art. Notably, she studies worlds. Motives of extraordinary The book aims to recreate the unique The score contains 25 chapters, or dimensional portraits and landscapes, protagonists 'intellectuals', recalling how language is transformed by formal majesty bespeak their author’s program structure as well as the 'movements', such as 12. Reunion bestiary and architectures that the tradition of the 'literati' in ancient corporate culture, or how contractual conception of the spiritual as cutting-edge profi le of one of the most Island, the Cirque de Cilaos at 1,300 always oscillate between the familiar China: artists and intellectuals structures and their linguistic markers aesthetic, and allow us to rediscover successful non-profi t organisations m altitude, February 1998, nightfall and the extraordinary. Since 2011, escaped participation in worldly progressively pervade and reshape the inscriptions of an ancient in New York between 2006 and in a banana plantation. Crickets was he has been working on Rays, an affairs. His fi lms and photographs all domains of life. Like a double mythological world, whose rich seams 2013. It includes printed matter such performed in Los Angeles as part of on-going series of works formulated bring the literati’s impassive attitude, agent, she immerses herself in the of meaning have all too often been as invitation cards, posters, and The Pacifi c Standard Time Public Art as a tribute to Jesús Rafael Soto emptied of any suggestion of business or legal worlds, donning arrogantly cast aside in the course of memorabilia from the Swiss Institute and Performance Festival (2012), and Fred Sandback. Dealing with agency, from the daydream to the the appropriate attire and enacting human history. The key word here is archive as well as fi ve conversations and in 2013 a concert will take the possibilities of representation consumerist contexts of contemporary recommended scenarios in order metamorphosis, voices of becoming between some of the most prolifi c place on the High Line in New York. and the question of display – two urban China. In his most recent to examine and question the reach and the analogie universelle of a artists of our time. Published with the Mungo Thomson is an artist whose important issues in his practice multi-channel fi lm-installations, of each institution’s power, and its universe of the senses, to which Swiss Institute Contemporary Art work frequently touches on silence, – these works are immersive and Yang shifts his attention more and ability to shape our contemporary Joseph Beuys lent expression as New York. blank space, and cultural motifs optical environments that play with more toward a refl ection on the reality. This publication is published did no other artist of the latter half of around reception. Crickets sums up scale, light, shadows, and ephemeral process of fi lmmaking, transcending in conjunction with Carey Young’s the twentieth century. Published to JRP|Ringier £36.00 Thomson’s interests in ambience and architecture. Along with extensive his traditional working process of fi rst solo exhibition in Switzerland, accompany the exhibition at Galerie ISBN 9783037643525 in audience succinctly: crickets are photographic documentation of the shooting-editing-screening. Yang curated by Raphael Gygax, and offers hardback 428 pages Bastian, Berlin, September 2013 – such a ubiquitous aural backdrop that successive Rays installations, this an overview on her works from 2003 25 colour, 273 b&w illustrations Fudong compares these spatial open- January 2014; and Louisiana Museum, they have come to stand in for silence, 336 x 270 mm artist’s book also presents preliminary ended fi lms to a contemporary form to 2010 for the fi rst time. It includes Humlebæk, February – May 2014. and in the realm of performance, sketches and Veilhan’s iconographic of the Chinese hand scroll. Included contributions by the artist, Martha crickets are what is heard when a research into scientifi c imagery, is a comprehensive selection of Yang Buskirk, Raphael Gygax, and Tirdad Kerber Verlag £54.00 ISBN 9783866787070 performance bombs. The publication architectural references, and Fudong’s photographic and fi lm work. Zolghadr. Published with the Migros hardback 272 pages tbc is part of the series of artists’ projects artistic fi gures. Museum of Contemporary Art, Zurich. illustrated in colour and b&w edited by Christoph Keller. JRP|Ringier £25.00 JRP|Ringier £28.00 ISBN 9783037643488 JRP|Ringier £35.00 300 x 230 mm JRP|Ringier £20.00 ISBN 9783037643280 softback 160 pages ISBN 9783037643358 English and German text ISBN 9783037643341 hardback 64 pages 101 colour, 149 b&w illustrations softback 184 pages November 2013 softback 88 pages 40 colour illustrations 286 x 237 mm 79 colour, 5 b&w illustrations 50 b&w illustrations 310 x 230 mm English and German text 272 x 201 mm 305 x 230 mm English and German text

16/17 Kerber Verlag continued

Michael Craig-Martin Josef Dabernig Philip-Lorca diCorcia Friedrich Einhoff Becoming a Bauhaus Artist Ilya Kabakov Less is still more Panorama Dunkelkammer / Darkroom Lyonel Feininger, Woodcuts Catalogue Raisonné: texts by Katharina Dohm, Geoff Dyer, Christoph Paintings 2008–2013 Ribbat texts by Martin Hentschel, Michael Craig- texts by Charles Esche, Katrin Bucher Trantow text by Ludwig Seyfarth text and edited by Björn Egging Martin edited by Katharina Dohm, Max Hollein texts by Nicolas Cullinan, Ilya Kabakov, Willem edited by Katrin Bucher Trantow, Peter Pakesch edited by Thomas Levy This exhibition and the accompanying edited by Martin Hentschel Jan Renders, Robert Storr This is the fi rst-ever European book examine, for the fi rst time ever, The Panorama, a ritual that has turned It is the human fi gure, its formal edited by Emilia Kabakov, Willem Jan Renders Less is still more is a homage to into somewhat of an obsession over publication to present a representative reduction and expression that forms the complete range and radical Mies van der Rohe. In 2012–13, the years, serves the artist to question cross-section of the work of US- one core of Friedrich Einhoff’s work: development of form of Feininger’s Painting has always played a role British conceptual artist Michael analogies of fi lm and photography, of American photographer Philip-Lorca equally important are elements that woodcuts and evaluate them in the in the work of Ilya Kabakov, who Craig-Martin devised and painted a picture space and image area as well diCorcia. Born in 1951, diCorcia are not immediately representational. context of his complete oeuvre of is famous throughout the world, series of 17 paintings in highly varied as the phenomenology of an object is one of the most infl uential Amorphous forms extend the picture paintings, watercolours and drawings. particularly for his installations. He formats specially for the Museum or place. Dabernig chooses sports photographers of our time. His images surface but also suggest abstract Despite the episodic brevity with began his career as a painter and Haus Esters in Krefeld. All of the items grounds as objects to investigate. oscillate between everyday moments body shapes. Einhofff’s process of which Lyonel Feininger produced illustrator and now, at almost 80 depicted are everyday objects, which Like almost no other cultural structure, and theatrically staged arrangements. artistic creation is permeated by his his extensive series of woodcuts years of age, he is returning to his belong in a domestic setting, such these venues are similar in form and The realistic representation and search for an effi cacious method of between 1918 and 1920, these works beginnings. His latest catalogue as a man's shirt, a woman’s shoe, an size all over the world, synonymous the apparently documentary style drawing to express the ambivalent refl ect the artist’s previous oeuvre in raisonné of paintings, dating from iPhone, seats, a light, a padlock. The with leisure time. However, sport in his works are subverted by a and fragile nature of human existence. its entirety. The exhibition and book 2008 to 2013, provide an overview artist thus returned the museum to fi elds are also charged locations of highly elaborate visual concept. The fi gure is not simply depicted in also address the extent to which of his most recent paintings, which its original function as a home and congregation, of victory and defeat One of diCorcia’s main themes is a photorealistic manner; instead he Feininger’s intensive discourse with refl ect both his exploration of socialist allowed viewers to imagine the villa and sometimes even of demagogy. whether reality can be represented invents the fi gure and places it in its the woodcut in his painting during the realism and his own biography, his as something living and inhabited. The size of the collection with and this is one of the continuous own world, a pictorial world. In this Bauhaus years may have provided the entire personal history. A book of This exhibition catalogue presents panoramas taken from countries like threads linking his photographs, semiotic model the subjectivity of the impetus for a further sense of calm, memories is opened – fragments, this interplay of art and space using Brazil, Ukraine, Egypt or Italy recalls a most of which he creates as series. symbol with its existential connections monumentalisation and transparency. scraps but also dark spots in the numerous exhibition views. Published work of reference that helps us to read Published to accompany the exhibition becomes tangible. Published to Published to accompany the luxuriantly colourful image morph into to accompany the exhibition Michael time and space in a linear way. Philip-Lorca diCorcia at Schirn accompany the exhibition at LEVY exhibition at Lyonel-Feininger-Galerie, a picture of how the artist has lived, Craig-Martin: Less is still more, at Kunsthalle Frankfurt/Main, 20 June Galerie, Hamburg, 25 September – 6 Quedlinburg, 8 September 2013 – 6 what he has experienced. Museum Haus Esters, Kunstmuseen Kerber Verlag £23.50 – 8 September 2013; and De Pont January 2014. November 2012. Kerber Verlag £38.00 tbc Krefeld, 28 April – 1 September 2013. ISBN 9783866788268 Museum of Contemporary Art, Tilburg, ISBN 9783866788541 softback 152 pages 5 October 2013 – 19 January 2014. Kerber Verlag £27.00 Kerber Verlag £50.00 Kerber Verlag £35.50 394 colour, 63 b&w illustrations ISBN 9783866787773 ISBN 9783866788251 hardback 200 pages tbc ISBN 9783866788800 230 x 165 mm Kerber Verlag £33.50 hardback 160 pages hardback 272 pages illustrated in colour and b&w hardback 152 pages English and German text ISBN 9783866788350 125 colour, 1 b&w illustrations 233 colour, 19 b&w illustrations 300 x 230 mm 49 colour, 3 b&w illustrations softback 208 pages 240 x 166 mm 285 x 245 mm 300 x 240 mm 79 colour illustrations English and German text English and German text 290 x 210 mm English and German text

18/19 Kerber Verlag continued

Fritz Köthe Piero Manzoni Martin Mlecko Le Mois de la Photo THE OPÉRA Meret Oppenheim When Bodies Became Art Les choses de la vie / à Montréal Annual Magazine For Classic & Mirrors of the Mind text by Belinda Grace Gardner The Things of Life Drone: The Automated Image Contemporary Nude Photography edited by Thomas Levy texts by Martin Engler, Germano Celant, Volume II texts by Simon Baur, Belinda Grace Gardner, Massimiliano Gioni, Francesca Pola, Dominique Christian Walda, Werner Spies, Lisa Wenger texts by Kay von Keitz, Wolfgang Schöddert texts by Jordan Crandall, Francine Dagenais, Laporte, Franziska Leuthäußer This catalogue shows a retrospective George Legrady, Melissa Miles, Paul Wombell, edited by Corinna Weidner artists: Alexey Dubinsky, Andrea Hübner, edited by Thomas Levy overview of the oeuvre of Fritz edited by Martin Engler, Max Hollein Joanna Zylinska Armando Branco, Brian Riley, Carla van de Köthe, one of the most important In The Things of Life, a series of edited by Paul Wombell Puttelaar, Carsten Witte, Christy Lee Rogers, In Meret Oppenheim’s oeuvre we German proponents of Pop Art. 'The Even 50 years after his death at a photographs begun in 1993, Martin Fridolin Schöpper, Grace Vane Perry, Hannes encounter an early pioneer of a wholly Caspar, Igor Vasiliadis, Ilja Keizer, Jessica painter Fritz Köthe is a chronicler young age, the work of Piero Manzoni Mlecko documents a quiet dialogue This accompanying publication of the imaginative interplay of liberal and (1933–1963) is still epochal and Tremp, Li Hui, Majon, Michael Taylor, Michelle of pop culture, who ruptures and between himself and the objects that 13th edition of Le Mois de la Photo Lowe Holder, Neda Rajabi, Nicolas Guerin, applied art. Today the lively, poetical- subverts today’s media-based avant-garde; he is without doubt surround him in his home and studio. à Montréal, an international biennale Olaf Breuning, Olivier Ameur, Pascal Renoux, humorous work still fi nds resonance commodity spectacle, using the the most signifi cant postwar Italian They represent 'mutual experience' of contemporary photography, is Rachel de Joode, Sam Scott Schiavo, Stefan in contemporary art through its artist. This comprehensive publication lavishly illustrated with the works of 27 Milev, Thorsten Jankowski, Torkil Gudnason, candour as well as its spiritual and technique of décollage as a vehicle. or a story: are they the source of an Yves Noir Simultaneously he is a post-modern accompanies the fi rst large-scale emotional relationship to an inanimate artists and includes essays by leading feminine independence. The exhibition text and edited by Matthias Straub Surrealist, who in the juxtaposition retrospective of the artist’s work object? In his black-and-white commentators on contemporary art catalogue Gedankenspiegel – of incongruous elements sketches a ever held in Germany. Manzoni was photographs, portrayed as still lifes, and technology. They explore the Nude photography: the most direct Mirrors of the Mind illustrates Meret fragmented portrait of our incessantly interested in the forms of artistic Mlecko creates powerful images changing relationship between the portrait of a person is once again the Oppenheim’s enduring position as productive consumer society. [His expression in the interstice between that answer this question and allow camera and the body and how the focus of the second edition of THE artist’s muse through numerous work] addresses the volatility of that art informel and the emergence of a us to participate in his study of his camera can function with little human OPÉRA magazine – presenting the prints, paintings and photographs. which surrounds us … [it confi rms] new concept of art that was moving personal aesthetic relationships. The involvement. Hereby the camera takes body at once as performer and stage. Her work’s stimulating dialogue with the dissolution of certainties … the into different areas of everyday brief and direct narrative elucidates on behaviours associated with the In numerous intimate encounters, that of artist friends and colleagues disintegration of reality into … visual life, between early modern art and biographical information, animating body: from CCTV to Google Street international photo artists document portrays a picture of the creative fragments.' (Belinda Grace Gardner) the neo-avantgarde. The exhibition the objects. View, from remote cameras to robots, and direct the wealth and individual landscape and notional affi nity of Published on the occasion of the catalogue presents the multi-faceted, and from photo booths to drones, aesthetic of the human body. They the time. Published to accompany Kerber Verlag £37.50 exhibition at Levy Galerie, Hamburg, corporal and sensual work of the cameras are remaking the conditions retain the histories of the people the exhibition Meret Oppenheim at Italian artist, which both stimulated ISBN 9783866787810 of human existence. Published to Jüdisches Museum Rendsburg, 19 March – 23 April 2013. hardback 224 pages depicted in the images in an almost and made a considerable contribution accompany the exhibition Le Mois de 7 July – 22 September 2013; and 110 b&w illustrations physically palpable way. In this second Kerber Verlag £28.00 to the radical changes that took place la Photo à Montréal, 13th edition, 287 x 210 mm edition, editor Matthias Straub gets a LEVY Galerie, Hamburg, 21 October ISBN 9783866788343 in the world or art in the early 1960s. 5 September – 5 October 2013. – 4 December 2013. hardback + DVD 120 pages English and German text step closer to these people without Published to accompany the exhibition losing the deferential distance 112 colour, 5 b&w illustrations Piero Manzoni.When Bodies Became Kerber Verlag £32.50 Kerber Verlag £42.00 240 x 165 mm ISBN 9783866788039 between object and artist. Art, Städel Museum, Frankfurt/Main ISBN 9783866788435 English and German text hardback 232 pages hardback 216 pages 26 June – 22 September 2013. Kerber Verlag £35.50 120 colour, 57 b&w illustrations 321 colour, 130 b&w illustrations ISBN 9783866788602 240 x 168 mm 240 x 295 mm Kerber Verlag £37.50 softback 200 pages tbc English and German text ISBN 9783866788749 illustrated in colour and b&w October 2013 hardback 264 pages 310 x 240 mm 120 colour, 63 b&w illustrations 240 x 200 mm

