The Castle of Good Hope
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.0 . EDmON SOUTH AFRICA. CATEWA.YOr TIlE C""trI'& 0' t;OO1J Hon SOUTH AFRICA (THE CAPE COLONY, NATAL, ORANGE FREE STATE, SOUTH AFRICAN . REPPBLIG, RHODESIA, AND ALL OTHER TERRITORIES SOUTH OF THE ZAMBESI) BY GEORGE M'CALL THEAL, D.Lrf., LL.D. NINTH IMPRESSION (SIXTH EDITION) 1on~on T. FISHER UNWIN PATBa.NOS1"Sa. SQUAIS COPVRJ(;HT BY T. FISHER UNWIN, 1894 (For Great Britain). CopfiRlGHT BY G. P. PUTNAM'S, 1894 (For the United Stal~ of America) Vb] (~ PREFACE TO FIFTH EDITION. THE chapters in this volume upon the Cape Colony before 1848, Natal before 1845, and the Orange Free State, South African Republic, Zulu land, and Basutoland before 1872, contain an outline of my History of South Africa, which has been published in -England in five octavo volumes. In that work my authorities are given, so they need not be repeated here. The remaining c~apters have been written merely from general acquaintance with South African affairs acquired during many years' residence -in the country, and have not the same claim to be regarded as absolutely correct, though I have endeavoured to make them reliable. In prep,!ring the book I was guided by the principle that truth should tie told, regardless of nationalities or parties, and I strove to the utmost. to avoid anything like favour or prejudice. The above was the preface to the first edition of this book, which was __ puJ:>lished in September, 1893. As successive edition!;" aRB"ared the volume was enlarged, and nov: it has been my task to add the saddest chapter of the whole, the one in which is recorded the bc~inning. -
The Restoration of Tulbagh As Cultural Signifier
BETWEEN MEMORY AND HISTORY: THE RESTORATION OF TULBAGH AS CULTURAL SIGNIFIER Town Cape of A 60-creditUniversity dissertation submitted in partial fulfilment of the Degree of Master of Philosophy in the Conservation of the Built Environment. Jayson Augustyn-Clark (CLRJAS001) University of Cape Town / June 2017 Faculty of Engineering and the Built Environment: School of Architecture, Planning and Geomatics The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ‘A measure of civilization’ Let us always remember that our historical buildings are not only big tourist attractions… more than just tradition…these buildings are a visible, tangible history. These buildings are an important indication of our level of civilisation and a convincing proof for a judgmental critical world - that for more than 300 years a structured and proper Western civilisation has flourished and exist here at the southern point of Africa. The visible tracks of our cultural heritage are our historic buildings…they are undoubtedly the deeds to the land we love and which God in his mercy gave to us. 1 2 Fig.1. Front cover – The reconstructed splendour of Church Street boasts seven gabled houses in a row along its western side. The author’s house (House 24, Tulbagh Country Guest House) is behind the tree (photo by Norman Collins). -
Beschryvinge Van De Kaap Der Goede Hoope. Deel I
Beschryvinge van de Kaap der Goede Hoope. Deel I François Valentijn editie P. Serton, R. Raven-Hart, W.J. de Kock en E.H. Raidt bron François Valentijn, Beschryvinge van de Kaap der Goede Hoope. Deel I (eds. P. Serton, R. Raven-Hart, W.J. de Kock en E.H. Raidt). Van Riebeeck-Vereniging, Kaapstad 1971 Zie voor verantwoording: http://www.dbnl.org/tekst/vale003besc01_01/colofon.php © 2011 dbnl / erven P. Serton / erven R. Raven-Hart / erven W.J. de Kock / E.H. Raidt VIII Lys van Illustrasies Portret van François Valentyn ii Titelblad van die oorspronklike uitgawe iii Kaart van de Kaap der Goede Hoope 34 Saldanhabaay te vinden in de Beschryving onder No. 38 A 50 De Kaap in Platte Grond 66 Gezicht van Kaap der Goede Hoope 67 Thuin der Compagnie aan de Kaap 130 Kaart van die tog van Simon van der Stel 378 François Valentijn, Beschryvinge van de Kaap der Goede Hoope. Deel I IX List of Illustrations Portrait of François Valentyn ii Title page of the original edition iii Map of the Cape of Good Hope 34 Saldanha Bay to be found in the Description under No. 38 A 50 Lay-Out of the Cape 66 View of the Cape of Good Hope 67 Garden of the Company at the Cape 130 Map of the Journey of Simon van der Stel 378 François Valentijn, Beschryvinge van de Kaap der Goede Hoope. Deel I X Voorwoord Die Raad van die Van Riebeeck-Vereniging het heelwat moeilikhede ondervind in sy pogings om 'n herdruk te besorg van die beskrywing van die Kaap die Goeie Hoop wat in die vyfde en laaste deel van François Valentyn* se omvattende Oud en Nieuw Oost-Indiën verskyn. -
An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol
