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Schenectady Gets afazz Tim Coakley to Trace lazz and the Clarinet OrchestrA.,.SCCC Says Yes to f azz for APFJ Members Tim Coakley,tamedJazz lf you znere asked, "What the college and the com - D] of WAMC, will host a college in the has munity. These include: the special I azz listening night a f azz Orchestra in Residence?" opportunity for students for members of A Place for you migftt flnswery "Neut and faculty in the college at the First Unitarian Engl and Consera atory, B erklee to attend rehearsals and Society on February 9 at College of Music or Manhattan learn with some of the best 7:30pm.

School of Music?" You'd be profession al J azz musi - l.Drong. Because on ]anuary cians in the area; (if grant Tim will trace the develop- 10th, the Board of Trustees of money should be avail - ment of lazz clarinet from Schenectady County Commu- able) bringing in guest New Orleans pioneer nity College voted to make the artists and arrangers from ]ohnny Dodds to more Empire lazz Orchestra(ElO) a , Boston and Los contemporary examples "lazz Orchestra in Residence. " Angeles; cooperating with such as Pee Wee Russell and Eddie Daniels. Those other Jazz organizations in This action is significant for the area to commission who are lucky enough to both Jazz musicians and audi- special works for the attend will also hear ences in the area . The EIO will Orchestra. selections from the styles be able to use the college's of ]immy Noone, Barney facilities for rehearsal, pursue " Responses from Board Bigard, Benny Goodman (See grant monies under the not-for- members and the College Coakley p.2) profit status of the college and administration...have been INSIDE the college will also help with strongly positive," Meckley 200 Word s...... p.2 some incidental expenses for told us. ...Ilook forward to My So1o...... p.3 presenting concerts. developing a real quality artistic program at SCCC." I azz Calendar...... p.4-6

Dr. Bill Meckley,leader of the J azz Membership...... p. 7 Orchestra and Associate APFJ send its best wishes Reviews...... p.9 Professor of Music at the to Bill and applauds the Members At Large..p.10 college was very happy. He vision of the SCCC Board ticked off possible benefits for of Trustees. I 20 rds by Glyn Evans The Connoisseurship of Selection

A handful of weeks ago, I was in New York City, at Zirtno's, to eat fine Northern Italian food and hear BuckyPizzarelli (guitar), ]ohn Bunch (piano) and Jay Leonhart (bass). I was familiar with their work but had never heard them play together.

Piano/guitar combos are not that easy; ten piano fingers, six guitar strings and a double bass can produce chords that are at best impenetrable and at worst wrong. Knowing which notes not to play is as difficult as selecting those to play. These players displayed note- selection skills of lapidary grace.

What also caught my ear was the careful choice of tunes to play, the source material. Th"y were not unfamiliar, but unusual; in the top 900 series of the top L,000 (rather than the first 100 series) and unusual in their proportion within the program.

They included the jewels '' (Ellington), 'jitterbugWaltz' (Waller), 'Nobody's Fleart' (Rodgers and Hart) and'I Used to be Color Blind'.

A common selection thread is that most also have memorable lyrics, which were clearly known to the players. Even in the improvised solos one heard the words.

An evening of connoisseur's discrimination, both of material and performance. Thank you, gentlemen.