20/21 Verlag der Buchhandlung Kerber Verlag Walther König continued distributed by Cornerhouse in the UK

Sokov Gert & Uwe Tobias AR – Artistic Research Atelier Bow-Wow Jo Baer Thomas Bayrle Sculpture / Painting / A Primer All-in-One Objects / Installations / text by Nicole Fritz texts by Nicholas Ashford, Ute Meta Bauer, texts by Philipp Kaiser, Julia Friedrich, Jutta Florian Dombois, Faivovich & Goldberg, Koether, Lucy Lippard, Lauren O'Neill-Butler, Documents / Articles edited by Kunstmuseum Ravensburg edited by Cornelia Escher, Laurent Stalder, texts by Thomas Bayrle, Devrim Bayar, Carolyn David Raskin Laurent Grasso, Stefan Helmreich, Jae Rhim Megumi Komura, Meruro Washida Christov-Bakargiev, Jörg Heiser Lee, Márton Orosz, Thomas D. Trummer, The artist duo are causing a major edited by Julia Friedrich texts by Andrei Erofeev, Boris Groys, Leonid Gediminas Urbonas, Nader Tehrani Atelier Bow-Wow is counted among All-in-One represents a fi rst attempt Sokov, Julia Tulovsky sensation around the world with large- scale, colourful woodcut prints and edited and introduction by Ute Meta Bauer, the most diverse architecture Jo Baer is considered one of the at offering an overview of Thomas edited by Leonid Sokov Thomas D. Trummer unconventional typewriter drawings. practices of today. The fi rm boasts pioneers of minimalism. In 1975 she Bayrle's multifaceted practice, from turned away from minimalist painting Leonid Sokov’s name is associated The inspiration for their cycles of In the context of current debates on over 40 residential houses, public his fi rst kinetic machines to the recent and towards a fi gurative formal with Sots Art, one of the most work comes from a variety of sources, artistic methods of inquiry, the project buildings and numerous installations engine installations. Amply illustrated, language. This catalogue thematises infl uential developments within Soviet ranging from folklore to art-historic AR – Artistic Research aimed to take to its name, in addition to a substantial the catalogue highlights not only the this break and simultaneously works nonconformist culture that mocked the traditions. Everyday patterns, motifs up visionary artist, designer, and MIT body of urban design studies and serigraphies and super-images Bayrle on the connection between the two regime’s efforts to control all forms of from Dutch still life and abstract professor György Kepes’s call for theoretical essays. For the fi rst time, is perhaps best known for, but also his groups of work. In addition, the largely creative expression. While some Sots shapes from the Russian avant-garde art on a civic scale, which appraises this publication unifi es Atelier Bow- sculptures, his early work as a graphic unknown drawn works are introduced artists examined societal attitudes and are assembled, collage-like, in puzzle the specifi c potential of artistic Wow's architectural and theoretical designer and publisher (included is for the fi rst time and placed in relation the hollow authority of Soviet power, prints to form new visual worlds. examination and intervention in the work and places it critically in its an illustrated bibliography of all of to Baer's paintings. Baer is presented Sokov addressed the monotony and Their artistic process is caught in the urban environment. This publication context. In chronological order Bayrle's artist books), his videos, as as a highly independent artist, whose deprivations of daily life. He applied delicate balance between cultural serves as a memorandum on Kepes’s all projects from 1994–2012 are well as samples from his own texts work breaks away from the conception strategies developed in Sots Art to a memory and individual recollection, insistence that artistic research be documented by texts, sketches, (excerpts from his San Francisco of a linear artistic career. This broader cultural context, juxtaposing and releases stored energy in approached holistically, and that the plans and images, followed by a Diary of 1981, reprinted here for the publication is the fi rst comprehensive traditional images of Russian culture collective symbols, updating them knowledge it produces be placed on photographic essay by photographer fi rst time) and from his dabblings in monographic catalogue of works of with popular cultural myths of both for the present day. Published to the same level as scientifi c research. Lena Amuat. Atelier Bow-Wow concrete poetry. Holding together this communist Russia and capitalist accompany the exhibition Gert (Yoshiharu Tsukamoto and Momoyo one of the most important minimalist expansive approach are the concerns America. Sokov’s multi-layered and Uwe Tobias at Kunstmuseum Verlag der Buchhandlung Kaijima) is part of a generation of artists. Published on the occasion that have always animated his work: Walther König £27.00 visual and verbal puns provide the Ravensburg, 6 July – 17 October architects that took the recession in of the exhibition at Museum Ludwig, consumerism and consumer society, ISBN 9783863353872 viewer with a deeper insight into 2013. early 1990s Japan as an opportunity Cologne, 25 May – 31 August 2013. political propaganda, weaves and hardback 132 pages to develop a new design practice in patterns, movement, sexuality, and contemporary culture, politics, and life Verlag der Buchhandlung Kerber Verlag £28.00 90 colour and b&w illustrations in general. response to changed planning and Walther König £34.00 religion. Published on the occasion of ISBN 9783866788336 285 x 218 mm social conditions. Published on the ISBN 9783863353124 the exhibition at WIELS Contemporary Kerber Verlag £37.50 hardback 64 pages occasion of the exhibition at ETH hardback 208 pages Art Centre, Brussels, 9 February – ISBN 9783866787612 37 colour illustrations Zurich (Institute for the History and 170 colour, 10 b&w illustrations 12 May 2013. hardback 184 pages 260 x 210 mm Theory of Architecture), 28 February – 200 x 200 mm 153 colour, 5 b&w illustrations English and German text Verlag der Buchhandlung 18 April 2013. English and German text 279 x 254 mm Walther König £36.00 Verlag der Buchhandlung ISBN 9783863353377 Walther König £62.00 hardback 224 pages ISBN 9783863353025 150 colour illustrations softback 252 pages 310 x 240 mm illustrated in colour and b&w 310 x 230 mm

22/23 Verlag der Buchhandlung Walther König continued

Alexandra Bircken Pablo Bronstein Capitalist Realism? Paul Chan Billy Childish Guy de Cointet Rektusdiastase Gilded Keyholes 50 Years Living with Pop On Democracy by Saddam Hussein Tempo rubato text by Billy Childish texts by Annette Hans, Friedrich Wolfram text by Pablo Bronstein artists: Gerhard Richter, Konrad Lueg, Manfred texts by Jeff Severns Guntzel, Negar Azimi, texts by Magalí Arriola, Jay Sanders, Marie de Heubach, Christina Vegh Kuttner, Sigmar Polke Nickolas Calabrese This three-volume box-set documents Brugerolle Gilded Keyholes presents 30 new Billy Childish's paintings of the last edited by Christina Végh, Florian Waldvogel texts by Eckart Gillen, Mark Godfrey, Walter In 2003, after returning from a month foreword by Patrick Charpenel designs for keyhole escutcheons by Grasskamp, Susanne Rennert, Dietmar Rübel, two years. If Childish had previously edited by Fundación / Colección Jumex In Alexandra Bircken’s sculptures it London-based artist Pablo Bronstein. Stephan Strzembski long stay in Baghdad, American artist turned to kindred protagonists from Paul Chan was given a gift from a is often 'poor' remnants or classical His ink drawings in a variety of styles edited by Elodie Evers, Gregor Jansen, Modernity such as Dostoyevsky or Guy de Cointet: Tempo Rubato was construction materials that take on are printed in yellow and black. This Magdalena Holzhey colleague in the human-rights group Robert Walser, he is now devoting published in conjunction with the new functions through craftwork. publication follows on from Bronstein's Voices of the Wilderness, a copy himself to lost explorers and frontiers exhibition at Fundación/Colección Alongside materials such as wool, Ornamental Design for the Framing Gerhard Richter, Konrad Lueg, Sigmar of three speeches on democracy of a different kind. The past and Polke and Manfred Kuttner coined Jumex, Mexico City, 3 December textiles and mortar, she also uses of Doors, and his very popular A written by Saddam Hussein in the present, the exotic and the familiar 2012 – 24 February 2013. This found material from nature and the Guide to Postmodern Architecture in the term 'Capitalist Realism' on the 1970s, before he became president are merged in highly charged and occasion of their self-organised richly illustrated catalogue presents everyday world. Artifi cial and natural, London. of Iraq. The speeches, compiled personal imagery. In all of this, a keen a retrospective view of the life and hard and soft are connected with exhibitions in Düsseldorf in 1963. here for the fi rst time in English, understanding of draughtsmanship Verlag der Buchhandlung work of this French artist who, after one another. In this way the textile Although they only used the term are politically perverse, yet eerily and the value of abandoning Walther König £19.00 emigrating to the United States in themselves for a short period and familiar. The then vice president of sophistication yields an experimental spiderweb of a diversity of objects ISBN 9783863353186 1965, came in contact with a variety such as children’s toys, items of quickly distanced themselves from Iraq characterises social democracy negotiation with painting hovering on softback 72 pages their perception as a group of artists, of artistic movements including clothing or twigs and stones becomes 30 colour illustrations as demanding authority, and defi nes the threshold of reality and fi ction, of Capitalist Realism represented a abstraction, Minimalism and a frequent motif in her works. This 280 x 220 mm free will as the patriotic duty to uphold role-playing and existential veracity. specifi c conception of art in post-war Conceptualism. Guy de Cointet’s catalogue brings together new the good of the state. This volume Published on the occasion of three oeuvre, which includes drawings, works from 2009 to 2012 in full-page West Germany that has remained takes the speeches as an opportunity Billy Childish solo exhibitions in 2013 controversial to this day. This is the publications, performance and installation views from the exhibitions to ask what democracy means at International Art Objects Galleries, fi lm, intersects many of these areas in Bonn, Alexandra Bircken at Bonner fi rst exhibition publication dedicated from the standpoint of a notorious Los Angeles, 23 February – 30 March to this important phenomenon. Both of investigation, being at once Kunstverein, 17 April – 25 November political fi gure who was anything but 2013; Lehmann Maupin, New York, performative, conceptual, minimalist, 2012, and Hamburg, Alexandra the exhibition and this catalogue democratic, and to refl ect on how 23 March – 20 April 2013 ; and at substantiate the topicality of one abstract and inspired by historic Bircken: Hausrat at Kunstverein in promises of freedom and security neugerriemschneider, Berlin, 26 April events, popular culture and mass Hamburg, 12 May – 2 September of the most intense and infl uential can mask the reality of repressive – 22 June 2013. tendencies of the post-war period in media. Based on codes, ciphers, 2012. regimes. With drawings by Paul Chan, language, word, and image, de Germany. Published on the occasion including a new suite in its entirety, Verlag der Buchhandlung Walther König £48.00 Cointet’s work captured the essence Verlag der Buchhandlung of the exhibition at Kunsthalle and essays by Bidoun's Negar Azimi, ISBN 9783863353728 of a foreigner’s experience, one in Walther König £26.00 Dusseldorf, 20 July – 29 September philosopher and artist Nickolas ISBN 9783863353131 hardback 3 volume boxed-set which language could be at once an 2013. Calabrese and journalist Jeff Severns softback 128 pages 216 pages image and a code to be deciphered. 100 colour illustrations Verlag der Buchhandlung Guntzel. 105 colour illustrations 240 x 293 mm Verlag der Buchhandlung 300 x 230 mm Walther König £29.00 Verlag der Buchhandlung English and German text ISBN 9783863353339 Walther König £38.00 Walther König £12.50 ISBN 9786079584511 hardback 256 pages ISBN 9781936440320 180 colour illustrations hardback 198 pages softback 136 pages 91 colour, 19 b&w illustrations 230 x 175 mm 10 colour, 7 b&w illustrations English and German text 235 x 165 mm 200 x 130 mm English and Spanish text

