Tamayouz Excellence Award 2018

TAMAYOUZ EXCELLENCE AWARD 2018

PUBLISHED FOR THE 2018 TAMAYOUZ EXCELLENCE AWARD CEREMONY AT THE GRAND MILLENNIUM HOTEL IN AMMAN UNDER THE PATRONAGE OF HIS EXCELLENCY THE PRIME MINISTER OF JORDAN DR OMAR AL-RAZZAZ

Page Number Tamayouz Excellence Award champions and celebrates the best of architecture worldwide. Tamayouz Excellence Award, an independent initiative with no political affiliation, is sponsored by internationally recognised cultural and academic institutions, and is dedicated to supporting aspirational and transformative projects that tackle local and global challenges.

The publishing of this book was generously sponsored by the Iraqi Business Council in Jordan, a strategic partner and a sponsor of Tamayouz Excellence Award since 2012.

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Contents

04 A welcome note from the founding director 06 Tamayouz Excellence Award Judging Panel 07 The Awards and Categories celebrated today 08 Lifetime Achievement Award 10 Women in Architecture and Construction Award 11 Mohamed Makiya Prize 12 Rifat Chadirji Prize 30 Dewan Award for Architecture 31 Tamayouz Excellence Award - Special Recognition 2018 32 Tamayouz Excellence Award for Iraqi Students 33 Hisham Munir Award for Iraqi Academics 34 Tamayouz Excellence Award for International Students 35 Tamayouz Sponsors

Talents will flourish in this global movement and the Tamayouz Award will further link Iraq’s architects with this international community.

DAME ZAHA HADID DBE, 2012

 A WELCOME NOTE FROM THE FOUNDING DIRECTOR

I would like to offer you a warm welcome to today’s ceremony and welcome you into our Tamayouz family.

Today presents an opportunity for you to pause and reflect on your time in your own field; your contribution to our communities and for making a difference, if you are just starting your career in architecture, it is an opportunity to look forward to making the most of the many exciting possibilities that awaits you. Our awards ceremony is a celebration and a space for hope of a better future where architecture and love bring people from all over the world to a welcoming city, 120 people have flown to be here and share this moment with us, I do hope that today will be an enjoyable and memorable occasion for you and for family and friends that have been able to join you. Finally, I would like to thank our family of volunteers, judges, supporters and sponsors whose contribution makes tamayouz a reality, a beautiful one.

Ahmed Salah Al-Mallak Founding Director

 THE TOTAL NUMBER OF ENTRIES SUBMITTED TO OUR AWARDS AND COMPETITIONS IN 2018

 TAMAYOUZ EXCELLENCE AWARD – Sarah Akigbogun – Architect and Film Director, – Dr Lucelia Rodreguiz – Sustainable and Resilient JUDGING PANELS FOR 2018 Studio Aki, London Cities Lead, University of Nottingham, Nottingham – Rima Alsammarae – Tamayouz Women in – Dr Carl Fraser – Researcher and Lecturer in The Judging Panels of Tamayouz Excellence Award Architecture and Construction for the Near East Architecture, Coventry University are always comprised of world class specialists. and North Africa, Coordinator, Dubai – Ayad Al-Tuhafi – Owner, Ayad Al-Tuhafi Architects, – Ahmed Al-Mallak – Founder, Tamayouz Excellence London THE JUDGING PANEL OF THE RIFAT CHADIRJI Award, Coventry – Firas Hnoosh – Design Director of Architecture PRIZE FOR ARCHITECTURE 2018 Perkins + Will, Dubai This panel met on 3/10/2018 at Coventry University THE JUDGING PANEL OF DEWAN AWARD – Philip Michael Wolfson – Owner, Wolfson Designs, FOR ARCHITECTURE 2018 London/Miami – Dr Rasem Badran – Architect, Amman This panel met on 4/10/2018 at Roca Gallery London – Jerome Goyard – Competitions Department Lead, – Professor Wendy Pullan – Cambridge University, by Zaha Hadid Fevre Gaucher Architects, Paris Cambridge – Sebastian Hicks – Course Director of Post Graduate – Professor Khaled Sultany – Architect and – Professor Jala Makhzoumi – American Architecture, Coventry University, Coventry Academic, Copenhagen University of Beirut, Beirut – Ahmed Azzawi – Director – AA7 Design Worshop, – Dr Hannah Vowles – Deputy Head of School, – Professor Matteo Poli – Polytechnic Milton Keynes Birmingham University, Birmingham University of Milan, Milan – Akram Ogaily – Urban Planner and Architect, – Professor Felipe Samaran Salo – Universidad THE JUDGING PANEL OF THE TAMAYOUZ Hill International, Dubai Francisco de Vitoria, Madrid EXCELLENCE AWARD FOR IRAQI ARCHITECTURE – Eng. Ali Naji – Chairman, Najmat Al-Sharq, – Ammar Khammash – Ammar Khammash GRADUATION PROJECTS AWARD 2018 Amman Architects, Amman This panel met on 3/10/2018 at Coventry University – Ahmed Al-Mallak – Founder, Tamayouz – Fernando Olba – Fernando Olba Arquitectura y Excellence Award, Coventry Urbanismo, Valencia – Dr Caecilia Pieri – Researcher and Academic, Paris – Manhal Habbobi – Manhal Habbobi – Ben Flippance – Director, IDP Group Coventry, THE JUDGING PANEL OF THE TAMAYOUZ Consultants, Istanbul Coventry EXCELLENCE AWARD FOR WOMEN IN – Mohamed Al-Assam – Dewan Architects – Ben Maltby – Civil Engineer, Inner Circle ARCHITECTURE AND CONSTRUCTION FOR THE and Engineers, Dubai Consulting, London NEAR EAST AND NORTH AFRICA 2018 – Ossaid Al-Eitan – Tamayouz Excellence Award – Steve Austin – Head of School, Coventry University, This panel met on 3/10/2018 at Coventry University Middle East Coordinator, Amman Coventry – Prisca Arosio – Urbanist, BASTA, Amsterdam – Professor Jala Makhzoumi – Academic, THE JUDGING PANEL OF THE TAMAYOUZ – Muthar Al-Salloum – Owner of MAS Architecture, American University of Beirut, Beirut EXCELLENCE AWARD FOR INTERNATIONAL East Midlands – Anna Schabel – Director GRADUATION PROJECTS 2018 – Katherine McNeil – Director of Architetcture, Wilton Studio Ltd, London This panel met on 3/10/2018 at Coventry University Coventry University, Coventry – Mandy Franz – Senior Associate, – Rana Aytug – Researcher, Coventry University, MICA Architects, London – Professor Claudia Linders – Dean of Architecture, Coventry Fontys Academy, Eindhoven

 TAMAYOUZ EXCELLENCE AWARD JUDGING PANEL MEETING AT COVENTRY UNIVERSITY ON THE 3RD OCTOBER 2018

Tamayouz Excellence Award Award Ceremony 2018

The Awards and Categories celebrated today:

Tamayouz Lifetime Achievement Award for Architecture Tamayouz Excellence Award for Women in Architecture and Construction for the Near East and North Africa Mohamed Makiya Prize for Architecture – The Middle Eastern Architectural Personality of the Year Rifat Chadirji Prize – Baghdad Design Centre Competition Dewan Award for Architecture – School in the Iraqi Marshes Competition The Hisham Munir Award for the Iraqi Academic of the year Tamayouz Excellence Award 2018 Special Recognition Tamayouz Excellence Award for International Graduation Projects 2018 Tamayouz Excellence Award for Iraqi Graduation Projects 2018

 Tamayouz Lifetime Achievement Award In addition to his practice portfolio of projects throughout More About Maath Alousi the Middle East, both offices (Baghdad and Limassol) have • Held numerous exhibitions of Paintings The Tamayouz Lifetime Achievement Award for Architec- completed multiple projects for clients in Brazzaville, Congo. and Photography, 1991-2016 ture, which aims to celebrate the pioneers of Iraqi architecture, Yerevan, Armenia and Cyprus. • Lectured at the Higher Institute of Technology, Baghdad, is presented annually to an individual who has had a significant Tamayouz Lifetime Achievement Award for Architec the University of Technology, Baghdad, External contribution towards the advancement of architecture in Iraq. ture 2018 is presented to Maath Alousi in recognition Examiner for MA, degree projects in urban design This award was established as part of the Tamayouz Excellence of his lasting contribution to architecture in Iraq. He is • Member of “Heritage Preservation Committee” Award programme of championing and celebrating the best of a celebrated practitioner, whose work has and contin of Baghdad, 1986-89 Iraqi architecture. ues to inspire generations of younger architects. He is • Member of UN HABITAT High-Level Advisory The renowned Iraqi architect, artist and author Maath a respected artist, author and photographer. Panel for the Reconstruction of Iraq Alousi (1938) is the recipient of the Middle East’s most • Edited Nanar, Journal of the Iraqi Architect Society, coveted architectural accolade: the Tamayouz Lifetime Baghdad, 1966 Achievement Award. • Member of the Editorial board of Imara Magazine, He has been practicing architecture and urban planning in Baghdad, 1987-89 Iraq and the Middle East since his graduation from METU in 1961. Maath Alousi wrote the following books: Upon graduation, he joined the architectural firm Iraq • Nostos, a Tale of a Street in Baghdad, Rimal Publication, 2012 Consult (Rifat Chardirji, Ihsan Sherzad and Abdulla Ihsan • Visual Narrative of an Arab Architect Maath Alousi” Kamil), and in 1964 he received his post graduate degree from published by Al-Adib Publishing, Amman, 2015 the AA during a sabbatical in London. • Topos, a Tale of Time and Place” Al Kamel, Verlak, In 1974, Alousi established a professional architectural Beirut, 2017 and planning partnership based in Beirut with nine regional • Thromos, a Tale of Profession, published by Al-Adib offices throughout the Middle East and Gulf region. The newly Publishing, Amman, 2018 established satellite office in Baghdad began operating as • Maath al-Alousi, “The Visual Diary of an Arab Architect” a semi-autonomous branch that year, with the Beirut-based Third World Centre for research, published practice relocating to Athens in 1976 as a result of Lebanon’s by S. S. Damlouji, London, 1983 civil war. Alousi returned to Beirut in 1980. In 1980, upon an invitation from Rifat Chardirji, then Previous Laureates of the Tamayouz Lifetime Achievement counsel to the Mayor of Baghdad and to Amanat Al Assima, Award for Architecture: Alousi returned to Baghdad to personally assume the coordina- • 2014, Dr Mohamed Saleh Makiya (1914-2015) received tion, management and supervision of his winning competition the inaugural Tamayouz Architectural Lifetime entry for the design of a major thoroughfare within Baghdad’s Achievement Award CBD (Haifa Street - Al Karkh Development project). • 2015, Dr Rifat Chadirji (1926) A separate Beirut-based office was maintained and sub- • 2016, Dr Kahtan Al Madfai (1927) sequently relocated to Limassol. Alousi commuted between • 2017, Hisham Munir (1930) Cyprus, Lebanon and Iraq until 1989 when he left Iraq upon the completion of the Al Karkh Development project but kept his presence through his practice in Iraq. UAE Embassy in Oman - Muscat 1986  EA Building Column Detail - Baghdad 1990 Alousi Cube House - Baghdad 1985

