Dexter Dalwood
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Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
Conrad Shawcross
CONRAD SHAWCROSS Born 1977 in London, UK Lives and works in London, UK Education 2001 MFA, Slade School of Art, University College, London, UK 1999 BA (Hons), Fine Art, Ruskin School of Art, Oxford, UK 1996 Foundation, Chelsea School of Art, London, UK Permanent Commissions 2022 Manifold 5:4, Crossrail Art Programme, Liverpool Street station, Elizabeth line, London, UK 2020 Schism Pavilion, Château la Coste, Le Puy-Sainte-Réparade, France Pioneering Places, Ramsgate Royal Harbour, Ramsgate, UK 2019 Bicameral, Chelsea Barracks, curated by Futurecity, London, UK 2018 Exploded Paradigm, Comcast Technology Centre, Philadelphia, USA 2017 Beijing Canopy, Guo Rui Square, Beijing, China 2016 The Optic Cloak, The Energy Centre Greenwich Peninsula, curated by Futurecity, London, UK Paradigm, Francis Crick Institute, curated by Artwise, London, UK 2015 Three Perpetual Chords, Dulwich Park, curated and managed by the Contemporary Art Society for Southwark Council, London, UK 2012 Canopy Study, 123 Victoria Street, London, UK 2010 Fraction (9:8), Sadler Building, Oxford Science Park, curated and managed by Modus Operandi, Oxford, UK 2009 Axiom (Tower), Ministry of Justice, London, UK 2007 Space Trumpet, Unilever House, London, UK Solo Exhibitions 2020 Conrad Shawcross, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK Escalations, Château la Coste, Le Puy-Sainte-Réparade, France Celebrating 800 years of Spirit and Endeavour, Salisbury Cathedral, Salisbury, -
Club Wembley • Saatchi Gallery • Imperial War Museum • Twickenham Stadium • the Mob Museum • Racecourse Catering
Club wembley • saatchi gallery • imperial war museum • twickenham stadium • the mob museum • racecourse catering NOV/DEC 2018 The national stadium introduces new F&B concepts on its hospitality level – Club Wembley NOV /DEC 2018 @SLCMAG SPORTANDLEISURECATERING.CO.UK FROM THE EDITOR 003 Publishing PUBLISHED BY: H2O Publishing, Joynes House, New Road, Gravesend, Kent DA11 0AJ TEL: 0345 500 6008 ONLINE: @SLCMag sportandleisurecatering.co.uk A change EDITOR: Joe Bill [email protected] EDITORIAL DIRECTOR: Tristan O’Hana of scene [email protected] With the much-anticipated launch of TIVOLI – the new-age cinema, drinking and dining concept – in the offing next year and Virgin Voyages releasing FEATURES WRITER: Esther Anyakwo images of its weird and wonderful F&B aboard the Scarlet Lady cruise liner, [email protected] there is an evolution upon us. The way classic hospitality spaces are being rethought and re-energised DIRECTOR: Dan Hillman is fuelling a change of mindset in how we view the unorthodox. Nowhere is [email protected] now off-limits. Unused, unusual spaces have become sought-after. TEL: 07833248788 A few years ago, would you have thought you’d be playing mini-golf DIRECTOR: indoors while sipping cocktails? Or having a private dinner on the London Marc Sumner Eye? The quest to utilise each space available to its full potential has seen [email protected] some of the UK’s most recognisable leisure and educational institutions do TEL: 07730217747 just that. DIVISIONAL DIRECTOR: In this issue we head to the Saatchi Gallery in west London to hear about Rob Molinari the lengths it goes in creating immersive culinary experiences for its clients [email protected] TEL: 07850797252 (page 18). -
2019/20 Exhibitions
2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon -
Government Art Collection Annual Report 2015-2016
Annual Report 2015-2016 Contents 2 3 Director’s Report 8 Acquisitions 15 List of works lent to public exhibitions 17 List of long-term loans outside Government 23 Advisory Committee members 24 GAC staff Cover Image: Andy Goldsworthy working on the re-installation of Slate Cone at the British Embassy, Copenhagen Director’s Report 3 This year has been another busy one for the Government Art Collection (GAC) with a wide range of activities and events. We continue to emphasise the broader diplomatic function that art can play by selecting works that link Britain with the rest of the world in embassies and diplomatic buildings abroad, which this year included Copenhagen, Cairo and Moscow. Acquisitions Outset/Government Art Collection Fund This year