DOCSLIB.ORG

James Newton Howard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
James Newton Howard JAMES NEWTON HOWARD AWARDS/NOMINATIONS EMMY NOMINATION (2016 ) ALL THE WAY Outstanding Music Composition for a Limited Series, Movie, or Special (Original Dramatic Score) INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARD NOMINATIONS (2014) Film Score of the Year MALEFICENT Best Original Score for an Action/Adventure/Thriller THE HUNGER GAMES: MOCKINGJAY PART I Best Original Score for a Fantasy/Sci-Fi/Horror Film MALEFICENT Film Music Composition of the Year “The Hanging Tree”, “Maleficent Flies”, “Maleficent Suite” Composer of the Year INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2010) Best Original Score for a Fantasy/Sci-Fi/Horror Film THE LAST AIRBENDER Best Original Score for an Action/Adventure/Thriller SALT Film Music Composition of the Year “Flow Like Water” from THE LAST AIRBENDER Film Composer of the Year INTERNATIONAL FILM MUSIC CRITICS DUPLICITY ASSOCIATION NOMINATION (2009) Best Original Score for a Comedy Film SATURN AWARD (2009) DARK KNIGHT Best Music * ACADEMY AWARD NOMINATION (2009) DEFIANCE Best Original Score BAFTA AWARD NOMINATION (2008) THE DARK KNIGHT Music * BROADCAST FILM CRITICS ASSOCIATION THE DARK KNIGHT NOMINATION (2008) Best Composer * GOLDEN GLOBE AWARD NOMINATION (2008) DEFIANCE Best Original Score GRAMMY AWARD AWARD (2008) DARK KNIGHT Best Score Soundtrack Album* WORLD SOUNDTRACK AWARD (2008) CHARLIE WILSON ’S WAR Film Composer of the Year MICHAEL CLAYTON I AM LEGEND ACADEMY AWARD NOMINATION (2008) MICHAEL CLAYTON Best Original Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JAMES NEWTON HOWARD INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2008) Film Score of the Year* THE DARK KNIGHT Film Music Composition of the Year “Be With You” from THE HAPPENING Best Original Score for a Drama Film DEFIANCE Best Original Score for an Action/Adventure Film* THE DARK KNIGHT Winner Best Original Score for a Horror /Thriller Film THE HAPPENING Film Composer of the Year iTUNES AWARD (2008) DARK KNIGHT Be st Score* INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2007) Film Composer of the Year GRAMMY AWARD NOMINATION (2007) BLOOD DIAMOND Best Score Soundtrack Album INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS (2006) Film Score of the Year LADY IN THE WATER Best Original Score for Fantasy/Sci-Fi/Horror Film LADY IN THE WATER Best Single Cue “The Great Eatlon” from LADY IN THE WATER Film Composer of the Year Nomination GOLDEN GLOBE AWARD NOMINATION (2005) KING KONG Best Origina l Score ACADEMY AWARD NOMINATION (2005) THE VILLAGE Best Original Score INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARD (2005) Best Original Score for an Action/Adventure Film KING KONG Film Score of the Year Nomination KING KONG INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARD (2004) Best Original Score For a Horror/Thriller Film THE VILLAGE Film Score of the Year Nomination THE VILLAGE GRAMMY AWARD NOMINATION (2002) Best Instrumental Composition “Main Titles” from SIGNS EMMY AWARD (2001) GIDEON’S CROSSING Outstanding Main Title Theme Music GRAMMY AWARD NOMINATION (2000) “The Egg Travels” from DINOSAUR Best Instrumental Composition INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (1999) Film Composer of the Year The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 JAMES NEWTON HOWARD ACADEMY AWARD NOMINATION (1997) MY BEST FRIEND’S WEDDING Best Original Musical or Comedy Score GRAMMY AWARD NOMINATION (1997) "For The First Time" Best Song Written for a Motion Picture or Television* from ONE FINE DAY ACADEMY AWARD NOMINATION (1996) "For The First Time" from ONE FINE DAY Best Original Song* GOLDEN GLOBE AWARD