Anticipated Acquisition by Arqiva of Digital One Limited and Other Entities Controlled by Global Radio Group
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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Addition of Heart Extra to the Multiplex Is Therefore Likely to Increase Significantly the Appeal of Services on Digital One to This Demographic
Radio Multiplex Licence Variation Request Form This form should be used for any request to vary a local or national radio multiplex licence, e.g: • replacing one programme or data service with another • adding a programme or data service • removing a programme or data service • changing the Format description of a programme service • changing a programme service from stereo to mono • changing a programme service's bit-rate Please complete all relevant parts of this form. You should submit one form per multiplex licence, but you should complete as many versions of Part 3 of this form as required (one per change). Before completing this form, applicants are strongly advised to read our published guidance on radio multiplex licence variations, which can be found at: http://licensing.ofcom.org.uk/radio-broadcast- licensing/digital-radio/radio-mux-changes/ Part 1 – Details of multiplex licence Radio multiplex licence: DM01 National Commercial Licensee: Digital One Contact name: Glyn Jones Date of request: 15 January 2016 1 Part 2 – Summary of multiplex line-up before and after proposed change(s) Existing line-up of programme services Proposed line-up of programme services Service name and Bit-rate Stereo/ Service name and Bit-rate Stereo/ short-form description (kbps)/ Mono short-form (kbps)/ Mono Coding (H description Coding (H or F) or F) Absolute Radio 80F M Absolute Radio 80F M Absolute 80s 80F M Absolute 80s 80F M BFBS 80F M BFBS 80F M Capital XTRA 112F JS Capital XTRA 112F JS Classic FM 128F JS Classic FM 128F JS KISS 80F M KISS 80F -
Implementation Considerations for the Introduction and Transition to Digital Terrestrial Sound and Multimedia Broadcasting
Report ITU-R BS.2384-0 (07/2015) Implementation considerations for the introduction and transition to digital terrestrial sound and multimedia broadcasting BS Series Broadcasting service (sound) ii Rep. ITU-R BS.2384-0 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http://www.itu.int/publ/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the procedure detailed in Resolution ITU-R 1. -
Children, Technology and Play
Research report Children, technology and play Marsh, J., Murris, K., Ng’ambi, D., Parry, R., Scott, F., Thomsen, B.S., Bishop, J., Bannister, C., Dixon, K., Giorza, T., Peers, J., Titus, S., Da Silva, H., Doyle, G., Driscoll, A., Hall, L., Hetherington, A., Krönke, M., Margary, T., Morris, A., Nutbrown, B., Rashid, S., Santos, J., Scholey, E., Souza, L., and Woodgate, A. (2020) Children, Technology and Play. Billund, Denmark: The LEGO Foundation. June 2020 ISBN: 978-87-999589-7-9 Table of contents Table of contents Section 1: Background to the study • 4 1.1 Introduction • 4 1.2 Aims, objectives and research questions • 4 1.3 Methodology • 5 Section 2: South African and UK survey findings • 8 2.1 Children, technology and play: South African survey data analysis • 8 2.2 Children, technology and play: UK survey data analysis • 35 2.3 Summary • 54 Section 3: Pen portraits of case study families and children • 56 3.1 South African case study family profiles • 57 3.2 UK case study family profiles • 72 3.3 Summary • 85 Section 4: Children’s digital play ecologies • 88 4.1 Digital play ecologies • 88 4.2 Relationality and children’s digital ecologies • 100 4.3 Children’s reflections on digital play • 104 4.4 Summary • 115 Section 5: Digital play and learning • 116 5.1 Subject knowledge and understanding • 116 5.2 Digital skills • 119 5.3 Holistic skills • 120 5.4 Digital play in the classroom • 139 5.5 Summary • 142 2 Table of contents Section 6: The five characteristics of learning through play • 144 6.1 Joy • 144 6.2 Actively engaging • 148 -
Revisions to Digital Radio Technical Codes Statement Following Consultation
Revisions to Digital Radio Technical Codes Statement following consultation STATEMENT: Publication Date: 11 June 2019 Contents Section 1. Overview 1 2. Introduction 3 3. Adjacent Channel Interference (ACI) and blocking processes 7 4. Spectrum masks for DAB 15 5. DAB+ audio encoding 18 6. Digital Radio Technical Code: other proposed revisions 21 7. Technical Policy Guidance for DAB Multiplex Licensees: other proposed revisions 27 8. Other issues raised by respondents 28 Revisions to Digital Radio Technical Codes: Statement following consultation 1. Overview Ofcom published a consultation on 4 February 2019 which proposed making changes to the existing technical rules that the UK’s DAB digital radio broadcasters are required to comply with as a condition of their licences. We proposed these changes with the aim of ensuring that our rules remained appropriate and proportionate. The consultation closed on 28 March 2019, and we received 28 responses to our proposals from industry stakeholders and members of the public. We have considered all of the points raised by respondents, and we have made certain revisions to our proposed changes in light of the comments that we received. This Statement concludes the consultation process, sets out our analysis of the points raised by respondents, and includes our final decision on the proposed changes to the technical codes. The new Technical Code documents1 will come into force today (11 June 2019). 1 https://www.ofcom.org.uk/tv-radio-and-on-demand/information-for-industry/guidance/DAB-Technical-Policy- Documents 1 Revisions to Digital Radio Technical Codes: Statement following consultation What we have decided – in brief The main changes that we have decided to make are in the following areas: ACI/blocking procedures We are proceeding with the changes that we proposed in relation to the management of ‘Adjacent Channel Interference’ (ACI) and 'blocking’, which are technical effects that can disrupt reception of existing DAB stations when new DAB transmitters are built. -