Reflections on Fired – An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol Abstract An exhibition dedicated to the history and development of South African ceramics, Fired, was on show at the Castle of Good Hope in Cape Town, South Africa, from 25th February 2012 until its temporary closure on 28th January 2015. Fired is due to reopen early 2016. The exhibition was created from the rich array of ceramics held in the permanent collections of Iziko Museums of South Africa. Iziko was formed in 1998 when various Cape Town based museums, having formerly functioned separately, were amalgamated into one organizational structure. Fired was created to celebrate the artistry of South African ceramists, showcasing works in clay created for domestic, ceremonial or decorative purposes, dating from the archaeological past to the present. This article reflects on the curatorial and design approaches to Fired, and the various themes which informed the exhibition. Reference is also made to the formation of the Iziko ceramics collections, and the ways in which Fired as an exhibition departed from ceramics displays previously presented in the museums that made up the Iziko group. Key words ceramics, studio pottery, production pottery, Community Economic Development (CED) potteries, museums Introduction Fired – an Exhibition of South African Ceramics celebrated South Africa’s rich and diverse legacy of ceramic making. The exhibition showcased a selection of about two hundred ceramic works, including some of the earliest indigenous pottery made in South Africa, going back some two thousand years, through to work produced by contemporary South African ceramists. The works were drawn mainly from the Social History Collections department of Iziko Museums of South Africa.1 Design and curatorial approaches Fired was exhibited within an evocative space in the Castle, with arched ceilings and columns and presented in two large elongated chambers (Fig.1). -
A Brief History of Wine in South Africa Stefan K
European Review - Fall 2014 (in press) A brief history of wine in South Africa Stefan K. Estreicher Texas Tech University, Lubbock, TX 79409-1051, USA Vitis vinifera was first planted in South Africa by the Dutchman Jan van Riebeeck in 1655. The first wine farms, in which the French Huguenots participated – were land grants given by another Dutchman, Simon Van der Stel. He also established (for himself) the Constantia estate. The Constantia wine later became one of the most celebrated wines in the world. The decline of the South African wine industry in the late 1800’s was caused by the combination of natural disasters (mildew, phylloxera) and the consequences of wars and political events in Europe. Despite the reorganization imposed by the KWV cooperative, recovery was slow because of the embargo against the Apartheid regime. Since the 1990s, a large number of new wineries – often, small family operations – have been created. South African wines are now available in many markets. Some of these wines can compete with the best in the world. Stefan K. Estreicher received his PhD in Physics from the University of Zürich. He is currently Paul Whitfield Horn Professor in the Physics Department at Texas Tech University. His biography can be found at http://jupiter.phys.ttu.edu/stefanke. One of his hobbies is the history of wine. He published ‘A Brief History of Wine in Spain’ (European Review 21 (2), 209-239, 2013) and ‘Wine, from Neolithic Times to the 21st Century’ (Algora, New York, 2006). The earliest evidence of wine on the African continent comes from Abydos in Southern Egypt. -
(Un) Restricted Access: the Castle of Good Hope, Cape Town
Town · . Cape . of · l• · .. • " • ••.:,. · .'~ .,. :"::'f: · ·.. · · ' University REACHING the (un)restricted access: The Castle of Good , Robert Gubb GBBROB004 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Town Cape of BREACHING the Walls (un)restricted access: The Castle of Good Hope, Cape Town Design Research Project APGSOS8S Submitted in partial fulfilment of the requirements for the degree • University Master of Architecture (Professional) By Robert Matthew Gubb October 2012 At most we gaze at in wonder, a kind of wonder which in iteself is a form of advancing horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins. W.G. Seabald, Austerlitz, p23, 2002 Town Cape of University Table of Contents INTRODUGIONINTRODUCTION ............................................................................................................................... 2. BRIEF HISTORY OF THE CASTLECASTlE OF GOOD HOPE ............................................................................... 3 FUTURE MEMORYMEMORY:: YESTERDAY, I REMEMBER TODAY AND TOMORROW ........................................ -
The Growth of Population in the Province of the Western Cape