NOMINATION (1996) "For The First Time" from ONE FINE DAY Best Original Song* ACADEMY AWARD NOMINATION (1994) "Look What Love Has Done" from JUNIOR Best Original Song* GOLDEN GLOBE NOMINATION (1994) "Look What Love Has Done" from JUNIOR Best Original Song* ACADEMY AWARD NOMINATION (1993) THE FUGITIVE Best Original Score ACADEMY AWARD NOMINATION (1991) THE PRINCE OF TIDES Best Original Score EMMY AWARD NOMINATION (1995) E.R. Main Title Theme Music EMMY AWARD NOMINATION (1989) MEN Outstanding Score * shared nomination MOTION PICTURES THE HUNTSMAN: WINTER’S WAR Joe Roth / Palak Patel, prods. Universal Pictures Cedric Nicolas-Troyan, dir. CONCUSSION Elizabeth Cantillon / Giannina Facio / Ridley Scott / Columbia Pictures Larry Shuman, prods. Peter Landesman, dir. HUNGER GAMES: MOCKINGJAY PART 2 Nina Jacobson / Jon Kilik, prods. Lionsgate Francis Lawrence, dir. MALEFICENT Joe Roth / Don Hahn, prods. Disney Robert Stromberg, dir. HUNGER GAMES: MOCKINGJAY PART 1 Nina Jacobson / Jon Kilik, prods. Lionsgate Francis Lawrence, dir. NIGHTCRAWLER Jennifer Fox / Tony Gilroy / Jake Gyllenhaal, prods. Open Road Films Dan Gilroy, dir. PA WN SACRIFICE Gail Katz / Tobey Maguire, prods. Bleeker Street Edward Zwick, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 JAMES NEWTON HOWARD CUT BANK Mickey Barold / Dan Cohen / Mark C. Manuel, prods. A24 Matt Shakman, dir. PARKLAND Gary Goetsman / Tom Hanks / Matt Jackson / Bill Open Road Films Paxton / Nigel Sinclair, prods. Peter Landesman, dir. HUNGER GAMES: CATCHING FIRE Nina Jacobson / Jon Kilik, prods. Lionsgate Francis Lawrence, dir. AFTER EARTH Will Smith / James Lassiter / Ken Stovitz / Jada Sony Pinkett Smith / M. Night Shymalan / E Bennett Walsh / Caleeb Pinkett, prods. M. Night Shyamalan, dir. SNOW WHITE AND THE HUNTSMAN Sarah Bradshaw / Sam Mercer / Palak Patel / Universal Joe Roth, prods. Rupert Sanders, dir. HUNGER GAMES Nina Jacobson / Jon Kilik, prods. Lionsgate Gary Ross, dir. BOURNE LEGACY Patrick Crowley / Frank Marshall / Ben Smith / Universal Jeffrey M. Weiner, prods. Tony Gilroy, dir. LARRY CROWNE Gary Goetzman / Tom Hanks, prods. Universal Tom Hanks, dir. THE GREEN LANTERN Greg Berlanti / Donal d De Line, pro ds. Warner Brothers Martin Campbell, dir. GNOMEO AND JULIET Baker Bloodworth / David Furnish / Elton John / Walt Disney Pictures Steve Hamilton Shaw, prods. Kelly Asbury, dir. THE GREEN HORNET Neal H. Moritz, prod. Sony Pictures Entertainment Michael Gondry, dir. WATER FOR ELEPHANTS Kevin Halloran, exec. prod. Fox 2000 Pictures Francis Lawrence, dir. THE TOURIST Ron Halpern / Lloyd Phillips, exec. prods. Sony Pictures Entertainment Florian Henckel von Donnersmarck, dir. LOVE AND OTHER DRUGS Margaret Riley, exec. prod. Columbia TriStar Pict ures Edward Zwick, dir. NANNY MCPHEE RETURNS Tim Bevan / Lindsay Doran / Eric Fellner, prods. Columbia TriStar Pictures Susanna White, dir. SALT Lorenzo Di Bonaventura / Sunil Perkash, prods. Columbia TriStar Pictures Philli p Noyce, dir. INHALE Michelle Chydzik Sowa / Jennifer Kelley / 26 Films Nathalie Marciano, prods. Baltasar Kormakur, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 JAMES NEWTON HOWARD THE LAST AIRBENDER Frank Marshall / M. Night Shyamalan, prods. Paramount Pictures M. Night Shyamalan, dir. DUPLICITY Laura Bickford / Jennifer Fox / Kerry Orent, prods. Universal Pictures Tony Gilroy, dir. CONFESSIONS OF A SHOPAHOLIC Jerry Bruckheimer, prod. Touchstone Pictures P.J. Hogan, dir. DEFIANCE Pieter Jan Brugge / Edward Zwick, prods. Paramount Vantage Edward Zwick, dir. THE HAPPENING Barry Mendel / Sam Mercer / Twentieth Century Fox M. Night Shyamalan, prods. M. Night Shyamalan, dir. THE DARK KNIGHT Benjamin Melniker / Michael E. Uslan, prods. Warner Brothers Christopher