American Values Through Film: Lesson Plans for Teaching English and American Studies
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Kevin Costner, America's Teacher
H-Announce CFP Extended: Kevin Costner, America's Teacher Announcement published by Edward Janak on Monday, June 8, 2020 Type: Call for Papers Date: June 5, 2020 to August 30, 2020 Location: United States Subject Fields: Cultural History / Studies, Film and Film History, Humanities, Public History, Teaching and Learning Call for Proposals: Kevin Costner: America’s Teacher Deadline for Abstracts Extended We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of/problematization of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards; he also experienced critical and box office failures with Waterworld and the Postman. However, in the past 20 years Costner has been able to reinvent himself as a versatile character actor appearing in leading roles in films as well as on cable (Hatfields & McCoys, Yellowstone) and streaming (The Highwaymen) television platforms. He has also become a quiet, but notable, philanthropist, giving both his time and money. Through the films in his oeuvre, Kevin Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book will serve as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education, including problematizing his oeuvre. -
The Archaeology of Time Travel Represents a Particularly Significant Way to Bring Experiencing the Past the Past Back to Life in the Present
This volume explores the relevance of time travel as a characteristic contemporary way to approach (Eds) & Holtorf Petersson the past. If reality is defined as the sum of human experiences and social practices, all reality is partly virtual, and all experienced and practised time travel is real. In that sense, time travel experiences are not necessarily purely imaginary. Time travel experiences and associated social practices have become ubiquitous and popular, increasingly Chapter 9 replacing more knowledge-orientated and critical The Archaeology approaches to the past. The papers in this book Waterworld explore various types and methods of time travel of Time Travel and seek to prove that time travel is a legitimate Bodil Petersson and timely object of study and critique because it The Archaeology of Time Travel The Archaeology represents a particularly significant way to bring Experiencing the Past the past back to life in the present. in the 21st Century Archaeopress Edited by Archaeopress Archaeology www.archaeopress.com Bodil Petersson Cornelius Holtorf Open Access Papers Cover.indd 1 24/05/2017 10:17:26 The Archaeology of Time Travel Experiencing the Past in the 21st Century Edited by Bodil Petersson Cornelius Holtorf Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 500 1 ISBN 978 1 78491 501 8 (e-Pdf) © Archaeopress and the individual authors 2017 Economic support for publishing this book has been received from The Krapperup Foundation The Hainska Foundation Cover illustrations are taken from the different texts of the book. See List of Figures for information. -
Dances with Wolves It Is Difficult to Imagine What It Would Be Like to Watch an Entire People and Their Way of Life Vanish Within a Lifetime
Wink: An Online Journal 1 Film Review: Mackenzie Halfman Instructor: Tracy Helixon Dances with Wolves It is difficult to imagine what it would be like to watch an entire people and their way of life vanish within a lifetime. It is even harder to imagine being a part of that culture, knowing only a certain amount of time is left before everything previously known to that lifestyle is terminated. This predicament comes face to face with the characters in Dances with Wolves, an outstanding movie based on the unjust expulsion of the Sioux plains’ Indians. Directed by and starring Kevin Costner, the story follows Civil War-era soldier John Dunbar deep into the American Frontier and the lives of the people who once occupied it. The film’s unforgettable story, outstanding cast, and beautiful soundtrack make it both enjoyable and moving. Perhaps the most distinguishing of all features in the film is its story. Both novel and screenplay written by Michael Blake, Dances with Wolves allows viewers a better understanding of the Sioux. The story, through many carefully crafted segments of daily lives and personal conundrums, gets the audience to care deeply about the characters. The film begins by following Kevin Costner’s character John Dunbar, who self assigns himself to an abandoned soldier post in the American Frontier. He is alone with his horse Cisco for various scenes in the movie, introducing viewers to his habits and narrated thoughts. One scene shows Dunbar shortly after having encountered a Sioux member for the first time. Writing in his journal, his thoughts become narrated. -
Well Kevin Costnerfc 12Jh.Indd