Southern Africa Labour and Development Research Unit A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner and Francis Wilson WORKING PAPER SERIES Number 21 About the Authors and Acknowledgments Professor Francis Wilson and Dudley Horner are both SALDRU Honorary Research Fellows and were previously respectively director and deputy-director of the research unit. We acknowledge with thanks the Directorate for Social Research & Provincial Population in the Department of Social Development within the Provincial Government of the Western Cape, and particularly Mr Gavin Miller and Dr Ravayi Marindo, who commissioned this study as part of the project on the state of population in the Western Cape Province. We thank, too, Mrs Brenda Adams and Mrs Alison Siljeur for all their assistance with the production of this report. While we have endeavoured to make this historical overview as accurate as possible we would welcome any comments suggesting appropriate amendments or corrections. Recommended citation Horner, D. and Wilson, F. (2008) E A Tapestry of People: The Growth of Population in the Province of the Western Cape. A Southern Africa Labour and Development Research Unit Working Paper Number 21. Cape Town: SALDRU, University of Cape Town ISBN: 978-0-9814123-2-0 © Southern Africa Labour and Development Research Unit, UCT, 2008 Working Papers can be downloaded in Adobe Acrobat format from www.saldru.uct.ac.za. Printed copies of Working Papers are available for R15.00 each plus vat and postage charges. Contact: Francis Wilson - [email protected] Dudley Horner - [email protected] Orders may be directed to: The Administrative Officer, SALDRU, University of Cape Town, Private Bag, Rondebosch, 7701, Tel: (021) 650 5696, Fax: (021) 650 5697, Email: [email protected] A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner & Francis Wilson Long Before Van Riebeeck. -
Church Square Slavery Memorial
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/329866268 The mirror and the square —old ideological conflicts in motion: Church square slavery memorial Chapter · January 2017 CITATIONS READS 0 35 1 author: Gavin Younge University of Cape Town 4 PUBLICATIONS 0 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Short article for De Arte Journal View project Book on public art in South Africa View project All content following this page was uploaded by Gavin Younge on 06 January 2020. The user has requested enhancement of the downloaded file. The Mirror and the Square Old ideological conflicts in motion: Church Square Slavery Memorial Gavin Younge Citation: The Mirror and the Square--Old Ideological Conflicts in Motion: Church Square Slavery Memorial. In, K. Miller & B. Schmahmann. Public Art in South Africa: Bronze Warriors and Plastic Presidents (Bloomington: Indiana University Press, 2017), pp. 53--70. ISBN 978-0-253-02992-8. isitors to Cape Town often remark on the concern that the general public would have difficulty Vvineyards stretching up to beautiful Cape in accepting an abstract approach. Contestants for Dutch manor houses from the seventeenth century. the commission were drawn from all parts of South Low white-painted walls surround these buildings Africa, and judging by some of the unsuccessful and each ensemble seems to follow the same pattern proposals,3 a highly figurative approach had been – an H-shaped manor house featuring gables, a favoured by most. Such works were in the tradition jonkmanshuis (Afrikaans and Dutch for ‘young of Karl Broodhagen’s Bussa Emancipation Statue man’s house’), a former slave lodge, and a slave (1985) in Barbados which features a large man on a bell. -
Cmc Heritage Resources Sensitivity Study
IDENTIFICATION AND MAPPING OF ENVIRONMENTALLY SIGNIFICANT AREAS IN THE CAPE METROPOLITAN AREA (CMA) HERITAGE COMPONENT Prepared for Cape Metropolitan Council Project No: J90136a June 1999 Prepared by Tim Hart & Belinda Mutti Archaeology Contracts Office Department of Archaeology University of Cape Town Private Bag Rondebosch 7701 Phone (021) 650 2357 Fax (021) 650 2352 Email [email protected] CMC HERITAGE RESOURCES SENSITIVITY STUDY ACCOMPANYING STATEMENT This statement accompanies the set of maps and spreadsheets produced by the Archaeology Contracts Office for Gibb Africa and The Cape Metropolitan Council. It is designed to place the work in context so users of the final product will understand how the information was collected and the implications thereof. 1. Team members We are a team of professional archaeologists who have extensive local knowledge of heritage issues and sites. We have collected the information contained in the spreadsheets and maps. Thus the areas, sites and priorities that have been identified in the study reflect our background and values. Perceptions of what is an important heritage object or site range from places valued by members of a small community, to broadly recognised places of historical or community distinction. This study cannot cover the entire range of possibilities, however we have attempted to identify areas that are known and significant to a range of people who work regularly in the heritage field. This includes historic landscapes, buildings, graveyards (disused), shipwrecks, colonial and pre-colonial archaeological sites. 2. Parameters The new heritage legislation (the South African Heritage Resources Act of 1999) has been the guidline to which we have referred with respect to identification of areas and definition of sensitivity. -