Haifa Street - Baghdad 1980s EA Building - Baghdad 1990 Maath Alousi  Women in Architecture and Construction 2018 Highly Commended: Dr Deyala Tarawneh – assistant “She shows great determination to meet the challenges Tamayouz Excellence Award - Women in Architecture and professor at University of Jordan, assistant director at Univer- of her environment and rise above them. Her work, which Construction Award is given to women who have contributed to sity of Jordan Innovation and Entrepreneurship Centre spans many mediums and explores various themes, leaves the fields of architecture and construction throughout the Near Amman – Jordan you awestruck. Her ever-impressive portfolio reflects her pure determination and ambitions, and she is truly a person East and North Africa. The award consists of two categories: Judging Panel Comment: of great achievement.” Women of Outstanding Achievement and Rising Stars. “We admire the impact she has on her students, either The Tamayouz Women in Architecture and Construction through studies, research or work. The many testimonials Highly Commended: Nadia Habash – director and chief Award was established as part of the Tamayouz Excellence about her submitted by students were a clear indication that designer at Habash Consulting Engineers and adjunct pro- Award programme, which aims to champion the best architec- she has a great understanding of her students and vice versa.” fessor at the Department of Architecture at Birzeit University ture worldwide. It is an annual prize open to women who are Ramallah - Palestine from the NENA region and are either employed in the NENA Women of Outstanding Achievement Award region and specialise in architecture and construction, or who Winner: Suad Amiry – Founder of RIWAQ: Centre Jury Panel Comment: are employed/living abroad but their contribution has had For Architectural Conservation “Her sustained ability to manage both being highly professional and being socially and politically active is a direct impact on the built environment in the Near East and Ramallah – Palestine greatly admirable. To combine practice with socio-political North Africa region. Judging Panel Comment: engagement requires a unique amount of passion and energy, “Suad Amiry is a lifetime achiever. Her contributions especially to continuously sustain this balance at such a high Rising Star Award are unparalleled, and her work is really inspiring – it is very quality as she does”. Winner: Dr Ebtissam Farid Moustapha – associate pro- much on the ground and involves the people.” fessor of architecture and design at Alexandria University and “We find her approach to be universally inspiring. Tamayouz Excellence Award for Women in Architecture co-founder of Encode Studio. The sheer amount of work she’s produced is amazing, and and Construction is sponsored by: Kufa – Makiya Charity Alexandria – Egypt she’s created a platform for other people to pick up where (Main Sponsor), The Iraqi Business Council in Jordan and she’s left off.” Coventry University. Judging Panel Comment: “We were impressed by her design integrity and the information she submitted. The whole picture was very powerful, and the integrity was reflected throughout the whole submission.” “We particularly admired her work in bringing creative design thinking to youth and children, as well as non-designers.” “We commend the way she is trying to challenge established design convention in Egypt and raise the standard of design in her country. She will be a role model for many and will have a greater impact due to overcoming the challenges of her environment.”

 Mohamed Makiya Prize for Architecture Middle Eastern Architectural Personality of the Year Award

The winner of the 2018 Middle Eastern Architectural Personality of the Year, the Mohamed Makiya Prize for Archi- tecture, which can be given to individuals or organisations, is The Aga Khan Documentation Center at MIT. Every cycle, the prize is presented to the architectural personality of the year that has made the greatest contribution to the advancement of architecture by either promoting, encouraging, campaigning or influencing it directly or indirectly in the Middle East. The winner of this award will be celebrated during the annual Tamayouz Excellence Award Ceremony. AKDC Team Rana Beiruti The 2018 edition of the Mohamed Makiya Prize recognised The Winner: those who contributed to the advancement of architecture in Aga Khan Documentation Center at MIT – Massachusetts the Middle East between 2015 and 2017. For its role in supporting the teaching of, and scholarship on, Out of 44 entries from 11 countries that were submitted for the history and theory of architecture, urbanism, environmental this year’s prize, four were selected for the shortlist. The 2018 and landscape design, visual culture, and conservation, as well shortlist for the Mohamed Makiya Prize included the below as the practice of architecture in Muslim societies, with focus finalists: on the research and teaching activities of the faculty, students – Aga Khan Documentation Center at MIT - and post-doctoral fellows at AKPIA. Situated within the MIT Massachusetts Libraries, AKDC at MIT, a part of the Aga Khan Program – Rana Beiruti – Amman for Islamic Architecture (AKPIA) at MIT and Harvard, was – Arab Center for Architecture – Beirut established in 1979 as a gift from His Highness the Aga Khan. Arab Center for architecture – Michael Rakowitz – Chicago AKDC at MIT is also responsible for the curation of the intellectual and content core of Archnet, a globally-accessible The award is named resource focused on architecture, urbanism, environmental after Dr Mohamed and landscape design, visual culture, and conservation issues Saleh Makiya, the great with a focus on Muslim cultures and civilisations. Iraqi architect whose The team behind the center at MIT, consists of: influence and Dr Michael Toler (Interim Program Head), Betsy Baldwin, importance is far Dr Matt Saba and Dr Sharon Smith (Founding Head of the greater than his built Program who left the AKDC in August 2018 and who had work. The prize a key role in the Aga Khan Documentation Center’s growth was announced and success). in 2014, celebrating the 100th birthday of Previous winners of the Mohamed Makiya Prize: Dr Mohamed Makiya. 2012 – 2015 Cycle: Dr Khaled Al-Sultany – Copenhagen Michael Rakowitz  Rifat Chadirji Prize Baghdad Design Centre Competition

Rifat Chadirji Prize 2018 was themed, “Baghdad Design Imagine telling my grandson: “Hey little one, it doesn’t 2018 was yet another successful year for the Tamayouz Centre”. The competition, organised by Tamayouz, in its matter how good you’ll be in mathematics, physics or family – and it was an honour for me to be invited once again second cycle, the Rifat Chadirji Prize, which witnessed the literature, nor does it matter how smart you are – the most to be a member of the Rifat Chadirji Award. overwhelming participation of 310 firms and individuals important thing is that you dress fashionably.” In September, I received a call from my dear friend and from 54 countries, asked participants to transform the It doesn’t sound right, does it? founder of Tamayouz, Ahmed Al-Mallak, who, with his current unused site of the Old Governorate Building into My concern is that this is how we have begun evaluating usual charm, soft arguing and reason, proposed I participate the Baghdad Design Centre while integrating the damaged our cities, and my greater concern is that this devalues these on the jury panel for this award. I welcomed this opportunity – original facades into their ideas for the new building. The magnificent cultural buildings. firstly, the award is associated with the name of one of my facades will be a memorial for an era in Baghdad’s history. Thousands of architectural treasures, which are not so old teachers, friends and icons of Iraqi school of architecture, The prize is an annual international competitopn that calls (50-120 years of age), fall within the risk-zone of disappearing. and secondly, it highlighted the importance and specificity of for design proposals responding to local challenges in Iraq. These buildings are in fact time capsules that carry our the award’s project site and brief, which addressed Baghdad’s Through its various themes, this prize aims to introduce local stories, who we are, where we have come from and where deteriorating cultural heritage and the ongoing loss of its challenges to the world and invite architects to submit ideas we are heading to. listed buildings. that would resolve the country’s urban problems, while also Destroying these cultural jewels means the self-deleting The Rifat Chadirji Award 2018 highlighted the im- establishing an open source of ideas tackling social issues in Iraq of our own story from the history book and soon we will find portance of conservation and rehabilitation of historical through design. ourselves separated from Iraq’s history timeline. urban fabric and buildings, as well as the importance The Rifat Chadirji Prize Statuette given annually to the Sadly, the rate at which these buildings are disappearing of exploring sensitive approaches in urban planning winner of the Rifat Chadirji Prize is designed by Dia Azzawi, in Iraq’s old neighbourhoods today is disturbing. and design concepts. a pioneer of Modern Arab Art. People who will visit Iraq and appreciate the ancient The jury reviewed and assessed the shortlisted projects, ruins of Sumer, Babylon, Lagash, and Abbasid will turn chosen from more than 300 participants, which reflect The prize is named after Dr Rifat Chadirji, around, look at the modern malls and tall towers presently the great international interest in Tamayouz Excellence Award. a renowned Iraqi architect, theorist and author popping up ubiquitously and replacing these precious The positive response to the design challenges pertains to whose influence and importance stretches far buildings, and they will ask the question: How did you get the success achieved in raising awareness of urban challenges beyond his built work. from there to here? in Iraq, from environmental dilemmas to the deterioration We won’t have an answer to that question, and this is one of cultural heritage. Such challenges have encouraged inter- of the reasons why the work of Tamayouz and architectural national researchers, professionals and students and young competitions like Rifat Chadirji Prize is indispensable. generations of urban planners and architects to contribute and present their ideas. Ali Naji – Amman Consulting Engineer - Member of the Akram Ogaily – Dubai and London Tamayouz Excellence Award Judging Panel for Architect - Member of the the Rifat Chadirji Prize Tamayouz Excellence Award Judging Panel for the Rifat Chadirji Prize