Nolan, dir. THE GREAT DEBATERS Denzel Washington / Kate Forte / The Weinstein Company Molly Allen / Todd Black, prods. Denzel Washington, dir. CHARLIE WILSON’S WAR Gary Goetzman / Tom Hank, prods. Universal Pictures Mike Nichols, dir. I AM LEGEND Michael Tadross / David Heyman / Neal Moritz / Warner Brothers Akiva Goldsman / Erwin Stoff, prods. Francis Lawrence, dir. WATER HORSE: LEGEND OF THE DEEP Robert Bernstein / Chrlie Lyons / Barrie M. Osborne / Revolution Studios Douglas Rae, prods. Jay Russell, dir. MICHAEL CLAYTON George Clooney / Jennifer Fox / Anthony Minghella / Warner Bros. / Castle Rock Entertainment Sydney Pollack / Steven Soderbergh, prods. Tony Gilroy, dir. THE LOOKOUT Gary Barber / Roger Birnbaum / Laurie MacDonald / Walt Disney Pictures Laurence Mark / Walter Parkes, prods. Scott Frank, dir. BLOOD DIAMOND Gillian Gorfil / Marshall Herskovitz / Graham King / Warner Brothers Darrell Roodt / Paula Weinstein / Edward Zwick, prods. Edward Zwick, dir. LADY IN THE WATER Sam Mercer / M. Night Shyamalan, prods . Warner Bros. M. Night Shyamalan, dir. RV Douglas Wick / Lucy Fisher, prods. Columbia Pictures Barry Sonnenfeld, dir. FREEDOMLAND Scott Rudin, prod. Revolution Films Joe Roth, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 5 JAMES NEWTON HOWARD KING KONG Peter Jackson / Fran Walsh, prods. Universal Pictures Peter Jackson, dir. MAGNIFICENT DESOLATION Mark Cowen / Gary Goetzman / Tom Hanks / IMAX Mark Herzog, prods. Mark Cowen, dir. *theme co -writer BATMAN BEGINS Larry Franco / Charles Roven / Emma Thomas, prods. Warner Bros. Christopher Nolan, dir. INTERPRETER Tim Bevan / Eric Fellner / Kevin Misher, prods. Universal Pictures Sydney Pollack, dir. COLLATERAL Michael Mann / Julie Richardson, prods. DreamWorks Michael Mann, dir. THE VILLAGE Sam Mercer / Scott Rudin / M. Night Shyamalan, prods. Buena Vista M. Night Sh yamalan, dir. HIDALGO Casey Silver, prod. Walt Disney Pictures Joe Johnston, dir. PETER PAN Amy Pascal / Douglas Wick / Lucy Fisher, prods. Revolution Studios P.J. Hogan, dir. TREASURE PLANET Roy Conli / John Musker / Ron Clement s, prods. Walt Disney Pictures Ron Clements / John Musker, dir. DREAMCATCHER Lawrence Kasdan, prod. Warner Bros./ Castle Rock Entertainment
Load more

Recommended publications
  • Manufacturing Realisms
    Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions.
    [Show full text]
  • HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
    HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off.
    [Show full text]
  • Kevin Costner, America's Teacher
    H-Announce CFP Extended: Kevin Costner, America's Teacher Announcement published by Edward Janak on Monday, June 8, 2020 Type: Call for Papers Date: June 5, 2020 to August 30, 2020 Location: United States Subject Fields: Cultural History / Studies, Film and Film History, Humanities, Public History, Teaching and Learning Call for Proposals: Kevin Costner: America’s Teacher Deadline for Abstracts Extended We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of/problematization of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards; he also experienced critical and box office failures with Waterworld and the Postman. However, in the past 20 years Costner has been able to reinvent himself as a versatile character actor appearing in leading roles in films as well as on cable (Hatfields & McCoys, Yellowstone) and streaming (The Highwaymen) television platforms. He has also become a quiet, but notable, philanthropist, giving both his time and money. Through the films in his oeuvre, Kevin Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book will serve as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education, including problematizing his oeuvre.