Transactions Part 3
Transactions of the Lyceum Lodge of Research Volume 3 Transcriptions of papers presented during 1982 Published 1983 Johannesburg, South Africa i | Page W.Bro. George Kendall Master of Lyceum Lodge of Research 1983 ii | Page Foreword With the advent of micro-computers and the growing use of word-processors this issue may well be one of the last in its present form. It is quite obvious that these Transactions of Lyceum Lodge published in 1983 do not have left and right justification of its pages. It contains many spelling errors because the lectures are, for the most part, those actually used by the speaker when delivering the papers within the Lodge. In most cases they have typed the script themselves or had it typed by their secretary who may know nothing whatsoever about Freemasonry or the subject of the lecture. They are printed “warts and all” with only the more obvious mistakes sometimes altered and therefore come across with probably more of the lecturer’s true style than they would if edited. As such, they may prove in future years to become collectors’ items. Maybe there will be photocopy special editions printed for the edification of our successors long after we have departed to the Grand Lodge Above. For the record, only fifty copies of Volume I were printed and 100 of Volume 2. The first printing of this Volume 3 is again 100 but future editions will have to be increased especially in view of our rapidly increasing Correspondence Circle. So far, all copies have been made on members’ office copying machines - hence the rather varying quality. -
Virtus 26 Virtus Houses Divided? Noble Familial and Class Connections During 9 the Age of Revolution and Napoleon Mary K
virtus 26 virtus Houses divided? Noble familial and class connections during 9 the Age of Revolution and Napoleon Mary K. Robinson ‘Le marriage m’a toujours fait peur.’ Ongehuwde adellijke 27 virtus vrouwen in de zeventiende en achttiende eeuw Evelyn Ligtenberg Steekpenning of welkomstgeschenk? De strijd voor eerherstel van 55 26 2019 Gerrit Burchard en Adolf Hendrik van Rechteren Michel Hoenderboom The politics of presence. Place making among the Swedish iron 75 producers in the county of Västmanland ca. 1750-1850 26 | 2019 Marie Steinrud De Belgische orangistische adel, deel II. De rol van de adel in 93 het Belgisch orangisme (1830-1850) Els Witte 9 789087 048495 9789087048525.pcovr.Virtus2019.indd Alle pagina's 26-03-20 10:36 pp. 55-74 | Steekpenning of welkomstgeschenk? Michel Hoenderboom Steekpenning of welkomstgeschenk? De strijd voor eerherstel van Gerrit Burchard en Adolf Hendrik van Rechteren1 55 Rond de jaren 1720 werd Gerrit van Rechteren voor de Raad van State gedaagd. Hij werd ervan beschuldigd steekpenningen te hebben aangenomen in zijn hoedanig- heid van gouverneur van Doornik. Samen met zijn machtige broer Adolf Hendrik van Rechteren probeerde Gerrit de beschuldiging van zich af te schudden. Wat kan deze rechtszaak en de lange nasleep ons vertellen over de dunne scheidslijn tussen corrup- tie en giftcultuur in de vroegmoderne politiek? In de zeventiende en achttiende eeuw bepaalden informele regels het speelveld van de bestuurder. Het ontbreken, of in ieder geval het beperkte belang, van formele regels was kenmerkend voor -
Sir Walter Scott and Lady Anne Lindsay: New Light on Their Relationship Sarah Flatt University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2018 Sir Walter Scott And Lady Anne Lindsay: New Light On Their Relationship Sarah Flatt University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Flatt, S.(2018). Sir Walter Scott And Lady Anne Lindsay: New Light On Their Relationship. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/4851 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. SIR WALTER SCOTT AND LADY ANNE LINDSAY: NEW LIGHT ON THEIR RELATIONSHIP by Sarah Flatt Bachelor of Arts Columbus State University, 2015 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts and Sciences University of South Carolina 2018 Accepted by: Paula Feldman, Director of Thesis Anthony Jarrells, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Sarah Flatt, 2018 All Rights Reserved. ii ABSTRACT While Sir Walter Scott is best known for his Waverly novels and Minstrelsy of the Scottish Border, he also played an important role in helping lesser known writers publish their work. In particular, he was known for helping women writers. Scott’s relationship with Lady Anne Lindsay (later Barnard), however, is especially interesting. Lindsay is best known for her poem, “Auld Robin Gray.” There is far more to Sir Walter Scott’s relationship with Lady Anne Lindsay than first meets the eye.