24/25 Verlag der Buchhandlung Walther König continued

Urs Fischer Peter Fischli & David Weiss Andrea Fraser Sou Fujimoto Rachel Harrison KINO DER KUNST / Texts, Scripts, Transcripts Serpentine Gallery Pavilion 2013 Fake Titel CINEMA OF ART texts by Ulrich Lehmann, Jessica Morgan texts by Boris Groys, Mark Godfrey edited by Urs Fischer foreword by Emily Wei Rales, Mitchell P. Rales texts by Gregg Bordowitz, Helmut Draxler, text by Niklas Maak texts by Veit Görner, Philippe van Cauteren, artists: AES+F, Andro Wekua, Anri Sala, Barbara Engelbach, Andrea Fraser, Philipp Diederich Diederichsen, Susanne Figner, Apichatpong Weerasethakul, Bjorn Melhus, introduction by Emily Wei Rales interview by Julia Peyton-Jones and Hans Kaiser, Enno Scholma, Hanspeter Sauter Alex Kitnick Christian Jankowski, Cindy Sherman, Dara 'Rooted in a twisted take on reality Ulrich Obrist with Sou Fujimoto Birnbaum, David Lynch, Eija-Liisa Ahtila, Urs Fischer's work unabashedly interview with Brian O'Doherty by Hans edited by Carla Cugini edited by Martin Germann, Susanne Figner edited by Melissa Larner, Rebecca Lewin, declares its affi liation to Pop, Ulrich Obrist Haroon Mirza, Isaac Julien, Julian Rosefeldt, Fraser's wide-ranging oeuvre consists Sophie O'Brien Since the 1990s Harrison has Julian Schnabel, M/M, Marcel Dzama, Marina Surrealism, and Dada, while Fascinated with unconventional Abramovic, Mark Leckey, Mark Wallinger, not only of incisive analyses but developed an eclectic sculptural idiom its production techniques and subject matter and material, Fischli 'It is a really fundamental question Martha Rosler, Minerva Cuevas, Nathalie also of critical, at times humorous in which she incorporates seemingly imagery place the work fi rmly in our and Weiss toy with the idea of ‘high how architecture is different from Djurberg / Hans Berg, Omer Fast, Rebecca commentaries on the art business. worthless found objects into colourful, Horn, Richard Billingham, Shezad Dawood, contemporary sphere.' art’, questioning popular narratives nature, or how architecture could be Over the last 10 years Fraser playful, abstract forms. In this way she Steve McQueen, Veronika Veit, Wael Shawky, (Jessica Morgan) and movements in art and cultural part of nature, or how they could be Yael Bartana, Yang Fudong, Yto Barrada, has subjected her work and her updates Duchamp’s classic notion history. Peter Fischli & David Weiss, merged...what are the boundaries Zineb Sedira This catalogue provides an overview institutional critique to a thorough of the ready-made in the context of presents an in-depth survey of the between nature and artifi cial things.' texts by Walter Grasskamp, Hans Peter of the Swiss artist's heterogeneous revision with methods from sociology, the contemporary consumer society. artists’ work from 1979 to 2012, (Sou Fujimoto) Schwerfel, Heiner Stadler, Franziska Stöhr oeuvre and features many of his psychoanalysis and economics, which The artist's unmistakable blend of art when David Weiss died. With over interview by Hans Ulrich Obrist with best-known works. Designed and she has presented in many important Sou Fujimoto is the leading light of history references and pop culture two dozen works drawn exclusively David Lynch conceived by the artist, the book is essays, performances and videos. an exciting generation of artists who takes the form of both grotesque from Glenstone’s permanent edited by Heinz Peter Schwerfel arranged thematically rather than This book brings together for the fi rst are re-inventing our relationship with spatial structures and powerful two- collection, the works on display mine chronologically, with clusters of works time a selection of the artist's recent the built environment. Inspired by dimensional assemblages. Fake Titel the everyday for the sublime and Visual artists work frequently with that allow the reader to observe texts. Published on the occasion of organic structures, such as the forest, presents sculptures and drawings absurd. This catalogue includes a the raw material of cinema, shooting how Fischer has explored disparate the exhibition at Museum Ludwig, the nest and the cave, his signature from a recent series entitled The Help group of rubber and clay sculptures, with movie stars, using professional formal strategies to engage with his Cologne, 21 April – 21 July 2013. buildings inhabit a space between (2012), the large-scale installation several photographic series, video technology and special effects, multifarious interests. which include nature and artifi ciality. Occupying the Incidents of Travel in Yucatan ( 2011) and telling lavish stories in one- and projections, and the most recent Verlag der Buchhandlung gravity, architecture, shadows, lawn in front of the Serpentine Gallery, and her photographic Sunset Series iteration of Fischli and Weiss’ alter Walther König £24.00 multi-channel works. Contemporary representation, destruction, entropy, Fujimoto's delicate, latticed structure (2000–2012). Published on the egos, Rat and Bear. Also shown is the ISBN 9783863353742 art has become a laboratory for new and time, and revisit favourite motifs of steel poles has a lightweight and occasion of the exhibition Rachel artists’ most ambitious polyurethane softback 320 pages forms of narration, the exhibition – such as furniture, fruit, animals, semi-transparent appearance that Harrison: Fake Titel at Kunstverein installation to date, The Objects 24 colour, 7 b&w illustrations space a ray of hope for a fi lm industry skeletons, and other surrogates for 225 x 168 mm allows it to blend, cloud-like, into the kestnergesellschaft, Hanover, 7 June for Glenstone (2011), and a slide in creative crisis. Are art museums his cardinal subject, the human body English and German text landscape and against the classical – 4 August 2013, and at S.M.A.K. projection installation of over one the cinemas of the future? KINO DER – over the past decade and a half. backdrop of the Gallery's colonnaded Museum of Contemporary Art, Ghent, thousand handwritten existential KUNST (Cinema of Art) revolves Published alongside the exhibition at East Wing. Published on the occasion 7 September 2013 – 5 January 2014. queries, Questions (2003). Published around this and other questions on MOCA, Los Angeles, 21 April – of the Serpentine Gallery Pavilion the relationship between art and to accompany the exhibition at Verlag der Buchhandlung 19 August 2013. commission, London, 4 June – 20 cinema. Published on the occasion of Glenstone Gallery, Potomac, USA, October 2013. Walther König £37.00 Verlag der Buchhandlung May 2013 – February 2015. ISBN 9783863353780 the KINO DER KUNST festival taking Walther König £34.00 Verlag der Buchhandlung softback 184 pages place in Munich, Germany, 24 – 28 ISBN 9780984721047 Verlag der Buchhandlung Walther König £28.00 240 colour illustrations April 2013. softback 636 pages Walther König £48.00 ISBN 9783863354084 295 x 230 mm Verlag der Buchhandlung 523 colour illustrations ISBN 9783863354152 softback 96 pages English and German text Walther König £17.00 280 x 220 mm hardback 256 pages 68 colour, 10 b&w illustrations ISBN 9783863353490 1,660 colour illustrations 255 x 220 mm 280 x 210 mm softback 200 pages illustrated in colour and b&w 190 x 250 mm

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The Legacy of Hilma af Klint Jochen Lempert Linder Richard Long Magiciens de la Terre 1989 Anthony McCall Nine Contemporary Responses Phenotype Woman / Object Prints 1970–2013 Making Art Global (Part 2): 1970s Works on Paper Exhibition Histories Volume 4 artists: Amy Sillman, Cecilia Edefalk, Christine texts by Brigitte Kölle, Roberto Ohrt, texts by Heinrich Dietz, Fabienne Dumont, texts by Roland Mönig, Gerard Vermeulen, text by Anne M. Wagner Ödlund, Eva Löfdahl, Fredrik Söderberg, Helen Frédéric Paul Emmanuelle de l’Écotais, Veit Görner, Fabrice Beate Kolodziej texts by Pablo Lafuente, Lucy Steeds, Jean- Mirra, Hilma af Klint, Karl Holmqvist, Rebecca Hergott, Linder, Morrissey edited by Sean Kelly, Thomas Zander edited by Gerard Vermeulen, Roland Mönig Marc Poinsot, Rasheed Araeen, Jean Fisher, Quaytman, Sophie Tottie This is the fi rst comprehensive edited by Fabrice Hergott, Veit Görner Thomas McEvilley, Jean-Hubert Martin, Gayatri Since the early 1970s, British artist monograph on the biologist who has Chakravorty Spivak, Frédéric Bruly texts by Daniel Birnbaum, Ann-Sofi Noring This catalogue raisonné of prints Anthony McCall has been working worked as a photographer since the Linder is one of the iconic brings together all of the print works with projected light. His 'solid-light' Hilma af Klint (1862–1944) was an early 1990s. Lempert’s photography protagonists of British late-1970s In 1989, a large-scale exhibition in by this important English artist for the installations occupy a space between abstract pioneer who eschewed highlights the similarities between punk. Her artistic practice has Paris bringing together over 100 fi rst time and offers a panorama of his line-drawing, cinema, and sculpture: representational painting as early as the human and animal worlds, or always covered art, music, dance artists, around half from the 'West' oeuvre from 1970 to today. Richard fundamentally graphic, they are 1906. Her radical spiritual imagery the ephemeral appearances of and fashion and unites various and half from elsewhere, contributed Long very consciously chooses the realised through the media of fi lm strives to provide insights into the waves, fl ocks of birds and volcanic media, such as collage, photography, to a radical shift in the Western print method and paper to be used or digital projection, and the effect different dimensions of existence. clouds, in surprising poetry and video and performance. With her art system. Magiciens de la Terre for each print, and almost every created is that of large-scale, three- Besides Hilma af Klimt’s important minimalist casualness. The resulting uncompromising feminist approach, (Magicians of the Earth) argued technique is represented in his oeuvre, dimensional sculptures composed and radical abstract paintings, she left formations, patterns and structures she questions socially coded for the universality of the creative from monotype via engraving and of shifting membranes of light. behind a plethora of notebooks and are both modest and impressive ideas about gender and the sexual impulse and offered direct aesthetic lithography to silk-screen and offset Viewing becomes an active process drawings. Taking one of these, A Work artistic documents of the living world. marketing of the female body. The experience of contemporary works printing. Prints have accompanied of moving around and through the on Flowers, Mosses and Lichen, as Lempert presents 450 of his works, construction of social identities of art made globally. This sprawling Richard Long's creative work like projected object, exploring it from a starting point, nine contemporary mostly composed in groups and is refl ected in Linder's own self- landmark exhibition concurrently an in-depth commentary from the different points of view. Along with artists were invited to respond to sequences, from more than 20 years staging, whether as the subject of took place at The Grande Halle de beginning, opening it up in all of working drawings for the Vertical Hilma af Klint and her legacy. Hilma of artistic production. Published her self-portraits or in performances la Villette and the Centre Georges its various facets and making clear Works shown at Ambika P3, Works af Klint did not want her works to on the occasion of the exhibition at that she develops for museums and Pompidou. In this fourth book to which degree the sensual and on Paper includes drawings from be seen until several decades after Hamburger Kunsthalle Gallery of theatres. Comprising some 200 works in Afterall's Exhibition Histories conceptual sides of his art determine the last 40 years of McCall's career, her death. Published alongside Contemporary Art, 22 June – 29 drawn from four decades of practice, series, photographs and gallery and infl uence one another. Over a and showcases key works such an exhibition at Moderna Museet, September 2013. this major retrospective exhibition plans reconstruct the exhibition in period of almost 45 years, seemingly as Landscape for Fire (1972) and Stockholm, 16 February – catalogue has been produced in close detail. Essays provide an extended Verlag der Buchhandlung incidental, small-format prints as well Five-Minute Drawing (1974). This 26 May 2013. collaboration with the artist, and is examination of its history and context Walther König £45.00 as works in representative formats publication is the defi nitive monograph inspired by the format of a 'fanzine’. and look at the discursive and Verlag der Buchhandlung ISBN 9783863351533 have been created; single sheets are on this body of work by Anthony Published on the occasion of the curatorial legacy, and responses from Walther König £28.00 hardback 348 pages juxtaposed with extensive portfolios. the time. Included are interviews with McCall. ISBN 9783863353438 illustrated in colour and b&w exhibition Linder: Femme / Objet at Published on the occasion of the Jean-Hubert Martin by Benjamin H.D. hardback 112 pages 275 x 200 mm Musée d'Art moderne de la Ville de touring exhibition Richard Long: Prints Verlag der Buchhandlung 100 colour illustrations Paris, 1 February – 21 April 2013, and Buchloh, and with Alfredo Jaar by Walther König £54.00 1970–2013 in 2013–14 at Museum Francisco Godoy Vega. Published 236 x 180 mm at kestnergesellschaft, Hannover, Kurhaus Kleve, Hamburger Kunsthalle, ISBN 9783863353346 English and German text with Afterall Books. hardback 304 pages 7 June – 4 August 2013. and The New Art Gallery Walsall. 490 colour illustrations Verlag der Buchhandlung Verlag der Buchhandlung 267 x 222 mm Verlag der Buchhandlung Walther König / Afterall Books £14.95 Walther König £23.00 Walther König £36.00 ISBN 9783863352585 ISBN 9783863353926 ISBN 9783863353650 softback 304 pages softback 144 pages softback 196 pages 107 colour, 28 b&w illustrations 23 colour, 89 b&w illustrations 150 colour illustrations 215 x 156 mm 280 x 215 mm 270 x 226 mm English and German text English and German text