(Coakley, from page L) share. Call 37 4-6912 if yoa and Buddy De Franco as want to attend because To Special Order wellas a surprise cut. seating is limited. Any Book In Print Ca11 Members can bring friends Future programs will 346-2719 who'Il be charged $1.00, include Bill McCann THE OPEN DOOR but paid up members are (whose lazzprograms on 128 Jay St. admitted free. This is the WCDB have become a Downtown Schenectady first of our series of special legend) and Bill Meckley programs for members. Professor of Jazz at SCCC. Books Gifts Al Brooks will MC the first What other adventures in Greeting Cards program and we're hoping Jazzwe take will depend ildren's Music and Toys to get other members to on you! participate We'lI serve coffee and tea. APFI supporters are encour- aged to brine a dessert to o o modern historians that human being,...It is the many musical, religious personal expression of the and artistic traditions that person playing it....When a were essentially African musician really gets into it Music historians see the were merged into the and plays his inward traditions of African biblical traditions of thoughts, and he puts his American religious music European slave owners. expression on what ever as a major component of piece he's playing, he will Jazz. The synthesis of The association of religion naturally touch the life of African and European andJazz continues in New somebody who's musical traditions began York City (& occasionally listening." hundreds of years before in the Capital District) in a Jazz emerged as a different way. A recent In 1965 The Lutheran recognizable art form. article in the NY Times a Board of American few weeks ago brought Missions officially named Because possession of a attention to that continuity. him "pastor to the jazz drum by an enslaved community." He met and African was a capital The article was about the ministered to musicians in crime for more than two retirement of Pastor ]ohn the clubs. But he also centuries, rhythmic Garcia Gensel, the brought JazzYespers, a traditions were carried on Lutheran minister of St. service that comb ines I azz by clapping and Peter's in downtown and prayer as well as adaptation of other Manhattan. The 76-year- scores of Jazz memorials, instruments and objects. old Gensel for 30 years concerts and annual Harmonic and melodic had taken the church to gathering called "A11 Nite traditions were mostly lazz andJazz to the Soul." Near his pulpit was carried on by vocal Church. He counseled, the Steinway piano willed means. Some slave- married and eulogized to him by Billy Strayhorn. owners thought that by such greats as Duke Christianizing Africans Ellington, Miles Davis, Bill their ties to Africa would Evans, John Coltrane, be cut and make Sarah Vaughan, Buddy !--*-;#;rI--lso,,re iazz^ succeeding generations Rich and Thelonious I . ^"": I I rn a sffange I ownr I more willing to accept Monk. Call thelazz Hotlines! their slavery. (The ; I Africans brought to the At the time of his II I Athotu...... 404-241-9s98 I shores of North And retirement he expressed his I traltimore...... 301-945-2266 I South America were from feeling thatJazzwas I Chicago.,,.,312-427-3300 I many religious different particularly well-suited for ; Miami...... 305-382-3938 I traditions including speaking to God. r New Orleans,.504-455-6847 r various traditions of Ifa ! rwc...... 718-46s-7soo : Northeastern NY 37+6912 ! and Islam.) " jazz ! I think isprobably I PittsburEh ...... 