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Area-Building and Room Generator
Area/Building By Trevor Scott and Room Generator neverengine.wordpress.com This work is licensed under a Creative Commons Attribution-Non-Commercial-ShareAlike 4.0 International License. Create areas fileld with various, appropriate rooms with a few dice rolls! Roll a d20 on the Area table, then move to the appropriate table and roll a few d20s to generate some rooms. Area Barracks Cave Dungeon Inn Roll Result Roll Result Roll Result Roll Result Roll Result 1 Road 1-3 Armory 1-5 Mushrooms 1-6 Cell Block 1-3 Quarters 2 Barracks 5-7 Bunks 6-7 Cave-In 7-9 Hole 4-6 Common Room 3 Bathhouse 8-9 Mess Hall 8 Area: Crypts 10-12 Torture Chamber 7-9 Kitchen 4 Cave 10-11 Practice Hall 9 Area: Mine 13-14 Guardhouse 10-11 Shrine 5 Crypt 12 Common Room 10 Garden 15 Furnace 12-13 Stables 6 Dungeon 13 Furnace 11 Hole 16 Pit Trap Bottom 14 Bath 7 Farm 14 Guardhouse 12 Lake 17 Sewage Flow 15 Bunks 8 Inn 15 Kennel 13 Natural Spring 18 Shrine 16 Cloakroom 9 Laboratory 16 Shrine 14 Ore Vein 19 Storage Room 17 Dining Room 10 Library 17 Smithy 15 Pit Trap Bottom 20 Tomb 18 Garden 11 Living Quarters 18 Stables 16 Secret Passage 19 Meeting Hall 12 Manufactory 19 Storage Room 17 Sewage Flow 20 Storage Room 13 Marketplace 20 Study 18 Shrine Farm 14 Mine 19 Storage Room Roll Result 15 Museum 20 Torture Chamber Laboratory Palace 1-4 Field 16 Bathhouse Roll Result 17 Park Sample file 5-6 Garden 18 Sewer Roll Result Crypt 7-8 Livestock Pen 1-2 Workshop 1-8 Bath 9-10 Natural Spring 3 Archery Range 19 Slum Roll Result 20 Warehouse 9-11 Sauna 11-12 Tannery 4 Armory 12-13 -
Woottonbrookwombourne
WoottonbrookWOMBOURNE A beautiful collection of 1,2,3 & 4 bedroom homes and apartments 1 ith idyllic streets, quaint houses and handy shops, Wif you’re looking to relocate, Wombourne makes for an attractive and welcoming place. With its three main streets around a village green, it’s a beautiful South Staffordshire gem, with a quirky reputation for claiming to be England’s largest village. Just four miles from Wolverhampton, you won’t be short on things to do. Surrounded by countryside, it’s a rambler’s paradise. There’s the scenic Wom Brook walk or a Sunday afternoon amble up and down the South Staffs Railway Walk. There’s also Baggeridge Country Park, a mere 2.5 miles away by car. If it’s jogging, cycling or even fishing, you have the Staffordshire and Worcestershire canal on your Country Life doorstep too. Woottonbrook by Elan Homes is nestled in a quiet, rural location only five minutes away from Wombourne village. A mixture of bright, spacious and contemporary 1,2,3 & 4 bedroom homes and apartments effortlessly blends rural and urban life. Welcome to your future. 2 A lot of love goes into the building of an Elan home - and it shows. We lavish attention on the beautifully crafted, traditionally styled exterior so that you don’t just end up with any new home, but one of outstanding style and real character. Then, inside, we spread the love a little bit more, by creating highly contemporary living spaces that are simply a pleasure to live in. Offering light, airy, high specification, luxury accommodation that has the flexibility to be tailored to the individual wants and needs of you and your family. -
THE SINGLETON Plots 293, 316, 317, 318, 319, 330 & 331 GROUND FLOOR FIRST FLOOR