saw the establishment of a new partnership, the Outset/ Government Art Collection Fund. Founded in 2003, Outset is an independent international organisation that supports new art within the public arena through private funding. The aim of the Fund is to add 12 important new works of art to the Collection over three years. The first work given to the GAC as a result of the Fund was a large-scale photograph by Isaac Julien, followed by an acrylic painting on vintage textile by Shezad Dawood. Aside from the Outset/GAC Fund acquisitions, other new works were acquired, including an abstract painting by the late Jon Thompson, an oil painting by Dexter Dalwood and a portfolio of 20 prints including Gillian Ayres, Gordon Cheung and Howard Hodgkin. We also purchased a rare historical portrait of King Henry VIII by an Unknown 16th-Century Anglo-Flemish artist. -
Jarman a Photo
Angela Jarman Curriculum Vitae Born 1971, London, England 1990-1993 West Surrey College of Art & Design, Farnham, BA (Hons) Glass 1993-1995 Assistant to Colin Reid, Gloucestershire 1995-2000 Assistant to Tessa Clegg and Diana Hobson, London 1999-2001 Royal College of Art, London, MA Glass Working in London Childhood influences permeate Angela Jarman’s work; influences such as nature trails and television programmes, garden ponds and the mini-ecosystems illuminated by the microscope in biology class. Her interest in Freud’s “uncanny” is also very evident as she explores “…ideas relating to feelings invoked in the viewer”…to…”create pieces which have a sense of beauty, but which also have a quality about them which makes them slightly strange and disturbing, a lurking sense of unease, something uncomfortably sinister.” Using the lost wax casting technique, Angela creates sculpture in mainly colourless glass, including black, which she views as the ultimate absence of colour. Having established her vocabulary of form, she now incorporates metal elements into her sculptures, which highlight their petrified organicness. Angela Jarman -2- Selected Exhibitions 2017 Adrian Sassoon, Salon of Art & Design, New York, USA Adrian Sassoon, Pavilion of Art & Design London, London Adrian Sassoon, Masterpiece London, The Royal Hospital Chelsea, London Adrian Sassoon, TEFAF Maastricht, The Netherlands 2016 Adrian Sassoon, Salon of Art & Design, New York, USA Adrian Sassoon, Pavilion of Art & Design London, London Adrian Sassoon, Masterpiece London, The -
Culture Whisper: Pangaea II: New Art from Africa and Latin America, Saatchi Gallery 25.03.15 12:12
Culture Whisper: Pangaea II: New Art from Africa and Latin America, Saatchi Gallery 25.03.15 12:12 Your bespoke planner for London life and arts How it works Who we are Membership Log in Visual Arts Pangaea II, Saatchi Gallery ★★★★★ SHOW ME MY LONDON A little more... Did you know? Armand Boua Foule D’Enfants 2014 Tar and acrylic on board 190 x 247 cm Image courtesy of the Saatchi Gallery, London Charles Saatchi, the dealer responsible for launching the YBA artists, was 26 when he bought his first work, a piece by the New Saatchi Gallery York minimalist Sol LeWitt. 11 Mar 2015 – 06 Sep 2015, 10:00 AM – 6:00 PM Share: REVIEW: Pangaea II exhibition at the Saatchi Gallery unites exciting contemporary talents from Africa and Latin America WE RECOMMEND NEARBY Pangaea II Saatchi review When the Saatchi Gallery, Duke of York Square, welcomed its exhibition of emerging African and GALLERY MESS Latin American art, Pangaea I last year, it was met with predictable nods from the contemporary art community. Everything art dealer Charles Saatchi touches turns to gold. The Saatchi's beautifully airy and comfortably chic onsite restaurant offers a Now it's time for a second instalment, Pangea II. Gone are the enormous crawling ants and instead, range of seasonal dishes from 10:00 - round two of the Pangaea spectacle begins with Jean-François Boclé's 97,000 blue plastic bags. 23:30 (Mon- Sat). Feeding into the fashion Everything Must Go! (2014) kicks off the Saatchi Pangaea II exhibition with an entertaining for reinventing British classics, we've had punch. -
Young British Artists: the Legendary Group