28/29 Verlag der Buchhandlung Walther König continued

Moments Albert Oehlen: Gabriel Orozco Elizabeth Peyton Elfi e Semotan Simon Starling A History of Performance Malerei / Painting Natural Motion Here She Comes Now Black Drop – Ciné-roman in 10 Acts Artist’s Book by Heimo Zobernig texts by Monika Faber, Stephanie Damianitsch, texts by Jean-Pierre Criqui, Yilmaz Dziewior, texts by Johan Holten, Dodie Kazanjian Hans-Peter Wipplinger texts by Mike Davies, Simon Starling Pablo Soler Frost, María Minera, André artists: Adrian Piper, Anna Halprin, Channa texts by Rochelle Feinstein, Hal Foster, Achim edited by Elizabeth Peyton, Johan Holten edited by Hans-Peter Wipplinger edited by Humboldt Books Rottmann Horwitz, Graciela Carnevale, Lynn Hershman Hochdörfer, Albert Oehlen, Daniel Richter, Leeson, Marina Abramovic, Reinhild Hoffmann, Kerstin Stakemeier edited by Daniel Birnbaum, Yilmaz Dziewior This publication groups together Elfi e Semotan, the doyenne of In 2012 together with a small fi lm Sanja Ivecovic, Simone Forti, Yvonne Rainer edited by Achim Hochdörfer for the fi rst time Elizabeth Peyton's Austrian photography, worked as crew, Simon Starling travelled to edited by Georg Schöllhammer, Peter Weibel, Gabriel Orozco works with materials, a model for years after completing foreword by Karola Kraus portraits of musicians such as David Hawaii and Tahiti to observe and fi lm Sigrid Gareis forms, and situations of everyday Bowie, Pete Doherty, Jessye Norman, training to be a fashion designer the transit of Venus. The recording Albert Oehlen is not only one of the life through sculpture, photography, Kurt Cobain and Jonas Kaufmann before she got behind the camera of the event formed the basis for New forms for the exhibition and drawing, and installations. He documentation of performance most infl uential, but also one of the in performance, and features oil to garner international fame with the production of a fi lm about the most controversial of contemporary changes forms and functions of things paintings and works on paper from her lyrical fashion photography. relationship between the transit of have been developed and tested believing that everything is in natural at ZKM | Karlsruhe based on the painters. He quite deliberately lays the last 20 years. Expressed in these Semotan's photographs always Venus and the history of cinema, as painting open to confrontation on motion and can become something portraits is Peyton's intensive focus refl ect her awareness of art history framed by the parenthesis formed by question of the presentability of else. Natural Motion brings together historical live performance art several fronts at the same time – with on the vulnerable and at the same and the art scene around her. The the 1874 and 2012 transits. This two- its own history, with its clichés, with familiar works, such as Dark Wave, time expressive moment of artistic boundaries between advertising volume publication is a kind of ciné- pieces. Works by Marina Abramovic, his intervention in an enormous whale Graciela Carnevale, Simone Forti, its missed opportunities, and also with creativity: that moment in which and art photography are fl uid in her roman on the fi lm project. It includes the ubiquitous power of images from skeleton, a comprehensive collection the musician appears before their work which inspired fellow artists a shot-by-shot account of the fi lm Anna Halprin, Channa Horwitz, of his ongoing work in terracotta Sanja Ivekovic, Adrian Piper and the advertising and pop industries. audience. As such the works are also like Martin Kippenberger. That Elfi e with the voice-over as accompanying He endeavours to restore freshness and carved river stones. Essays a refl ection on creativity per se and Semotan cannot be called a fashion subtitles. It tells the story of the Yvonne Rainer, which are today examine the inner aspects of Orozco's considered revolutionary milestones and complexity to painting, which not least on her own creative process. photographer in any usual sense is relationship between astronomy, has been declared defunct, not by oeuvre as well as the various media The photographs, snapshots from live impressively demonstrated in her photography and the beginnings of of performance, are reinterpreted and formats with which he works. with the assistance of the attendant dodging all the attacks and polemic performances of rock concerts and Kunsthalle Krems exhibition which, moving image technology, together to which this tradition has been Published on the occasion of the classical operas that underlie most apart from numerous well-known with echoes about epic voyages artists and in dialogue with performers exhibition Gabriel Orozco: Natural of the younger generation. The subjected, but by making the picture of her works are also shown, and are series of pictures, places a focus on and vast distances. Published on itself the locus of lively debate on Motion at Kunsthaus Bregenz, 13 July presented in this exhibition catalogue works produced outside the domain the occasion of the Modern Art thematic focus of Moments is the – 6 October 2013. 'heroic' period of performance history these issues. Heimo Zobernig agreed alongside the artist's works and with of fashion photography. Featured Oxford off-site project, Black Drop of the 1960s through to the 1980s, to create a graphic master plan for Verlag der Buchhandlung equal weighting. Published on the in the show are Semotan's nudes at the Radcliffe Observatory, Green and in this case, specifi cally the the catalogue. This publication is an Walther König £46.00 occasion of the exhibition Elizabeth and New York street scenes as well Templeton College, Oxford, performances of women. Published artist’s book in its own right rather ISBN 9783863353308 Peyton: Here She Comes Now at as her 'throwaway shots' with their 23 February – 24 March 2013. than an interpretation or reading softback pages 324 Kunsthalle Baden-Baden, 9 March – almost abstract quality. Published on the occasion of the live exhibition Verlag der Buchhandlung of Oehlen’s art. Included are three 145 colour illustrations 23 June 2013. on the occasion of the exhibition at Moments: A History of Performance Walther König £38.00 conversations between Albert Oehlen 267 x 210 mm Kunsthalle Krems, 14 July – 6 October in 10 Acts at ZKM | Karlsruhe, ISBN 9788890841804 English and German text Verlag der Buchhandlung 2013. 8 March – 29 April 2013. – Daniel Richter; Kerstin Stakemeier – softback (2 volumes in slipcase) Rochelle Feinstein; Achim Hochdörfer Walther König £34.00 Verlag der Buchhandlung 192 pages Verlag der Buchhandlung ISBN 9783863353254 – Hal Foster. Walther König £28.00 71 colour illustrations Walther König £45.00 hardback 112 pages ISBN 9783863353988 168 x 224 mm ISBN 9783863352899 Verlag der Buchhandlung 64 colour illustrations softback 200 pages softback 500 pages Walther König £28.50 288 x 228 mm 200 colour illustrations 320 colour illustrations ISBN 9783863353933 English and German text 255 x 210 mm 245 x 170 mm hardback 174 pages English and German text English and German text 90 colour illustrations 310 x 240 mm

30/31 Verlag der Buchhandlung ` Walther König continued

Sturtevant Alina Szapocznikow Keiichi Tanaami Cheyney Thompson Lawrence Weiner Franz West Finite Infi nite From Drawing Into Sculpture Killer Joe's metric, pedestal, cabengo, The Grace of a Gesture Where is my Eight? landlord, récit texts by Julia Peyton-Jones, Hans Ulrich Obrist, texts by Annette Messager, Anne Tronche, texts by Nils Olsen, Fredi Fischli, text and edited by Thomas Kellein texts by Eva Badura-Triska, Klaus Görner, Daniel Birnbaum Jola Gola Yuji Yamashita texts by Simon Baier, Yve-Alain Bois, Ann Georg Gröller, Peter Keicher, Andreas Lauterbach Lawrence Weiner's catalogue book Reiter Raabe edited by Kathryn Rattee Alina Szapocznikow was one of the edited by Momoko Fukurama, Shinji Nanzuka documents his 2013 work in Venice. edited by Eva Badura-Triska, Karola Kraus, Published to accompany the exhibition fi rst artists to use materials such as Effectively a catalogue raisonné of Cheyney Thompson has made The Grace of Gesture is presented on Susanne Gaensheimer, Klaus Görner LEAPS JUMPS AND BUMPS at polyurethane foam and polyester Keiichi Tanaami's earliest works, the technology, production, and the ground fl oor of the Palazzo Bembo Serpentine Gallery, London, 28 June resin. If she is better known for this book includes his drawings of distribution of painting the subject near the Rialto Bridge, as a Collateral The primary focus of the exhibition – 26 August 2013, this little fl ip book her sculpture, the high quality and pop art, post-1965 psychedelic art, of his work. He employs rational Event to the 55th International Art Where is my Eight? are West’s focuses on one of Sturtevant's more abundance of her drawings, however, and all of the collage, paintings, silk structures, technological processes, Exhibition – La Biennale di Venezia. Kombi-Werke (combi-work) recent works, Finite Infi nite (2010), a more than merit further consideration. screen prints and animation works. and generative devices as part The installation of The Grace of installations, in which various often large scale projection that features a Forty years after her death, her work Included are illustrations for the of thinking through problems that Gesture – in 10 languages ranging highly differing individual pieces were dog running in an endless loop across is now being rediscovered by many magazine Shosetsu-gendai, drawing organise themselves around the from Chinese to Arabic to Hebrew brought together by the artist – and an expanse of grass. Like many of museums around the world. Felt-tip, and collages for art journal, album terms of painting. Thompson’s – is installed on fi ve of Venice's then frequently rearranged again in a Sturtevant's video works, Finite Infi nite ballpoint, crayons, ink, watercolours covers for the Monkees and Jefferson Chronochromes (2009–2011) are major sources of transportation, the different context. The combination and references the endlessly repeating and monotypes help in revealing Airplane, animation series made composed using the colour system Vaporetto. The boats transport the recombination of various categories imagery that has become so prevalent Alina Szapocznikow's fantasy, her for the fi lm festival at Sogetsu Art devised by Albert H. Munsell in work through Venice on the Canale of works such as furniture, sculpture, in the world we live in today. Looping refl ection on the body, as well as a centre, anti American-Vietnam War the early 1900s. He grafts this Grande, to the Arsenale, the Giardini Paßstücke (adaptives), videos, and repetition, key themes throughout universe marked by humour, sexuality silk screen prints, and a painting system on to a calendar: each day and beyond. or works on paper, from different her practice, are also elegantly drawn and dizziness. These drawings refl ect series of Hollywood actresses. There is assigned a complementary hue creative periods, gives an overview Verlag der Buchhandlung out in the insightful text by Daniel the work of an artist, who can at the are quite a number of curators now pair, with every hour changing the of the whole spectrum of his oeuvre. same time be considered an heiress value, and every month changing Walther König £22.95 Published on the occasion of the Birnbaum included in this book. observing Japanese art after the war ISBN 9783863353896 of Auguste Rodin, of surrealism and as their historical research theme, the saturation, of each brushstroke. exhibition Franz West: Where is my Verlag der Buchhandlung hardback 64 pages Eight? at MuMoK Vienna, 23 February a forerunner of Pop Art. Published and specifi cally about how Western Thompson depicts motifs drawn 36 colour, 1 b&w illustrations Walther König £9.95 to accompany the exhibition at from a scan of the underlying canvas, – 26 May 2013. ISBN 9783863354039 culture has been imported into Japan. 250 x 245 mm Cabinet d'art graphique at the Centre merging digital reproduction with the Verlag der Buchhandlung softback 144 pages Verlag der Buchhandlung Pompidou, Paris, 27 February – 20 materiality of painting. His use of a Walther König £32.00 72 colour illustrations Walther König £47.00 May 2013. typology of canvas formats continues ISBN 9783863352813 60 x 140 mm ISBN 9783863353568 his engagement with the history of hardback 160 pages Verlag der Buchhandlung hardback pages tbc painting, from still life to the chromatic illustrated in colour and b&w Walther König £36.50 illustrated in colour and b&w 280 x 230 mm ISBN 9791090490291 350 x 240 mm variation on a single motif. English and German text hardback 182 pages Verlag der Buchhandlung 113 colour illustrations Walther König £37.00 240 x 190 mm ISBN 9783863351540 English and French text hardback 192 pages 104 colour, 52 b&w illustrations 300 x 240 mm

32/33 Verlag der Buchhandlung Manchester Walther König Lisson Gallery mac birmingham Metropolitan University Matt's Gallery continued distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide

Heimo Zobernig Senza Titolo Notes on the Magic Vered Lahav Mortality UNSEEN Sculpture Painting Space Jonathan Monk of the State The Garden Death and the Imagination Willie Doherty texts by Jürgen Bock, Achim Hochdörfer, texts by Alastair Sooke, Mirta d’Argenzio, Luca artists: Anja Kirschner and David Panos, text by Paul Kilsby artists: Bob & Roberta Smith, Cornelia Parker, texts by Jean Fisher, Susan MacKay, Andrew Renton, Gertrud Sandqvist Cerizza (interview) Christodoulos Panayiotou, Goldin+Senneby, Douglas Gordon, Felix Gonzalez-Torres, Ian Colm Toibin edited by Craig Ashley Lili Reynaud-Dewar, Liz Magic Laser, Rana Breakwell, Julian Opie, Sam Taylor-Wood edited by Amy Houmoller, Joanna Thornberry Heimo Zobernig uses a variety of Hamadeh, Ryan Gander UNSEEN presents for the fi rst time Featuring echoes and fragments texts by Steven Gartside, Clive Parkinson media, including painting, sculpture, all photographic works Doherty For his Lisson Gallery Milan exhibition, texts by Silvia Sgualdini, Sarah Rifky, Jens of a career spanning the best part video, installations, architectural Monk turns his gaze to Graeco- Maier-Rothe, Antonia Alampi, Jonathan of 20 years, The Garden is where The subject of mortality is rarely has made in his hometown of Derry Allen, Bassam El Baroni, Will Bradley, Angus interventions and performance art. Roman art. Inspired by the Italian Lahav’s practice currently resides. approached head-on. More oblique and the Donegal Borders between His works seem to question the Cameron, Clinical Wasteman, K.D., Hany strategies such as metaphor often 1985 and 2013. This publication setting for the show, he has had his Darwish, Peggy Hackney, Rana Hamadeh, Lili Lahav explains that the garden has usual art narrative in media such as provide a route into this diffi cult re-publishes Jean Fisher’s seminal own head painstakingly sculpted Reynaud Dewar, Michael Taussig, Evan Calder 'an affi nity to western mythology. architecture, design and theatre, by and cast in Jesmonite polished to Williams [It is] a place of vision, of rebirth subject. Approaches to death can text from 1990 on Doherty’s early stirring up the underlying ideological often provide an insight into cultural, photographic works, Seeing Beyond resemble marble. Five identical, edited by Silvia Sgualdini and death, a land of innocence and positions and reinterpreting them with fractionally larger than life-size busts forbidden ways. It can be defi ned as social and political attitudes. Rather The Pale. Fisher has also written This title explores the concept of a characteristic economy of means, have been created. With stylised hair idyllic and detached from the realities than using death as a blunt end-point, a new text Refl ections, providing magic and its relationship to power, materials and methodologies. In and an imperious gaze, they resemble of the everyday. Yet it can also be this publication turns its attention an overview of how Doherty’s work specifi cally in regards to the formation this beautifully designed publication the idealised portrait statuary of considered as a place of confi nement to mortality and the ways in which has evolved and responded to the of state identity, notions of modern accompanying and documenting the ancient Rome. Each bust is placed from knowledge and awareness.' death appears (or is obscured) changing socio-political context in sovereignty and politics. The book exhibitions at the Palacio Velazquéz/ on a high plinth and stares down Alongside these distinct allusions to through being in the midst of life. Derry. A new text by the internationally accompanies The Magic of the State, Museo Reina Sofi a in Madrid, 2012, at the spectator. The fi gure of the serenity and suppression, the garden This publication includes essays by renowned Irish author, Colm Tóibín, two interconnected exhibitions held and at the Kunsthaus Graz, 7 June – artist appears exalted but this is not also stirs notions of enlightenment Steven Gartside: The Coffi n Route refl ects on the now invisible border at Beirut in Cairo and Lisson Gallery 1 September 2013, all of the works a simple exercise in egoism. In order which extend to the artist’s work. and Clive Parkinson: Present Tense; between the North and South of in London in spring 2013, which were presented are traced back historically for the works to be completed, Monk This is most notable in the use and along with illustrated texts on seven Ireland. A text by Susan McKay, the set against a backdrop of political to the beginning of the 1980s with invited different artists from the Arte application of materials in Taxidermy major artists: Ian Breakwell, Felix award winning Irish journalist and upheaval in Egypt. Among the texts regard to their origins. Alongside a Povera generation to break his nose. (2013), where multiple resin-injected Gonzales-Torres, Douglas Gordon, author of the critically acclaimed Bear anthropologist Michael Taussig contextualising text by the exhibition's Kounellis, Calzolari, Prini and Zorio all poppy casts sit in contrast to the Julian Opie, Cornelia Parker, Bob and In Mind These Dead, will explore the revisits concepts explored in his curator, Jürgen Bock, commenting agreed to deface a bust. Published traditional bronze-cast Twilight’s Star Roberta Smith, and Sam Taylor-Wood. current situation in Derry in the diffi cult original book The Magic of the State on the oeuvre of this internationally on the occasion of Jonathan Monk: (2009). And in the kitsch aesthetic Published alongside an exhibition aftermath of the confl ict. Published (Routledge, 1997) and Jonathan renowned Austrian artist are Senza Titolo, at Lisson Gallery of the ceramic owl in The Visitor at The Holden Gallery, Manchester alongside an exhibition at City Factory Allen examines the ethical value in the Achim Hochdörfer on the meaning Milan, 23 May – 19 July 2013. This (2013), the vivid palette against an Metropolitan University, 8 July – Gallery, Derry, 27 September 2013 – interplay of illusion and deception in of painting, Andrew Renton on fully illustrated catalogue contains infi nite black background offsets the 16 August 2013. 4 January 2014. Beckettian theatricality, and Gertrud the conjurer’s spectacle and its affi nity essays by Alastair Sooke and Mirta typically minimal Scrimshaw (2013), a Manchester Metropolitan University / Matt's Gallery / Sandqvist on its art-historical aspects. to the mobilisation of desire in politics. d'Argenzio, and an interview with series of seven delicate drawings on Holden Gallery £9.99 The Nerve Centre £30.00 Verlag der Buchhandlung Jonathan Monk conducted by Luca Lisson Gallery / Beirut £18.50 tbc fi ne white handkerchiefs. Published ISBN 9781905476848 ISBN 9780907623922 Walther König £32.00 Cerizza. ISBN 9780947830410 to accompany the exhibition at mac softback 96 pages hardback 250 pages ISBN 9783863353391 hardback 320 pages 25 colour illustrations 140 colour and b&w illustrations Lisson Gallery £20.00 birmingham, 21 September – softback 204 pages 71 b&w illustrations 210 x 150 mm 285 x 245 mm ISBN 9780947830403 17 November 2013. 100 colour illustrations 240 x 160 mm October 2013 softback 68 pages 297 x 210 mm English and Arabic text mac birmingham £10.00 36 colour, 13 b&w illustrations English and German text available to customers in the UK, Ireland ISBN 9781907796159 215 x 150 mm and Europe softback 34 pages tbc English and Italian text illustrations tbc 200 x 200 mm

