Cultural Encounters
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Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
Conrad Shawcross
CONRAD SHAWCROSS Born 1977 in London, UK Lives and works in London, UK Education 2001 MFA, Slade School of Art, University College, London, UK 1999 BA (Hons), Fine Art, Ruskin School of Art, Oxford, UK 1996 Foundation, Chelsea School of Art, London, UK Permanent Commissions 2022 Manifold 5:4, Crossrail Art Programme, Liverpool Street station, Elizabeth line, London, UK 2020 Schism Pavilion, Château la Coste, Le Puy-Sainte-Réparade, France Pioneering Places, Ramsgate Royal Harbour, Ramsgate, UK 2019 Bicameral, Chelsea Barracks, curated by Futurecity, London, UK 2018 Exploded Paradigm, Comcast Technology Centre, Philadelphia, USA 2017 Beijing Canopy, Guo Rui Square, Beijing, China 2016 The Optic Cloak, The Energy Centre Greenwich Peninsula, curated by Futurecity, London, UK Paradigm, Francis Crick Institute, curated by Artwise, London, UK 2015 Three Perpetual Chords, Dulwich Park, curated and managed by the Contemporary Art Society for Southwark Council, London, UK 2012 Canopy Study, 123 Victoria Street, London, UK 2010 Fraction (9:8), Sadler Building, Oxford Science Park, curated and managed by Modus Operandi, Oxford, UK 2009 Axiom (Tower), Ministry of Justice, London, UK 2007 Space Trumpet, Unilever House, London, UK Solo Exhibitions 2020 Conrad Shawcross, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK Escalations, Château la Coste, Le Puy-Sainte-Réparade, France Celebrating 800 years of Spirit and Endeavour, Salisbury Cathedral, Salisbury, -
Club Wembley • Saatchi Gallery • Imperial War Museum • Twickenham Stadium • the Mob Museum • Racecourse Catering
Club wembley • saatchi gallery • imperial war museum • twickenham stadium • the mob museum • racecourse catering NOV/DEC 2018 The national stadium introduces new F&B concepts on its hospitality level – Club Wembley NOV /DEC 2018 @SLCMAG SPORTANDLEISURECATERING.CO.UK FROM THE EDITOR 003 Publishing PUBLISHED BY: H2O Publishing, Joynes House, New Road, Gravesend, Kent DA11 0AJ TEL: 0345 500 6008 ONLINE: @SLCMag sportandleisurecatering.co.uk A change EDITOR: Joe Bill [email protected] EDITORIAL DIRECTOR: Tristan O’Hana of scene [email protected] With the much-anticipated launch of TIVOLI – the new-age cinema, drinking and dining concept – in the offing next year and Virgin Voyages releasing FEATURES WRITER: Esther Anyakwo images of its weird and wonderful F&B aboard the Scarlet Lady cruise liner, [email protected] there is an evolution upon us. The way classic hospitality spaces are being rethought and re-energised DIRECTOR: Dan Hillman is fuelling a change of mindset in how we view the unorthodox. Nowhere is [email protected] now off-limits. Unused, unusual spaces have become sought-after. TEL: 07833248788 A few years ago, would you have thought you’d be playing mini-golf DIRECTOR: indoors while sipping cocktails? Or having a private dinner on the London Marc Sumner Eye? The quest to utilise each space available to its full potential has seen [email protected] some of the UK’s most recognisable leisure and educational institutions do TEL: 07730217747 just that. DIVISIONAL DIRECTOR: In this issue we head to the Saatchi Gallery in west London to hear about Rob Molinari the lengths it goes in creating immersive culinary experiences for its clients [email protected] TEL: 07850797252 (page 18). -
Thecourtauldregister of Interestsgb 2019
THE COURTAULD INSTITUTE OF ART REGISTER OF RELEVANT INTERESTS – February 2019 The CUC code of practice advises that ‘The institution shall maintain and publicly disclose a register of interests of members of the governing body’. The declared interests of the members of The Board of Directors of The Courtauld Institute of Art are as follows INDEPENDENT DIRECTORS Chairman Lord Browne of Madingley, Edmund John Phillip Browne Executive Chairman, L1 Energy (UK) LLP Interest (organisation name) Registration details (iF Capacity Start date disclosed) Francis Crick Institute Chairman August 2017 Pattern Energy Group Director October 2013 Huawei Technologies (UK) Co Limited Chairman February 2015 L1 Energy (UK) LLP Executive Chairman March 2015 DEA Deutsche Erdoel AG Chairman of the Supervisory Board March 2015 Accenture Global Energy Board Chairman April 2010 Stanhope Capital Advisory Board Chairman July 2010 L1 Energy Advisory Board Chairman June 2013 NEOS GeoSolutions Adviser December 2015 Angeleno Group Member of the Board of Advisors August 2016 Velo Restaurants Ltd Shareholder NA SATMAP Inc doing business as Afiniti Advisory board (and shareholder) April 2016 Gay Star News Shareholder NA Kayrros SAS Shareholder NA Windward Maritime Limited Shareholder NA Pattern Energy Group Inc Shareholder NA IHS Markit Director and Shareholder NA UKTI Business Ambassador Honorary – not current Edelman Ltd Member of the Advisory Board September 2016 Board of Donmar Warehouse Chair December 2014 American Friends of Donmar Theatre Inc Director March 2015 International -