Young British Artists: The Legendary Group Given the current hype surrounding new British art, it is hard to imagine that the audience for contemporary art was relatively small until only two decades ago. Predominantly conservative tastes across the country had led to instances of open hostility towards contemporary art. For example, the public and the media were outraged in 1976 when they learned that the Tate Gallery had acquired Carl Andre’s Equivalent VIII (the bricks) . Lagging behind the international contemporary art scene, Britain was described as ‘a cultural backwater’ by art critic Sarah Kent. 1 A number of significant British artists, such as Tony Cragg, and Gilbert and George, had to build their reputation abroad before being taken seriously at home. Tomake matters worse, the 1980s saw severe cutbacks in public funding for the arts and for individual artists. Furthermore, the art market was hit by the economic recession in 1989. For the thousands of art school students completing their degrees around that time, career prospects did not look promising. Yet ironically, it was the worrying economic situation, and the relative indifference to contemporary art practice in Britain, that were to prove ideal conditions for the emergence of ‘Young British Art’. Emergence of YBAs In 1988, in the lead-up to the recession, a number of fine art students from Goldsmiths College, London, decided it was time to be proactive instead of waiting for the dealers to call. Seizing the initiative, these aspiring young artists started to curate their own shows, in vacant offices and industrial buildings. The most famous of these was Freeze ; and those who took part would, in retrospect, be recognised as the first group of Young British Artists, or YBAs. -
Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core Course) Spring 2016
Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core course) Spring 2016 Instructor Information A. Name Dr Caroline Donnellan B. Day & Time Wednesday & Thursdays, 9.00am–1.00pm commencing Thursday 14 January 2016 C. Contact Hours 40 + 2 hour exam on Monday 15 February 2016 D. Location Brompton Room, 43 Harrington Gardens & Field Trips E. BU Telephone 020 7244 6255 F. Email [email protected] G. Office hours By appointment Course Overview This is the Core Class for the Arts & Administration Track and is designed as an introduction to modern art and design in Britain. This course draws from London’s rich permanent collections and vibrant modern art scene which is constantly changing, the topics to be discussed are as follows: ‘Artist and Empire: Facing Britain’s Imperial Past’ at Tate Britain (Temporary Exhibition: 25 Nov 2015–10 Apr 2016); Early Modern Foreign Art in London at the National Gallery (Permanent Collection); British Collectors at the Courtauld Gallery (Permanent Collection); London Art Fair 28th edition (Temporary Exhibition 20 Jan–24 Jan 2016) Exhibiting War at the Imperial War Museum (Permanent Collection); ‘Painting the Modern Garden: Monet to Matisse’ at the Royal Academy of Arts (Temporary Exhibition: 30 Jan 2016–20 Apr 2016) ‘Alexander Calder: Performing Sculpture’ at Tate Modern (Temporary Exhibition: 11 Nov 2015–3 Apr 2016) Newport Street Gallery: ‘John Hoyland Power Stations Paintings 1964-1982’ (Temporary Exhibition: 8 Oct 2015-3 April 2016) London Art Market (II) at the Saatchi Gallery ‘Champagne Life’ (Temporary Exhibition: 13 Jan 2016–6 Mar 2016) + ‘Aidan Salakhova: Revelations’ (Temporary Exhibition: 13 Jan 2016–28 Feb 2016) Bermondsey White Cube London Art Market (I): ‘Gilbert & George The Banners’ (Temporary Exhibition: 25 Nov 2015–24 Jan 2016) Teaching Pattern Teaching Sessions will be divided between classroom lectures and field trips – where it is not possible to attend as a group these will be self-guided. -
Dexter Dalwood What Is Really Happening