4L2-343-g555 I the best music for worship I Srrr Fran"cisco.415-76g-481,8 I Of course this did not because it speaks to the I Wash., D.C.....202-698-7522 I work. And it is clear to existential situation of a L--rrr----J T The information below was sent Calendar Tuesday Openlam to us by the clubs listed below. justin's continued Mother Earth Cafe comer of Many clubs don't book far Westem and Quail. Health 25-26 Nick Brignola & Endan- enough in advance for us to print Food, no alcohol served. BYO. their listings. Itrs best to check by gered Species Music from 8-11pm telephone before going because 27 b Chuck D'Aloia Duo there may be last minute changes. The Van Dyck 237 Union Clubs frequently have a cover (or Metro L7 Maple Ave., Saratoga 374-2406 music charge) or a minimum Street, Schenectady. Springs. 584-9581 A two level (food Music at 9pm. sessions purchase or dtink). Fre- Jam club. Usually has Jazzupstairs quently both. Reservations are every Thursday night. Call for and "other" downstairs. No (especially additional listings. advisable for better- phone. Carl Landa and Jill Feb - 1"6 Special Benefit Scotia- known groups) as many of the for Hughes are the mainstays in the Museum. An clubs seat less than 100. Glenaille Children's house band with varied artists Elegant Dessert Party with lazz brought in. justin Mc Neill's 301 Lark St., Duo of Dr.lohn Angerosa and Doug Harris Albany. 436-7008 Musichas Haggerty's 155 Delaware ave., been pushed up to 10:30pm, but Delmar, NY 12054 439-2023 sti1l3 sets. Very small(seats 40- 8-12pm 50). Excellent food. Reserva- Fountain Restaurant 283 New tions a must. Co-ver andm-ini- Scotland Ave., Albany. 482-9898 and mum. JazzBrunch on Sundays Skip Parsons his Rivefboat L'Ecole Encore 44 Fuller Rd., azz Band 2nd weekend(Friday at 11am. Music begins at I Albany, 437-1234. Unusual in and month l"2noon. (b = brunch) Saturday)every that it has music during the details. 10pm-2am. Call for middle of the week. Check February them out on Tues, Wed,Thurs Cafe 20 Centre St., 4-5 Nick Brignola & Endan- Iron Horse from 6:30pm to 9:30pm gered Species Northampton, Mass. 413-584- February a music 6 b Jody Shayne Duo 0610. There's charge Every Thursday Sonny 11-12 Sambarama and most concerts are ticketed andPerley. (about $10) Call 1-800-THE- advance ticket sales. 13 b Lee Shaw Duo TICK for Nicole's Bistro 351 Broadway 170. 18-19Hal Miller w /Erica Seats about Albany 465-1111. Lindsay February (Blues) 20 b Chuck D'Aloia & 8 - John Hammond Crooked Lake House Rt 43 & 1-1- Avery Sharpe featuring Francesca Tanksley Qt. 66, Ave.l P ark 67 4-389 4, 7 -1.0pm. 25-26 Walter Donnaruma Qt. Ronnie Burrage February (Blues) 27b -Erica Lindsay Duo Duo 18 - )ohnny Copeland Every Friday Sonny and Perley March March 3 - Hermeto Pasqual 4-5 Brian Melvin Trio Proctors Theatre 432 State St., 6b - Brian Melvin Trio (callfor future bookings of Sch'dy, L2305 Call518- 346-3884 17-72 Tropical Beats Wallace Roney and Christian February 13b- Peggy Delaney Duo McBride 12 - Nancy Wilson and Michael 18-19 HalMiller w /Erica Lindsay Half Moon Cafe 154 Madison Feinstein 20b- Erica Lindsay & Francesca Ave., Albany 435-0329 L9 - Guy Lombardo's Royal Tanksiey Every Friday Cygnus, every Canadians RADIO IAZZ e tvt Ave. , g MaPle Troy Savings Bank Music Hall Stations that Ave.,Saratoga SPrings 583- 84 Fourth St., TroY 273-0038 PlaY Iazz Cutting edge CLUB FridaY Music from 6- February 5th,SPm Poncho WVCR 88.3FM 9Pm - 1am. Afro-Am Pop w/occasional Jazz/ 10pm; Sat from Sanchez and Mongo Santamaria Latin flavor. Cover $2 on SaturdaY March 3rd Miriam Makeba February 4 - TonyCostanzo & Friends w/ WMHT 89.LFM Jazztnasters Lincoln Center 70 Lincoln Ed Green and Paul Mastriani with Laurence Boylan L0Pm Center Plaza, I\Y 212-7 21-6500 4- Scot Smith Quartet Saturday Night. 