 تميز مؤسسة تعنى بالعمل الثقافي اإلبداعي في مجال العمارة الثالث: األولى، والثانية والثالثة. أما بقية المشاريع فتم االعتراف بها من سررت كثيرا في المشاركة بتحكيم مسابقة »مركز بغداد للتصميم« والعمران، وهي مبادرة دعت لها ودعمتها المرحومة المعمارية زها ضمن بند الجوائز التشجيعية، لما بها من أفكار يصعب إغفالها. الخاصة بجائزة رفعة الجادرجي لهذا العام 2018، وهي إحدى جوائز حديد. »تميز« لالبداع المعماري. نشد برنامج المسابقة لهذا العام، إلى إيجاد توخت لجنة التحكيم في مداولتها للمشاريع، أن تبث رسالة لطالب حلول تصميمية مناسبة لبقايا جدار مبنى المتصرفية القديم في وسط في بداياتها اقتصرت على معماريي العراق من طالب وممارسين، العمارة العراقيين، على وجه الخصوص، مفادها كيفية التعامل مع بغداد التاريخي، مع تأهيل الموقع المجاور له باضافة فضاءات تخدم، لكنها سرعان ما شملت العالم العربي، لتصبح فيما بعد على مستوى موقع كهذا، من خالل إعطاء الحي المكتظ المحيط به، حيزا جاذبا باألساس، االحتياجات الثقافية والفنية. وقد حرصت ادارة تميز ان يكون العالم. في وسط بغداد القديمة، بما يوفره من إمكانات متعددة من وظائف اعضاء تحكيم المسابقة يتألف من معماريين ومهنيين ّمقيمين في وأنشطة تفاعلية ثقافية كانت أم اجتماعية، لتصبح نقطة حيوية امكنة جغرافية مختلفة ويشكلون إثنيات متعددة، ويمتلكون ثقافات وهي مؤسسة تربط بين األجيال والثقافات، وتحتضن من ضمن جاذبة. متفادين أي عوامل ابهار واغتراب عن طبيعة المكان. مهنية متنوعة، مما جعل النقاش حول المشاريع المشاركة في المسابقة أنشطتها جوائز بأسماء مشاهير المعماريين العراقيين، يتسم بثراء مهني، وفي كثير من األحيان، انطوى على حوارات جادة، لذا مثلت الجائزة األولى التواضع والوضوح وقدرة المنشأ على استيعاب في اشكالية تصميمية، تتطلب حلوال مبدعة ودائما جديدة ومبتكرة. وهي في سعيها للتغيير تختلف عن غيرها من الجوائز العالمية، إضافات العصر والزمن بما يمليه المجتمع الذي يتعامل مع هكذا لقد بذل المتسابقون جهداً كبيراً في التعاطي مع ثيمة المسابقة، وتختلف أيضا في أنساقها ومضامينها ولجان التحكيم فيها. لتتجاوز موقع، ووفق احتياجاته. مقترحين تصاميم مميزة سعت وراء بلوغ ادراك عال لقيمة الموضوعة األكاديميات في رفدها للمعرفة المتجددة في مجال العمارة والعمران. التصميمية في تلك المسابقة، مقدمين حلول مبتكرة لها، حازت على في حين تمحورت الجائزة الثانية حول فضاء مفتوح يشمل كامل تقدير اعضاء لجنة التحكيم. وقد تم دعوتي في العام 2018 ألكون محكما في أحد أنساقها، والتي الموقع، حيث وضعت كل الوظائف المنشطة للموقع في باطن األرض، وفي الختام، يتعين القول، بان تجربة تحكيم جائزة رفعة الجادرجي كرست السم المعمار رفعة الجادرجي، حيث ترأست جلسات التحكيم ممايتيح للزائر لحظة تأمل وتفكر بعراقة تاريخ بغداد، من خالل لعام 2018، كانت على جانب كبير من التنظيم وانطوت على مستوى فيها والتي عقدت في إنجلترا في جامعة كوفنتري، في قسم الدراسات انعكاس الجدار على سطح مائي منبسط بشكل سريالي. مهني عال. ونأمل أن تكون تجربة هذا العام حافزا لنشاطات تحكيمية البيئية والعمرانية في الجامعة. مماثلة في السنين القادمة. كما نأمل ان تنال جوائز تميز لإلبداع أما الجائزة الثالثة فكانت أشبه بتظاهرة لعمارة العصر، والتعامل مع المعماري ، وجائزة رفعة الجادرجي على وجه الخصوص، المكانة وقد تقدم لهذه الجائزة بأنسقاها المختلفة أكثر من 1000 مشارك من التقنية المعدنية والزجاجية على كامل مساحة الموقع دون المساس الرفيعة التى تستحقها في المشهد المعماري المهني المحلي والعربي جميع أنحاء العالم. باألثر التاريخي، مولدة في الداخل كتال زجاجية تحوي كل الوظائف على ِحد سواء، وأن تجد تلك الجوائز مكانة تليق بها كاحدى الجوائز وفيما يخص جائزة المعمار رفعة الجادرجي فقد كان عدد المشاركين المطلوبة، مع فراغات مفتوحة، توظف ألنشطة المجتمع. المعمارية المرموقة في البالد العربية. بين طالب وممارسين 300 مشترك من 50 دولة، وكان موضوع المسابقة شكرا تميز! وشكرا لمبادرتك المهنية الرائدة والمبدعة .. والمفيدة! إعادة إحياء موقع أثري، شيد في العهد العثماني كمقر للحاكم. والخالصة أن الرسالة التي حاول المحكمين أن يجتمعوا حولها، هي والشكر موصول الى مؤسسي الجائزة وداعميها! ويجدر اإلشارة إلى أن الدكتور خالد السلطاني الباحث والمعماري العراقي إعطاء المتلق من طالب وباحثين مجسات حول الكيفية التي يتناول المعروف، هو من جهز بنود المسابقة، باختيار موقع موضوع المسابقة، بها مفهوم إعمار موقع بعينه، إعمارا مسؤوال، يتفادى الشكالنية د. خالد السلطاني بحكم درايته التاريخية بمدينة بغداد. والنمطية التي قد يقع في هواها المحكمين. معمار وأكاديمي - لجنة تحكيم جائزة ّتميز هذا الموقع دمر أثناء الغزو األمريكي لبغداد، حيث تالشت أغلب معالمه، ما عدا واجهة المدخل الرئيسي المطل على أحد الشوارع د. راسم بدران التي تحيط بالموقع، وهو عبارة عن واجهة جدار يزخر بفنون بناء اآلجر معمار - لجنة تحكيم جائزة ّتميز العراقي التي اشتهرت به حضارة الرافدين.

تم اختيار أحسن عشرين مشروع للتصفية ما قبل النهائية، حيث عرضت على لجنة التحكيم، والتي اختارت منها عشرة مشاريع للمناقشة والتداول، وانتهى األمر باختيار ثالثة مشاريع أهلت للفوز بالجوائز

 مركز بغداد للتصميم BAGHDAD DESIGN CENTRE المركز األول: بروكس موراي المهندسين المعماريين First Place: Brooks Murray Architects لندن، المملكة المتحدة London  UNITED KINGDOM