    [Show full text]
  • The Archaeology of Time Travel Represents a Particularly Significant Way to Bring Experiencing the Past the Past Back to Life in the Present
    This volume explores the relevance of time travel as a characteristic contemporary way to approach (Eds) & Holtorf Petersson the past. If reality is defined as the sum of human experiences and social practices, all reality is partly virtual, and all experienced and practised time travel is real. In that sense, time travel experiences are not necessarily purely imaginary. Time travel experiences and associated social practices have become ubiquitous and popular, increasingly Chapter 9 replacing more knowledge-orientated and critical The Archaeology approaches to the past. The papers in this book Waterworld explore various types and methods of time travel of Time Travel and seek to prove that time travel is a legitimate Bodil Petersson and timely object of study and critique because it The Archaeology of Time Travel The Archaeology represents a particularly significant way to bring Experiencing the Past the past back to life in the present. in the 21st Century Archaeopress Edited by Archaeopress Archaeology www.archaeopress.com Bodil Petersson Cornelius Holtorf Open Access Papers Cover.indd 1 24/05/2017 10:17:26 The Archaeology of Time Travel Experiencing the Past in the 21st Century Edited by Bodil Petersson Cornelius Holtorf Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 500 1 ISBN 978 1 78491 501 8 (e-Pdf) © Archaeopress and the individual authors 2017 Economic support for publishing this book has been received from The Krapperup Foundation The Hainska Foundation Cover illustrations are taken from the different texts of the book. See List of Figures for information.
    [Show full text]
  • Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking
    Kimberly Owczarski Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking In June 2005, Warner Bros. Pictures announced Are Marshall (2006), and Trick ‘r’ Treat (2006)2— a multi-film co-financing and co-production not a single one grossed more than $75 million agreement with Legendary Pictures, a new total worldwide at the box office. In 2007, though, company backed by $500 million in private 300 was a surprise hit at the box office and secured equity funding from corporate investors including Legendary’s footing in Hollywood (see Table 1 divisions of Bank of America and AIG.1 Slate for a breakdown of Legendary’s performance at financing, which involves an investment in a the box office). Since then, Legendary has been a specified number of studio films ranging from a partner on several high-profile Warner Bros. films mere handful to dozens of pictures, was hardly a including The Dark Knight, Inception, Watchmen, new phenomenon in Hollywood as several studios Clash of the Titans, and The Hangoverand its sequel. had these types of deals in place by 2005. But In an interview with the Wall Street Journal, the sheer size of the Legendary deal—twenty five Legendary founder Thomas Tull likened his films—was certainly ambitious for a nascent firm. company’s involvement in film production to The first film released as part of this deal wasBatman an entrepreneurial endeavor, stating: “We treat Begins (2005), a rebooting of Warner Bros.’ film each film like a start-up.”3 Tull’s equation of franchise. Although Batman Begins had a strong filmmaking with Wall Street investment is performance at the box office ($205 million in particularly apt, as each film poses the potential domestic theaters and $167 million in international for a great windfall or loss just as investing in a theaters), it was not until two years later that the new business enterprise does for stockholders.
    [Show full text]
  • Well Kevin Costnerfc 12Jh.Indd
    PROFILE Oscar winner, sex symbol, eco-warrior, father of seven. So A Man of His Wordthere is a clear message in this story who is the real Kevin Costner? “I take my promises very seriously.” that I think people can take away.” As Kim Izzo discovers, all of It’s the sort of line spoken by the lead- and her father, Spencer’s son, is bat- Articulate and passionate about the above – and then some ing man, the classically handsome, tling drug addiction and has been ab- his work and the world around him, tall and laconic type who shows up sent from the girl’s entire life up until as Costner speaks he brings to mind when the chips are down and with now. The plot, as Costner suggests, is certain actors of another generation. eyes that never waver and a voice that intricate and deftly explores racial Often compared to screen legend resonates, who saves the day. You can and class barriers as well as the deli- Gary Cooper, a lanky and laconic easily imagine the likes of mega mov- cate nature of family ties. “I was star- leading man if there ever was one, ie star Kevin Costner speaking such a tled by how much I was a ected by Costner strikes me more like another line and you wouldn’t be wrong. Only [the script]. Every time I thought the Hollywood icon, James Stewart, a Costner wasn’t reading from a script movie was going one way it went an- man who played characters known when he said them.