34/35 The New Art New Contemporaries Modern Art Oxford Gallery Walsall (1988) Ltd distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide

CONSCIOUS – Heckle How to Let an Artist Rifl e The Nature of the Beast From the World Ash Bloomberg New UNCONSCIOUS Through Your Archive to the Goethe Oak Contemporaries 2013 IN AND OUT THE REALITY CHECK artists: Alexis Milne, Andrew Gilbert, BAZ, Neil Lebeter / Bob & Roberta Smith artists: Mark Fairnington, Mat Collishaw, Ged Quinn Caroline Achaintre, Cedar Lewisohn, Clunie Olly & Suzi, Patricia Piccinini, Polly Morgan, artists: Adam Hogarth, Adham Faramawy, Reid, Edwin Burdis, Francis Thorburn, Joel Tessa Farmer Agnes Calf, Aisha Abid Hussain, Alex artist: Stephen Willats Gray, John Russell, kennardphillipps, Kieron text by Neil Lebeter texts by Michael Bracewell, Dr Brian Dillon, text by Deborah Robinson McNamee, Antoine L'Heureux, Archie Franks, Livingstone and Ian Allison, Laura Oldfi eld Stephen Snoddy, Deborah Robinson text by Astrid Wege edited by Eileen Daly Calum Crawford, Catherine Hughes, Daniela Ford, Max Reeves, Ruth Ewan, Shaun Doyle and This exhibition brings together a Sarigu, Dante Rendle Traynor, Dominic Mally Mallinson, Slawomir Czajkowski (Zbiok), Ged Quinn is renowned for his epic British artist Stephen Willats’ visually This publication highlights an exciting Watson, Esmé Toler, Fatma Bucak, Ferdinand Tod Hanson, Vicky Wright diverse range of contemporary artists, and allegorical paintings, which intense works explore the nature of new approach to working with Saumarez Smith, Grant Foster, Hannah who through their work, confront use as source material art historical human interaction, communication texts by Cedar Lewisohn, BAZ contemporary art and archives. As Regel, Hardeep Pandhal, Isabelle Southwood, and challenge our attitudes towards and connection between individuals artist in residence at The New Art paintings by artists such as Claude Jason Brown, Joanna Piotrowska, Joe Frazer, edited by Cedar Lewisohn the natural world, and in particular, Josephine Sowden, Julia Parkinson, Kate and communities. CONSCIOUS – Gallery Walsall the artists Bob and Lorrain, Caspar David Friedrich and the animal kingdom. Humankind has Jacob van Ruisdael. Quinn’s paintings Hawkins, Lana Locke, Laura O'Neill, Lauren UNCONSCIOUS is the artist’s fourth This zine-style publication has been Roberta Smith worked with Archive Cohen, Lewis Betts, Maarten van den Bos, long been fascinated by animals, exhibition at Modern Art Oxford, produced to accompany the exhibition Curator Neil Lebeter to explore and play with rich and varied references to Mark Essen, Marlene Steyn, Matthias Tharang, who in turn, have been subjected to and continues a connection with the The Hecklers, curated by Cedar reveal the Epstein Archive housed historical, cultural and artistic issues Menna Cominetti, Ophelia Finke, Patrick research, collection, categorisation, Cole, Rebecca Ackroyd, Roman Liška, Sarah gallery which began in 1968. This Lewisohn at The New Art Gallery at the Gallery. The archive contains and events from across and through documentation, display and time, creating rich, complex and Tynan, Shelley Theodore, Simon Senn, Steven latest exhibition examines social Walsall, 19 July – 22 September important documents relating to Morgana, Thomas Aitchison, Tim Zercie, Tom experimentation. Each of the artists interaction, the infl uence of technology 2013. A heckler is someone who tries the work of the twentieth-century multi-layered narratives. This major Worsfold, Yves Scherer within the exhibition creates works solo exhibition at The New Art Gallery on daily life and the way we look at to unsettle others with questions, sculptor Jacob Epstein and to the texts by Chantal Joffe, Ryan Gander, which involve an intensive scrutiny of and think about our surroundings. challenges or jibes. This exhibition and Garman Ryan Collection displayed Walsall, 9 October 2013 – Nathaniel Mellors animals and nature as well as a critical Unique to this exhibition is The Oxford publication bring together a range of at the gallery. The two year project 5 January 2014, will seek to survey engagement with the ways in which This 2013 exhibition catalogue is Community Data Stream, a new artists who comment on social and reawakened the Archive, with the Quinn’s practice over the last four we have attempted to understand published alongside the annual show commission that presents alternative political issues, often with a degree artist creating a huge body of over years and will include a brand new and control the natural world. Both that launches at Spike Island, Bristol, and highly personal perspectives on of playfulness. Woven through the 20 works in response to it, a major body of work, produced especially for Tessa Farmer and Polly Morgan were 14 September 2013 – 10 November life in Oxford through a collaboration exhibition is an exploration of ideas exhibition, a permanent display and the exhibition. The exhibition will testify commissioned to make new works for 2013, and then tours to ICA, London, with residents of Kennington and around 'primitivism' and the re-working nearly 40 fi lms. As well as the story of to the breadth of the artist’s practice, the exhibition at The New Art Gallery November 2013 – January 2014. Blackbird Leys. This catalogue of modernist ideologies in the present the project this publication explores including landscapes, portraits and Walsall, 26 April – 30 June 2013. New Contemporaries has a long and includes an interview between day. For the publication, each of the the unique collaboration between still lifes, resplendent in references to artists were asked to contribute a history, myth and popular culture. illustrious history. Established in 1949, Stephen Willats and Ute Meta Bauer. the Smiths and the Archive Curator New Art Gallery Walsall £10.00 this annual show has been dedicated page. These visual contributions are ISBN 9781907363054 Published on the occasion of the and many similarities between Artist New Art Gallery Walsall / Stephen to profi ling the work of young, new and supplemented with a brief introduction softback 40 pages exhibition at Modern Art Oxford, and Curator demonstrating how the Friedman Gallery £20.00 tbc emerging artists at the start of their by Cedar Lewisohn and a specially illustrated in colour ISBN 9780957567474 27 April – 16 June 2013. two professions can collaborate professional careers. The selectors commissioned text by BAZ. successfully. 300 x 240 mm other details tbc Modern Art Oxford £15.00 October 2013 in 2013 were Chantal Joffe, Ryan ISBN 9781901352580 New Art Gallery Walsall £5.00 New Art Gallery Walsall £15.00 Gander, and Nathaniel Mellors. softback 48 pages ISBN 9781907363061 ISBN 9781907363047 Ged Quinn, Air Rectifi ed. With a Digression of Earth, 2013, oil on canvas, 200 x 227 cm. New Contemporaries (1988) Ltd £5.00 illustrated in colour and b&w softback 44 pages softback 140 pages Courtesy of the artist and Stephen Friedman ISBN 9780956613332 220 x 170 mm 18 colour illustrations 151 colour illustrations Gallery, London. softback 100 pages 235 x 165 mm 240 x 180 mm illustrated in b&w 135 x 165 mm

Selectors Chantal Joffe, Nathaniel Mellors and Ryan Gander. Photo: Simone Koch September 2013

36/37 Verlag für moderne Kunst Nürnberg distributed by Cornerhouse in the UK

LA BROYEUSE DE China Megacity Dexter Dalwood Deep Feelings MARCEL DUCHAMP Everything Loose Will Land CHOCOLAT Christian Höhn From Antiquity to Now PHARMACIE 1970s Art and Architecture texts by Felicity Lunn, Michael Archer in Los Angeles artists: Dieter Roth, Ed Ruscha, Joseph Beuys, texts by Dan Kraus, Matthias Murko, Christoph texts by Francesco Bonami, Brigitte text by Stefan Banz Marcel Duchamp, Meret Oppenheim, Robert Schaden, Yan Xu-Lackner British artist and former Turner Prize Borchhardt-Birbaumer, Irene Calderoni, edited by Kunsthalle Marcel Duchamp, Cully texts by Alex Kitnick, Margo Handwerker, Gober, Roy Lichtenstein, Sonja Alhäuser, nominee, Dexter Dalwood is a rare Stephanie Damianitsch, Alexandra Hennig, edited by Matthias Murko, Yan Xu-Lackner Peggy Phelan, Susanna Newbury, Vic Muniz instance of an artist equipped to Patrizia Sandretto Re Rebaudengo, Burghart This is the fi rst publication devoted Simon Sadler Schmidt, Hans-Peter Wipplinger texts by Bradley Bailey, Stefan Banz, Ralf Christian Höhn, photo artist from examine how history is constructed exclusively to Marcel Duchamp's edited by Kimberli Meyer, Sylvia Lavin Beil, Martin R. Dean, Dalia Judovitz, Thomas Nuremberg, has been focusing and interpreted through the edited by Hans-Peter Wipplinger Pharmacie, the fi rst rectifi ed Zaunschirm making of paintings which are both This exhibition and catalogue explores on the megacities of this world for This catalogue addresses various readymade in the history of art. To edited by Ralf Beil intellectually challenging and visually the cross-pollination that took place nearly 10 years. The big city skylines manifestations of emotions and how date, the work has been largely seductive. The artist’s juxtaposition between architects and artists in Los For the fi rst time the Kunsthalle he usually photographs from above they change in the historical contexts neglected in art-historical research of quotations and references from a Angeles from the late 1960s to 1980. Marcel Duchamp, normally at home trigger numerous associations, they of different works of art. To explore although it occupies a key position broad and eclectic range of subjects The 1970s, an important time for in Cully on Lake Geneva, changes its convey a sense of monumentality the issue, about 40 contemporary in Duchamp’s radical concept of is refl ected in his transposition of Los Angeles, began at the end of the location. The smallest museum in the and often feelings like anonymity and artworks from the Fondazione art. Stefan Banz traces its genesis, the cut-and-paste of the collage 1960s with events such as Robert world is a guest at the Mathildenhöhe alienation. The technically brilliant, Sandretto Re Rebaudengo in Turin comparing the conceptual and visual technique to canvas. Not only does Venturi and Denise Scott Brown’s visit Darmstadt. All summer long, the large-size photographs impressively – among them pieces by Maurizio differences between the three existing Dalwood possess a profound cultural to Ed Ruscha’s studio and ended at half-a-cubic metre-large Kunsthalle show the diversity and simultaneous Cattelan, Douglas Gordon, Jake versions, which date from 1914, and historical knowledge, he also the beginning of the 1980s, with the is presenting in front of the exhibition uniformity of international urban and Dinos Chapman, Damien Hirst, 1937 and 1945 respectively. He also perceives the connections between city’s Department of Urban Planning building, closed for renovations, a conglomerates like New York or Hong Sharon Lockhart, and Berlinde De looks into the meaning of the term art history, politics, music, literature and the Institute of Architecture and high-quality themed exhibition to Kong, Singapore, Dubai or Sao Paolo. Bruyckere – are placed in dialogue rectifi ed readymade and discusses and personal experience, which he Design. The show is titled after Frank celebrate the 100 year anniversary For this exhibition, Christian Höhn with an almost equal number of works the philosophical dimension of this at intimates with a remarkable lightness Lloyd Wright’s famous quip 'Tip the of Duchamp’s Chocolate Grinder, travelled to China in 2012 where he from the different collections of the once lapidary, mysterious and of touch. His paintings reward close world on its side and everything designed by the inventors and took up to date photographs of the Vienna Kunsthistorisches Museum. cryptic work. observation, for the event or situation loose will land in Los Angeles'. The operators of the Kunsthalle: Swiss cities Beijing, Shanghai, Chongqing, Hong Kong, Shenzhen and Qingdao depicted is always refl ected in the Verlag für moderne Verlag für moderne exhibition demonstrates that the city’s artists Caroline Bachmann and Kunst Nürnberg £18.00 to be able to present them in the styles of painting that were developed Kunst Nürnberg £24.00 notorious 'looseness' culminated Stefan Banz. With signifi cant works ISBN 9783869844657 during the periods referred to in the ISBN 9783869844275 in the creation of structures within by Marcel Duchamp, Joseph Beuys, exhibition Megacities in China. hardback 192 pages These new photographs are shown in work. This catalogue documents softback 192 pages which the fi ne arts – infl uenced by Meret Oppenheim, Roy Lichtenstein, illustrated in colour 140 x 105 mm contrast to historical townscapes. the most extensive survey of the photography, freeways, and popular Dieter Roth, Ed Ruscha, Vic Muniz, 255 x 210 mm English and German text artist's work to date. Published on media – were displaced from their Robert Gober, Sonja Alhäuser – in English and German text Verlag für moderne the occasion of Dexter Dalwood’s traditional paths and encouraged miniature format, which makes them Kunst Nürnberg £33.00 exhibition at CentrePasquArt in Biel, to explore new avenues in cultural all the more impressive. ISBN 9783869844367 production. Published to accompany hardback 104 pages Switzerland, 21 April – 16 June 2013. Verlag für moderne the exhibition at MAK Center for Art illustrated in colour Verlag für moderne Kunst Nürnberg £18.00 and Architecture at the Schindler 235 x 300 mm Kunst Nürnberg £24.00 ISBN 9783869844169 House, Los Angeles, 9 May – German and Chinese text ISBN 9783869844268 hardback 210 pages 4 August 2013. hardback 80 pages illustrated in colour 33 colour illustrations 140 x 105 mm Verlag für moderne 295 x 215 mm English and German text Kunst Nürnberg £38.00 English, French and German text ISBN 9783869844527 hardback 344 pages illustrated in colour 305 x 235 mm