FOR IMMEDIATE RELEASE DEXTER DALWOOD WHAT IS REALLY HAPPENING 1– 30 MARCH 2019 PRIVATE VIEW: THURSDAY, 28 FEBRUARY, 6-8PM Simon Lee Gallery is pleased to present an exhibition of new paintings by Dexter Dalwood, his second to be held in the London gallery. ‘In this modern world where everything plays out fast and it plays out in the open at incredible speeds and just when it seems like we are all in on it and interconnected….’ ― NBC news anchor intro. Dalwood’s paintings celebrate and interrogate the history of the medium. They demonstrate an awareness of the continued significance of painting as a means of communicating the ways in which we experience our everyday existence. He crafts narratives of memory that bring together the past, present and future in a single image, forging a bridge between our interpretation of what has already come to pass and that which has yet to happen. ‘Dexter Dalwood’s new paintings depict a potent mix of atmosphere and incident, aloneness and portent. They portray situations as psychological events, describing journeys, transit and locations as though from an existential perspective. Their vision is stark, questioning, detached; their visceral sense of time and place akin to that of the modern traveller, who is at once insulated and stateless, dispassionate yet vulnerable. Randomness and stasis define the mood. Colour, form and composition are tensed, intent, describing the pores of consciousness opened. Poetry and volatility preside; the dimensions of heightened instants are transcribed in the medium of painting’. ― Michael Bracewell, writer, 2018. To coincide with the exhibition there will be a catalogue designed by Dostoyevsky Wannabe. -
Magazine MA Modern and Contemporary Art 1(4) Critical Reviews Exhibitions Cultural Studies Interviews Foreword
Cultural Theory 2015 magazine MA Modern and Contemporary Art 1(4) Critical Reviews Exhibitions Cultural Studies Interviews Foreword This fourth number of C# — the Christie’s Education student-led on-line journal — reflects the unique interests, engagements and ambitions of those who have made the issue. As lecturers, tutors and teachers, our aim is to set in motion the conditions necessary for students to begin to gather together critical writing, features, essays and interviews, which map and explore the ecosystem that makes for contemporary art and its varied practices and positions. We offer advice and supervision, but mainly the opportunity to take ownership of the endeavour and shape the experience and outcome as theirs. Before you is the product of those efforts in C#15. The cohort of students that comprise the class of 2014–15 are now, as I write, finishing up their course work and preparing the transition to forging their own professional practices and positions in the art world. We take pride that they may already appreciate such a shift as akin a move into the grand theatre of objects variously arranged in space and time relative to perceiving subjects that is the lebenswelt, or lifeworld. This is ultimately the dynamic horizon against which they will continue to learn and live, laugh, love and labour. We wish them well and thank them for being excellent representatives of Christie’s Education. John Slyce Senior Tutor Modern and Contemporary Art and Art world Practice Table of Contents Features Exhibition Reviews/ London 16 -
Jonny Briggs
JONNY BRIGGS Born in 1985, London, UK Lives and works in London, UK SOLO & GROUP EXHIBITIONS 2018 Da Uno a Diece, N Contemporary The Benaki Museum Group Exhibition: My London, Peckham24, Copeland Gallery, London, Curated by Emma Bowkett 2017 Group Show: At Home She’s a Tourist, curated by Tom Lovelace, Copeland Gallery, London Two-person Show: The Manicured Wild; Evy Jokhova & Jonny Briggs, Kristin Hjellegjerde, London Group Show & Commission: From Selfie to Self Expression; Saatchi Gallery Solo Show: Photoforum PasquArt Photo Museum, Switzerland Group Show: This Is Not A Curated Exhibition; Galleria Ramo, Lugano, Switzerland 2016 When something bad happens more than once, it starts to feel normal Group Show; Centre Photographique, Rouen, Normandy, France Soil Culture: Young Shoots, The Eden Project Enfances, Galerie d’YS, Brussels, Belgium Solo project: To Eat With the Eyes, Cabin Gallery UK/RAINE art prize, Saatchi Gallery 2015 DEAD, Saatchi Gallery, London Soil Culture touring exhibition; including White Moose, Dartington, Peninsula Arts and Hauser & Wirth Somerset Fondazione Fotografia Modena, Italy Solo Show; N Contemporary, hosted at MC2 Gallery, Milan, Italy The London Intensive, Camden Arts Centre Catlin Prize World Tour Photobook Melbourne Photography Prize, Australia Photo 50; Against Nature, London Art Fair Florilegia, Grimaldi Gavin Solo Show; Galleria Marie-Laure Fleisch, Rome 2014 Group Show, Ermanno Tedeschi, Tel Aviv Foam Talent 2014, l’Atelier Néerlandais, Paris Facing the Wild – The Unknown, The Others Fair, Turin Foam