يسعىهذا التصميم إلى خلق بيئة قادرة على تلبية االحتياجات This design seeks to create an environment which can meet البشرية المشتركة؛ لاللتقاء وتبادل األفكار واالستمتاع بالحياة. في .shared human needs; to meet, exchange ideas, and enjoy life حين أن الجدران األصلية لمبنى المحافظة القديمة يتم االحتفاظ بها Whilst the original walls of the Old Governorate Building are واستعادتها، إال أن الندوب واألضرار الناجمة عن القنابل والطقس تظل retained and restored, the scarring, bomb damage and weathering بمثابة نصب تذكاري مادي لألحداث التي وقعت هنا. وفي الوقت .remain as a physical memorial to events that have occurred here نفسه، يتم الحفاظ على البيئة الثمينة لجيران المباني. ’At the same time, the precious environment of the buildings neighbours is preserved. أن المساحة المفتوحة داخل النسيج الحضري الكثيف في بغداد أصبحت The partial destruction of the Old Governorate Building مكان اجتماع غير رسمي لمواطنيها. يسعى التصميم المبنى المقترح removed its previous use, yet the space opened within Baghdad’s لهذا التصميم إلى الحفاظ على مكان االجتماع العضوي والحفاظ عليه، dense urban fabric has become an informal meeting place for وضمان أن يصبح مركز التصميم مساهماً نشطاً في إعادة بناء النسيج -its citizens. The proposed built form of this design seeks to pre الحضري واالجتماعي للمدينة. serve and safeguard this organic meeting place, and to ensure the design centre can become an active contributor in the تقف شجرتي »فيكس« ناضجة خلف الواجهة األمامية المستعادة، .reconstruction of the city’s urban and social fabric وتوفر واحة حضرية هادئة ومظللة ومكان ثاني غير رسمي للجلوس. Two mature Ficus trees stand behind the restored front يضيق المبنى من الفناء باتجاه مرحلة في الخلف. توفر األشجار ,façade, providing a quiet, shaded urban oasis and a second informal place to sit. The building narrows from the courtyard والواجهة التاريخية إطارًا ًقاهرا لبرنامج متطور من ورش العمل واألحداث، حيث تقدم التميز من مركز التصميم وما بعده. toward a stage at the back. The trees and historic façade provide a compelling frame for a rolling programme of workshops and تعليق لجنة التحكيم .events, presenting excellence from the design centre, and beyond يقدم هذا المشروع مثاال ًلكيفية إعادة بناء األطالل الحضرية إلى مجمعات جديدة. وتوضح استجابته للموجز الحضري والتصميم أهمية :Judging Panel’s Comment الجدار األصلي وإدراجه كميزة رئيسية للمشروع. ويساعد تحولها إلى This project offers an example of how urban ruins can be“ وظيفة حية على خلق حياة في الفضاء الداخلي للمشروع والساحة regenerated into new complexes. Its response to the urban and العامة، التي تستجيب للنسيج المحلي التقليدي وتثري البيئة الحضرية design brief highlights the importance of the original wall and المحيطة. كما أن تغطية الواجهة باألشجار ستسمح للمشاهد بتذكرها -incorporates it as the main feature of the project. Its transfor على أنها خراب حضري. تتميز الساحة المركزية بأنها مرنة وقابلة mation into a living function will help create life in the project’s للتكيف ويمكن استخدامها للعديد من األشياء بما في ذلك األحداث internal space and public plaza, which responds to the traditional الوظائف والعروض والمهرجانات، في حين يمكن ً اأيض توسيع األنشطة local fabric and enriches the urban surroundings. Covering the الداخلية المحيطة إلى ساحة الفناء. façade with trees will also allow the viewer to remember it as an urban ruin. The central courtyard is flexible and adaptable and can be used for many things including events, functions, performances and festivals, while the surrounding indoor activities can also be extended to the courtyard.   مركز بغداد للتصميم – BAGHDAD DESIGN CENTER 01 – Historical Layer المركز الثاني: علي حبيبيانفار باريسا داودي Second Place: Ali Habibianfar-Parisa Davoudi Reflective surface باريس، فرنسا – Paris  FRANCE 02 – Contemporary Layer Public Plaza تتمثل فكرة هذا المشروع على االستصالح والتذكر. يعتمد التصميم – The structure of this project is centred on reclamation and re- 03 – Historical Layer والمفهوم الرئيسي لهذا المشروع على احترام المساحة التي أنشأها membering, ancient and recent memories of the days of war and de- Archetype الناس بين الجدران. تم تدمير المكان خالل الغزو األمريكي وما بقي في -struction. The design and main concept of this project is based on re مكانه هو تذكير العناصر التي أعطت معنى لهذا المكان. spect for the space created by people among the walls. The place was . كان إعادة النظر في مفهوم تصميم مركز بغداد للتصميم، بالنظر إلى destroyed during the 2003 US invasion and what remained in place الوضع الحالي للعراق، كمساحة للفكر والذاكرة الجماعية، هو النقطة .was a reminder of the elements that once gave meaning to this place الرئيسية في تصميم هذا المشروع. The space, in our project, is then rooted in collective thinking, and After the demolition of the building and the change of its created by existing users of the space. Revisiting the design concept of identity, people created the current space among the walls for مركز بغداد للتصميم هو مركز إعادة تصميم بغداد بمساعدة الحكمة .the Baghdad Design Center, given the current status of Iraq, as a space the required events الجماعية، ومساحة تعتمد على احترام أفكار بعضهم البعض وإلعادة for thought and collective memory, was the main point in designing بناء مدينة تاريخية. في هذا الصدد، تم استخدام استعارة زقورة »أور«، this project. The Baghdad Design Center is the centre for redesigning والتي تذكرنا بالصلوات الجماعية، كمساحة مشتركة وربط بين الماضي Baghdad with the help of collective wisdom, a space based on respect والحاضر. أيضا، يتم اشتقاق البنية المكانية للمشروع من مدخل قائم .for each other’s thoughts and for the reconstruction of a historic city على المنتدى. تم تصميم هذه المساحة لتكون المكان المناسب لتقريب -In this regard, the space of the ziggurat “Ur”, which is remi- Respect for the collective space and the creation of a relation المصممين، لمساعدتهم على مشاركة األفكار اإلبداعية، وبالطبع niscent of collective prayers, has been used as a communal space ship between the past and present identity of the building inspired بهدف تصوير مستقبل بغداد في مختلف المناطق الفنية والحضرية. .and a link between the past and present. Also, the spatial structure by the ziggurat and the archetype كما ُاستخدمت أجزاء من النموذج األصلي للمنطقة كهيكل تصميم of the project is derived from a forum-based entrance. This space للمشروع وتم تقديمها كطبقة للمساحات المجتمعية والمرنة في جميع is designed to bring designers closer together, to help them share أنحاء المشروع، عنصر المياه في المشروع استخدمناه كرمز لحضارة بالد creative ideas, and of course to help reflect on the future of Baghdad in various artistic and urban areas. Also, sections of the region’s ما بين النهرين ويلعب دورًا ًرئيسيا في هذه الدورة المكانية. archetype have been used as the project design structure and have been presented as a layer for community-based and flexible spaces Cogitating the historical architecture of Baghdad and تعليق لجنة التحكيم: throughout. Eventually, water as a symbol of Mesopotamian representing the survivors of the destroyed building by showing »يقدم اقتراح حديقة تذكارية مساحة ضرورية للغاية في وسط المدينة .civilization plays a key role in this spatial cycle. its reflection in the water تتناقض مع النسيج الحضري الكثيف. في حين قد يكون هناك توقع :Judging Panel’s Comment مبنى، نحن متفاجئون بسرور من الفضاء المفتوح. المساحات تحت ,The proposal of a memorial park offers a much needed space 1 – Main Entrance“ األرض ستكون ممتعة بشكل خاص في أشهر الصيف ألنها يمكن أن ,in the centre of the city that contrasts with the dense urban fabric. 2 – Subsidiary Entrance تخلق كهفا حضريا للتجمعات االجتماعية. في حين أن القسم الطولي ,While there might have been the expectation of a building, we 3 – Public Plaza, 4 – Stairs بحاجة إلى إظهار المزيد من المعلومات لدعم الفكرة، فإن الحوض ,are pleasantly surprised with an open space. The underground 5 – Forum, 6 – Cafe المائي سيوفر حالة من الهدوء والسكينة التي تكمل الجدار«. spaces would be particularly enjoyable in the summer months as 7 – Corridor, 8 – Flexible they could create an urban cavern for social gatherings. While the Space, 9 – Library, longitudinal section needed to show more information to support 10 – Workshop Space, the idea, the waterbody would further offer a state of tranquillity 11 – Open Office, and serenity that complements the wall. 12 – Office, 13 – Restroom  01 – Damaged Walls

02 – Public Plaza

03 – Forum

04 – Project Functions

 سعفة في الداخل  المركز الثالث  مصطفى كامل  تكساس - الواليات المتحدة The design was inspired by a personal experience of كان التصميم مستوحى من تجربة شخصية في المشي عبر مزارع walking through palm tree farms in Baghdad. The astonishing النخيل في بغداد، وهو أمر مذهل تجربة يأخذك إلى أبعاد في الذاكرة -experience takes you to a different dimension as you walk أثناء المشي من خالل مساحة حرجية كثيفة تحافظ على الصمت من through heavily wooded space that offers silence from the المدينة المزدحمة وتعطي فرصة التأمل عبر جذوعها الطويلة التي busy city and meditation through its long trunks that towers تصل إلى السماء وتصل إلى السماء. تستخرج أشجار النخيل ظال ًال فريدة over and reach the skies. Palm trees offer unique shadow وملجأ من الحرارة الشديدة مع أنماط مذهلة تم عرضها على األرض. and shelter from the blazing heat with spectacular patterns projected onto the ground. االقتراح هو ضخ مساحة مفتوحة في بكثافة البيئة المبنية داخل الموقع The proposal is to inject an open space into the heavily وإجراء نفس التجربة مثل المشي من خالل مزارع النخيل التي تصل إلى constructed environment within the site and to offer the ارتفاعات شاهقة ومشاريع الظالل إلى المأوى من الشمس. same experience as walking through palm tree farms that reaches extreme heights and projects shadows to shelter from تخلق مجموعة من ستة أعمدة فوالذية بنية واحدة طويلة لتثبيت كل .the sun من الجدار التاريخي ونظام جدار الساتر من خالل الموصالت، مع الشبكة A bundle of six steel columns creates one tall structure وثالثة من األلواح العميقة من ظالل أقل كثافة إلى ظالل أكثر كثافة to hold both the historic wall and the curtain wall system في مركز الفضاء العام. through connectors, held together with the grid and three different panel conguration from less dense shadows to more تعليق لجنة تحكيم الجائزة: .dense shadows in the centre of the public space »هيكل من الفوالذ والزجاج الرقيق يقف وراء الواجهة الحكومية، التي تأطيرها وتتناقض ضدها. ويؤدي تصميم الشوارع األكثر تقليدية :Judging Panel’s comment إلى مساحة داخلية خفيفة بشكل مدهش موضح بها السقف الصلب A delicate steel and glass structure stands behind the“ السقف المزجج. كان مصدر إلهام المعماريين للمشروع هو غابة أشجار government façade, which frames it and contrasts against النخيل، وقد تم تفسير ذلك بشكل رائع على أنه سلسلة من األعمدة it. The more traditional streetscape leads to a surprisingly الداخلية. يقترح التصميم التدريجي لتحويل الشارع القديم أمام القشلة light interior space that is articulated by the filigree ceiling إلى بعد آخر في الوقت المناسب. ويعرض المكونات الموجودة في بعد and glazed roof. Thee architects’ inspiration for the project معاصر من شأنها أن تعزز وتوفر طريقة أخرى لمعالجة المبنى التاريخي was a palm tree forest, and this has been nicely interpreted as والموقع.« .a series of interior columns “The progressive design proposes to convert the old street in front of the qishla into another dimension in time. It presents the existing components within a contemporary dimension that will enhance and provide another way of treating the historical building and site.”