38/39 Verlag für moderne Kunst Nürnberg continued

Kiki Kogelnik Ursula Mayer Jonathan Monk Ulrike Ottinger Mike Parr Otto Piene Retrospective But we loved her Less Is More Than One Hundred World Images Edelweiss Energiefelder Indian Bicycles (with words texts by Brigitte Borchhardt-Birbaumer, texts by Bettina Steinbrügge, Diedrich from Rirkrit Tiravanija and a texts by Veit Görner, Antonia Lotz, texts by Synne Genzmer, Gregory L. Wilding, texts by Otto Piene, Philipp Ziegler Alexandra Hennig, Susanne Längle, Diederichsen, Patricia MacCormack, Maria Hanne Bergius Anne Marsh, Lucas Gehrman Silver Shadow) edited by Andreas Beitin, Peter Weibel, Hans-Peter Wipplinger Fusco, Lucia Farinati, Ian White, Simone edited by Antonia Lotz, Veit Görner Philipp Ziegler Neuenschwander, Mike Sperlinger, Filipa Mike Parr was born in 1945 in edited by Hans-Peter Wipplinger text by Stefan Tasch Ramos, Jutta Koether Ulrike Ottinger belongs to those Sydney, and grew up on a farm which Otto Piene is considered to be one of edited by Hans Dünser, Kunstraum Dornbirn Kiki Kogelnik (1935–1997) is preface by Agnes Husslein, Ursula Blickle pioneers of art cinema who his parents had purchased in the the most important trailblazers of an considered to have held one of the edited by Agnes Husslein-Arco, Bettina 'Relational Aesthetics focuses recognised the possibilities of fi lm Australian hinterland. Right after his interdisciplinary form of multimedia most important international positions Steinbrügge on visitors’ active involvement as a continuation of their work early birth the doctor amputated the lower art based on technology. In 1958 in twentieth-century Austrian art. In part of Parr’s arm without even asking Piene was among the founders of the But we loved her is the fi rst in artworks and on their social on. Her output goes far beyond post-war Vienna, together with people the mother. This was never to be Zero movement in Düsseldorf – one monograph on Ursula Mayer and backgrounds, and provided Jonathan that of a fi lm-maker, however: she such as Rainer and Lassnig, Kogelnik discussed in the family, and he was of the most infl uential avant-garde accompanies her exhibition at the 21er Monk with the starting point for his is an artist, photographer, author was part of the New Abstraction treated as if he had been born with movements of the twentieth century. Haus, Vienna, 13 October, 2013 – 12 conceptual deliberations. What and director. She has been making scene which established an informal just one arm. Mike Parr takes his own For more than 50 years now, Piene, January, 2014, which features the fi lms does it mean when the boundaries fi lm history since the 1970s, and pictorial vocabulary. Moving to identity as a starting point and unfolds who was born in 1928, has worked Gonda (2012) and Pheres (2013), as between art and everyday life start her works have been shown at New York in 1960 and fi lled with a both confrontational and mystical with the natural phenomena of light, well as a 16-mm installation referring to dissolve? And what role does the most important international enthusiasm for the new technologies, artistic language of the radical that air and fi re to create a conciliatory to Michael Snow’s Two Sides to Every politically incorrect behaviour play festivals and have won numerous she started to move in Warhol and revolves around the psycho-social symbiosis of man, technology and Story from 1974. Both Gonda and in this context? Sourced in India, prizes. Her artistic work caused a Lichtenstein’s circles, developing her dimensions of the self and the nature. The combination of art Pheres, conceived by Ursula Mayer as bicycles assembled locally form the sensation at the Biennale di Venezia own form of pop art – her 'space art' – community, subjectivity and memory, and science through which art is a criticism of a globalised consumer coordinates, together with a work (1980), documenta 11 (2002) and where she lent expression to her own the issue of human existence and its assigned a socially relevant and society and its mainstream culture, appropriated by Rirkrit Tiravanija, and the 3rd Berlin Biennale (2004). This not uncritical fascination with space control. Mike Parr relies on shock, political dimension was typical of his defy facile consumption through a Rolls-Royce dating from the 1960s. catalogue accompanies the exhibition travel. This catalogue shows her pain, disgust, and taboo to activate the many years acting as Director of the their fragmented narrative structure During this exhibition one bicycle is at kestnergesellschaft in Hannover, varied and diverse oeuvre producing public and to stimulate it to discuss renowned Center for Advanced Visual and idiosyncratic cinematographic removed from the installation daily 22 February – 20 May 2013. The a kaleidoscope of visual worlds: from issues of art and ethics. Included is an Studies (CAVS) at MIT in Boston, language. The two fi lms fi nd their and placed at a different point in various aspects of her œuvre – fi lm, little known graphic art, abstract interview by Gerald A. Matt with Mike which thanks to Piene’s efforts from synthesis in the 16-mm dual projection Dornbirn, where anybody is free to opera and theatre directing, stage informal compositions and pop art Parr. Published to accompany the 1974 to 1994 emerged as one of produced for the 21er Haus. In the take it away with them. In this way, design, photography and ritual objects infl uenced painting to sculptural exhibition at Kunsthalle Vienna, the leading centres for arts and sense of Michael Snow’s principles the sculpture is taken apart piece by inspired by her travels – all fl ow into vinyl 'Hangings' and to the groups 7 November 2012 – 24 February technology. This catalogue appears of object and experience quality, they piece, dissolving in the infrastructure a large-scale installation extending of works from the 1980s and ’90s 2013. on the occasion of the exhibition form a perfect equilibrium whose of Dornbirn.' (Stefan Tasch) Published through several spaces. For the fi rst which are characterised by increasing Energiefelder at ZKM | Museum für results nevertheless remain open and to accompany the exhibition at time this catalogue comprehensively Verlag für moderne bodily fragmentation and abstraction. Neue Kunst. in which the boundary between reality Kunstraum Dornbirn, 21 June – documents Ulrike Ottinger's Kunst Nürnberg £38.00 Published to accompany the exhibition 18 August 2013. exhibitions from the 1960s up to the ISBN 9783869843926 at Kunsthalle Krems, 14 July – and pictorial representation seems Verlag für moderne to dissolve. present. softback 216 pages Kunst Nürnberg £19.00 6 October 2013. Verlag für moderne illustrated in colour and b&w Kunst Nürnberg £17.00 Verlag für moderne ISBN 9783869844206 Verlag für moderne 280 x 210 mm Verlag für moderne ISBN 9783869844640 Kunst Nürnberg £33.00 softback 132 pages Kunst Nürnberg £36.00 Kunst Nürnberg £38.00 softback 60 pages ISBN 9783869844251 illustrated in colour ISBN 9783869844794 ISBN 9783869844558 illustrated in colour hardback 144 pages 240 x 165 mm softback 164 pages hardback 192 pages 300 x 210 mm illustrated in colour English and German text 200 colour, 20 b&w illustrations illustrated in colour English and German text 285 x 223 mm 240 x 195 mm 250 x 215 mm English and German text English and German text

40/41 Verlag für moderne Kunst Nürnberg Parasol unit continued distributed by Cornerhouse world-wide

Mel Ramos: New Prints re.act.feminism #2 Wiebke Siem Tal R Wagner in der Schweiz Merlin James Catalogue raisonné a performing archive Works 1983–2013 Egyptian Boy Antoine Wagner of original prints texts by John Yau, David Cohen, Roger White, texts by Kathrin Becker, Matthias Danbold, texts by Penelope Curtis, Melitta Kliege, texts by Michael Birkett, Andy Sommer, Antoine Suzanne Hudson, Ara Merjian, Aidan Dunne, Eleonora Fabiao, Bettina Knaup, Laurence Hanne Loreck, Angelika Nollert Tal R is among the most signifi cant Wagner, Robert Wilson Barray Schwabsky In his works Mel Ramos combines Rassel & Linda Valdes, Angelika Richter, edited by Angelika Nollert, Melitta Kliege contemporary artists. Since the edited by and interview with the artist by Pin-Ups with consumer goods – such Rebecca Schneider 1990s, his versatile oeuvre has drawn Antoine Wagner, Richard Wagner’s Ziba Ardalan as a model on a pack of Life Savers edited by Beatrice Ellen Stammer, Bettina enormous attention internationally. great-great-grandson, goes on the This publication by Wiebke Siem Born in Cardiff, Wales in 1960, James with the striking title Five Flavour Knaup His techniques include painting, trail of his world-famous ancestor illustrates the Berlin object artist’s studied and practised in London for Frieda (sculpture from 2010). Thus, collage, illustration, sculpture, object- in Switzerland. The photographs re.act.feminism #2: a performing development from her early works a number of years before moving the woman becomes a branding, an making, and installation. He often taken by Antoine Wagner afford archive is a multi-annual performance until the present day. The numerous to Glasgow where he now lives object of desire. The focus is on the uses elements from popular culture us a glimpse of how the Swiss and exhibition project that has been examples range from series where and works. Merlin James' enigmatic masculine perspective on the female – music, comic book aesthetics, Alps particularly, a place where the travelling through Europe since 2011, the artist translated objects like toys, paintings are wide ranging in gender which serves as an object TV and old video game graphics – composer indulged his passion for and shows at the Akademie der wigs, hats or bags into abstract character. They may include images of of pleasure. The artist continues to collaging them into an extraordinary rambling during his two stays in Künste, Berlin, 22 June – 18 August objects made from wood or fabric, to our environment – rooms, buildings, remain faithful to this concept in his and complex imagery. In doing so, the region, exerted a considerable 2013. The core of the exhibition is her ‘replicas’ that stem from the form distant landscapes, sea and sky – or latest works. Published to accompany he recycles traditional techniques effect on his operatic works. This a mobile archive that contains more vocabulary of traditional furniture or of fi gures and objects. They may also the exhibition Mel Ramos: Drawings, and visual forms, transforms various young photographer and fi lmmaker than 250 videos, photographs and costumes. Furthermore these objects be abstract, or obscure in what they Prints & Multiples at Ernst Hilger styles and contexts, and integrates also sees nature as a powerful other documents of gender-orientated, are developed into works where the represent. While sometimes seeming Gallery, Vienna, 28 August – 12 them into his work. Egyptian Boy is a source of inspiration. In it, he sees a feminist and queer performance artist resorts to childhood impressions slight or rough in execution, and often October 2013. limited edition artist's book that is an common denominator for values and art. This transnational and cross- and fantasies, creating spaces with a modest in scale, James' compositions exact copy of a notebook Tal R has dreams that we all share and that are Verlag für moderne generational project includes works true psychological quality from used are intensely invested orchestrations been working on for the last three necessary for all creative work. In Kunst Nürnberg £32.00 from the 1960s until the early 1980s furniture and inhabited by impish of colour, texture and form, giving a years. The Egyptian Boy is dealing this jubilee year with its outstanding ISBN 9783869844701 and more recently from Eastern and creatures. Siem's work asks questions rich and complex viewing experience. softback 200 pages with the body broken down into bits celebrations, these new photographs Western Europe, the Mediterranean regarding societal roles while always Featuring an engaging interview illustrated in colour and pieces; nose, feet, knees, hips, by Wagner’s descendent honour his and the Middle East, the USA and making references to the history of art. between Merlin James and curator, 300 x 230 mm genitals, throat, arm and so forth. The forebear in a very special way. several Latin American countries. Ziba Ardalan, this publication includes English and German text Verlag für moderne body being one for a second and then Kunst Nürnberg £22.00 Verlag für moderne several previously published critical Verlag für moderne broken for a thousand seconds. ISBN 9783869844329 Kunst Nürnberg £34.00 articles on James’ work offering a Kunst Nürnberg £35.00 ISBN 9783869844572 softback 112 pages Verlag für moderne thorough review of the artist’s career. ISBN 9783869844602 hardback 144 pages illustrated in colour Kunst Nürnberg £29.00 softback 300 pages tbc 120 colour and b&w illustrations Published to accompany the exhibition 290 x 210 mm ISBN 9783903348035 120 colour illustrations 240 x 295 mm at Parasol unit, London, 6 June – English and German text softback 60 pages 230 x 160 mm English, French and German text 10 August 2013. 60 colour illustrations 210 x 165 mm Parasol unit £34.00 ISBN 9780956024794 hardback 76 pages 47 colour illustrations 280 x 215 mm

42/43 Research Group for Artists Publications richter|fey verlag distributed by Cornerhouse world-wide distributed by Cornerhouse in the UK

