Cecily Brown

Total Page:16

File Type:pdf, Size:1020Kb

Cecily Brown CECILY BROWN Born in 1969, London, UK Lives and works in New York, NY, USA SOLO EXHIBITIONS 2011 Cecily Brown, Gagosian Gallery, London, UK 2010 Based On A True Story, GEM, Museum of Contemporary Art, Den Haag, Netherlands Based On A True Story, Kestner Gesellschaft, Hannover Cecily Brown, Contemporary Fine Arts, Berlin 2009 Cecily Brown, Deichtorhallen Hamburg, Hamburg 2008 Cecily Brown, Gagosian Gallery, New York, USA 2006 Cecily Brown, Museum of Fine Arts, Boston, USA Des Moines Art Center, Des Moines, USA New Paintings, Gagsosian Gallery, London 2005 Cecily Brown, Museum of Modern Art, Oxford, UK Cecily Brown, Kunsthalle, Mannheim Gagosian Gallery, New York, USA 2004 Contemporary Fine Arts, Berlin Espacio 1, Reina Sofia, Madrid, SP Galerie Lisa Ruyter, Wien/ Vienna, AT 2003 Cecily brown, Gagosian Gallery, Beverly Hills, USA Cecily Brown, MACRO, Rome, IT 2002 Cecily Brown, Gagosian Gallery, New York, NY, USA Cecily Brown, Gagosian Gallery, Beverly Hills, USA Cecily Brown, Hirshorn Museum, Washington DC, USA 2001 Days Of Heaven, Contemporary Fine Arts WWW.SAATCHIGALLERY.COM CECILY BROWN 2000 Cecily Brown, Gagosian Gallery, New York, USA Deitch Projects, New York, USA 1999 Serenade, Victoria Miro Gallery, London, UK The Skin Game, Gagosian Gallery, Beverly Hills, USA 1998 High Society, Deitch Projects, New York, USA 1997 Spectacle, Deitch Projects, (Storefront Gallery) New York, USA 1995 Eagle gallery, London, UK GROUP EXHIBITIONS 2011 Figures in a Landscape, Gagosian Gallery, Hong Kong Collection Platform 1: Circulation, Pinchuk Art Centre, Kiew 2010 Exquisite Corpse Drawings, Klemens Gasser and Tanja Grunert, New York 2009 Visible Invisible: Against the Security of the Real, Parasol unit, London, UK 2008 Insight, Gagosian Gallery, Moskau, RU 2007 Putting Pictures on Paper, Georgia Scherman projects, Toronto, CA Beneath The Underdog, Gagosian Gallery, New York, USA Painting in the Noughties, Earagail Arts Festival, Letterkennny, IE Extremes and In-Betweens, Dorsky gallery, Long island City, USA 2006 Survivor, Bortolami Dayan, New York, USA Once Upon a Time in the West, Contemporary Fine Arts, WWW.SAATCHIGALLERY.COM CECILY BROWN Berlin The Triumph of Painting 5, the Saatchi Gallery, London, UK Full House, Kunsthalle, Mannheim 2005 The Triumph Of Painting, Leeds City Art Gallery, Leeds, GB The Early Show, White Columns, New York, USA Cecily Brown: Paintings, Museum of Modern Art, Oxford, GB The Triumph Of Painting, part II, The Saatchi Gallery, London, UK 2004 Whitney Biennial 2004, Whitney Museum of American Art, New York Gyroscope, Hirshhorn Museum and Sculpture Garden, Washington DC Under Pressure: Prints from Two Palms Press, Cooper Union, New York, USA 2001 Szenenwechsel XIX, Museum für Moderne Kunst, Frankfurt am Main 2000 Emotional Rescue:the Contemporary Art Project Collection, Centre on Contemporary Art, Seattle, USA The Figure: Another Side of Modernism, Newhouse Centre for Contemporary Art at Snug Harbor Cultural Centre, New York, USA Greater New York: New Art In New York Now, P.S.! Contemporary Art Centre, Long islnd City, USA 1999 At Century’s End: The John P Morrissey Collection of 90’s Art, The Museum Of Contemporary Art, Lake Worth, USA Facts and Fictions: La Nuova pittura internazionale tra immaginario e realtà: New York, Galleria in Arco, Turin, IT Pleasure Dome, Jessica Fredericks Gallery, New York, USA Janice Guy Gallery, New York, USA Four Letter Heaven, David Zwirner Video Libary, New York, USA 1997 Janice Guy Gallery, New York, USA 1996 Taking Stock, curated by Kenny Schacter, New York, USA 1994 WWW.SAATCHIGALLERY.COM CECILY BROWN The Fete Worse Than Death, Laurent Delaye, London, GB Contemporary View 1990, National Compeition for british Art Students, sponsored by Christie’s WWW.SAATCHIGALLERY.COM Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • Gagosian Gallery