5 - ]ohn Hilton Trio 11 Greg Speck Trio February WAMC 90.3FM Great mix. Tim - 12 - EdWooI Quartet w / Sal 6 - A Love SuPreme: Elvin Coakley (Fri. Night), JimWilke Maida, jeff Horton, Debbie jones, Wynton Marsalis, Marcus Jazz After Hours (Midnight to Kreisberg Roberts and Reginaid Veal early AM Fri and Sat),McPartland 18 - Steve Hudson Trio 10 -lazz on Film: Handful of andJazzset (8pm to 10Pm, Sun). of everY 19 - Captain Blood and the Keys, lazzpiano from Willie Livelazz show first Weds, Crew "the Lion" to Thelonius Monk. month. See their Program guide Trio PeB 25 - Mike Wicks w/ 24 - Lrncoln Center I azz Otches- WSPN 9L.1FM Gail Mattison's Delaney and Pat Deluca tra:RealJazz 26 - D Squared show, Wed. 12 to 3Pm Dave Casner, Mon. 3-6Prn ' March First Lutheran Church 181 4 - Tony Costanzo & Friends w/ Western Ave., 463-L622 Paul Mastriani and Ed Green WCDB 90.9FM The Place for Dance to Live Swing Music! 5 - john Hilton Trio daytime Jazz.Sat and Sun morn- Feb - 4 Doc Scanlon's RhYthm 11 - Ed Wool Quartet w/ Sal ings and 11am to 1Pm dailY. Maida, Horton, Debbie Boys Jeff Dave Kreisberg March - 4 Peter Davis w/ WRPI 9L.5FM Kevin Roberts 12 - Scot Smith Quartet Davies andMike Novakowski Thurs.pm, 7 to L0. Barbara Kaiser 18 - Gitto, CamPbell & Rouse 10am to noon on Tues. Co. azz Ttacks 7 - w/ Steve Candlen on drums Brown and Moran Brewing WEQX LO2.7FM J 19 - Steve Hudson Trio 417 River St., TroY. 273-BEER 9am Sundays 25 - John Mclean Trio Music on ThursdaY nights from 26 -Jazz Cartel 8-11pm Call for details. WHRL 1-03.LFM Fusion-jazz. David Sanborn Show on SundaY is Empire Center, At the Egg February an interesting mix. Call473-1845 for ticket hfu 3 - Scott Smith Duo February 13 MaYnard Ferguson 10 - Lee Shaw Duo WPYX 106.7FM JazzBrunch and his Big BoP Nouveau Band \7-TimCoakley Sunday. Duo March 6 Joe Magnarelli and the 24 -LindaBrown 81"0 AM Doc Perryman's New York Hard BoP Quintet WGY March show 12 midnight Sat. to 6am ShaYre & PeggY Sunday. Blues andlazz. Century House Rte 9, Cohoes 3 - ]ody Delaney 785-0834. February SonnY and L0 - Cole Broderick & TonY WMVI 1L50AM Robin Quinn Perley Every SaturdaY Marvelli Jazz Show from 3Pm - TPtn on 26 Teresa Broadwell March - Qt. 24 - Linda Brown Duo Sunday Afternoon. 3L - Lee Shaw Duo A Place forlazz Concerts bqgin WABY 1400AM Good earlY Sept L6 and continue on SePt 30 morning listening; Edwardsen Oct 14.28 and Nov 18. Block (6am to L0am) in Morning. out the dates! Barnes & Noble Book Store 20 Wolfe Rd., Colonie Borders TAZZ February 20,2pm- 3:30pm Calls All Calendar Perley lazz Sonny and Musicians Mill Rd. Acres Borders Books & Music If you're alazz musician (left on MillRd., off Rte 7 59 Wolf Rd Colonie interested in performing at past Peter Harris) Call783' February 25, 8pm - 10pm Borders, Books and Music 7244 for information) cover Sonny and Perley send a letter of interest and a e- rrrrrrrrr\ demo tape to Chris Wooster, Quintessence 11 New Scot- TT Community Relations Coor- land Ave., Albany 434'8186 ll dinator at 59 Wolf Rd., Warm the Spirit I Colonie, 12205. They book I! I on Friday and Saturday College of St. Rose Nights from 8-10pm.It's a I T Madison Ave., Albany r Support I friendly coffee house type Call 454-5195 for further T atmosphere. If you have a information I Live'y^r, I published tape or CD you'd March 25 - College of St. I I like to offer for sale also call Rose High SchoolJazz I I Chris at 482-5800 Festival, Marvin Stamm, tl guest solo. \-rrrrrr ---J