Behind the Eyes Rebecca Fortnum Giovanni Anselmo Luciano Fabro Candida Höfer Ed Ruscha Making Pictures Self Contained 100 Disegni / Designs Düsseldorf Books and Paintings text by Dieter Schwarz artists: Beth Harland, Donal Moloney, Jim texts by Maria Walsh, Graham Music, Louisa text by Dieter Schwarz texts by Lothar Baumgarten, Benjamin text by Armin Zweite Threapleton, Johanna Love, Kate Hawkins, Minkin, Rebecca Fortnum There is hardly an artist who so Buchloh, Fanni Fetzer, Friedrich Wolfram Lindsey Adams, Marc Hulson, Marius Von impressively embodies the concept A member of the Arte Povera group, Heubach, Gabriele Hofer-Hagenauer, Candida The oeuvre of the American artist Ed Brasch, Nina Pancheva-Kirkova, Paul Self Contained brings together of Arte Povera like Govanni Anselmo. Luciano Fabro used simple materials Höfer, Erika Krugel, Gunda Luyken, Michael Ruscha is diffi cult to categorise. On Goodfellow, Rachel Sharp, Rebecca Fortnum several strands of artist Rebecca from everyday life in his sculptural Oppitz, Friedemann von Stockhausen, the one hand, his early depictions The media he uses for his works Beat Wismer text and edited by Beth Harland Fortnum’s recent work on the are spare. At the same time they works as well as valuable classical of company logos, gas stations and formation of identity and the power of material such as marble, bronze or edited by Beat Wismer, Gunda Luyken department stores are attributed to Twelve artists refl ect on their speak of a fundamental experience, the gaze. This publication documents that of infusing energy into physical Murano glass. In the same way he Candida Höfer like Andreas Gursky, Pop Art. On the other, based on his relationships with the source material drawings shown at the V&A Museum understood how to join a simple sheet painted word pictures and published for their work, in a wide-ranging matter. Sculpture and material Thomas Ruff and Thomas Struth, of Childhood (2011–12) and works were to Anselmo not suffi cient to of paper, a copper pole or a twine of belongs to the fi rst generation that prints of photographic images, he is discussion of contemporary pictorial installed at the Freud Museum London ivy into delicate, poignant forms and primarily perceived as a conceptual practice. This collection of new works communicate this living experience. graduated from Bernd and Hilla (2013) and contains essays by Maria He therefore created works in make of them a new vocabulary. In the Becher’s photo class at the Arts artist. If his photo series document the and writings explores the processes of Walsh, Graham Music and Louisa formal diversity of his work, drawings popularity of everyday architecture, composition and mediation, entering the most varied media – objects, Academy in Dusseldorf. Following her Minkin as well as by Fortnum herself. drawings, photographs – in which assumed a special status. They were studies, Höfer has kept a respectful the pictures – in which text and image the terrains of image and picture, and 'Fortnum’s meditation on the self for Fabro, as for other artists of his are intersected or superimposed – throwing fresh light on the interplay forces like that of gravity could be distance from the motifs that she hinges on a dichotomy – is there a made sensually perceptible. The generation, a signifi cant conceptual fi nds in her immediate environs or on unmask the banality and the thematic and differences between them. Within secret core self or are we simply a tool. However, he didn’t sell his emptiness of the emblems of the the context of historical and current works shown in this publication her countless trips, whether these ‘cluster of appurtenances’ that fl ow exemplarily illustrate the basic drawings but gave them away, so that are single objects, architectural commercial and advertising world. The debates around the evolving form of into and out of other people and the examples shown in this book have works of painted or overpainted books the picture, from Charles Baudelaire’s elements of his artistic work: his spaces or people. The photographs things?' (Maria Walsh) observation and analysis of natural been unavailable to the public till now. of public spaces almost devoid of and the depictions of old volumes nineteenth-century notion of 'painting Those from the estate of Johannes with empty pages can be seen as Research Group for processes and energies. Published people – interiors, libraries, museums as world', to Jean-François Chevrier’s Gachnang, a close friend of Fabro’s, the artist’s commentary on the book recent discussions of composition Artists Publications £12.00 on the occasion of the exhibition at or entrance halls – are marked by ISBN 9780956902467 Kunstmuseum Winterthur, 26 January as well as the drawings derived from cool objectivity and the precise as a potential carrier of information. and tableau, we discover the ways the artist’s family holdings show At the same time, they point to the in which artists’ strategies of making softback 96 pages – 14 April 2013. capturing of details as well as by the illustrated in colour an astonishing complexity in which transforming systems that organise information overload that today’s become individualised forms of richter|fey verlag £20.00 210 x 152 mm the thoughtful, but also poetic and the architecture. Whereby the use reader is subject to. This title features mediation; we see how artists utilise ISBN 9783941263581 humorous nature of Fabro fi nds Ed Ruscha’s books, photographs and softback 52 pages and incidence of light lends the single the materiality of painting and drawing expression. pictures from the Udo and Anette 35 colour illustrations objects an almost painterly quality, to re-work or re-see their initial visual Brandhorst collection in Munich, and 225 x 300 mm richter|fey verlag £29.00 an indeed magical presence. This sources; and we follow how the introduced here to the public for the English and German text ISBN 9783941263550 publication, of new and older work complex relationship between picture fi rst time. surface and the space of the viewer hardback 152 pages from the past four decades, is devoted is negotiated as the arena for shared 108 colour illustrations to the works that she produced at richter|fey verlag £24.00 300 x 240 mm perception and meanings. sites in Düsseldorf since her time ISBN 9783941263574 at the Arts Academy and especially hardback 70 pages Research Group for Artists Publications / since 2011. 21 colour, 12 b&w illustrations CCW Graduate School £10.00 232 x 290 mm ISBN 9780956902474 richter|fey verlag £29.00 English and German text softback 64 pages ISBN 9783941263628 illustrated in colour and b&w softback pages tbc 240 x 170 mm 120 colour, 35 b&w illustrations tbc 297 x 230 mm

44/45 Ridinghouse distributed by Cornerhouse in the UK and Europe

The Art of Tess Jaray Michael Newman: Selected Nicholas Pope Pedro Reyes Bridget Riley William Scott Writings Volume 1 Sanatorium Operations Manual The Stripe Paintings 1961–2012 1950s Nude Drawings texts by Richard Davey, Alison Wilding, John Artists of the Still and Moving Image texts by Penelope Curtis, Christopher Stezaker, Alister Warman (interview) Townsend, Andrew Sabin, Stephen Feeke texts by Yan Chateigné, Laurent Schmid texts by John Elderfi eld, Paul Moorhouse texts by William Scott, Sarah Whitfi eld (interview) (interview), Alice W. Flaherty (interview) text by Michael Newman For more than fi ve decades, British Amongst the many pictorial devices Celebrated for exploring the space artist Tess Jaray has created paintings edited by Deirdre O’Dwyer British artist Nicholas Pope was Mexican artist Pedro Reyes examines Bridget Riley has deployed over between abstraction and fi guration, and drawings that examine the best known in the 1970s and early and resolves the complexities and her long career the use of stripes William Scott (1913–1989) is best This volume brings together the geometry of pattern, repetition and 1980s for his large-scale sculptures contradictions of modern life in his has been recurring consistently. known for his painting of still-lifes, collected writings of British writer, colour within her surroundings. Jaray made of wood, metal, stone, sheet work, which ranges from sculpture Accompanying the Bridget Riley: landscapes and the female nude. art historian and professor Michael has always focused on producing the lead or chalk. Following his 1980 to TV and short fi lm productions The Stripe Paintings 1961–2012 On the occasion of the centenary of Newman. As both an art historian and illusion of space, using perspective to exhibition representing Britain at to public projects and calls for exhibition at Galerie Max Hetzler in his birth, Karsten Schubert held an critic Newman has written extensively create a fi eld of spatial paradox that the Venice Biennale Pope was political, economical and audience Berlin, 8 June – 18 July 2013, this exhibition of Scott’s nude drawings on contemporary art, focusing in equates to distance and closeness awarded a Cultural Visitor grant participation. Continuing Reyes’ publication documents key paintings from the 1950s. A magnifi cent series particular on the image in its relation in the mind. In many of her works the to Zimbabwe and Tanzania, an interest in ‘re-imagining’ institutions, and studies demonstrating how Riley of nearly abstract drawings, this group to language, the question of how art area of pattern – whether polygons, experience that affected the rest of this publication accompanies the regularly returns to this seemingly represents a period of exploration works manifest themselves, and the waves or rectangles – is contained his life and twisted his artistic practice artist’s ongoing Sanatorium project simple idea and achieves surprising and refi guring for Scott. They also traces and archive of the event. He by a strong, grounding background completely. In a move towards softer, (2011–present). Viewers are and complex results. At the centre of exemplify the artist’s interest in ‘the currently teaches at the School of colour; thereby controlling the more malleable materials such as invited to become a participant in the publication stands a group of new modern magic of space, primitive the Art Institute of Chicago, and is movement of the forms. This situates glass, porcelain, texture, moulded this 'temporary clinic' which offers horizontal stripe paintings which take sex forms, the sensual and erotic, Professor of Art Writing at Goldsmiths her within the tradition of abstract aluminium and ceramics, Pope therapies and short treatments Riley’s ability to animate the entire disconcerting contours, the things of College in the University of London. metaphysical painting begun by began to make abstract works that developed by the artist and visual fi eld to new heights. This unique life.’ In this catalogue, 12 drawings This publication brings together a Malevich a century ago and continued reference complicated themes of intended as a delivery system of and focused publication includes are accompanied by a text by Sarah selection of Newman’s writings since into this century by Agnes Martin. religion, suicide and society. The fi rst placebos. Previously exhibited at the full colour illustrations alongside Whitfi eld and an essay on drawing 1983, featuring artists such as Jeff This fi rst comprehensive monograph comprehensive monograph on the Guggenheim Museum, New York and important new texts by John Elderfi eld by Scott himself. Published on the Wall, John Stezaker, Tacita Dean and features working drawings alongside artist, this publication features over dOCUMENTA (13), Kassel and the and Paul Moorhouse. Published occasion of the exhibition William Steve McQueen. His texts have been a large group of Jaray’s paintings 75 colour illustrations alongside a Whitechapel Gallery, London, the by Ridinghouse in association with Scott: 1950s Nude Drawings at published in exhibition catalogues of enigmatic forms and colours that substantial overview of the work by project aims to recover and modernise Holzwarth Publications and Galerie Karsten Schubert, London, 17 May – for Tate Britain, Lisson Gallery and celebrate the vitality inherent within Penelope Curtis, texts by Christopher the idea of ‘Sociatry’ – a 1930s term Max Hetzler Berlin. 12 July 2013. Gagosian Gallery; in Routledge and archetypal rhythms and patterns. Townsend and Andrew Sabin, and an for the art of healing society – for Reaktion Books; as well as a variety of Ridinghouse £28.00 Ridinghouse £12.95 Published to accompany the exhibition interview with the artist and Stephen twenty-fi rst century urban illnesses art magazines and journals. Feeke. Published to accompany the such as stress, loneliness and hyper- ISBN 9781905464760 ISBN 9781905464753 at Djanogly Art Gallery, Lakeside Arts hardback 86 pages softback 48 pages exhibition at the New Art Centre, stimulation. This publication acts as a Centre, Nottingham, 15 February – Ridinghouse £19.95 31 colour illustrations 17 colour illustrations 27 April 2014. ISBN 9781905464647 Salisbury, November 2013. manual and document of this ongoing 300 x 240 mm 210 x 160 mm softback tbc project, including over 50 images Ridinghouse £28.00 English and German text Ridinghouse / Djanogly Art other details tbc and an interview with the artist and ISBN 9781905464777 Gallery £28.00 tbc February 2014 Professor Laurent Schmid. ISBN 9781905464807 softback pages tbc hardback 256 pages 150 colour illustrations tbc Ridinghouse / Geneva University 185 colour illustrations tbc 270 x 225 mm of Art and Design £19.95 294 x 252 mm November 2013 ISBN 9781905464791 February 2014 spiral bound 208 pages 50 colour illustrations 232 x 149 mm

46/47 Sainsbury Centre Ridinghouse for Visual Arts Spike Island continued distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide

Jo Spence Talking Art 1 Paul Winstanley Masterpieces Haroon Mirza Spring Rain The Final Project Art Monthly interviews Art School Art and East Anglia /|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/| Becky Beasley with artists since 1976 A User’s Manual texts by Terry Dennett, Clarissa Jacob, Amy texts by Jon Thompson, Maria Fusco (interview) texts by Paul Greenhalgh, Ian Collins texts by Parveen Adams, Becky Beasley, Tobin, Jo Spence, Philomena Epps Laurence Sterne, Bernard Malamud introduction by Iwona Blazwick edited by Ian Collins texts by Ben Borthwick, Giovanni Carmine, Engaging in the ongoing discussion David Toop, Helen Legg, Marie-Anne McQuay edited by Louisa Lee edited by Andrew Wilson, Patricia Bickers British artist Becky Beasley explores of the role of arts education, Paul The story told by Masterpieces: Art edited by Helen Legg relationships between photography Iconic British artist Jo Spence’s last Winstanley documented the The second edition of this and East Anglia is a revelation. The and objects, the body and interiority in body of work, The Final Project, undergraduate studio spaces of over /|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/| A User’s Manual indispensable collection, Talking Art, stunning legacy of the Romans and a way that is highly subjective and yet explores the acute sense of unreality 50 art colleges and universities across has been published to accompany a is now available in a more portable Anglo-Saxons is well known; the developed through deep immersion the artist felt about the possibility the United Kingdom. These rough series of exhibitions by artist Haroon format. This popular collection of the region has an immensely rich and in the thoughts and methods of of death and non-being after her and ready, nearly neutral spaces Mirza at Camden Arts Centre, Spike best of Art Monthly's interviews since high-profi le heritage of ecclesiastical other artists and writers. Literature is diagnosis with leukaemia in 1991. are photographed as found, empty Island, Kunst Halle Sankt Gallen the magazine's inception in the early art and architecture, and East Anglia particularly generative for the artist, Unable to use treatments from her between school years. Collectively and MIMA between 2011 and 2013. 1970s, provides a supplementary has a long tradition of producing, providing her own work with a place previous battle with breast cancer, the works highlight the abstraction Conceived of as a manual to the history of twentieth century art from inspiring and nurturing great artists to start from and to journey into. Spence confronted the distinct of the interior with their temporary artist’s work it features drawings, over 150 perspectives through – from Constable and Gainsborough Spring Rain is an artist’s book and contrast between her physical white walls, paint stains, neutral installation photographs, diagrams discussions between artists and to Munnings, Cotman and Crome. the title is taken from a short story appearance and mental state fl oors and from time to time, rickety and code. The book refl ects Mirza’s critics. Many leading practitioners But Ian Collins here takes a much by Jewish American writer Bernard by looking for more indirect and furniture and, for the most part, open ongoing exploration of acoustic have been interviewed, often at broader view. Alongside celebrated Malamud (1914–1986), reprinted allegorical methods of exploring her spaces. Amazingly all of these spaces experience. Mirza integrates functional highly signifi cant moments in their masterpieces by painters and here. A minimal tale of the ambiguities condition. Returning to previously are similar, dull, sterile, yet they are circuitry and minimal aesthetics, careers. The interviews provide sculptors, ceramicists and goldsmiths of everyday human relations, of things explored territories of magical realism intended to foster intense creativity. creating spatial environments in the most immediate access to an are exceptional works by shawl- unsaid or unsayable, the story opens and motifs from other cultures, she Moving through the book it is diffi cult which the aural and the visual are fully artist's thought processes and offer makers and silk-weavers, by engravers onto concerns that lie at the heart of created a hybrid body of work she to distinguish one school from another integrated. Operating as a composer, compelling narratives of the changing and chair-makers, by stained-glass Beasley’s practice. The book also entitled PhotoFantasy. These images and they together almost form a new Mirza frequently collaborates with creative process. The artist interview artists and photographers, by product features installation images, an extract used a mixture of allegorical props school. Over 200 full colour images other artists, designers and musicians, has occupied an important position in designers and engineers. Each work, from Laurence Sterne’s The Life alongside a photo-montage effect, are accompanied by a text by Jon or makes use of existing works as Art Monthly since its fi rst issue, and as revealed in a short essay by an and Opinions of Tristram Shandy, resulting in a visual language quite Thompson and an interview between component parts of his own. The the book was fi rst published as part expert in the fi eld, is a masterpiece Gentleman, alongside the artist’s own different from Spence’s previous the artist and Maria Fusco. publication features texts by Ben of the magazine's 30th anniversary in its own right. Published alongside writings and a critical text by Parveen works. This publication presents a celebrations. The re-release of this an exhibition at Sainsbury Centre for Borthwick, Giovanni Carmine, David Ridinghouse £29.95 Adams. Published on the occasion compilation of this work alongside Toop, Helen Legg and Marie-Anne successful collection will be followed ISBN 9781905464784 Visual Arts, 14 September 2013 – of the exhibition Spring Rain at Spike unpublished writings and notes by the McQuay and an introduction by by the publication of Talking Art 2, in hardback tbc pages tbc 24 February 2014. Island, 26 January 2013 – 31 March artist as well as texts by Terry Dennett, 2014. 200 colour illustrations tbc the artist, plus schematic diagrams Sainsbury Centre for Visual Arts £35.00 2013, and Leeds City Art Gallery, 11 Clarissa Jacob, Philomena Epps and November 2013 produced in collaboration with the ISBN 9780946009633 July – 22 September 2013. Amy Tobin. Ridinghouse / Art Monthly £19.95 designer Joe Gilmore. ISBN 9781905464562 hardback £35.00 Spike Island £15.00 Ridinghouse £14.95 softback 592 pages ISBN 9780946009626 Spike Island £18.00 ISBN 9780955754043 ISBN 9781905464814 216 x 144 mm softback £25.00 ISBN 9780957449008 softback 32 pages softback 96 pages 288 pages hardback 88 pages illustrated in colour and b&w 64 colour illustrations 300 colour and b&w illustrations 36 colour 1 b&w illustrations 280 x 250 mm 270 x 225 mm 280 x 255 mm 275 x 200 mm available to customers in the UK