THE SINGLETON Plots 293, 316, 317, 318, 319, 330 & 331 GROUND FLOOR FIRST FLOOR Living/ Living/ Bathroom Bathroom Dining Area Dining Area Bedroom 2 Bedroom 2 W C C W En- En- suite suite C C Kitchen Kitchen Master Master WC WC Bedroom Bedroom W W Kitchen 2.88 x 2.33m 9’5” x 7’8” Master Bedroom 3.97 x 2.76m 13’0” x 9’1” Key: C - Cupboard W - Wardrobe Living/Dining Room 4.81 x 4.63m 15’9” x 15’2” Bedroom 2 3.27 x 2.51m 10’9” x 8’3” W - Space for wardrobe THE SINGLETON SPECIFICATION BEAUTIFULLY DESIGNED KITCHENS • Mains fed carbon monoxide detector, positioned • Contemporary kitchen designs adjacent to gas boiler • Soft close doors and drawers • 10 year NHBC Buildmark Warranty, including 2 year defect and emergency out of hours cover • Laminate worktop and upstand • One and half bowl stainless steel sink, with mono sink mixer tap by Vado EXTERNAL • Electrolux stainless steel single oven • Timber external entrance door with multi-point locking system • Ceramic hob with pull out extractor hood • UPVC double glazed windows with french • Integrated Electrolux dishwasher A+ doors to living and kitchen / dining • Integrated Electrolux 70/30 split fridge/freezer A+ • Closeboard fencing to rear gardens • Integrated Zanussi Washing/Dryer A • Landscaped front gardens and turfed rear gardens • Paved paths and patio areas STYLISH BATHROOMS • External tap in rear garden • Contemporary white sanitaryware, with chrome accessories by Vado HEATING, ELECTRICAL & LIGHTING • Floor standing concealed cistern WC • Energy efficient Vaillant combination boiler • -
Arcl0017 Greek Art and Architecture Ucl - Institute of Archaeology
ARCL0017 GREEK ART AND ARCHITECTURE UCL - INSTITUTE OF ARCHAEOLOGY Coordinator: Dr. Eva Mol Office hours: weekly chat sessions Wed 12-1pm or by appointment between Mon-Wed 9-17pm. Email: [email protected]; Year 2/3 BA Module, 15 credits Please see the online IoA Student Handbook for instructions on coursework submission, IoA referencing guidelines and marking criteria, as well as UCL policies on penalties for late submission. ARCL0017 1. OVERVIEW&SCHEDULE Introduction This module introduces Greek art and architecture in the period 2500-50 BC. In the context of a broad chronological survey, the focus is on three main themes: (1) the relationship between Greek art and society (2) addressing current problems in Greek art history and contemporary society, and (3) extensive training in visual analysis and the different lenses to look at Greek art. This year, as the course will be taught remotely, it will consist of different modes of online teaching that contain individual creativity, group fun, and lively discussions using famous objects and buildings belonging to the so-called ‘Greek canon’, and lesser known or even excluded object categories that will expand our idea of what Greek art is. Normally, we would go to the British Museum together, and look at all the incredible objects up close. This is not possible for the semester, but that does not mean we cannot discuss or study them. In fact, teaching the module online will provide us with the great opportunity to look beyond the British Museum (or any museum for that matter) and the Classical canon, and discuss together what Greek Art is right now, and how make it more relevant in the future. -
Ref : E034078n Office Premises
3 Cornhill, Ottery St Mary, Devon, t 01404 813762 e [email protected] EX11 1DW f 01404 815236 devon and dorset OFFICE PREMISES REF : E034078N ST SAVIOURS overlooking the attractive Millennium Green with its EXETER ROAD riverside walk. At the time of our inspection the building was next to the 'The Station', home of Ottery town OTTERY ST MARY council, other businesses close by comprising RIO DEVON, EX11 1RE (Recycling In Ottery), Carpets Collect, Alansway Body Repairs and other motor vehicle repair and sales businesses. In one direction the town centre, with its Sainsbury's supermarket, is only a short walk away whilst in the other direction can be found Alansway business park, the local hospital, school and residential housing with new residential developments currently in the course of construction. AREA Ottery St Mary nestles in the attractive Otter Valley, surrounded by countryside of outstanding natural beauty, supports a good size resident population with numerous new housing developments having taken place over the years and other major developments in the course of construction, renowned for its 'Kings' secondary school with additional trade drawn from the many surrounding villages, hamlets and farming communities, The popular regency coastal resort of VIEWING STRICTLY BY PRIOR APPOINTMENT Sidmouth lies approximately 6 miles away whilst the THROUGH THE SELLING AGENTS EVERETT expanding City of Exeter, together with airport, mainline MASSON AND FURBY 01404 813762 railway station, and M5 motorway network lies approximately 12 miles, quickly reached via the nearby Prominent easily accessible premises A30 dual carriageway. Versatile first floor space, approx. 1,800 sq.ft. -