 RCP2-182

Approach FRONDS WITH-IN The old Baghdad Governorate Building is situated in a very densely populated and heavily constructed area. The general areaRCP2-182 description lacks an open space that keeps the visitors sheltered from the blazing heat, therefore people use the old baghdad governorate building as a meeting point because it offers an open public space after the damage left the skin of the building only.

Concept The design was inspired by a personal experience of walking through palm trees farm in Baghdad, the astonishing experience takes you to a different dimension as you walk through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground. Approach FRONDS WITH-IN The old Baghdad Governorate Building is situated in a very densely populated and heavily constructed area. The general area description lacks an open space that keeps Design the visitors sheltered from the blazing heat, therefore people use the old baghdad governorate building as a meeting point because it offers an open public space after The proposal is to inject an open space into the heavily constructed environment within the site and to offer the same experience as walkingthe damage through left palm the skintree offarms the buildingthat only. reaches extremt heights and projects shadows to shelter from the sun. Concept Material The design was inspired by a personal experience of walking through palm trees farm in Baghdad, the astonishing experience takes you to a different dimension as you A bundle of six steel columns creates one tall structure to hold both the historicRCP2-182 wall and the curtain wall system through connectors, heldwalk together through with heavily the woodedgrid and spacethree that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground. different panel configuration from less dense shadows to more dense shadows in the center of the public space. Design Use The proposal is to inject an open space into the heavily constructed environment within the site and to offer the same experience as walking through palm tree farms that As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functionalreaches extremt space heights but thatand projectskeeps shadows to shelter from the sun. the transparency throughout the design and visual connection to the historic wall at all times. Approach FRONDSMaterial WITH-IN The old Baghdad Governorate Building is situated in aA very bundle densely of six populated steel columns and heavilycreates constructed one tall structure area. Theto hold general both areathe historic description wall andlacks the an curtain open space wall system that keeps through connectors, held together with the grid and three the visitors sheltered from the blazing heat, thereforedifferent people usepanel the configuration old baghdad from governorate less dense building shadows as a to meeting more dense point shadowsbecause init offersthe center an open of the public public space space. after the damage left the skin of the building only. Use Concept As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functional space but that keeps The design was inspired by a personal experience of thewalking transparency through palmthroughout trees farm the designin Baghdad, and visual the astonishing connection experience to the historic takes wall you at toall atimes. different dimension as you RCP2-182 walk through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground.

Design The proposal is to inject an open space into the heavily constructed environment within the site and to offer the same experience as walking through palm tree farms that reaches extremt heights and projects shadows to shelter from the sun.

Approach FRONDSMaterial WITH-IN The old Baghdad Governorate Building is situated in a veryA bundle densely of six populated steel columns and heavily creates constructed one tall structure area. The to holdgeneral both area the descriptionhistoric wall lacks and thean opencurtain space wall thatsystem keeps through connectors, held together with the grid and three the visitors sheltered from the blazing heat, therefore peopledifferent use panel the configurationold baghdad governoratefrom less dense building shadows as a meetingto more densepoint because shadows it in offers the center an open of thepublic public space space. after the damage left the skin of the building only. Use Concept As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functional space but that keeps The design was inspired by a personal experience of walkingthe transparency through palm throughout trees farm the in design Baghdad, and visualthe astonishing connection experience to the historic takes wall you at to all a times.different dimension as you walk through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground.

Use As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functional space but that keeps the transparency throughout the design and visual connection to the historic wall at all times.

RCP2-182

Approach FRONDS WITH-IN The old Baghdad Governorate Building is situated in a very densely populated and heavily constructed area. The general area description lacks an open space that keeps the visitors sheltered from the blazing heat, therefore people use the old baghdad governorate building as a meeting point because it offers an open public space after the damage left the skin of the building only.

Material A bundle of six steel columns creates one tall structure to hold both the historic wall and the curtain wall system through connectors, held together with the grid and three differentSHADING panel SYSTEMconfiguration INSPIRED from less dense BY shadows to more dense shadows in the center of the public space. PALM TREE FRONDS Use As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that canSHADING be available SYSTEM as a multi-functional INSPIRED spaceBY but that keeps the transparency throughout the design and visual connection to the historic wall at all times. LESS DENSE PALM TREE FRONDS

LESS DENSE CANOPY

CANOPY

STRUCTURE INSPIRED SHADING SYSTEM INSPIRED BY BY PALM TREES PALM TREE FRONDS DENSE STRUCTURE INSPIRED BY PALM TREES LESS DENSE DENSE

MECHANICAL SPACE CANOPY

MECHANICAL SPACE SHADING SYSTEM INSPIRED BY PALM TREE FRONDS CAFE STRUCTURE INSPIRED MORE DENSE LESS DENSE DENSE BY PALM TREES CAFE MORE DENSE

CANOPY ADMINISTRATIONRCP2-182 LIBRARY CONNECTORS MECHANICAL SPACE ADMINISTRATION LIBRARY CONNECTORS SECITON - B

ApproachSTRUCTUREFRONDS INSPIRED WITH-IN SECITON - B PUBLIC SPACE The old Baghdad Governorate Building is situated in a very densely populated and heavily constructed area. The general area description lacks an open space that keeps the BYvisitors PALM sheltered TREES from the blazing heat, therefore people use the old baghdad governorateMULTI-FUNCITIONAL building as a meeting point because SPACE it offers an open public space after DENSE CAFE MORE DENSE the damage left the skin of the building only. PUBLIC SPACE MULTI-FUNCITIONAL SPACE Concept The design was inspired by a personal experience of walking through palm trees farm in Baghdad, the astonishing experience takes you to a different dimension as you walk through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground. MECHANICAL SPACE SECITON - A HISTORIC WALL ADMINISTRATION LIBRARY Design CONNECTORS N SECITON - A The proposal is to inject an open space into the heavily constructed environment within the site and to offer the sameHISTORIC experience WALLas walking through palm tree farms that reaches extremt heights and projects shadows to shelter from the sun. N

Material SECITON - B A bundle of six steel columns creates one tall structure to hold both the historic wall and the curtain wall system through connectors, held together with the grid and three differentCAFE panel configuration from less dense shadows to more dense shadows in the center of the public space. MORE DENSE PUBLIC SPACE MULTI-FUNCITIONAL SPACE Use As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functional space but that keeps the transparency throughout the design and visual connection to the historic wall at all times.

ADMINISTRATION LIBRARY CONNECTORS HISTORIC WALL SECITON - A N

SECITON - B

PUBLIC SPACE MULTI-FUNCITIONAL SPACE SECITON - B SECITON - B

HISTORIC WALL SECITON - A N

SHADING SYSTEM INSPIRED BY PALM TREE FRONDS SECITON - B LESS DENSE

CANOPY

SECITON - B

STRUCTURE INSPIRED BY PALM TREES DENSE

SECITON - A SECITON - A 

MECHANICAL SPACE

SECITON - A CAFE MORE DENSE SHADING SYSTEM INSPIRED BY PALM TREE FRONDS

LESS DENSE ADMINISTRATION LIBRARY CONNECTORS CANOPYSECITON - A

SECITON - B

PUBLIC SPACESTRUCTURE INSPIRED MULTI-FUNCITIONAL SPACE BY PALM TREES DENSE

MECHANICAL SPACE HISTORIC WALL SECITON - A N

CAFE MORE DENSE

ADMINISTRATION LIBRARY CONNECTORS

SECITON - B

PUBLIC SPACE MULTI-FUNCITIONAL SPACE

HISTORIC WALL SECITON - A SECITON - B N

SECITON - B

SECITON - A

SECITON - A قلعة بغداد للتصميم BAGHDAD CITADEL OF DESIGN جائزة اختيار الناس + مرتبة شرفية :People's Choice Award, Honorable Mention كود للتصميم - انا كورنارو و فاليريو ديفيتيس COdESIGN  Anna Cornaro, Valerio de Divitiis دبي - اإلمارات العربية المتحدة ، روما - إيطاليا Dubai  UAE, Rome  Italy