MTCHAEL FEINSTEIN & NANCY WLSON February tZ, 1994 BIG BAND '94 with GUY LOMBARDO'S ROYAL CANADIANS February 19, 1994 OrderyqurticketslodoystProctor'sBoxOffice(518)346-6204 qnd oll ffi@R@ bcollons' Become a Member? Volunteer?

Now in its sixth yea\ A Place for lazz Did we hear you say you want is a membership organtzation that to volunteer? We've got some presents a Fall concert series of the wonderful activities that will best in runs lazz. APFI also work- put you in touch with Jazz shops and clinics in the schools, musicians and Jazz audiences; publishes a bi-monthly newsletter all for the love of lazz. lttst and works hard to build new circle one of the options belcw audiences for this wonderful synthe- along with your membership. sis of African and European musical r/ Reviewing Records traditions. When you join APFI you'll r/ Contacting local clubs and musi- help support all this. In addition cians about thefu liveJazz you'll get { Ushering at APFJ Concerts { Uetping with newsletter mailing r/ Putting together concert programs * a one year's subscription to { Developing member activities APFI Newsletter and Jazz { tatking on the phone to our mem- Newsletter bers and subscribers . \ x access to special member activities like trips, listening nights and meet the artist programs

* the right to reserve tickets for any APF] concert or event

* Jazz related discounts on magazines, posters and concerts Make checks toJazz/Fuss and mail to 1221, W endell Ave., Schenectady, NY *advance notice of the Fall 12308 Name concert series and the oppor- tunity to buy a subscription Address series before schedule is released publicly