Becky Beasley
BECKY BEASLEY FRANCESCA MININI VIA MASSIMIANO, 25 20134 MILANO T +39 02 26924671 [email protected] WWW.FRANCESCAMININI.IT BECKY BEASLEY b. Portsmouth, United Kingdom 1975 Lives and works in St. Leonards on Sea (UK) Becky Beasley (b.1975, UK) graduated from Goldsmiths College, London in 1999 and from The Royal College of Art in 2002, lives and works in St. Leonards on sea. Forthcoming exhibitions include Art Now at Tate Britain, Spike Island, Bristol and a solo exhibition at Laura Bartlett Gallery, London. Beasley has recently curated the group exhibition Voyage around my room at Norma Mangione Gallery, Turin. Recent exhibitions include, 8TH MAY 1904 at Stanley Picker Gallery, London, P.A.N.O.R.A.M.A at Office Baroque, Antwerp and 13 Pieces17 Feet at Serpentine Pavillion Live Event. Among her most important group exhibitions: Trasparent Things, CCA Goldsmiths, London (2020), La carte d’après nature NMNM, Villa Paloma, Monaco (2010), The Malady of Writing, MACBA Barcelona, (2009), FANTASMATA, Arge Kunst, Bozen (2008), and Word Event, Kunsthalle Basel, Basel (2008). Gallery exhibitions BECKY BEASLEY Late Winter Light Opening 23 January 2018 Until 10 March 2018 Late Winter Light is an exhibition of works which This work, The Bedstead, shows the hotel room The show embraces all the media used by the reveals Beasley’s ongoing exploration of where Ravilious found himself confined by bad artist – photography, sculpture, and, most emotion and ambiguity in relation to everyday weather when he came to Le Havre in the spring recently, video– and touches on many of the life and the human condition. -
Press Release CORPUS: the Body Unbound Courtauld Gallery 16 June
Press Release CORPUS: The Body Unbound Courtauld Gallery 16 June – 16 July 2017 Wolfgang Tillmans, Dan, 2008. C-Type print, 40 x 30 cm Arts Council Collection, Southbank Centre, London © Wolfgang Tillmans, courtesy Maureen Paley, London ● An exhibition curated by MA Curating the Art Museum students at The Courtauld Institute of Art ● Featuring major artworks from The Courtauld Collection and the Arts Council Collection ● CORPUS: The Body Unbound explores how artists past and present have engaged with the body to interrogate, analyse and reimagine fundamental aspects of the human condition ● Curated in response to The Courtauld Gallery’s Special Display Bloomsbury: Art & Design CORPUS: The Body Unbound explores how artists past and present have engaged with the body - the corpus - to interrogate, analyse and reimagine fundamental aspects of the human condition. For artists, the human figure has been a site of optimism, a source of anxiety, as well as a symbol of limitations imposed by the self and society. Curated by the students of the Courtauld’s MA Curating the Art Museum, CORPUS: The Body Unbound responds to The Courtauld Gallery’s Special Display Bloomsbury Art & Design, on view in the adjacent gallery. Spanning more than 600 years of artistic practice, this exhibition brings together works from The Courtauld Gallery and the Arts Council Collection, creating unexpected confrontations and dialogues across time, space and media. Works by artists including Peter Paul Rubens (1577-1640), Henry Moore (1898-1986) and Wolfgang Tillmans (b.1968) explore the strength and fragility of the body and the potential optimism of the human spirit in times of conflict. -
2019/20 Exhibitions
2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
Refurbished V&A Raphael Court Unveiled Ahead of Museum