Susa and Memnon Through the Ages 15 4
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.04.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief Notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Judith A. Lerner (ISAW NYU) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University); Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (Univer- sity of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khodadad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (Univer- sity of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Articles & Notes 1. -
ENTRANCE HALL Stairs to First Floor, Radiator, Alarm System
ENTRANCE HALL Stairs to first floor, radiator, alarm system. CLOAKROOM WC, pedestal wash hand basin, extractor fan, radiator, tiled floor. KITCHEN/DINER 33' 3" x 13' 9" (10.16m x 4.2m) Single window to front, three windows to side, French doors to rear, range of white gloss high and low level cupboard units, marble worktop, inset sink with mixer tap, five ring gas hob with extractor fan over, integrated oven, integrated NEFF dishwasher, integrated fridge and wine cooler, island, storage cupboard under the stairs, tiled floor. UTILITY ROOM Door to rear garden, high and low level white gloss cupboard units, marble worktop, stainless steel sink with mixer tap, plumbing for washing machine, tiled floor. LOUNGE 21' 9" x 11' 3" (6.65m x 3.45m) Window to front, bi-folding doors across the full width at the back leading to the garden. FIRST FLOOR LANDING Window, radiator, airing cupboard housing hot water cylinder. MASTER BEDROOM 13' 6" x 10' 11" (4.12m x 3.34m) Windows to front and side, dressing area with built in wardrobe with sliding mirrored doors, ensuite. ENSUITE 10' 6" x 4' 6" (3.21m x 1.38m) Window to side, WC with concealed cistern, pedestal wash hand basin with mixer tap, large shower cubicle, heated towel rail, tiled floor. BEDROOM TWO 13' 5" x 10' 9" (4.11m x 3.3m) Window to front, ensuite, radiator. ENSUITE 7' 4" x 5' 1" (2.25m x 1.57m) Window to side, WC with concealed cistern, wash hand basin with mixer tap, shower cubicle, mirrored wall cabinet, extractor fan, heated towel rail, tiled floor. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Troubleshooting Rosetta Stone Log-In Issues on Mobile
Portal > Knowledgebase > Teaching Learning and Research > Rosetta Stone > Troubleshooting Rosetta Stone Log-in Issues on Mobile Troubleshooting Rosetta Stone Log-in Issues on Mobile Kyle A. Oliveira - 2019-05-31 - 0 Comments - in Rosetta Stone A recent update to the Rosetta Stone apps on both iOS and Android may cause authentication issues. Please refer to the information below for resolving these issues. iOS To prevent any further issues regarding logging into the app on iOS, you must avoid opening the app unless you've authenticated through Brown's log in portal. Opening the app outside of logging in through Brown, will most likely result in the inability to log in and use the app. If you are having issues logging into it: Solution 1 1. Open your device's web browser, visit rosettastone.brown.edu, and log in 2. Click the “Launch Rosetta Stone Language Lessons” link to launch the app 3. You will experience the same problem as in the past - you will just see a "splash" screen instead of being logged in. On this screen, click Enterprise And Education Learners. 4. On the login screen that appears, type three random values (just a single letter will work) into the Username, Password, and Namespace fields. 5. You will see an error message. Click Try again and proceed with the next step. 6. Return to your web browser and again, visit rosettastone.brown.edu. 7. Click the “Launch Rosetta Stone Language Lessons” link to launch the app again. 8. Wait for the login to proceed - it should work. If you still see the error message, click the Try Again option. -
