International Archive of Women in Architecture
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
IAWA Center News Fall 2012 No
INTERNATIONAL ARCHIVE OF WOMEN IN ARCHITECTURE IAWA Center News Fall 2012 No. 24 EDITOR’S NOTE By Helene Renard In this issue of the newsletter, we focus on materials and new collections that have come into the Archive. Labelle Prussin’s work focuses on indigenous African building methods. K.C. Arceneaux comments on two of Prussin’s books that have been added to the Archive. Wendy Bertrand’s collection consists of many boxes of materials, documenting her personal and professional life. Professor Marcia Feuerstein reviews Bertrand’s book, Enamored with Place, and I uncover some of her fiber arts creations. We are adding a new feature to the newsletter with Lindsay Nencheck’s piece about her residency and research at the IAWA made possible by the Milka Bliznakov Research Prize. Finally, “A Note from the Chair” provides an overview of the past year’s activities at the IAWA Center. We thank you for your continued interest and support. Fulbe women erecting a matframe tent, north of Bamako, Mali. Photo from Hatumere: Islamic Design in West Africa THE IAWA ADDS BOOKS OF AFRICANIST by Dr. Labelle Prussin, 1986. LABELLE PRUSSIN TO THE COLLECTION Dr. Prussin’s contributions to the history, theory, and practice of By K. C. Arceneaux, Ph. D. architecture have spanned four decades. She graduated from the University of California (1952), and Yale (Ph.D., 1973). Her The IAWA is pleased to have acquired for the International teaching appointments have included positions at the University Archive of Women in Architecture, three monographs by the of Science and Technology in Ghana; the University of Michigan; esteemed architect, historian, and Africanist, Labelle Prussin. -
Moshe Safdie Habitat Puerto Rico
MosheMoshe Safdie Safdie 130 • Constelaciones nº6, 2018. ISSN: 2340-177X Habitat PuertoHabitat Rico Puerto, 1968 Rico Fecha recepción Receipt date 29/09/2017 Fechas evaluación Evaluation dates 20/10/2017 & 20/10/2017 Fecha aceptación Acceptance date 11/01/2018 Fecha publicación Publication date 01/06/2018 La pantalla dividida, composición y descomposición visual. Film y espacio, Montreal, 1967 The Divided Screen, Composition and Visual Decomposition. Film and Space, Montreal, 1967 Sofía Quiroga Fernández Xi´an Jiaotong-Liverpool University, China Traducción Translation Sofía Quiroga Fernández Palabras clave Keywords Experiencia total, exposición universal, pantallas, proyección, tecnología audiovisual, Montreal. Total experience, universal exhibition, screens, projection, audiovisual technologies, Montreal. Resumen Abstract La Exposición Universal de Montreal de 1967 representa uno de los entor- The 1967 Montreal Universal Exhibition represents one of the most nos experimentales más importante del siglo en cuanto a los medios de important experimental environment of the century to media, distin- comunicación, distinguiéndose respecto a los anteriores por su particular guishing itself from the earlier ones due to its particular use of screens uso de las tecnologías audiovisuales, la reivindicación de las pantallas y las and audiovisual technologies, as well as the new theatrical typologies nuevas tipologías teatrales desarrolladas para dar cabida a nuevas formas developed to fit with the new ways of projection. This article explores de proyección. El presente artículo explora algunas de las propuestas de- some of the proposals developed in Montreal, where space and tech- sarrolladas en Montreal, donde espacio y tecnología trabajan de manera nology worked together looking for a total experience. conjunta en pos de una experiencia total. -
Consolidated List of Hgos (Hajj-2017, 1438