* a chance to volunteer and Phone (_) participate in making a A P1ace Yes I want to volunteer. Call me to for Jazz in Northeastern NY discuss your options aa aaaaaaaaaaaaaaaaaaaaaaoaaaaaaoaaaaaaaaaaaaaaaaaaaaaaaa!aa a a a a a a a a a a a a a a a a a a a a a a Give us Your Opinion a a a a a a a a a a a a We had a great season. The music was great, the audiences were a a a a supportive and we paid the bills. But we've received a lot of comments a a a a about doing more. Since we are a volunteer organizalion that means a a a a you want 2)finding people who are willing to help get a 1)finding out what a e a it done (hopefully the same people who make suggestions willbe a a a a interested in getting it done!) a a a a Circle and mark below. Mail to L221. Wendell a a IAZZIFUSS a a Ave.,Schenectady, NY L2308 BY FEBRUARY 15, 1994 a a a a a a a a A Place forlazz should a a So here goes: Do you think a a a a a a recording of all theJazz a a A. Start alazz Hotline? (it would be an on-phone a a a a activities in the area. The presentlazz Calendar only comes out every two a a a a months and misses the week-to-week changes.) a a a a Yes No I'll volunteer to help a a a a a a a o B. Have lazz listening nights? (with guest presenters like Tim Coakley or a a a a have each person bring a favorite recording and play and talk about one a a a a performance on that recording) a a a a Yes No I'll volunteer to help a a a a a a a a C. Re-start workshops for musicians? (given by our guest musicians the a a a a night before the concert. Or, workshops for musicians on the business of a a a a music: how to promote, publish your own recordings, get health a a a a coverage, etc.) a a a a to help a a Yes No I'll volunteer o a a a a a adults and children? a a D. Do more educational programs for a a a a Yes No I'll volunteer to help a a a a Name a a a a a a ! Phone number, evenin a a a a.. a a a a a a a a a aaaa aa.a aaa a a aaa aa a a a a aaa a a a a a o a a a a a a a a a aa a aaa a aa T Reviews book alone) it gives very Sam@ Great Books on precise notation of clave, Baiao, Rasta Pe are a real eye pulse and an amazingvai- opener. 'Latin'Music ety of patterns for congas, bongos, cow bells, piano and In addition to the various For the last 50 years there other instruments. And it is styles, the author describes has been a very broad inter- filled with exercises that will the varied harmony, est in what is generally help musicians master the rhythms, phrasing and called'Latin Rhythms.' In patterns required to play the stylistic considerations. He azz these connections go J music accurately. also gives hints to compos- back to the collaboration of ers, musicians and arrang- Dizzy Gillespie and Mario If all this wasn't enough, Ms. ers. Accompanying the text Bauza that fused the two Mauleon has also orginized are hundreds of written and elements into what has come a2A page discography that recorded examples. to be known as 'Latin Jazz.' gives the listener the oppor- tunity to hear the amazing Adolfo, a song writer whose Rebeca Mauleon has written variety of music that has music has been performed a wonderful book called grown out of the Afro- by singers as diverse as Salsa Guidebook for Piano Cuban traditions and been Milton Nascimento and & Ensemble . Sher Music mixed with many European Stevie Wonder has taught Co.. P.O. Box 445 Petaluma. traditions as well. The music all over the world.In Ca94953 which rrrovides a I author also provides a 4 this book he illustrates how detailed history of the page bibliography and a different the rhythmic pat- growth of this music as well wonderful glossary of terms. terns of Brazll are from the as many practical guides to Afro-Cuban styles of the learning the varied rhythms This is a very unusual books Carribean. Even though that make this music so that is both comprehensive both bodies of music have interesting. It is a wonderful and accessible to those African roots the results are book to read if you are interested in music at almost delightfully distinct. interested in "Salsa" (a com- every level. mercial name given to a very He also includes an exten- broad variety of music). Antonio Adolfo has fash- sive discography, ioned an equally interesting bibliogaphy and a glossary But it is also a terrific book work on the rhythmic, as well as numerous photos for both professional and harmonic and melodic of Brazilian artists. amateur musicians who traditions of Brazil. His want to be able to accurately Brazilian Music Workshop Though both of these books play and sing this music (Book and CD) Advance can be understood by the with accuracy to its Afro- Music. Veronika Gruber general reader, Cuban traditions. Mr. Adolfo's GmbH. Maierackerstr. 18. D- book is more oriented to 7Z!8, Rottenbure N. Ger- aspiring and professional In addition to the wonderful many is full of surprises. His musicians. pictures of all the great Latin detailed explanations of artists (worth the price of the

- Mgmbers...... At Large Side Bars lazz Reigns Supreme We saw Nick Brignola at At the IAIE Conference in Boston the IAJE conference. He was very excited about his forth- It was a cold and frigid week-end. My car wouldn't start. coming CD with his new Miki's train was held up for two hours in the deep freeze of group "Endangered Species" central and Boston looked like the bottom of Nick was voted number one a display freezer in an old grocery store. But we would not Baritone Sax player by be deterred. Downbeat maeazine.U