    Artsy April 2, 2019 GAGOSIAN How Takashi Murakami Got His Start as an Artist Scott Indrisek “At the studio I rented for $80 a month on Lorimer Street in Brooklyn, uncertain whether I would have anything to eat the next day.” © Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of Gagosian. In the second installment of a new series, we continue to shine a light on the tumultuous early days of artists who have since become household names. Takashi Murakami, 57, may now be an international art star and a cultural icon, but he was once a disgruntled student, bored with his conservative schooling and dreaming of better things. Indeed, when he was just starting out, Murakami claimed no special status as an artist. “I was never particularly talented at drawing or painting,” he said; hard work, practice, and determination would sharpen those skills. He had his first solo show in 1989, at Tokyo’s Ginza Surugadai Gallery, and began traveling from his native Japan to New York City around that time. Murakami always thought of New York as one of the art world’s vital centers, and he was willing to struggle in order to absorb what it had to offer. He recalled once renting a studio on Lorimer Street in Brooklyn for a mere $80 a month (“uncertain whether I would have anything to eat the next day,” he added). In 1994, he landed a residency in the prestigious PS1 International Studio Program. These early experiences helped shape Murakami’s unique artistic vision. The hyperconfident artist would eventually become a global brand, his manga-inspired creations taking over the world—one wild sculpture and painting at a time.
    [Show full text]
  • Grayson Perry
    GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art
    [Show full text]
  • Conrad Shawcross
    CONRAD SHAWCROSS Born 1977 in London, UK Lives and works in London, UK Education 2001 MFA, Slade School of Art, University College, London, UK 1999 BA (Hons), Fine Art, Ruskin School of Art, Oxford, UK 1996 Foundation, Chelsea School of Art, London, UK Permanent Commissions 2022 Manifold 5:4, Crossrail Art Programme, Liverpool Street station, Elizabeth line, London, UK ​ ​ 2020 Schism Pavilion, Château la Coste, Le Puy-Sainte-Réparade, France ​ ​ ​ ​ ​ ​ ​ ​ Pioneering Places, Ramsgate Royal Harbour, Ramsgate, UK ​ ​ 2019 Bicameral, Chelsea Barracks, curated by Futurecity, London, UK ​ 2018 Exploded Paradigm, Comcast Technology Centre, Philadelphia, USA ​ 2017 Beijing Canopy, Guo Rui Square, Beijing, China ​ 2016 The Optic Cloak, The Energy Centre Greenwich Peninsula, curated by Futurecity, London, UK ​ Paradigm, Francis Crick Institute, curated by Artwise, London, UK ​ 2015 Three Perpetual Chords, Dulwich Park, curated and managed by the Contemporary Art Society for ​ Southwark Council, London, UK 2012 Canopy Study, 123 Victoria Street, London, UK ​ 2010 Fraction (9:8), Sadler Building, Oxford Science Park, curated and managed by Modus Operandi, Oxford, ​ UK 2009 Axiom (Tower), Ministry of Justice, London, UK ​ 2007 Space Trumpet, Unilever House, London, UK ​ Solo Exhibitions 2020 Conrad Shawcross, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK ​ ​ Escalations, Château la Coste, Le Puy-Sainte-Réparade, France ​ ​ ​ ​ ​ ​ ​ ​ Celebrating 800 years of Spirit and Endeavour, Salisbury Cathedral, Salisbury,