48/49 Stour Valley Arts Stuart Shave Modern Art Recent Highlights distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide

Matt Collishaw Misdirect Movies Nigel Henderson & Edward Chell Holly Story Ricky Swallow Eduardo Paolozzi Eclipse Make Believe Bronzes Blain|Southern £38.00 Cornerhouse £15.00 Hammer Prints Ltd. 1954–75 ISBN 9780956990471 ISBN 9780956957153 texts by Jenny Uglow, Edward Chell, Dan texts by Robert MacFarlane, Dan Howard-Birt, text by Michael Ned Holte Firstsite £29.95 Howard-Birt Lucy Medhurst ISBN 9780948252365 edited by Dan Howard-Birt, Emma Brooker edited by Dan Howard-Birt, Holly Story Ricky Swallow is known for intricately and attentively crafted sculptural Eclipse is an ongoing series of Australian artist Holly Story undertook works, often combining contemporary silhouette portrait paintings of plants a residency in King’s Wood, Kent imagery with art historical references, found commonly in places as diverse in 2011 where she created woven and the traditional notion of nature as managed woodlands and motorway forms in spent plant matter. This book morte. His current bronze works verges, throughout Britain. This artist’s records these works juxtaposed with extend this practice while refl ecting book-cum-botanical guide includes photographs by Nigel Green of dens the more recent infl uences of 40 illustrations from Chell’s series, built by children throughout the forest. twentieth century design, studio documenting this major body of work In specially commissioned texts, Dan ceramics and the inventiveness of whilst also serving as a handy guide Howard-Birt suggests an irrational folk art. This new publication surveys for amateur plant-spotters. This book way of seeing the natural world Ricky Swallow's ongoing body of includes a new essay by Jenny Uglow implicit in these process-led sculptural bronze sculpture made since 2010, scrutinising the history and continuing objects, Robert Macfarlane discusses and features an essay by Michael Ned signifi cance of the silhouette form, and a ubiquitous desire to build and so Holte. Designed by A Practice for Working Together Grayson Perry Ronan & Erwan Bouroullec an interview with Chell unpicking his transform a woodland environment, Everyday Life. Notes on British Film Collectives The Vanity of Small Differences Drawing obsession with plants that thrive both and Lucy Medhurst explores making Stuart Shave Modern Art / in the 1970s in conventional and unconventional though the lens of kinaesthetic Darren Knight Gallery £30.00 Hayward Publishing £17.99 JRP|Ringier £20.00 landscape places learning. ISBN 9780956798817 Focal Point Gallery £15.00 ISBN 9781853323157 ISBN 9783037643198 ISBN 9781907185052 Stour Valley Arts £14.00 Stour Valley Arts £10.00 hardback 112 pages ISBN 9780955871979 ISBN 9780955871962 96 colour illustrations hardback 108 pages softback 32 pages 285 x 210 mm 44 colour, 6 b&w illustrations 15 colour illustrations 210 x 165 mm 195 x 165 mm

Roni Horn Clive Phillpot Imperial Pomp 153 Drawings Booktrek Post Soviet Highrise

JRP|Ringier £47.00 JRP|Ringier £15.00 Kerber Verlag £41.50 ISBN 9783037643051 ISBN 9783037642078 ISBN 9783866787988

50/51 Recent Highlights INDEX TO NEW AND FORTHCOMING TITLES All That is Solid Melts into Air: Jeremy Deller 5 Nancy Holt and Robert Smithson: England Djordje Ozbolt 15 and Wales 1969 9 Kai Althoff: Souffl euse der Isolation 9 Mike Parr: Edelweiss 41 Hot Spot Istanbul 12 Carlos Amorales: Germinal 9 Elizabeth Peyton: Here She Comes Now 31 How to Let an Artist Rifl e Through Your Archive: Hurvin Anderson: Reporting Back 7 Gianni Piacentino 15 Neil Lebeter / Rob & Roberta Smith 36 Giovanni Anselmo 44 Otto Piene: Energiefelder 41 Catrin Huber: Fictional Spaces 1 AR – Artistic Research 22 Nicholas Pope 46 Ice Lab: New Architecture and Science in Antarctica 3 The Art of Tess Jaray 46 Mel Ramos: New Prints – Catalogue raisonné i exist (in some way) 2 of original prints 42 Atelier Bow-Wow: A Primer 23 Merlin James 43 re.act.feminism #2: a performing archive 42 Jo Baer 23 Ilya Kabakov: Catalogue Raisonné Reversed Fiction and Other Means of Memory: Zbynek Baladran / Jiri Kovanda: The Nervous System 10 Paintings 2008–2013 19 Antonia Low 3 Thomas Bayrle: All-in-one 23 KINO DER KUNST / CINEMA OF ART 27 Pedro Reyes: Sanatorium Operations Manual 47 Becoming a Bauhaus Artist Kiki Kogelnik: Retrospective 40 Bridget Riley: The Stripe Paintings 1961–2012 47 Lyonel Feininger, Woodcuts 19 Fritz Köthe 20 Ed Ruscha: Books and Paintings 45 Behind the Eyes: Making Pictures 44 Vered Lahav: The Garden 35 Marcel Duchamp Sound in Z Sarah Lucas Denis Savary 15 Joseph Beuys: Zeichnungen / Drawings 17 The Afternoon Interviews Experiments in sound and After 2005, Before 2012 The last known pose: Essays and refl ections on the works of Qasim Riza Shaheen 3 William Scott: 1950s Nude Drawings 47 electronic music in early Alexandra Bircken: Rektusdiastase 24 Pierrette Bloch 10 The Legacy of Hilma af Klint: Nine Contemporary Elfi e Semotan 31 Verlag der Buchhandlung 20th-century Russia Verlag der Buchhandlung Responses 28 Walther König £14.50 Walther König £48.00 Bloomberg New Contemporaries 2013 37 Senza Titolo: Jonathan Monk 34 Jochen Lempert: Phenotype 28 ISBN 9781936440399 Verlag der Buchhandlung ISBN 9783863351823 Pablo Bronstein: Gilded Keyholes 24 Wiebke Siem: Works 1983–2013 42 Jérôme Leuba: Battlefi eld 13 Walther König £24.00 La broyeuse de chocolat 38 Dayanita Singh: Go Away Closer 6 ISBN 9783865607065 Linder: Woman / Object 28 Capitalist Realism? 50 Years Living with Pop 24 Soft Estate: Edward Chell 2 Richard Long: Prints 1970–2013 29 Paul Chan: On Democracy by Saddam Hussein 25 Sokov: Sculpture / Painting / Objects / Magiciens de la Terre 1989: Making Art Global (part 2) Installations / Documents / Articles 22 Edward Chell: Eclipse 50 Exhibition Histories Volume 4 29 Jo Spence: The Final Project 48 Billy Childish 25 Piero Manzoni: When Bodies Became Art 20 Spring Rain: Becky Beasley 49 China Megacity: Christian Höhn 38 Helen Marten 13 Simon Starling: Black Drop – Ciné-roman 31 Guy de Cointet: Tempo rubato 25 Masterpieces: Art and East Anglia 49 Holly Story: Make Believe 50 CONSCIOUS – UNCONSCIOUS – Takesada Matsutani: A Matrix 13 IN AND OUT THE REALITY CHECK 36 Sturtevant: Finite Infi nitie 32 Ursula Mayer: But we loved her 40 Michael Craig-Martin: Less is still more 18 Ricky Swallow: Bronzes 50 Anthony McCall: 1970s Works on Paper 29 Martin Creed 6 The Swiss Institute Experience 16 Paul McCarthy / Damon McCarthy: Rebel Dabble Josef Dabernig: Panorama 18 Babble 14 Alina Szapocznikow: From Drawing Into Sculpture 32 Dexter Dalwood 38 Ana Mendieta: Traces 6 Talking Art 1: Art Monthly interviews with artists since 1976 48 Deep Feelings: From Antiquity to Now 39 Haroon Mirza: |/|/|/|/|/|/|/|/|/|/|/|/|/|/|/| Carmen Herrera Raqib Shaw Memory of Fire Jay DeFeo: Chiaroscuro 10 A User's Manual 49 Tal R: Egyptian Boy 43 Jeremy Deller: English Magic 2 Martin Mlecko: Les Choses De La Vie / Keiichi Tanaami: Killer Joe's 32 Works on Paper 2010–2012 Images of War and the The Things of Life 20 Manchester Art Gallery £19.99 Jeff Derksen: After Euphoria 11 Tapa: Barkcloth Paintings from the Pacifi c 8 War of Images Le Mois de la Photo à Montréal: Drone Lisson Gallery £30.00 ISBN 9780901673831 Philip-Lorca diCorcia 18 The Automated Image 21 Cheyney Thompson: metric, pedestal, cabengo, landlord, récit 33 ISBN 9780947830397 Photoworks £19.95 Drawing Time Reading Time / Marking Language 4 Moments: A History of Performance in 10 Acts 30 ISBN 9781903796498 Milly Thompson: Savoir Faire 4 Marcel Duchamp: Pharmacie 39 Jonathan Monk: Less Is More Than One Hundred Indian Bicycles (with words from Rirkrit Tiravanija Mungo Thompson / Michael Webster: Crickets 16 Ecart (1969–1980) 11 and a Silver Shadow) 40 Gert and Uwe Tobias 22 Latifa Echakhch 11 Francois Morellet: Blow-up / Oceania Tapas 7 UNSEEN: Willie Doherty 35 Friedrich Einhoff: Dunkelkammer / Darkroom 19 Mortality: Death and the Imagination 35 Xavier Veilhan: Rays 16 Engadin Art Talks 12 Robby Müller: Cinematography 14 Bill Viola: Frustrated Actions and Futile Gestures 1 Everything Loose Will Land: 1970s Art The Nature of the Beast 37 and Architecture in Los Angeles 39 Tris Vonna-Michell: Capitol Complex / Ulterior Vistas 5 Michael Newman: Selected Writings Volume 1 Luciano Fabro: 100 Disegni / Designs 45 Wagner in der Schweiz: Antoine Wagner 43 Artists of the Still and Moving Image 46 Geoffrey Farmer: Let's make the water turn black 12 Wait and See: f&d cartier 4 Notes on The Magic of the State 34 Urs Fischer 26 WALK ON: From Richard Long to Janet Cardiff Timur Novikov 7 40 Years of Art Walking 1 Peter Fischli & David Weiss 26 Albert Oehlen: Malerei / Painting – Artist’s Book Rebecca Fortnum: Self Contained 44 by Heimo Zobernig 30 Lawrence Weiner: The Grace of a Gesture 33 Welcome to Iraq: The Iraq Pavilion Andrea Fraser: Texts, Scripts, Transcripts 26 Of the Subcontract: Or Principles of Poetic Right 8 Venice Biennale 2013 8 Encounters 2 Anya Gallaccio Richard Patterson From the World Ash to the Goethe Oak: Ged Quinn 37 THE OPÉRA: Annual Magazine For Classic & Franz West: Where is my Eight? 33 Architectural Essays Sou Fujimoto: Serpentine Gallery Pavilion 2013 27 Contemporary Nude Photography Volume II 21 Paul Winstanley: Art School 48 Ridinghouse £28.00 Ridinghouse £29.95 Joe Fyfe 5 Meret Oppenheim: Mirrors of the Mind 21 Rakennustieto Publishing £40.00 ISBN 9781905464609 ISBN 9781905464401 Rachel Harrison: Fake Titel 27 Gabriel Orozco: Natural Motion 30 Yang Fudong 17 ISBN 9789522670205 Heckle 36 Ulrike Ottinger: World Images 41 Carey Young: Subject to contract 17 Candida Höfer: Düsseldorf 45 Robert Overby: 336 to 1 August 1973 14 Heimo Zobernig: Sculpture Painting Space 34 52 Cornerhouse Publications 70 Oxford Street, Manchester M1 5NH England tel +44 (0)161 200 1503 fax +44 (0)161 200 1504 [email protected] www.cornerhouse.org/books

Contemporary Visual Arts and Photography

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