'This was the week of the International Association of lazz Paul Evoskevich, was also at Educators Conference. For three years we've made this part IAJE. The head of Jazz stud- of our annual vacation plans. We're definitely notJazz ies at the College of St. Rose Educators and despite our varied interests this is the only was recently elected Presi- large organizational meeting we attend. dent of of the New YOrk Chapter of IAIE. But for those who love Jazz...welL Let me illustrate just by telling you what I did on Friday. I attended a clinic on Many thanks to |oe Palma of justin's Lar-k St. teaching lazzHislory with JazzHistorian Mark Gridley, on inAL---- heard a great faculty grouP from Florida International bany. He has been most University led by Mike and Nicky Orta, was enraPtured by supportive of APFJ. It's Rebeca Mauleon as she led an overflow audience through rumored he's soon to open the basics of Afro-Cuban rhythms, attended a performance another club / restaurant. by Lynn Arriale, the winner of the Great American ]azz Piano Competition, heard two outstanding 17 yeat oldlazz Robert Watts ocassional Muscians: violinist Anand Bennett and trombonist/cong- column, Roving with Robert ero Richard Bounty, attended aJazz "Legends" concert will appear in the next issue with an interview with a featuring ]ames Williams, ]immy Heath, Clark Tetry, Rufus Reid and Ed Thigpen, another concert with a young world famous Jazz musician. "legends" quartet consisting of Geoff Keezet, Steve Wilson, David Ephros and Marvin "Smitty" Smith. We closed by Mark McKay recently of dancing till 1:30am to a terrific Big Band led by Jimmy Coe Critical Theoryhas been which included Stanley Turrentine and Bill Watrous. studying with drummer Dave Calarco. Mark is one the many musicians in the In addition we met many new People, discovered some of terrific new books, heard some great young musicians area who has a "straight" job (including Ian McDonald playing the hell out of Bud (as an English teacher) but Powell) had a delightful conversation with Rufus Reid and who gives much of his spare his wife Doris, giggled with a five year-old who agreed that time to playing and studying Ignacio Berroa was a spectacular drummer, stayed in a the music he loves. Thanks glorious room with a magnificent view of the Boston Sky- for the letter Mark. line AND never out of the hotel for three days!

Our spirits were definitely warmed. a a a a a a a a a a a o a a a a a a a a a . a ...... a a a a a a a a a a a a a aa: :aa 'ia : a aa a Ir, Women's Hands: i i : i fhe Beat of the Drum i : March 1g-15,1gg4 At The Performirg Arts Center j i SUNY Campus a : aa :: a A weekend extravaganza includirg performances, lecture : ! demonstrationsandworkshops bywomendrummersfrom i ! various ethnic traditions including: African, Asiary Latino, i ! Caribbean, Native American, Korean, and contemporary : !ar.-r and ancient western. There will also be a Saturday nite ! - ! .orr."rt of contemporary women drummers, Nydia Mata : : Liberty & Ellen Uryevick combinirg drum and harp and : 3 Edwina Lee Tyler on the African D']embe. : : """f1.'1fl1}:TiilJr#ffi:;:T:["J,':gistration ia^a i I The Women's Buildi.g - 79-8/-. Central Ave., Albany, NY 12205 : ; s18- 46s-Lss7 (daytime) : !or: ! Uiki Conn,1024 Glenwood Blvd., Schenectady, NY 1-2308 : 518-374-6912 ' .:. ! ,n Women's Hands: The Beat of the D:um is a program of the *ffili'#*11'fl3#":31'#ll:11"'"*,il#" : i : a a: tta a a a a a a a a a a a a a a a a a a a. a a a a a a a a a a a a a a a a a a a a a a a a a a o a a a a a a a o a o o a' Traveling? APFJ and this newsletter are part Need somelazz of the Adult Programs of the First in a strange Town? Unitarian Society of Schenectady, Iustin's Call with grants from Schenectady the lazzHotlines! County Improvement Program and membership contributions. Atlanta...... 404-241-3598 Programs include concerts, public Baltimore...... 301-9 45 -2266 workshops, school-based clinics Fine Food Chicagq...... 312-427 -3300 and general support of l.azz and Miami...... 305-382-3938 its musicians. We are affiliated Fine New Orlean s..50 4- 455 -6847 with the National JazzService Art NYC...... 718-465-7500 Organization and the Interna- Pittsburgh...... 412-343-9555 tional Association of lazz Educa- Fine San Francisc o.415-7 69 -4818 Wash., .... tors. We welcome announce- lazz l-.tC "? fr2.698-7 52.2 mentg and comrnents. Deadlines are the L0th of every odd month. Editor: B. Conn 30L Lark St., Albany APlace forJazz 436-7008 Call 5L8-374-5912 tor 1221Wendell Ave., more information Schenectady, NY 12308 about Hotlines and A Place forlazz Designer: Miki Conn

Inside First Unitarian Society The C 1221 Wendell Avenue lazz Schenectady,@ New York, 12308