    [Show full text]
  • Barbara Hershey
    BARBARA HERSHEY Films: Insidious: The Last Key Lorraine Lambert Adam Robitel Blumhouse Productions The 9th life of Louis Drax Violet Drax Alexandre Aja Brightlight Pictures Sister Susan Presser David Lascher Showtime Networks Answers to Nothing Marilyn Matthew Leutwyler Ambush Entertainment Insidious Lorraine Lambert James Wan Film District Black Swan* Erica Darren Aronofsky Fox Searchlight Answers To Nothing Marilyn Matthew Leutwyler Independent Albert Schweitzer Helen Schweitzer Two Ocenans Production Gavin Millar Uncross The Stars Hilda Ken Goldie Independent The Bird Can’t Fly Melody Threes Anna Independent Childless Natalie Charlie Levi Independent Love Comes Lately Rosalie Jan Schutte Independent Riding The Bullet Jean Parker Mick Garris M P C A 11:14 Norma Greg Marcks Independent Lantana Dr Valerie Somers Ray Lawrence Independent Passion Rose Grainger Peter Duncan Independent A Soldier's Daughter Never Cries Marcella Willis James Ivory October Films Frogs For Snakes Eva Santana Amos Poe Shooting Gallery The Portrait Of A Lady** Madame Serena Merle Jane Campion Polygram Films The Pallbearer Ruth Abernathy Matthew Reeves Miramax Last Of The Dogmen Prof. Lilian Sloan Tab Murphy Savoy A Dangerous Woman Frances Beecham Rowland V. Lee Universal Pictures Swing Kids Frau Muller Thomas Carter Buena Vista Falling Down Elizabeth Travino Joel Schumacher Warner Bros Splitting Heirs Duchess Lucinda Robert Young Universal Public Eye Kay Levitz Howard Franklin Universal Defenseless Thelma ' T.k.' Martin Campbell New Line Tune In Tomorrow Aunt Julia Jon Amiel Cinecom Paris Trout *** Hanna Trout Stephen Gyllenhaal Showtime Last Temptation Of Christ**** Mary Magdalene Martin Scorsese Universal Beaches Hillary Whitney Essex Gary Marshall Walt Disney Prd. A World Apart Diana Roth Chris Menges Working Title Ltd Hoosiers Myra Fleener David Anspaugh Hemdale Film Corp Hannah And Her Sisters***** Lee Woody Allen Orion Pictures Corp Tin Men Nora Tilley Barry Levinson Walt Disney Prd Shy People****** Ruth A.
    [Show full text]
  • Artemis Fowl! 00:00:04 Elliott Kalan Host the Movie That Dares to Raise
    00:00:00 Dan McCoy Host On this episode, we discuss: Artemis Fowl! 00:00:04 Elliott Kalan Host The movie that dares to raise the question—why is this movie named after an entirely nondescript, personality-less cipher who spends the entire movie inside his own house? 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Hey, Dan! It’s me! Stuart Wellington! Wellington 00:00:45 Dan Host Oh hi! [Laughs.] 00:00:47 Elliott Host Guys, guys! What a coincidence! I’m Elliott Kalan and I’m here! All three hosts of The Flop House! We’re here! Together! On The Flop House! 00:00:53 Stuart Host Uh-huh. 00:00:54 Elliott Host But—we’re not alone, are we, Dan? 00:00:55 Stuart Host Uh-uh. 00:00:56 Dan Host No we’re not. We are joined by our guest Scott Weinberg, whom I did not write down how he wanted to be introduced— 00:01:05 Crosstalk Crosstalk Dan: —because I thought you were doing it, Elliott. Elliott: Oh, boy. Oh, wow. Stuart: He said it three or four times! 00:01:07 Elliott Host He said it twice, Dan. I’ll say it. Film critic. Filmmaker. Podcaster. Cat lover. Horror nerd. Scott Weinberg—and I will add in a personal—personal endorsement of his podcast, Science vs. Fiction, in which they talk about the real-life science—or fake-life science and quality—of your favorite science fiction films.