    [Show full text]
  • Club Wembley • Saatchi Gallery • Imperial War Museum • Twickenham Stadium • the Mob Museum • Racecourse Catering
    Club wembley • saatchi gallery • imperial war museum • twickenham stadium • the mob museum • racecourse catering NOV/DEC 2018 The national stadium introduces new F&B concepts on its hospitality level – Club Wembley NOV /DEC 2018 @SLCMAG SPORTANDLEISURECATERING.CO.UK FROM THE EDITOR 003 Publishing PUBLISHED BY: H2O Publishing, Joynes House, New Road, Gravesend, Kent DA11 0AJ TEL: 0345 500 6008 ONLINE: @SLCMag sportandleisurecatering.co.uk A change EDITOR: Joe Bill [email protected] EDITORIAL DIRECTOR: Tristan O’Hana of scene [email protected] With the much-anticipated launch of TIVOLI – the new-age cinema, drinking and dining concept – in the offing next year and Virgin Voyages releasing FEATURES WRITER: Esther Anyakwo images of its weird and wonderful F&B aboard the Scarlet Lady cruise liner, [email protected] there is an evolution upon us. The way classic hospitality spaces are being rethought and re-energised DIRECTOR: Dan Hillman is fuelling a change of mindset in how we view the unorthodox. Nowhere is [email protected] now off-limits. Unused, unusual spaces have become sought-after. TEL: 07833248788 A few years ago, would you have thought you’d be playing mini-golf DIRECTOR: indoors while sipping cocktails? Or having a private dinner on the London Marc Sumner Eye? The quest to utilise each space available to its full potential has seen [email protected] some of the UK’s most recognisable leisure and educational institutions do TEL: 07730217747 just that. DIVISIONAL DIRECTOR: In this issue we head to the Saatchi Gallery in west London to hear about Rob Molinari the lengths it goes in creating immersive culinary experiences for its clients [email protected] TEL: 07850797252 (page 18).
    [Show full text]
  • 2019/20 Exhibitions
    2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon
    [Show full text]
  • Gagosian Gallery
    Financial Times January 20, 2020 GAGOSIAN Living with Damien Hirst and friends Robert Tibbles was an early collector of the Young British Artists — now he is preparing to sell many of his acquisitions Melanie Gerlis Caption (TNR 9 Italicized) Everyone likes to say that they discovered an artist before they were famous, but in the case of the London bond salesman Robert Tibbles, the claim is true. Back in the 1980s, the late art dealer Karsten Schubert introduced Tibbles to the work of an art student called Damien Hirst. Alongside Charles Saatchi, Tibbles then became one of the now-superstar artist’s first buyers. So began an intense, 15-year collecting spree, mostly of works by Hirst and other Young British Artists. These now dominate Tibbles’s Victorian ground-floor flat in London’s leafy Kensington, where an early Hirst spot painting, “Antipyrylazo III” (1994), has loomed almost too large over the living room fireplace since Tibbles bought it in the year it was made. Hanging nearby is another early purchase — Hirst’s degree-show medicine cabinet “Bodies” (1989) — a work that demonstrates Tibbles’s aptitude for picking the right time in the art market as well as the debt markets. He bought the cabinet for £600 (again, in the year it was made) and now, as Tibbles prepares to sell much of his YBA collection at auction at Phillips in London, the cabinet is valued between £1.2m and £1.8m. “There’s no question that the medicine cabinet and other works were not liked or understood by many of my friends.