Digital One’S Response to the Ofcom Consultation “Future Pricing of Spectrum Used for Terrestrial Broadcasting”
Digital One’s Response to the Ofcom Consultation “Future pricing of spectrum used for terrestrial broadcasting” 1. Digital One operates the UK’s only national commercial DAB digital radio multiplex. Its shareholders are GCap Media (63%) and Arqiva (37%). Digital One’s transmission network (which is operated by Arqiva) is the world’s biggest DAB digital radio network with coverage well in excess of 85% of the British population. Digital One’s multiplex broadcasts: - the three INRs (Classic FM, Virgin Radio and talkSPORT); - four digital-only national stations (Capital Life, Core, Oneword and Planet Rock) with a further station being launched in the next few months; - TV channels and an Electronic Programme Guide broadcast as part of BT Movio. Digital One is a leading stakeholder in the UK’s Digital Radio Development Bureau and the WorldDAB Forum (which is responsible for the DAB digital radio standard and works to coordinate the international roll-out of Eureka 147 based technologies). 2. Digital One is licensed under the 1996 Broadcasting Act, and has licence obligations which help deliver public policy benefits. These limit Digital One’s ability to use the spectrum it has been allocated in the most efficient manner (in economic terms). For example: - the obligation to operate a transmitter network which delivers high population coverage; - the obligation (at the direction of the Secretary of State for the Department of Culture, Media and Sport) to carry the three INRs and to offer each INR an amount of capacity dictated by the regulator; -
An Application to Ofcom for the Channel Islands Local DAB Digital Radio Multiplex
Tindle MuxCo Channel Islands Limited An application to Ofcom for the Channel Islands local DAB digital radio multiplex Part A – Public Section July 2019 Executive summary Please provide a summary of your application, of no more than four pages in length. Tindle MuxCo Channel Islands 1. Tindle MuxCo Channel Islands Ltd (‘TMCI’) was created to establish local DAB digital radio in the Channel Islands, with shareholders who have significant analogue and digital radio experience through broadcasting and multiplex ownership – Tindle CI Broadcasting Ltd and Folder Media Ltd. 2. Tindle CI Broadcasting operates the popular and successful local heritage commercial services in the Channel Islands – Channel 103 and Island FM – which consistently report the highest percentage reach figures in the British Isles, whilst Folder Media has considerable experience as a multiplex operator and content producer, having established the Now Digital and MuxCo networks, and currently managing the MuxCo network as well as multiplexes owned by Wireless Group and Bauer Media. 3. Tindle CI Broadcasting and Folder Media have been developing plans to bring DAB to the Channel Islands since early 2018, initially undertaking research of radio listening habits and digital take-up across the islands, discussing opportunities with Ofcom, and then formally announcing its intention to apply in November 2018. 4. Our ethos is that digital radio should be available in a cost and operationally efficient manner to enable as many organisations as possible to broadcast. TMCI will offer both DAB and DAB+. We believe this is the best way to encourage more stations to join the platform and provide a compelling proposition for digital radio listeners. -
Response from Bauer Radio – 'An Approach to DAB Coverage Planning' 1. This Is a Response by Bauer Radio to the Ofcom Cons
Bauer Media – Digital Radio Response to Ofcom Consultation – ‘An approach to DAB Coverage planning’ V 110914-13 Response from Bauer Radio – ‘An approach to DAB Coverage Planning’ 1. This is a response by Bauer Radio to the Ofcom Consultation ‘An approach to DAB Coverage Planning’ 2. Bauer Radio is a major player in UK commercial radio; actively engaged as a content provider on analogue and digital platforms and as a DAB multiplex operator. a. We operate 12 DAB multiplex licences mostly in major metropolitan markets in Scotland, England and Northern Ireland (total licence area 28% of UK households). We are a 50:50 JV partner in CE Digital, the DAB licensee for London, Birmingham and Manchester (total licence area 29% of UK households). b. We operate 41 local analogue radio licences, of which 37 are simulcast on DAB. We also provide national radio services on DAB, Freeview, Sky, Internet and Mobile radio platforms. ‘The Hits’ radio service operated by Bauer reaches more listeners than any other commercial digital-only radio service (Rajar W2 2011). c. Bauer operates Radio services on 37 of the current 38 local DAB multiplexes. d. Our extensive and longstanding involvement demonstrates our on-going support for digital radio broadcasting across a range of platforms and content genre. 3. Bauer welcomes the opportunity to comment on some aspects of the approach taken by Ofcom to planning DAB for a possible future switchover from analogue broadcasting to DAB for national and metropolitan based local stations. 4. In the consultation, Ofcom asked for 6 specific questions to be addressed. -