Consolidated List of HGOs (Hajj-2017, 1438 A.H.) as on 21-Jul-2017 SR # ENR # MNZ # HAJJ LICENSE NAME OF COMPANY NAME OFFICE # CELL # IN PAK CELL # IN KSA ADDRESS QUOTA OFFICE NO 5-A,FIRST FLOOR MAKKAH TRADE CENTRE 1 1101/P 3572 1101-3572/P KARWAN AL AHMAD HAJJ SERVICES PVT LTD HAZRAT HUSSAIN 0915-837512 0316-5252528 00966-582299869 95 KARKHANO MARKET PESHAWAR. 2-A FIRST FLOOR MAKKAH TRADE CENTRE,KARKHANO 2 1102/P 3635 1102-3635/P MINHAJ TOURS PVT LTD SPIN GULAB 0915-837508 0346-4646670 00966-555071685 95 MARKET,PESHWAR. UG 93-95 DEANS TRADE CENTER OPP,STATE BANK 3 1103/P 3638 1103-3638/P PIR INTERNATIONAL PVT LTD NAZIA PARVEEN 0915-253025 0333-9040801 00966-559028582 95 PESHAWAR CANTT 4 1104/P 3835 1104-3835/P AL NISMA HAJJ & UMRAH PVT LTD AWAL MIR 0969-512234 0333-9988623 00966-537307571 SANAM GUL MARKEET MAIN LARI ADDA LAKKI MARWAT 80 5 1105/P 3837 1105-3837/P SHOAIB HAJJ AND UMRAH PVT LTD MUHAMMAD SOHAIL 0915-250294 0336-9397290 00966-598835209 UG-151 DEANS TRADE CENTER PESHAWAR CANTT. 95 QURESHI ENTERPRISES MEDICINE PLAZA KATCHERY ROAD 6 1106/P 3842 1106-3842/P JABAL E NOOR TRAVEL & TOURS PVT LTD KHAN AYAZ KHAN 0928-622865 0333-9749394 00966-535808035 95 BANNU 1 JUMA KHAN PLAZA FAKHR-E-ALAM ROAD PESHAWAR 7 1107/P 2615 1107-2615/P AMAN ULLAH HAJJ TRAVEL & TOURS PVT LTD AMAN ULLAH 0915-284096 0300-5900786 00966-543723174 102 CANTT. UG3, PAK BUSINESS CENTER, NEAR AMIN HOTEL, GT ROAD 8 1108/P 2598 1108-2598/P KARWAN E HAMZA PVT LTD MUHAMMAD KAMRAN ZEB 0912-565524 0336-5866085 00966-554299061 186 HASHTNAGRI, PESHAWAR FLAT NO 6B, FAISAL -
Past the Parapets of Patriarchy? Women, the Star System, and the Built Environment
Past the Parapets of Patriarchy? Women, the Star System, and the Built Environment Cynthia Hammond, Concordia University, has On June 10, 2009, the Beverly Willis received awards for her writing on the roles Architecture Foundation (BWAF) premiered a played by such women as Florence Nightingale short documentary at the Guggenheim Museum and Catherine Bauer Wurster in the in New York as part of the events related to the development of institutional and modern upcoming retrospective on the American architecture, showing how their production was architect, Frank Lloyd W right (1867-1959). This embedded within larger questions of nation, film, entitled A Girl Is a Fellow Here: 100 colonialism, and gender. She holds a Women Architects in the Studio of Frank Lloyd three-year, Emerging Scholar award (FQRSC) Wright, presents for the first time an account of for the study of Montreal's public, modernist 6 of the more than 100 women who, as buildings and spaces. architects, helped to build Wright's reputation as the greatest American architect of the Abstract twentieth century. The launch was followed by Twenty years after architect Denise Scott a panel discussion about how such an Brown challenged the patriarchal exclusion of important omission has endured. The film is a women from the "star system," what is the brief but potent counterthesis to the myth of status of women in architecture today? Drawing Wright's solitary and unique genius, a narrative examples from architectural history, recent that has many echoes in a recent spate of films statistics and current initiatives, the author devoted to individual, male architects. -
The Minnesota Women in Architecture FAIA Legacy Project
The Minnesota Women in Architecture FAIA Legacy Project Susan Blumentals Oral History Interview November 27, 2018 Introduction Legacy Project The Minnesota Women in Architecture FAIA Legacy Project, is a joint effort of the Minnesota Architectural Foundation (MAF) and the American Institute of Architects (AIA) Women in Architecture Committee. In 2018, the Legacy Project began to amplify the achievements of our female fellows by documenting the stories of the women architects in the Minnesota recognized with the AIA’s highest membership honor, Fellowship (FAIA). The project’s primary goals are: 1) to increase the visibility of women architects to break down stereotypes that may be instrumental in the formation of unconscious bias about the women in the profession and 2) to increase the visibility of women architects to encourage more women to seek a career in architecture and to stay productive in the profession despite adversity. Funding from the Minnesota Historical Society supported the first eleven interviews and oral histories; with this template, the project will continue to grow. Su Blumentals Elevated to Fellow in 1999, Susan Blumentals was the first woman design professional on the Minnesota Board of Registration and a catalyst for its transformation into a functioning, open regulatory agency. 1 Interview Su Blumentals, Interviewee Kimberly Long Loken, Interviewer November 27, 2018 Kimberly Long Loken: KL Su Blumentals: SB Track 1 00:00 KL Today is the 27th of November, 2018. This is Kimberly Loken interviewing Su Blumentals. So Su, would you state your full name and when and where you were born for the archive? SB Susan Blumentals. -