    [Show full text]
  • Gagosian Gallery
    Artforum January, 2000 GAGOSIAN 1999 Carnegie International Carnegie Museum of Art Katy Siegel When you walk into the lobby of the Carnegie Museum, the program of this year’s International announces itself in microcosm. There in front of you is atmospheric video projection (Diana Thater), a deadpan disquisition on the nature of representation (Gregor Schneider’s replication of his home), a labor-intensive, intricate installation (Suchan Kinoshita), a bluntly phenomenological sculpture (Olafur Eliasson), and flat, icy painting (Alex Katz). Undoubtedly the best part of the show, the lobby is also an archi-tectural site of hesitation, a threshold. Here the installation encapsulates the exhi-bition’s sense of historical suspen-sion, another kind of hesitation. Ours is a time not of endings but of pause. My favorite work, viewed through the museum’s huge glass wall, was the Eliasson, a fountain of steam wafting vertically from an expanse of water on a platform through which trees also rise up. It’s a heart-throbbing romantic landscape. Romantic, but not naive: The work plays on the tradition of the courtyard fountain, and the steam is piped from the museum’s heating system. Combining the natural and the industrial in a way peculiarly appro-priate to Pittsburgh on a quiet Sunday morning in early autumn, it echoed two billows of steam (or, more queasily, smoke?) off in the distance. When blunt physical fact achieves this kind of lyricism, it is something to see. Upstairs in the galleries, Ernesto Neto’s Nude Plasmic, 1999, relies as well on the phenomenology of simple form, but the Brazilian artist avoids Eliasson’s picturesque imagery.
    [Show full text]
  • Listed Exhibitions (PDF)
    G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England.
    [Show full text]
  • Listed Exhibitions (PDF)
    G A G O S I A N G A L L E R Y Alexander Calder Biography Born in 1898, Lawnton, PA. Died in 1976, New York, NY. Education: 1926 Académie de la Grande Chaumière, Paris, France. 1923–25 Art Students League, New York, NY. 1919 B.S., Mechanical Engineering, Stevens Institute of Technology, Hoboken, NJ. Solo Exhibitions: 2015 Alexander Calder: Imagining the Universe. Sotheby’s S|2, Hong Kong. Calder: Lightness. Pulitzer Arts Foundation, Saint Louis, MO. Calder: Discipline of the Dance. Museo Jumex, Mexico City, Mexico. Alexander Calder: Multum in Parvo. Dominique Levy, New York, NY. Alexander Calder: Primary Motions. Dominique Levy, London, England. 2014 Alexander Calder. Fondation Beyeler, Basel. Switzerland. Alexander Calder: Gouaches. Gagosian Gallery, Davies Street, London, England. Alexander Calder: Gouaches. Gagosian Gallery, 980 Madison Avenue, New York, NY. Alexander Calder in the Rijksmuseum Summer Sculpture Garden. Rijksmuseum, Amsterdam, Netherlands. 2013 Calder and Abstraction: From Avant-Garde to Iconic. Los Angeles County Museum of Art, Los Angeles, CA. 2011 Alexander Calder. Gagosian Gallery, Davies Street, London, England. 2010 Alexander Calder. Gagosian Gallery, W. 21st Street, New York, NY. 2009 Monumental Sculpture. Gagosian Gallery, Rome, Italy. 2005 Monumental Sculpture. Gagosian Gallery, W. 24th Street, New York, NY. Alexander Calder 60’s-70’s. GióMarconi, Milan, Italy. Calder: The Forties. Thomas Dane, London, England. 2004 Calder/Miró. Foundation Beyeler, Riehen, Switzerland. Traveled to: Phillips Collection, Washington, D.C. (through 2005). Calder: Sculpture and Works on Paper. Elin Eagles-Smith Gallery, San Francisco, CA. 590 Madison Avenue, New York, NY. 2003 Calder. Gagosian Gallery, Los Angeles, CA. Calder: Gravity and Grace.