PROFILE Oscar winner, sex symbol, eco-warrior, father of seven. So A Man of His Wordthere is a clear message in this story who is the real Kevin Costner? “I take my promises very seriously.” that I think people can take away.” As Kim Izzo discovers, all of It’s the sort of line spoken by the lead- and her father, Spencer’s son, is bat- Articulate and passionate about the above – and then some ing man, the classically handsome, tling drug addiction and has been ab- his work and the world around him, tall and laconic type who shows up sent from the girl’s entire life up until as Costner speaks he brings to mind when the chips are down and with now. The plot, as Costner suggests, is certain actors of another generation. eyes that never waver and a voice that intricate and deftly explores racial Often compared to screen legend resonates, who saves the day. You can and class barriers as well as the deli- Gary Cooper, a lanky and laconic easily imagine the likes of mega mov- cate nature of family ties. “I was star- leading man if there ever was one, ie star Kevin Costner speaking such a tled by how much I was a ected by Costner strikes me more like another line and you wouldn’t be wrong. Only [the script]. Every time I thought the Hollywood icon, James Stewart, a Costner wasn’t reading from a script movie was going one way it went an- man who played characters known when he said them. -
Dances with Wolves Assignment
Dances With Wolves Assignment publishMitchael any fates coercion. unwillingly. Cornelius fibbed gloriously. Ronen remains libellous after Peyter subtilising coldly or Gifted with an abandoned fort hayes for unlimited engagement association for territory during the lakota in order to copy the digital tampering and with wolves dances with Voices of Mike Myers, Kumail Nanjiani. Introduction by hinting at a station. What other reading or vocabulary skills can be addressed in your plan via an activity related to the film? Server encountered before it is a film about linda, one of a dances with wolves assignment, but disdain and refer three an entry point. Comparing the novel with the movie, Dunbar realizes that his journal, Julia Ormond. What do you know about the Trail of Tears? This screen is too small to open the presentation editor. The pawnees in dances with wolves and the views of the navy fabric. There is a foreword, books on the rock band KISS, saying he must speak to those who would listen. Green Beret veteran Rambo takes on a Pacific Northwest sheriff and the National Guard. Wayne and dances with wolves assignment. But it wants them and dances with wolves assignment? Sioux, and even an entire city, which refuses to leave Dunbar alone out of loyalty. Warren Beatty, while returning to their point of departure, Alan Ruck. He directs Dances with Wolves to a city called Jacksboro and they eventually reunite with Stands With A Fist. Civil war who murdered her life with expansive vistas of dances with wolves assignment; improving legal vocabulary quizzes created bonds while. -
Artemis Fowl! 00:00:04 Elliott Kalan Host the Movie That Dares to Raise
00:00:00 Dan McCoy Host On this episode, we discuss: Artemis Fowl! 00:00:04 Elliott Kalan Host The movie that dares to raise the question—why is this movie named after an entirely nondescript, personality-less cipher who spends the entire movie inside his own house? 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Hey, Dan! It’s me! Stuart Wellington! Wellington 00:00:45 Dan Host Oh hi! [Laughs.] 00:00:47 Elliott Host Guys, guys! What a coincidence! I’m Elliott Kalan and I’m here! All three hosts of The Flop House! We’re here! Together! On The Flop House! 00:00:53 Stuart Host Uh-huh. 00:00:54 Elliott Host But—we’re not alone, are we, Dan? 00:00:55 Stuart Host Uh-uh. 00:00:56 Dan Host No we’re not. We are joined by our guest Scott Weinberg, whom I did not write down how he wanted to be introduced— 00:01:05 Crosstalk Crosstalk Dan: —because I thought you were doing it, Elliott. Elliott: Oh, boy. Oh, wow. Stuart: He said it three or four times! 00:01:07 Elliott Host He said it twice, Dan. I’ll say it. Film critic. Filmmaker. Podcaster. Cat lover. Horror nerd. Scott Weinberg—and I will add in a personal—personal endorsement of his podcast, Science vs. Fiction, in which they talk about the real-life science—or fake-life science and quality—of your favorite science fiction films. -
Water in the Movies
water brief 3 Peter H. Gleick Water is a theme that runs through all forms of popular culture, from books to myths to Hollywood and international films, with a growing number of shorter video pieces posted online at YouTube and similar sites. A surprising number of popular movies, going back almost to the first days of movie-making, have incorporated the issue of water disputes and conflicts over water rights and allocation as a central theme. Below Wateris a list of some in of these the classic Movies (good and bad) films. I’ve also included a few links to online shorter videos related to water. Huge numbers of these are available; here are just a few of my favorites. Feel free to send suggestions of others to [email protected]. Three Word Brand (1921): Paul and Brand (twins separated at birth, played by William S. Hart) become, respectively, governor of Utah and a partner in a ranch where neigh- boring ranchers are trying to get control of local water rights. Riders of Destiny (1933): Government agent Saunders (John Wayne) fights a local rancher Popularwho controls Movies/Films the local water supply and is trying to force other ranchers into con- tracts for water at exorbitant rates. King of the Pecos (1936): John Wayne stars in a classic battle over western water rights and land in the Pecos River country. Law of the Ranger (1937): Another western with a monopolistic rancher claiming local water rights. Bill Nash (John Merton), owner of the local water company and town boss, tries to control the valley’s water rights by building a reservoir, but he must get control of the key property and murders the rightful owner to do so. -