Consultation on the Further Renewal of Analogue Commercial Radio Licences
Consultation on the Further Renewal of Analogue Commercial Radio Licences 23 December 2019 Department for Digital, Culture, Media and Sport Contents Executive Summary Page 3 How to respond Page 5 A. Policy and Regulatory Background Page 7 Commercial Radio Licensing Page 7 Analogue Licence renewals Page 8 The development of the UK radio market since 2010 Page 8 The case for further renewals Page 10 B. Policy Options for Consultation Page 12 C. Next Steps Page 16 D. Consultation Questions Page 17 2 Department for Digital, Culture, Media and Sport Executive Summary 1. Since 2010, improvements in national and local digital radio coverage together with investment in new digital services by broadcasters and by vehicle manufacturers in fitting digital radios as standard in new cars (92.9% in Q3 2019) has supported the continued take up of digital radio. Digital now accounts for 56.8% of all radio listening (RAJAR Q3 2019), up from just 24% in 2010. 2. However, in spite of the shift of radio listening to digital, analogue radio remains an important platform for listeners and still accounts for just over 40% of UK radio listening. With a number of national and local commercial FM and AM radio licences approaching final expiry in 2022, and with little prospect of a radio switchover before the mid-2020s, the government needs to again consider whether or not to continue with the current arrangement of licence renewals and, if so, to determine how long the further renewal should be for. Ofcom does not currently have powers to renew these licences for a further period: radio stations wishing to continue broadcasting would need to reapply for their licences and potentially compete against other prospective operators, including new entrants, to secure a new licence. -
Digital Listening Reaches 20 Million Mark DRUK 050810
PRESS RELEASE EMBARGO: NOT FOR PUBLICATION BEFORE 00.01hrs THURSDAY, 5 AUGUST 2010 DIGITAL LISTENING REACHES 20 MILLION MARK • 20 million people listen to digital radio each week, an increase of 2 million year on year • Digital radio listening share up 17% year on year • 50% of all national commercial radio listening is now via digital platforms • Digital listening on DAB grows 20% year on year • Digital radio biggest contributor to record radio listening 20 million people now tune in to digital radio each week, an increase of two million from last year, according to the latest RAJAR figures released today. Weekly reach has increased by 11% year on year from 18 million to 20 million, and now 43% of all radio listeners are listening to digital every week. Digital listening share has also shown strong growth at 24.6% (up 17% year on year, and up 2.5% quarter on quarter). Digital platforms now account for 24.4% of all listening on commercial radio, a strong growth of 6.5% quarter on quarter from 22.9%, and is now level with BBC digital listening. There has been strong growth in the share of national commercial listening via digital platforms, which has now reached 50%. DAB listening now accounts for 15.8% of all radio listening, an increase of 20% year on year (up from 13.1% of all listening from last year and up from 15.1% in the last quarter). The proportion of adults claiming to own a DAB set at home has increased by 7.6% year on year, with over one third of the population or 18.2 million adults (aged 15+) now claiming to live in a household with a DAB receiver. -
WBU Radio Guide
FOREWORD The purpose of the Digital Radio Guide is to help engineers and managers in the radio broadcast community understand options for digital radio systems available in 2019. The guide covers systems used for transmission in different media, but not for programme production. The in-depth technical descriptions of the systems are available from the proponent organisations and their websites listed in the appendices. The choice of the appropriate system is the responsibility of the broadcaster or national regulator who should take into account the various technical, commercial and legal factors relevant to the application. We are grateful to the many organisations and consortia whose systems and services are featured in the guide for providing the updates for this latest edition. In particular, our thanks go to the following organisations: European Broadcasting Union (EBU) North American Broadcasters Association (NABA) Digital Radio Mondiale (DRM) HD Radio WorldDAB Forum Amal Punchihewa Former Vice-Chairman World Broadcasting Unions - Technical Committee April 2019 2 TABLE OF CONTENTS INTRODUCTION .......................................................................................................................................... 5 WHAT IS DIGITAL RADIO? ....................................................................................................................... 7 WHY DIGITAL RADIO? .............................................................................................................................. 9 TERRESTRIAL