The design creates a new public space at the ground level, يخلق التصميم مساحة عامة جديدة على مستوى األرض، وساحة an intruded piazza inside the plot, completed with water features مغمورة داخل قطعة األرض، تكتمل بميزات مائية وحديقة صغيرة. and a small garden. Around this public core, a system of حول هذا النواة العامة، تم وضع نظام من المباني الصغيرة، مخبأة .small buildings is placed, hidden behind the existing façades خلف الواجهات القائمة. مستوى الفضاء الخارجي هو نفسه من مستوى The level of the outdoor space is the same as the level of the الرصيف المحيط بالمبنى، وذلك إلعطاء استمرارية كاملة بين الفضاء sidewalk around the building, so to give complete continuity العام الداخلي والخارجي. .between the inner and outer spaces The new volumes of the design centre have a peculiar األحجام الجديدة لمركز التصميم لديها عالقة غريبة مع الواجهات relationship with the existing façades. At the upper floor, the القائمة. في الطابق العلوي ، ُتستخدم الفتحات السابقة للمبنى الحالي former openings of the existing building are used as clerestory ، كنوافذ مفتوحة، تسمح بمشاهدة مناظر من الممر في الهواء الطلق. opened windows, which allow views from the open-air أما في الطابق األرضي، يتم استخدام بعض الفتحات المستطيلة passageway. On the ground floor, some of the rectangular كنوافذ فعلية إلضفاء الضوء داخل األحجام المختلفة. المدخالن openings are used as actual windows to bring light inside the الرئيسيان، إلى الفضاء العام للقلعة، يستفيدان من المداخل األصلية different volumes. The two main entrances, to the public space على الواجهات. تم فتح مدخل ثالث حيث يوجد الكسر الموجود على ;of the citadel make use of the original doorways on the façades الجدران، ويتيح الوصول إلى الدرج الكبير العام، مما يؤدي إلى مدخل a third entrance is opened where the existing fracture on the المقهى، والذي يعمل ًأيضا كمنطقة جلوس تطل على كل من المشهد walls was. It gives access to a public grand staircase, leading to الحضري الحالي ومركز التصميم الجديد. وتؤكد الشاشة العمودية .the café entrance المخرمة العشرة على وجود الدرج الكبير الذي يمثل ًأيضا االنتهاء من A perforated corten vertical screen underlines the presence الواجهات الغربية الحالية. of the grand staircase that represents also the completion of the existing west façades. Public functions (exhibition space, توجد الوظائف العامة )مساحة العرض واإلدارة ونقطة المعلومات( في administration and information point) are located at the ground الطابق األرضي، وتواجه الساحة الداخلية، ويستضيف الطابق floor, facing the inner square, the upper floor hosts more private العلوي المزيد من الوظائف الخاصة مثل ورش العمل والفصول functions as workshops and classrooms. The entire system is الدراسية. -shaded by a terracotta pergola that reminds the local construc النظام بأكمله مظلل بعريشة الطين التي تذكر مواد البناء المحلية، tion material, a friendly and informal atmosphere is given by the ويعطي جو ودود وغير رسمي من خالل مزيج من الطوب والعناصر .mix of bricks and concrete elements in the construction الخرسانية في البناء. Judging Panel’s comments: تعليق لجنة التحكيم: Inside this walled village, the footpath leads to a public“ »داخل هذه القرية المسورة، يؤدي الممر إلى ساحة عامة باإلضافة إلى square as well as a more private inner courtyard, dividing the فناء داخلي أكثر خصوصية، يقسم الموقع ويمنحه شعوراً بالتسلسل site and giving it a sense of hierarchy. The surrounding wall has الهرمي. لقد تم التعامل مع الجدار المحيط بكل احترام«. ”.been respectfully treated   الوادي الثقافي THE CULTURAL CANYON مرتبة شرفية ,Honourable Mention: (DMI)  Islam El Mashtooly اإلسالم المشتولي ، ستيفن فيليجرينيس ، إسالم سالم ، عبد Steven Velegrinis, Eslam Salem, Abdelrahman .الرحمن مجدي ، أحمد صالح Magdy, Ahmed Salah دبي - اإلمارات العربية المتحدة Dubai  UAE في جوهرنا ، نحن ككائنات نرغب أن نكون أحرارًا. نحن بطبيعة الحال نريد أن نكون قادرين على رؤية السماء ، الحديقة ، الناس بينما نشعر At our core, we as humans desire both to be held and to be في نفس الوقت بأننا في مكان آمن في عالم مهدد. free. We naturally want to be able to see the sky, the garden and the people while feeling at the same time that we are contained في مخططنا، تتخذ المباني شكل ٍواد ثقافي - وهو مكان توجد فيه within a safe space in an ever-threatening world. In our scheme السماء و الضميمة. مكان يسكن فيه الناس الفضاء بطريقة تجعلهم the buildings take the form of a cultural canyon – a place where يحتفظون بها ًومجانا. both the sky and enclosure are present, where people inhabit the ويستند تصميم مركز التصميم في بغداد ومناظره الطبيعية إلى .space in a way that renders them both held and free منهج حساس ومتعاطف مع المشهد الثقافي لبغداد. وتشجع الطبيعة The design of the Baghdad Design Center and its landscape األساسية لألشكال الناس على التدفق داخل قلب ثقافي جديد مرتبط are based upon a sensitive and sympathetic approach to the ببقية المدينة عبر كورنيش الميناء وجسر المشاة للمشاة إلى الممر cultural landscape of Baghdad. The elemental nature of the التذكاري. forms encourages people to flow within a new cultural core that is linked to the rest of the city through the port promenade and هذا الوصول المرن ليس فقط دعوة للزائرين ولكن أيضا بمثابة مساحة .the pedestrian footbridge to the memorial walkway ثقافية رئيسية للمجتمع. يتكون األفق من وحدات التخزين المستقلة This flexible access not only invites the visitors but also serves التي تم إبرازها من قبل برج بارز. -as a key cultural space for the community. The skyline is com تحتوي هذه األجزاء المستوحاة من الجيولوجيا على مساحات عرض .posed by independent volumes highlighted by landmark tower These geologically inspired fragments contain art exhibition فنية وتتيح تكام ًال ًقويا مع مساحات العرض والفعاليات الخارجية. تقدم صاالت عرض السماء العمودية منظوراً جديداً على مدينة بغداد spaces and allow strong integration with outdoor display and من خالل نقل الناس إلى مستوى حيث يمكنهم رؤية المشهد الكامل event spaces. The vertical sky galleries offer a new perspective للمدينة. by bringing people up to a level where they can see the entire landscape of the city. يعد مركز بغداد الجديد فرصة إلنشاء رابط بين المدينة والمباني The new Baghdad Design Centre is an opportunity to create باستخدام المساحة االنتقالية للفراغ. ال يقتصر هذا المشروع على ترميم a link between the city and the buildings using the transitional المباني التاريخية بل يخلق ًأيضا مساحة خارجية جديدة إلثراء المشهد space of the void. This project is not limited to the restoration الثقافي لبغداد. of historical buildings but also creates a new outdoor space to enrich the cultural landscape. تعليق لجنة التحكيم: »يعتبر هذا المشروع عن حق التصميم األمثل الستغالل الموقع الحضري :Judging Panel Comments األوسع وينشئ روابط حضريه واجتماعيه. كنا سعداء لرؤية خطة الموقع. This project rightly considers the wider urban site and creates“ connections. We were delighted to see a site plan. Considering وبالنظر إلى البيئة المحيطة الحالية، فإنها ُتظهر ًنهجا ًحضريا ًقويا بشكل خاص. كما أنه يوضح سيولة المجال العام«. the existing surroundings, it shows a particularly strong urban approach. It also shows the fluidity of the public realm.”   طائر العنقاء PHOENIX مرتبة شرفية & Honourable Mention: Adamakis Architects أداماكيس المعماريون وشركاهم - أداماكيس ستيفانوس ، ,Associates  Adamakis Stefanos, Adamakis Kostas أداماكيس كوستاس ، إلبينكي بافل ، باباكونستانتينو ماريا Elpiniki Pavlou, Papakonstantinou Maria فولوس ، اليونان Volos  Greece

مثل طائر فينيكس األسطوري، يرتفع مركز التصميم الجديد من خالل Like the legendary bird the Phoenix, the new Baghdad رماد المحافظة القديمة لتذكير شعب بغداد والعالم بأسره أنه بغض Design Center rises through the Old Governorate’s ashes النظر عن الصعوبات، يمكن للمستقبل أن يلمع أكثر إشراقا طالما أننا to remind the people of Baghdad and the whole world that نؤمن به. no matter the difficulties, the future can always shine brighter as long as we believe in it. يدور هذا االقتراح حول الحفاظ على كامل الجدران الموجودة من خالل This proposal revolves around the preservation of the entirety استعادة ودعمها عند الحاجة، بما في ذلك الواجهة الرئيسية 8 م. هذه of the existing walls by restoring and supporting them where الجدران تلد المبنى الجديد الذي يقفز من خاللهم في إزاحة. هذا يخلق needed, including the 8m main façade. These walls give birth to عالقة تكافلية على الرغم من تناقض العالقة بين القديم والجديد، the new building which jumps through them in an offset. This والحفاظ على التقسيم التاريخي الذي هو مطلوب بشدة في بغداد. does create a symbiosis though contrasting relationship between the old and the new, maintaining the historical stratification االستخدام السابق كمحافظة تم القضاء عليه لفترة طويلة. ومع ذلك، .which is so much needed in Baghdad The former use as a Governorate has long been eradicated. فإن التفضيل الالوعي للشعوب جلب ًاستخداما ًجديدا في دائرة الضوء- نقطة االلتقاء، ذات القيمة الداللية واالجتماعية والتاريخية. Nevertheless the unconscious preference of the people has يتضمن هذا االقتراح ويعزز هذه الميزة من خالل توحيد مسارات المشاة ,brought a new use in the spotlight  that of the meeting point المحيطة بها ودمجها مع الحطام المحفور من أسفل المحافظة. .with semantic, sociological and historical value This proposal embraces and enhances this feature by uni- fying the surrounding pedestrian walks and embedding them تعليق لجنة التحكيم: .with the excavated debris from beneath the Governorate »إن مبنيين كبيرين وفناء داخلي يخلقان خطة موثوقة ومفيدة، وتوفر إضافة الكسوة في الكورت إضاءة ممتازة في مناخ يتميز بأشعة الشمس :Judging Panel’s comments “Two large buildings and an inner courtyard create الساطعة ًجدا. كنا نود أن نرى المدخل الواسع ينعكس أيضا في الخروج على الطرف اآلخر من الفناء«. a believable and useful plan and the addition of the corten cladding provides excellent lighting in a climate that is characterised by very bright sunlight. We would have liked to see the ample entrance also reflected in an exit on the far end of the courtyard.”