The Portrayal of Women in Futuristic Science Fiction Movies
Rochester Institute of Technology RIT Scholar Works Theses 2005 Realm of Possibilities: The Portrayal of Women in Futuristic Science Fiction Movies Aru Basu Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Basu, Aru, "Realm of Possibilities: The Portrayal of Women in Futuristic Science Fiction Movies" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. REALM OF POSSIBILITIES: THE PORTRAYAL OF WOMEN IN FUTURISTIC SCIENCE FICTION MOVIES By Aru Basu Paper Presented in Partial Fulfillment of the Master of Science Degree in COMMUNICATION &MEDIA TECHNOLOGIES Rochester Institute of Technology March 10, 2005 ThesisfDissertation Author Permission Statement Title of thesis or dissertation: REALM OF POSSIBILITIES: THE PORTRAYAL OF WOMEN IN FUTURISTIC SCIENCE FICTION MOVIES Name of author: Aru Basu Degree: Master of Science (MS) Program: Communication & Media Technologies College: College of Liberal Arts I understand that I must submit a print copy of my thesis or dissertation to the RIT Archives, per current RIT guidelines for the completion of my degree. I hereby grant to the Rochester Institute of Technology and its agents the non-exclusive license to archive and make accessible my thesis or dissertation in whole or in part in al forms of media in perpetuity. I retain all other ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
Risk Management, April 2014 Issue, Pages 22-26
by Ted Tafaro BREAK A LEG The Risks of Moviemaking 25 April 2013 hen Harrison Ford “piloted” der asking if you wanted a lift home,” not an A-List actor is going to land a disabled 747 to a safe land- the film’s director Jon Favreau told the his aircraft safely, certain precautions ing during the filming of Air New York Post. While a smooth, easy must be put in place. WForce One, everyone with ride home was the likeliest outcome, a financial stake in the movie smiled the worst-case scenario was frightening: Insuring Pilots and Injuries broadly while anticipating a flood of one bad downdraft had the potential to When we talk about non-traditional box-office receipts. But at the end of the take out an entire cast. film risks, insurance coverage is already shooting day, while the rest of the cast Actors who pilot their own aircraft in place when a film production is and crew piled into cars to brave the Los are fairly common these days. We’ve launched—even before Travolta’s wheels Angeles freeway, Ford chose to fly above all seen photos of John Travolta, Tom lift off the tarmac and the money guys the gridlock by piloting his own Bell Cruise, Angelina Jolie and Brad Pitt are heading for group therapy. There are Apocalypse Now (1979) the helicopter. The accident during the making An entire documentary, Hearts of Darkness: of this Steven Spielberg-produced film is argu- A Filmmaker’s Apocalypse, was made about ably Hollywood’s worst tragedy. the production of Francis Ford Coppola’s Vietnam epic, which was shot primarily in the The Crow (1994) Philippines. -
Recommended Films for Teaching IR and Interstate/Civil Conflict Enemy at the Gates No Man's Land Dr
Recommended Films for Teaching IR and Interstate/Civil Conflict Enemy at the Gates No Man's Land Dr. Strangelove Lord of the Flies Butter Battle War Wag the Dog Braveheart K-19: The Widowmaker The Fog of War: Eleven Lessons from the Life of Robert S. McNamara Battle of Algiers The Mouse That Roared Duck Soup Thirteen Days CNN Cold War series The Lion in Winter Crimson Tide Patton Ike: Countdown to D-day A Bridge Too Far Hunt for Red October Canadian Bacon Fail Safe Star Trek VI: The Undiscovered Country A Force More Powerful Henry V The Milagro Beanfield War Rollerball Deterrence By Dawn's Early Light The Bedford Incident Big Jim McClain Troy Monty Python and the Holy Grail The Missiles of October Elizabeth Rules of Engagement Dances with Wolves Clear and Present Danger Paths of Glory High Noon Lawrence of Arabia All Quiet on the Western Front Saving Private Ryan Full Metal Jacket Manchurian Candidate Gandhi Wilson Blackhawk Down Children in War (HBO) Hotel Rwanda Glory Gettysburg Red Badge of Courage Blood Diamond Silent Waters The Year of Living Dangerously For Whom the Bell Tolls Pan's Labyrinth Heroes of Telemark Shake Hands with the Devil Dr. Zhivago The Killing Fields Welcome To Sarajevo The Dogs of War The Good, the Bad and the Ugly February 15, 1839 Sometimes in April Gone With the Wind Three Kings Platoon Apocalypse Now Missing The Way We Were Other Resources: Political Film Society webpage, http://www.geocities.com/~polfilms/index.html Brassey's Guide to War Films by Alun Evans (2000) War and War Era Movies: http://www.lib.berkeley.edu/MRC/Warfilm.html WWII Movies: http://www.geocities.com/warmoviedatabase/emovie.htm Lindley, Dan.