Or Less the History of Women in Architecture in Canada
Slowly and Surely (and Somewhat Painfully): More or Less the History of Women in Architecture in Canada CANADA'S FIRST WOMAN ARCHITECT . M iss E . M . Hill , of Toronto. who received the D e gr·ee o f B.A.Sc . fro m t hP Unr v ~rs rty o f Tcu·n..,to. :~t the recent spccii11 Conv oci1 t ion. Figure 1. E. Marjorie Hill, "Canada's First Woman Architect." (Saturday Night. 12 June 1920, p. 31 [University of Toronto Archives]) By Blanche Lemco van Ginkel 17:1 SSAC BULLETIN SEAC 5 Figure 2. A three bedroom brick house designed by Marjorie Hill. (VICtoria Daily Colonist, 1952 [Uniwtrsity of Toronlo Archives]) View and Sunshine in Privacy tltci::e ~"~ ' J u~ o · 1 ·~ · J. " w~•~•~ ; · ~ . D••••> 1 ·o."W• II C. T XTomeo entered the profession of architecture in Canada very slowly and with great dif Y Y flculty. A$ a student in architecture at McGill in the 1940s, I knew that women had not been admitted to the program until 1939. I attributed this resistance to admitting women to architecture to the social climate of Quebec, where my mother could not sign a contract, and where women had been disenfranchised until 1940. These, of course, were much more fundamental issues. Women of previous generations had distinguished themselves as ar chitects in England and the United States: Sophia Hayden had graduated from the Mas sachussets Institute of Technology in 1890; Ethel Charles had been admitted to the Royal Institute of British Architects in 1898, albeit with difficulty; and Julia Morgan had established a prestigious practice in California in 1920. -
In the Design Professions: an Intersectional Feminist Study of the Women's School of Planning and Architecture (1974-1981)
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses Fall November 2014 Project Space(s) in the Design Professions: An Intersectional Feminist Study of the Women's School of Planning and Architecture (1974-1981) Elizabeth Cahn University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Feminist, Gender, and Sexuality Studies Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Cahn, Elizabeth, "Project Space(s) in the Design Professions: An Intersectional Feminist Study of the Women's School of Planning and Architecture (1974-1981)" (2014). Doctoral Dissertations. 160. https://doi.org/10.7275/6044908.0 https://scholarworks.umass.edu/dissertations_2/160 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PROJECT SPACE(S) IN THE DESIGN PROFESSIONS: AN INTERSECTIONAL FEMINIST STUDY OF THE WOMEN’S SCHOOL OF PLANNING AND ARCHITECTURE (1974-1981) A Dissertation Presented by ELIZABETH CAHN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2014 Regional Planning © Copyright by Elizabeth Cahn 2014 All Rights Reserved PROJECT SPACE(S) IN THE DESIGN PROFESSIONS: AN INTERSECTIONAL FEMINIST STUDY OF THE WOMEN’S SCHOOL OF PLANNING AND ARCHITECTURE (1974-1981) A Dissertation Presented by ELIZABETH CAHN Approved as to style and content by: _________________________________ Mark T. -
Against All Odds MIT's Pioneering Women of Landscape Architecture
Against all Odds MIT’s Pioneering Women of Landscape Architecture * Eran Ben-Joseph, Holly D. Ben-Joseph, Anne C. Dodge1 Massachusetts Institute of Technology, School of Architecture and Planning, City Design and Development Group 77 Massachusetts Ave. 10-485 Cambridge, MA 02139 1 November 2006 * Recipient of the 6th Milka Bliznakov Prize Commendation: International Archive of Women in Architecture (IAWA) This research is aimed at exposing the influential, yet little known and short-lived landscape architecture program at the Massachusetts Institute of Technology (MIT) between 1900 and 1909. Not only was it one of only two professional landscape architecture education programs in the United States at the time (the other one at Harvard also started at 1900), but the first and only one to admit both women and men. Women students were attracted to the MIT option because it provided excellent