Exploded View  Longitudinal Section

Main Façade The Design Center consists of two distinct volumes, organised on three floors each, separated by a courtyard patio and connected via bridges. The fond wing includes the Exhibition Space, the Design Centre, an Office for the Architectural Heritage of Baghdad and a Library. The front wing hosts the reception, the café and the Startup offices. The ground floor is left Side Façade B open and public in order to maintain the meeting character of the site. Both volumes are enveloped in a corten metal cladding, perforated with traditional patterns, functioning both as a second skin and filter as well as a visual landmark. Cafe’_Exterior Rendering Side Façade A Main Façade Rendering

First Floor Plan

Ground Floor Plan Second Floor Plan

 صندوق التعارض BOX OF COLLISIONS مرتبة شرفية : طي عثمان Honourable Mention: Tay Othman, AIA سان فرانسيسكو - الواليات المتحدة San Francisco  USA

منذ الوهلة األولى. يتجلى للمتلقي في هذا المكان ظاهرة فريدة From general observations of the project vicinity, the site من نوعها في العالم تخص هذا الجزء القديم من المدينة وهي أن showcases a very interesting phenomenon that is unique to the الموقع كان سج ًال لعشرات الغزوات والحروب التي قامت بها العديد world. From Abbasids to British colonials, dozens of empires من اإلمبراطوريات في الشرق االوسط والتي فرضت على المدينة continuously invaded the city, imposing new outsider agendas تغييرات وانقالبات جوهرية على الصعيد السياسي والثقافي. لكن -and introducing major shifts in economic, social, and politi من الملفت للنظر ان هذه الصراعات تسببت بخلق بيئة جديدة من cal strategies. Yet when applied to architecture, these conflicts األبنية والفضاءات المتنوعة في الطراز والمتجانسة في التجاوب للسياق brought very connected and harmonious buildings and spaces المحلي. .that responded to the local character in new ways This concept reveals that novel ideas can come from the إن الفرضية أعاله ترتكز على مبدأ تعدد األفكار المتناقضة وتنوعها. joining and interplay of contradictory ideas. It amplifies فالتعددية يمكن ان تنتج أفكار متجددة وغير مطروقة. وهذا المبدأ .disagreement and conflict to reach a new form of acceptance يشدد على اهمية اختالف الرأي والتناقض كطريق للوصول إلى هيئة It states that the collective brain of society and the spectral differences of people and cultures can stimulate a new fertile IMAGES جديد من قبول اآلخر. فهو ينص على أن الفكر الجماعي للمجتمع medium for idea-generation that surpasses any individual واالختالفات الطيفية بين الناس والثقافات يمكن أن تخلق ًوسطا ًخصبا لتوليد األفكار التي تفوق وتتجاوز أي قدرة او فكرة فردية محدودة .capability or intellect بذاتها. -A Box of Collisions re-introduces design as an inclusive pro cess, a system that is open for everyone to contribute and lead, a place that is injected with honesty and constructive feedback, HERE يعيد مشروع »صندوق التعارض« تعريف مفهوم التصميم كعملية شاملة وليست فردية، وهو نظام مفتوح للجميع للمساهمة فيه and a space that serves as an open stage for heated debates where والقيادة. ويهدف إلى إنشاء مكان مشحون بانتقادات صادقة وبناءة، .ideas can collect and develop ومساحة تعمل كمنصة مفتوحة للمناقشات الساخنة لألفكار، حيث Using this underlying principle, the building was formed as يمكن جمعها وتطويرها. a constellation of redefined group of Fadhwas, traditional debate وعلى أساس هذا المبدأ. تم تشكيل المبنى ككوكبة من الفضوات وهي spaces, that were implemented on various scales ranging from سمة تقليدية لفضوات المناظرات بين سكان المحلة الواحدة. ومن ثم ,grand assembly spaces to smaller exaggerated stair landings إعادة صياغة تلك الفضوات في داخل المبنى على مستويات مختلفة .all to allow serendipitous exchange of ideas تتراوح بين مساحات التجميع المتفاعلة الى االدرج االجتماعية في المبنى. وذلك ما يسمح بتبادل األفكار بصورة عفوية وانسانية بحتة. :Judging Panel’s comment “The proposal of spaces for debate is a welcome one in تعليق لجنة التحكيم: the centre of Baghdad. This proposal offers a strong attempt إن اقتراح مركز للنقاش في وسط بغداد هو موضع ترحيب. فهذا to embody diversity in relatively open spaces. We commend المقترح يقدم محاولة قوية لتجسيد التنوع الثقافي والفكري من خالل ,the designer’s attempt to create something that is innovative فضاءات واسعة. نحن نثني على محاولة المصمم انشاء شيء ابداعي ”.particularly in the roof ومبتكر وخاصة في أعلى المبنى.

 09 مدينة من خالل مبنى CITY WITHIN A BUILDING مرتبه شرفيه - مصطفى مهدى Honourable Mention: Mostafa Mahdy مانهايم-المانيا )مصرى) Mannheim - Germany

يجب أن تكون مركز/مدينة بغداد للتصميم ًمكانا لإلبداع ًومكانا لتبادل Baghdad Design Centre City should be a place of creativity المعلومات واألفكار. .and exchange, a place for information and ideas يقع موقع »مدينة التصميم« في وسط مدينة بغداد القديمة، حيث The site of the Design City is in the middle of Baghdad’s تعد واحدة من أكثر المناطق حيوية في مدينة بغداد. old town, where one of the most dynamic districts in the city of Baghdad is. الفكرة الرئيسية للمشروع هي عكس جزء من نسيج المدينة القديمة The main idea of the project is to reflect a part of the في البناء من أجل الحفاظ على ديناميكية البلدة القديمة في »مدينة old town’s urban fabric in the new building in order to keep التصميم«. »تصميم مدينة بغداد« هو محاولة لدمج النسيج الحضري .the dynamic of the old town in the Design City للمدينة القديمة في مبنى. It was decided to keep the existing façade and integrate it into the new walls in order to respect the original structure. The لقد تقرر الحفاظ على الواجهة الحالية ودمج الجدران الجديدة في ,existing façade is the city wall of the Design City. In addition الواجهة القديمة من أجل إعطاء االحترام والحفاظ عليها كجزء من .the new building should not compete with the old façade التاريخ. الواجهة الحالية هي جدار »مدينة التصميم«. باإلضافة إلى ,Design City consists of a public place, a plaza, café, library ذلك، ال ينبغي للمبنى الجديد التنافس مع الواجهة القديمة. lecture room, meeting points, workshop rooms, offices and a kiosk, and each function is a separate building. Most of »مدينة التصميم« بها ساحة، مقهى، مكتبة، قاعة محاضرات، ورش .the building’s walls are open to the plaza عمل، مكاتب، كشك، كل وظيفة عبارة عن مبنى منفصل. معظم -The concept of the design city transforms the classic defi جدران المبنى مفتوحة على الساحة. /nition of the plaza (meeting area) to a semi-shaded corridor تصميم المدينة يسمح بتحويل التعريف الكالسيكي للساحة )منطقة street. Walking through it will give visitors an interesting االجتماعات( إلى ممر / شارع مظلل او شبه مظلل، وامكانيه أن يعطي adventure. The design city is covered by a grid screen الزوار مغامرة مثيرة لالهتمام سيرا على األقدام. .to close the buildings and to add shadow to the public spaces The square division should overcome the high span. The closed يتم تغطية المدينة التصميم من خالل شبكة إلغالق المباني وإضافة panels are covered by solar and the pattern should play with الظل إلى األماكن العامة. .shadow and light

يتم تغطية االسقف المغلقة بواسطة الواح الطاقة الشمسية توليد :Judging Panel’s comments الطاقة الالزمة وايضا لتوفير الظل والضوء الغير مباشر. This proposal for a walled town showed particularly good“ morphological studies of the development’s form and void. Although the project includes a small auditorium and a central piazza/courtyard, we felt that the small scale of buildings was not appropriate for the centre of Baghdad.”

  DEWAN AWARD FOR ARCHITECTURE The Winners– First Place: School in the Iraqi Marches Competition Neda Karimzadeh, Marjan Zaredehnavi, Ehsan Kazerooni and Amirreza Fathollahi The Dewan Award is the newest prize to join the Tama- Iran – Tehran “This environmental proposal is based on thorough research. youz Excellence Awards programme that champions and Featuring interesting and well-scaled inner spaces, with successful tran- celebrates the best of architecture in Iraq and around the sitions between indoors and outdoors, the project offers a flexible and world. Its 2018 theme is: “School in the Iraqi Marshes”. modular design that could be built easily and expanded to accommo- date future growth.” For its inaugural cycle, participants were asked to design a primary school in the long-forgotten area of Iraq’s Second Place: marshlands, considering the limitations of the area and the Sameh Zayed, Nader Moro and Mostafa Ahmed ecological impact of construction on the natural environment Egypt – Giza and its fauna. The school design was for a six-class primary “We enjoy the simplicity of this design, and the way the various components relate to each other. The project features beautiful shaded walk- school to serve the nearby villages and provide them with ways, an intelligent use of building materials, and affordable construction. modern amenities. The first year witnessed the participation Together, these elements support the project’s strong rural character, which is quite responsive to the local environment. of 137 design studios, individuals and universities from 37 countries. A historical and fundamental area of Iraq are the marshes Third Place: which are home to many families with minimal infrastruc-ture. Noor Marji Dewan has chosen this exact location to build a school to Jordan – Amman supply the families the much-needed education in an area that “This project has a commendable approach to building due to its intelligent use of construction techniques, which can be developed local- is lacking for facilities that will nurture the future of Iraq. The ly. The facade’s sensitive colour and material palette and the intimacy of plot is located perfectly between two rivers for multiple means the classrooms create a very warm, friendly and human environment.” of properties with empty land surrounding it for possible expansion in the future to house more stu-dents. The school should be designed according to the mod- Honourable Mention: ern teaching philosophies which encourages the students to Nikolai Mina and Lady Roxanne Mina search, innovate and face life challenges rather than the old Singapore traditional methods of memorizing the textbooks which are “We enjoyed the modularity of this project, as it allows the capacity of the school to adjust according to its needs. There were a number of still in use. elements that we found to have great impact, such as the dynamic uses of The school activities whether academic, research, sport roof space and the sensitive scale of the project. The designer’s thorough or even entertainment should be full of dynamics, spirit of environmental analysis also helped create a comfortable micro-climate.” challenge and call to respect all ideas and represents the unity of Iraq and its people. Honourable Mention: Pietro Paolo Speziale and Mohamed Hassan El-Gendy Italy – Verona “A strength of this project is its innovative treatment of the harbour, which creates a beautiful waterfront and highlights the project’s sensitivity to the marshlands. We commend the gathering of the school’s functions into two components, which leaves a comforting void space.