    [Show full text]
  • DINNER and a MOVIE Timings and Cue Sheet
    DINNER AND A MOVIE Timings and Cue Sheet DINNER AND A MOVIE Produced and Hosted By: Robert Bruce and Quinn Riley Direct From: Classical 88.7 KCME / Colorado Springs, CO www.kcme.org and www.facebook.com/FilmMusicYouRemember/ _______________________________________________________ Show Title: 74 M. Night Shyamalan Original Release Date: 10/19/17 SYNOPSIS: Known as the filmmaker with twist endings, M. Night Shyamalan has made eight films with composer James Newton Howard. On this edition of Dinner and a Movie, Quinn Riley explores the films of M. Night Shyamalan featuring the scores of James Newton Howard. _____________________________________________________________ TOTAL RUNNING TIME: 00:58:04 Timings and Cues for: 74 M. Night Shyamalan Part 1: Running Time: 16:13 OPEN CUE: Dinner and a Movie Intro/James Bond Theme END CUE: MUSIC CUE: “VISIONS” FROM UNBREAKABLE Part 2: Running Time: 16:44 OPEN CUE: “During the last five weeks of completing his next film…” END CUE: MUSIC CUE: “END TITLES” FROM THE VILLAGE Part 3: Running Time: 14:26 OPEN CUE: “The first film of M. Night Shyamalan’s not to contain his traditional…” END CUE: MUSIC CUE: “BE WITH YOU” FROM THE HAPPENING Part 4: Running Time: 10:41. OPEN CUE: “Based on Nickelodeon’s animated series, Avitar: The Last Airbender…” END CUE: Dinner and a Movie Outro/Forest Gump - “You’re no Different” DINNER AND A MOVIE Timings and Cue Sheet Movie/Music Cue/Composer for Show: 74 M. Night Shyamalan Part 1: The Sixth Sense - James Newton Howard Run to the Church (excerpt) Malcom’s Story/Coles Secret (4:01) Hanging Ghosts (2:31) Unbreakable - James Newton Howard Visions (5:55) Part 2: Signs - James Newton Howard The Hand of Fate Parts 1 and 2 (9:19) The Village - James Newton Howard Noah Visits (2:35) End Titles (6:02) Part 3: Lady in the Water - James Newton Howard Prologue (2:52) The Healing (4:18) The Happening - James Newton Howard Main Title (2:20) Be With You (3:42) Part 4: The Last Airbender - James Newton Howard Flow Like Water (6:32) After Earth - James Newton Howard The History of Man (2:21).
    [Show full text]
  • NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
    THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn .....................................................................
    [Show full text]
  • GARRY ELMENDORF Special Effects Supervisor
    GARRY ELMENDORF Special Effects Supervisor www.modfx.com FILM & TELEVISION DIRECTOR STUDIO & PRODUCERS THE BOURNE LEGACY TONY GILROY UNIVERSAL PICTURES Patrick Crowley, Frank Marshall FAST 5 (2 ND Unit) JUSTIN LIN UNIVERSAL PICTURES Mike Fottrell, Neil Moritz IT’S COMPLICATED NANCY MYERS UNIVERSAL PICTURES Scott Rudin, Ilona Herzberg MEET DAVE BRIAN ROBBINS 20 TH CENTURY FOX David T. Friendly, Tom Hammel, Todd Komarnicki NORBIT BRIAN ROBBINS DREAMWORKS John Davis, David Householter, Mike Tollin TALLADEGA NIGHTS: ADAM MCKAY COLUMBIA PICTURES The Ballad of Ricky Bobby Judd Apatow, Jimmy Miller,David Householter ANCHORMAN: ADAM MCKAY DREAMWORKS The Legend of Ron Burgundy Judd Apatow, David O’ Russell, David Householter VAN HELSING STEPHEN SOMMERS UNIVERSAL PICTURES Bob Ducsay, Sam Mercer, Stephen Sommers THE CORE JON AMIEL PARAMOUNT PICTURES Sean Bailey, David Foster, David Householter PLUTO NASH RON UNDERWOOD CASTLE ROCK Martin Bregman, Lou Stroller MISSION TO MARS BRIAN DE PALMA HOLLYWOOD PICTURES Justis Greene, Tom Jacobson, Sam Mercer THE SIXTH SENSE M. NIGHT SHYAMALAN HOLLYWOOD PICTURES Kathleen Kennedy, Sam Mercer, Frank Marshall, Barry Mendel SNAKE EYES BRIAN DE PALMA PARAMOUNT PICTURES Brian De Palma, Lou Stroller SPAWN MARK A.Z. DIPPÉ NEW LINE CINEMA Alan Blomquist, Alan Witten THE RELIC PETER HYAMS PARAMOUNT PICTURES Mark Gordon, Gale Anne Hurd, Gary Levinsohn, Sam Mercer Garry Elmendorf -Continued DIE HARD III (Addtl Photo) JOHN MCTIERNAN 20TH CENTURY FOX John McTiernan, Robert Lawrence, Andrew Vajna Michael Tadross SUDDEN DEATH
    [Show full text]
  • Last Tango in Paris (1972) Dramas Bernardo Bertolucci
    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
    [Show full text]