    [Show full text]
  • Gagosian Gallery
    The Brooklyn Rail June 5, 2018 GAGOSIAN Jenny Saville: Ancestors Jason Rosenfeld Jenny Saville, Byzantium, 2018. © Jenny Saville. Photo: by Mike Bruce. Courtesy Gagosian. The athleticism of Jenny Saville’s brushwork and draughtsmanship has been the hallmark of her work since her earliest exhibition in New York, at Gagosian's Wooster Street incarnation in 1999. She was then associated with Damien Hirst's band of Young British Artists, riding the Cool Britannia wave and establishing London as a prime destination for contemporary art for the first time since Victoria was queen. The elegance of Saville’s facture, the swirling and energetic pace of her drawing, made her inheritor of a tradition of gestural, bravura painting going back to Titian, Rubens, and Velázquez, and as reworked by John Everett Millais and Édouard Manet, and finally perfected by John Singer Sargent in the late-nineteenth century. This was then reprised and critiqued in the abstracted figuration of de Kooning and the visceral reconstitution of form of Lucien Freud in the post-war era. All those gesticulative men. If you were open to being energized by the pleasure of agilely pushed paint in the service of a kind of post-academic, post-modern, post-minimal realism, then Saville delivered, and her edgy subject matter paralleled a wave of artistic interest in the body, the self, the gaze, and the abject. By a woman. On a huge scale. In her second New York show, Migrants, the sight of Suspension (2002 – 03), featuring a headless pig sprawled on its side across almost fifteen feet of canvas and hung just off the ground in Gagsosian’s Chelsea digs at 24th Street in the spring of 2003 was memorable and remarkable.
    [Show full text]
  • Artist Resources – Cecily Brown (British, B. 1969) Brown at Saatchi Gallery, London Brown at the Gagosian Gallery
    Artist Resources – Cecily Brown (British, b. 1969) Brown at Saatchi Gallery, London Brown at the Gagosian Gallery “I’ve always thought of myself as a figurative painter,” Brown reflected in a video interview from her New York studio in 2014. “There’s always been a strong element of abstraction, but it’s something that happens very naturally…I’m far more interested in the moment where figuration breaks down...if I don’t have some figural idea, I get completely lost.” The National Gallery of Art in D.C. hosted Brown for a conversation about her sources of inspiration in 2016, including Fragonard, Goya, and Bruegel. “I was always really obsessed with art of the past. I never really understood why anyone wouldn’t be…I just felt a really close relationship with art from a hundred years ago. I never felt any distance from it,” Brown explained. “When you’re feeling lost, you can go back to these sources.” Drawing and painted studies are a central part of Brown’s practice. The Drawing Center in New York hosted the first museum exhibition dedication to her works on paper in 2016. The Whitworth, at the University of Manchester, followed in 2018 with drawings of shipwrecks inspired by Gericault and Delacroix. An intimate portrait in photographs by W Magazine showcased Brown her studio as she worked through these studies. Apollo Magazine interviewed Brown as she prepared for her 2018 exhibition at the Louisiana Museum of Modern Art in Denmark. “Seeing a group of works together in a show is like the final part of the whole process of making paintings: seeing how they relate, what story they tell, and what they mean Brown, 2019 once they’re in the world,” Brown explained.
    [Show full text]
  • Cecily Brown
    G A G O S I A N G A L L E R Y August 25, 2008 PRESS RELEASE GAGOSIAN GALLERY 555 WEST 24TH STREET T. 212.741.1111 NEW YORK NY 10011 F. 212.741.9611 GALLERY HOURS: Tuesday – Saturday: 10:00am–6:00pm CECILY BROWN Saturday, September 20 – Saturday, October 25, 2008 Opening reception for the artist: Saturday, September 20th, from 6 to 8pm “I’m more interested in sublimation. I love the way Francis Bacon talked about the grin without the cat, the sensation without the boredom of its conveyance…I’ve always wanted to be able to convey figurative imagery in a kind of shorthand, to get it across in as direct a way as possible. I want there to be a human presence without having to depict it in full.” --Cecily Brown Gagosian Gallery is pleased to announce an exhibition of recent paintings by Cecily Brown. Brown’s vigorous and tactile oil paintings evoke the breadth of human experience, particularly the emotions associated with touch, pleasure, and passion. Widely inspired by the history of painting, from the figurative orders of Nicolas Poussin, Edouard Manet, and William Hogarth to the heady abstract expressionism of Willem de Kooning, Brown brings to the conventions of the genre a bold and, at times, ribald femininity. Throughout her oeuvre, Brown has repeated certain motifs yet ascribes them different significations over time. For example the tent form -- a primary image in her work that she associates with childhood books and nomads as well as paintings by Picasso, Goya and Bosch—is, in the new work, layered with fresh imagery that obfuscates the original form in varying degrees.
    [Show full text]