 Honourable Mention: TAMAYOUZ EXCELLENCE AWARD EVA ARCHITECTS – Alan Wang, Cen-Li, Nicole-Wu, Special Recognition 2018 Xin-Wang and Isaac Fung In recognition of an exemplar collaboration between China – Shanghai the client, the local architecture school and the consulting “We commend this project for its successful use of water puri- fication and for its consideration of the local economy by potentially architect, resulting in the successful documentation and offering a source of income for the community. We also find the simple rehabilitation of a traditional house in the city of Samawa. design of the individual buildings to be visually beautiful.” The special recognition is presented to Abdul latif Honourable Mention: al-jiblawi house. Osama Rahahleh The Client: Mr Abdul Latif Al-Jiblawi Jordan – Amman Documentation: Department of Architecture at “A distinguishing trait of this project was its consideration of the Muthanna University various modes of transportation used by the inhabitants of the area, which includes boats and cars, and accommodates them through its Consulting Architect: Mr Mohamed Shakir design. The project also features a successful combination of materials, great layout and a solid balance between open and closed spaces. There is a real sense of hierarchy of the spaces.”

Honourable Mention: Ibrahim Nart and Ömer Varol Turkey – Istanbul “We commend this project’s layout and its use of open-air classrooms, which was a unique quality of this proposal. We also appreciated the designers’ analytical approach and presented analysis.”

Honourable Mention: Benaa Foundation – Ahmed Abdulhakeem, Aya Nasr, Abdelrahman Elhiatmy and Neda Hany, Egypt – Cairo “The project’s floor plans were refreshing, and helped us under- Before stand its sense of identity. We appreciate the thorough research from the team, as it is greatly reflected in the final design its ability to work with and complement its surroundings.”

Honourable Mention: Offshore Studio – Paisios Skitini, Irene Evgeniou Cyprus – Nicosia “This project displays a nice botanical-inspired design, and a recognisable modularity. The inner spaces are also interesting and create a series of unique experiences.” After

 TAMAYOUZ IRAQI GRADUATION The Winners – First Place: PROJECTS AWARD Fatima Jamal Almoqdady from the University of Baghdad for her Iraqi Graduation Projects Award aims to reward Iraq’s “Cultural renewal of Al-Madrasah Al-Mustansirya Area”. young talent by recognising excellence in architectural design This project was supervised by Dr. Sajida Kadhum. and education by highlighting the country’s best graduation projects and supporting academics and institutions that work to advance architectural education in Iraq and promote a culture of excellence. Second Place: The Iraqi Graduation Projects category witnessed the Deema Al-Yahya participation of 268 students from across 17 Iraqi architecture from the University of Petra in Amman schools and departments. Out of the 159 submissions, for her graduation project, “Development of the 20 projects were shortlisted before being reviewed by the great mosque Al-Nuri campus - Mosul Old City”. members of the Tamayouz judging panel. This project was supervised by Raid Essoh. The members of the jury panel were selected for their expertise and experience, ensuring a wide range of disciplines in architecture, landscape, urbanism, engineering and art Third Place were represented. Held on 3 October 2018 at the Engineering, Hawra Rahim Environment and Computing Building at Coventry University from the University of Technology in Baghdad in Coventry, England, the one-day event provided an excep- for her project, “Knowledge Centre in Mosul University”. tional opportunity for interactive discussion and constructive This project was supervised by Dr Anwar Ramadan. debate, which culminated in selecting the winner of this year’s cycle, which was followed by a critical discussion regarding the award’s assessment criteria and recommenda- tions for the 2019 edition of the Tamayouz Excellence Award Honourable Mentions for Iraqi Graduation Projects. Momin Al-Mola from Mosul University for “Rising from Ashes”. This project was supervised by Hatim Al-Sofi.

Haider Ghassan from Al-Farabi University in Baghdad for his graduation project, “Artists village in tabat Al-kurd”. This project was supervised by Saher Mohammed Qasim Al-Kaissi.

 Honourable Mentions, continued The Hisham Munir Award For the Iraqi Supervisor of 2018 Momen Masood The Hisham Munir Award (previ- from Mosul University ously known as Supervisor of the Year for his project “The Panorama of Mosul Memory”. Award) goes to Dr Salahaddin Yasin This project was supervised by Dr Duha Alqzaz. from Salahaddin University - Erbil for his supervision, support and encouragement to three shortlisted entries in the top 20 Sara Abdulmageed Muhammad of the Tamayouz Excellence Award for from the University of Duhok Iraqi Graduation Projects 2018. for her project “Institute of teaching and developing sports skills”. The Tamayouz Iraqi Architecture School of 2018 Award This project was supervised by Aram Omer. The Iraqi Architecture School of 2018 Award goes to Mosul University, which is responsible for two honourable mentions. Hussain Al-hi from the University of Basrah The prizes for the 2018 Tamayouz Excellence Award for for his graduation project “Sustainable residential Iraqi Graduation projects are: complex in Basra”. 1st Prize: An MSc Scholarship for one year at Coventry This graduation project was supervised University + Flight and Accommodation for Ceremony + by Dr Amjad Almusaed. Tamayouz Medal + Certificate. 2nd Prize: A 3 month paid internship (Accommodation + Salary) at Dewan Architects and Engineers in Dubai + Flight Zainab Khayyat and Accommodation for Ceremony + Tamayouz Medal + from the University of Petra in Amman Certificate. for her graduation project “The forgotten part 3rd Prize: A 3 month paid internship (Accommodation + of the Holy Land / Ajloun Resort”. Salary) at Dewan Architects and Engineers in Dubai + Flight This project was supervised by Dr Hadeer Merza. and Accommodation for Ceremony + Tamayouz Medal + Certificate.

Honourable Mentions: Certificates Aryan Muheddin from Ishik University in Erbil The Hisham Munir Award for the Iraqi Academic for his graduation project “Resurrection of Erbil landfill”. of the Year: Tamayouz Medal + Certificate + Flight and This project was supervised by Muhammad Sabeeh. Accommodation for Ceremony.

Tamayouz University of the Year: A Tamayouz Medallion

 TAMAYOUZ INTERNATIONAL AWARD The winner Excellence in graduation projects worldwide The first prize winner of Tamayouz Excellence Award’s International Graduation Projects Award 2018 is Federico Tamayouz International Graduation Projects Award Fauli from the Architectural Association in London. His is the world’s largest international award for architecture winning graduation project “A new form of public space, graduation projects. Every year, the award invites students of conceived as a cross-breed between a time-city archive and architecture, urban design and planning, and landscape a street market” was supervised by Cristina Díaz Moreno and design around the world to submit their graduation projects. Efrén Ga Grinda. The Tamayouz International Award aims to recognise and reward excellence in architectural design and education by Second Place celebrating the achievements of young architects and giving The second prize goes to Sol María Calcarami, Nadia Borri them the opportunity to collaborate and support each other. and Consuelo Oyola from the Universidad Nacional de The award further hopes to empower the next generation Córdoba, Argentina for their graduation project “Social of architects by encouraging them to pursue their careers with Integration Center for minors who broke the law”. This the confidence that they can contribute toward the advancement graduation project was supervised by Javier Giorgis. of architecture in their communities. For its third cycle, the award witnessed an overwhelming participation of 587 graduates from 164 universities and Third Place 74 countries. While 50 entries were longlisted, 20 entries The third prize goes to Yasmina Aslakhanova, Ivan Marchuk were shortlisted. and Victoria Tsukerman from the Moscow Institute of Architecture (State Academy) in Moscow, Russia for their The prizes for the 2018 Tamayouz International Award: graduation project “Reincarnation Network, Mumbai Mixed 1st Prize: An MSc Scholarship for two years at the University Housing”, which was supervised by Alksey Shutikov. Polytechnic of Milan + Flight and Accommodation for Ceremo- ny + Tamayouz Medal + Certificate. 2nd Prize: Travel and International Design Workshop Scholarship + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate. THE TAMAYOUZ INTERNATIONAL 3rd Prize: Travel and International Design Workshop ARCHITECTURE SCHOOL OF 2018 AWARD Scholarship + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate. The Tamayouz Architecture School of 2018 Award goes to the National University of Cordoba (Universidad Nacional de Córdoba) which is responsible for two entries in the shortlist: the second place winner and an honourable mention. This is the second consecutive year that the 2nd Place winner of the Tamayouz International Graduation Projects Award is a group of students at the Universidad Nacional De Cordoba.

 Tamayouz Excellence Award 2018 and Tamayouz Award Ceremony 2018 are sponsored by

Global Compact Network Iraq

MEDIA SPONSOR MEDIA SPONSOR

 جائزة ّتميز المعمارية 2018

نشر بمناسبة حفل جائزة ّتميز المعمارية 2018 المقام في فندق الكراند ملينيوم في ّعمان برعاية دولة رئيس الوزراء االردني الدكتور عمر الرزاز

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