Books on Display at the 48Th International Congress on Medieval Studies, May 9-12, 2013, Kalamazoo, MI
Books On Display at the 48th International Congress on Medieval Studies, May 9-12, 2013, Kalamazoo, MI Publishers represented include: ADEVA, Amberley Publishing, American Research Center in Sofia (ARCS), Anglo-Saxon Books, Aris & Phillips, Austrian Academy of Sciences Press (VOAW), British Museum Press, Canterbury Archaeological Trust (CAT), Casemate Publishers, Christianity and Culture, Countryside Books, Edizioni Polistampa, English Heritage, Evangelische Verlagsanstalt (EVA), Franz Steiner Verlag, Hellenic Museums Shop, Hirmer Verlag GmbH, Iceland University Press, James Clarke & Co, Legenda, Librairie Droz , Lutterworth Press, Macmillan Art Publishing, Maney Publishing, The Mary Rose Trust, McDonald Institute for Archaeological Research, Medstroms Bokforlag, Midsea Books, Museum of London Archaeology (MOLA), Northcote House Publishers, Oxbow Books, Oxford Archaeology, Paul Holberton, Pen and Sword, Philipp von Zabern, Pindar Press, Pre- Construct Archaeology, Prospect Books, Roman Society Publications, Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), Society of Antiquaries of London (SAL), SPA Uitgevers, Stobart Davies Ltd, Wessex Archaeology and Windgather Press Titles in Bold are sale books at greatly reduced prices. Offers good while stocks last– First Come, First Served! Titles in alphabetical order Author(s) Publisher ISBN List Offer Title in alphabetical order Price Price A l'ombre du pouvoir Marchandisse Librairie Droz 9782870192832 $104.00 $50.00 Accomplisht Cook (1665-85) May Prospect Books -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
And KEEPING up with the PERSIANS Some Reflections on Cultural Links in the Persian Empire
Working draft, not for distribution without permission of the author 1 ‘MANNERS MAKYTH MAN’ and KEEPING UP WITH THE PERSIANS Some reflections on cultural links in the Persian Empire Christopher Tuplin (University of Liverpool) Revised version: 9 June 2008 The purpose of the meeting (according to the web site) is to explore how ancient peoples expressed their identities by establishing, constructing, or inventing links with other societies that crossed traditional ethnic and geographic lines. These cross-cultural links complicates, undermine, or give nuance to conventional dichotomies such as self/other, Greek/barbarian, and Jew/gentile In the Achaemenid imperial context this offers a fairly wide remit. But it is a remit limited – or distorted – by the evidence. For in this, as in all aspects of Achaemenid history, we face a set of sources that spreads unevenly across the temporal, spatial and analytical space of the empire. For what might count as an unmediated means of access to a specifically Persian viewpoint we are pretty much confined to iconographically decorated monuments and associated royal inscriptions at Behistun, Persepolis and Susa (which are at least, on the face of it, intended to broach ideological topics) and the Persepolis Fortification and Treasury archives (which emphatically are not). This material is not formally or (to a large extent) chronologically commensurate with the voluminous, but unevenly distributed, Greek discourse that provides so much of the narrative of Achaemenid imperial history. Some of it may appear more commensurate with the substantial body of iconographically decorated monuments (most not associated with inscriptions) derived from western Anatolia that provides much of the material in the two papers under discussion.