News Release 6 May 2021 Refurbished V&A Raphael Court unveiled ahead of museum reopening to the public vam.ac.uk/raphael-cartoons | #RaphaelCartoons Today the V&A unveils a first look at the newly refurbished Raphael Court – home to the Raphael Cartoons – following a landmark renovation in 2020 to mark the 500th anniversary of Raphael’s death. Together with a new interpretive approach, the refreshed gallery will transform the way museum visitors experience the Cartoons, lent to the V&A from the Royal Collection by Her Majesty The Queen. The gallery will reopen to the public for the first time when the V&A reopens on 19 May. The Raphael Cartoons are among the greatest treasures of the Renaissance in the UK. Shortly after his election in 1513, Pope Leo X commissioned Raphael to create a set of ten full-scale designs for a series of tapestries for the Sistine Chapel in the Vatican Palace, illustrating scenes from the lives of Saint Peter and Saint Paul. Once complete, the Cartoons – each measuring around 5 metres wide and 3.5 metres high – were sent to the workshop of merchant-weaver Pieter van Aelst in Brussels, which transformed the monumental designs into tapestries. Seven of the Cartoons survive to this day, brought to Britain in the early 17th century by the Prince of Wales, later Charles I. They remained in the Royal Collection and were lent to the South Kensington Museum – now the V&A – by Queen Victoria in 1865 in memory of Prince Albert and have been on public display in the museum ever since. -
A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice. -
Ravilious: the Watercolours Free
FREE RAVILIOUS: THE WATERCOLOURS PDF James Russell | 184 pages | 28 Apr 2015 | Philip Wilson Publishers Ltd | 9781781300329 | English | London, United Kingdom Eric Ravilious - Wikipedia E ric Ravilious, one of the best British watercolourists of the 20th century, was the very opposite of a tortured artist. It helped perhaps that he always enjoyed acclaim, for his many book illustrations and his ceramic designs, as well as for his paintings. But it was also a matter of temperament. He loved dancing, tennis and pub games, was constantly whistling, and even in the mids found little time for politics, working up only a mild interest in the international crisis or the latest Left Book Club choice. He was, by all Ravilious: The Watercolours, excellent company. Cheerfulness kept creeping in. His delight in the world informs his work. Alan Powers, probably the greatest authority on the artist, has written that "happiness is a quality that is difficult to convey through design, but Ravilious consistently managed to generate it". And David Gentleman has remarked that Ravilious Ravilious: The Watercolours "an easy artist to like". His woodcuts for books and vignettes for Wedgwood the alphabet mug, the boat-race bowlare regularly described as witty and charming. And many of his watercolours, too, attract such epithets as "friendly". Much of his subject-matter Ravilious: The Watercolours pastoral and unassuming, and he was a virtuoso at capturing everyday scenes and little details from English provincial life. Among the sequences of his paintings were those featuring, Ravilious: The Watercolours his words, "lighthouses, rowing-boats, beds, beaches, greenhouses". Even when he became an official war artist, he tended to domesticate any novelty or threat — fighter planes line up harmlessly beyond a garden hedge, and barrage balloons bob cheerfully in the sky. -
The Courtauld Friends at the Heart of the Art Movement
The Courtauld Friends at the heart of the art movement Gift Impact Report 2018/19 Prepared for the Trustees of The Friends of The Courtauld Institute of Art June 2020 Thank you for your support We are grateful to The Friends of The Courtauld Institute for its longstanding commitment to our mission and work. Your exceptionally generous grant of £200,000 in 2018/19 provided support across The Courtauld’s core activities, strengthening the institution as a whole. We are delighted to present this overview impact report to highlight just some of the ways in which, together, we are shaping the future of art history. Right: Susannah Kingwill, PhD candidate, History of Art Friends of The Courtauld Institute Scholar 2018/19 and 2019/20 Your impact in 2018/19: £15,000 towards our Public Programmes outreach activities in schools and colleges We aim to transform the way art history is taught to young people, and to raise their aspirations within higher education and the cultural sector. At a time when the arts and humanities are gravely endangered, there is an urgency in this enterprise. Our public programme aims to change lives, offering opportunities for personal, educational and career development, which would not otherwise be open. The Courtauld’s programme targets schools with a high number of pupils qualifying for free school meals (primary and secondary), and the sixth form and further education (FE) colleges, which serve them. With the generous support of The Courtauld Friends, we have continued to enrich and develop our programmes for young people throughout this crucial stage of the Gallery’s transition and closure.