opportunities, which they were denied elsewhere. Harvard, for example did not admit women until 1942 and all-women institutions such as the Cambridge School or the Cornell program were established after the MIT program was terminated. Unlike the other schools of that time, the MIT program did not keep women from the well-known academic leaders and male designers of the time nor from their male counterparts. At MIT, women had the opportunity to study directly with Beaux-Art design pioneers such as Charles S. Sargent, Guy Lowell, Désiré Despradelle, and the revered department head Francis Ward Chandler. Historical accounts acknowledged that a woman could “put herself through a stiff course” at MIT including advance science and structural engineering instruction. -
Introduction: Architecture Is Not a Horse
Introduction: Architecture Is Not a Horse This book was motivated not so much by what I knew about the architecture of Louis Isadore Kahn, but rather by the many questions it raised. Veiled in an intriguing obscurity, the American architect’s œuvre seemed replete with paradoxes both in its theory and practice, while its spatial richness was difficult to grasp. Moreover, Kahn’s strange life story demanded answers: how was it possible that one Leiser-Itze Schmuilowksy – a Jew born in Estonia in 1901, who immigrated to the United States at five years of age and was raised, at least from a material perspective, in poverty, but who showed an early artistic talent and fascination for architecture – could realize his first mature project at the unusually late age of 50, and then, within the next two decades, as the result of an exceedingly productive period, flourish into a living paragon and one of the first globally active architects of the 20th century? From an educational perspective, how did he, considered by some the last “heroic architect” and “master,” as a teacher inspire a whole generation of laudable architects? What did one of these successors, Charles Moore, mean when he remarked that Kahn in a “kind of rabbinical sense […] was the grand bearer of a sacred architectural message […]”?1 In terms of his buildings, what were the principles he employed to make his architecture endure as a Stoic point of order within the apparently unstoppable flux of daily life? What were his reasons for poetically employing wind, light, water and earth to manifest an elemental architectural reality that increasingly seems lost in the virtual realms of digital technology? How could he be original in both the sense of going back to historical sources and of transcending these to invent something new? More questions like these could be added, and the few answers I present here only make evident that Kahn purposefully resisted the temptation to make everything explainable. -
THE Ambrkian Arciiitectcrat' Fotjndatlon
THE AMBRKiAN ARCIIITECTCRAt' FOtJNDATlON "That Exceptional One: Women in American Architecture, 1888-1988" is organized and circulated by the American Architectural j Foundation and the AIA Women in Architecture Committee. The exhibition will premiere on • May 15,1988, at die AIA National Convention | and Design Exposition in New York City before traveling nationwide during its three-year tour. The American Institute of Architects, founded in 1857, is a voluntary not-for-profit member- i ship organization representing more than 54,000 architects and architectural profession- i als in nearly 300 state societies and local chapters stretching from Maine to Guam. The mission of the American Architectural ] Foundation, the publicly oriented arm of the ( AIA, is to advance the quality of American j architecture by stimulating the public's aware- ness and understanding of architecture and its related arts. "I cannot, in whole conscience, recommend architecture as a profession for girls. I know some women who have done well at it, but the obstacles are so great that it takes an exceptional girl to make a go of it. If she insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing—she could be that exceptional one." Pietro Belluschi, EilA, 1972AIA Gold Medalist, from the 1955New York Life Insurance Company brochure, "Should You Be an Architect?" Contents 5 A Message from the President of The American Institute of Architects 6 A Message from the Chair of the AIA Women in Architecture Committee 7 Preface 9 "That Exceptional One: Women in American Architecture, 1888-1988" 27 AIA Archive of Women in Architecture 41 Selected Bibliography WHHW A Message from the President of The American Institute of Architects The American Institute of Architects is priv- past decade alone, reflecting the priority placed ileged to sponsor this major national exhibi- by the AIA to breaking down once and for all tion on the history of women in architecture. -
Crafting the – Four Trailblazers Who Became Accustomed Swiss Structural Engineer Othmar H
The EastPoint Project GOFF The Man & The Architect - Jørn The New Bauhaus That Far Corner: Frank Lloyd Director: Hana Waugh Director: Britni Harris Utzon Director: Alysa Nahmias Wright in Los Angeles 2019 / 5 min / USA / 2019 Film Challenge 2018 / 91 min / USA Directors: Lene Borch and Anna von Lowzow 2019 / 85 min / USA Director: Christopher Hawthorne The EastPoint Project on the northeast side of 2018 / 90 min / Denmark 2018 / 56 min / USA Oklahoma City is a reimagined outdoor mall given new life through a parternship between the architects at Gardner, the developers at Pivot Project, and Oklahoma City. The project aims to be a catalyst, to encourage public and private developers to invest in the east side, and to inspire the community to envision what the neighborhood could become by rebuilding, rehabilitating, and infilling empty lots. As a product of the partnership, EastPoint hopes to be the first of many new developments where ownership is a part of the leasing agreement, so that eastside business owners to have the opportunity to hold equity in the real estate to This documentary about Jørn Utzon tells the Fleeing from Germany as the Nazis invaded in the lead up to World War II, László Moholy-Nagy which they help give value. personal and emotional story about the world- renowned architect and his unique gift. Behind came to Chicago in 1937 to start the New him stood the love of his life through 70 years, Bauhaus. Despite some initial struggles, During his time in Southern California in the Moholy-Nagy and his New Bauhaus forever Lis, without whom Jørn would not have become 1910s and early 1920s, Frank Lloyd Wright Escher: Journey Into Infinity Bruce Goff was one of the greatest American transformed design, photography, and arts Director: Robin Lutz architects of the 20th century. -
Vol21 3__70 73.Pdf (1.241Mb)
'Archi-ettes' in Training: The Admission of Women to McGill's School ofArchitecture ' uring the first week of June this year, the School of Architecture at McGill D University was visited by its first woman graduate, Catherine Mary Chard Wisnicki (figure 1). She was invited back to Montreal by her alma mater as part of the school's centennial celebrations-except for a period in the 1950s, Chard Wisnicki has lived in Vancouver since the late 1940s-to receive an honourary Doctorate of Science.2 A pioneer of British Columbia Modernism and one of the country's first women architecture pro fessors, Chard Wisnicki's contributions to the profession in Canada have long been neglected. Her momentous graduation from McGill in 1943 was the culmination of the debate over the admission of women as architecture students at the university 3 The Debate The controversy had inspired a flurry of internal correspondence as early as 1918, when Juliana Dallaire of Moose Creek, Ontario, sent the following request to the university: Kindly send me the calendar of the University and please tell me if it is possible to study landscape gardening, perspective, inside decoration and work in white and ink in the University. Also [if] it is necessary to pass examinations. Yours truly Juliana Dallaire4 An optimistic university registrar, J.A. Nicholson, replied to Dallaire's request. outlining the necessary qualifications for admission and adding, So far women have not been admitted to the course in Architecture, but it is just possible under the changed conditions consequent upon the war that an exception might now be made.5 Five years before Dallaire's letter, a request from the Montreal Women's Club had demanded the admission of women students to a number of faculties at Figure 1.