Studio Guenzani Via Eustachi 10 20129 Milano Tel
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Screening Guides to the Sixth Season
art:21 screening guides to the sixth season © Art21 2012. All Rights Reserved. www.pbs.org/art21 | www.art21.org season six GETTING STARTED ABOUT THIS SCREENING GUIDE unique opportunity to experience first-hand the complex artistic process—from inception to finished This screening guide is designed to help you plan product—behind some of today’s most thought- an event using Season Six of Art in the Twenty-First provoking art. These artists represent the breadth Century. This guide includes an episode synopsis, of artistic practices across the country and the artist biographies, discussion questions, group world and reveal the depth of intergenerational activities, and links to additional resources online. and multicultural talent. Educators’ Guide The 32-page color manual ABOUT ART21 SCREENING EVENTS includes information on the ABOUT ART21, INC. artists, before-viewing and Public screenings of the Art in the Twenty-First after-viewing questions, and Century series illuminate the creative process of Art21 is a non-profit contemporary art organization curriculum connections. today’s visual artists by stimulating critical reflection serving students, teachers, and the general public. FREE | www.art21.org/teach as well as conversation in order to deepen Art21’s mission is to increase knowledge of contem- audience’s appreciation and understanding of porary art, ignite discussion, and empower viewers contemporary art and ideas. Organizations and to articulate their own ideas and interpretations individuals are welcome to host their own Art21 about contemporary art. Art21 seeks to achieve events year-round. Art21 invites museums, high this goal by using diverse media to present an schools, colleges, universities, community-based independent, behind-the scenes perspective on organizations, libraries, art spaces and individuals contemporary art and artists at work and in their to get involved and create unique screening own words. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Drama Queer Exhibition Catalogue 2016 by Jonathan D
EXHIBITION CATALOGUE CURATED BY Jonathan D. Katz and Conor Moynihan I 21-30 JUNE 2016 EXHIBITION CATALOGUE Queer Arts Festival 2016 CURATED BY Jonathan D. Katz and Conor Moynihan ARTISTIC DIRECTOR SD Holman iii ESSAY: Jonathan D. Katz and Conor Moynihan Publication Notes Drama Queer Exhibition Catalogue 2016 By Jonathan D. Katz and Conor Moynihan, with an introduction by SD Holman Drama Queer, Queer Arts Festival, Vancouver, BC Curated by Jonathan D. Katz and Conor Moynihan June 21-30, 2016 Copyright © 2017 by Pride in Art Society EXHIBITION CATALOGUE All rights reserved. This book and any versions thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. First printing, 2017 ISBN 978-0-9937185-2-6 Library and Archives Canada Cataloguing in Publication Table of Contents Queer Arts Festival (2016 : Vancouver, BC) Drama Queer : exhibition catalogue / curated by Jonathan D. Katz and Conor Moynihan ; artistic director, SD Holman. Catalogue of an exhibition held at the Queer Arts Festival, Vancouver, BC, 2016. Issued in print and electronic formats. Introduction: SD Holman, Artistic Director ...................................................................................1 ISBN 978-0-9937185-2-6 (softcover).--ISBN 978-0-9937185-1-9 (PDF) 1. Homosexuality in art--Exhibitions. 2. Homosexuality and art--Exhibitions. 3. Emotions in art--Exhibitions. 4. Sex customs in art--Exhibitions. 5. Sex symbolism--Exhibitions. 6. Lesbianism in art--Exhibitions. 7. Gender identity in art--Exhibitions. 8. Transgender people in art--Exhibitions. Drama Queer: Conor Moynihan and Jonathan D. Katz, Curators ................................................6 9. -
SPELGBTQ Resource Guide
SPELGBTQ Resource Guide Spring 2019 ARTISTS Braden Summers // Portraits, Culture // slrlounge.com/love-equal-braden-summers Braden Summers is a photographer who aims to capture dignified representations of LGBT people all over the world. Citing media misrepresentation of the LGBT community as a catalyst for his recent work, Summers’ “All Love is Equal” showcases love instead of stereotype. Cassils // Self-Portraits, Performance // cassils.net/about-2/ Cassils is an American artist who draws on “conceptualism, feminism, body art, and gay male aesthetics”, in order to “construct a visual critique around ideologies and histories.” Cassils uses live performance, film, sound, sculpture, and photography as a way to use the human body as a vehicle for social sculpture. Catherine Opie // Portraits, Self-Portraits, Landscape // art21.org/artist/catherine-opie/ Opie is an American photographer who uses portraiture and landscape as a way to investigate “the ways in which photographs both document and give voice to social phenomena in America today.” Chad States // Portraits, Multimedia // chadstates.com/ Chad States is an American photographer that explores masculinity by working with subjects he contacts through online platforms such as Craigslist. State’s interdisciplinary work examines the complex systems that produce myriad complex answers to the question, “Are you masculine?” Chloe Meynier // Portraits // chloemeynier.com/ After completing a PhD in Cognitive Psychology, Chloe Meynier began their photography practice as their “way to actively contribute to society.” In their work they use self-portraiture as a methodology to “explore different societal issues like violence against women, women's roles, and gender identity issues.” Claude Cahun // Self-Portraits // moma.org/learn/moma_learning/claude-cahun Born on the Isle of Jersey, artist and writer Claude Cahun created provocative self-portraits that explore the complex relationship between photography, identity, and representation. -
Catherine Opie
CATHERINE OPIE: PORTRAITS AND LANDSCAPES OPENS MAY 16 NEW WORK BY THE SEMINAL AMERICAN PHOTOGRAPHER INCLUDES PORTRAITS OF MATTHEW BARNEY, KARA WALKER, JOHN BALDESSARI, JONATHAN FRANZEN, DIANA NYAD, AND MIRANDA JULY Columbus, OH—January 22, 2015—Opening in May, the Wexner Center for the Arts will present Catherine Opie: Portraits and Landscapes, an exhibition of approximately 50 recent works by the influential American photographer. Featuring formal portraits of Opie’s family and friends and nearly abstract views of landscape, the series draws upon the traditions of classical painting and the artist’s longstanding interest in American nature photography. Among the portraits’ subjects—“friends and people that I admire,” according to Opie—are visual artists Kara Walker, Matthew Barney, John Baldessari, Glenn Ligon, performers Elizabeth Streb, Ron Athey, Miranda July, Olympic athlete Diana Nyad, and writers Hamza Walker, Hilton Als, and Jonathan Franzen. Opie will also adapt one of the landscapes featured in the show so that it will fully cover the Catherine Opie, Mary, 2012 30-foot-long wall adjacent to the Wexner Center’s café. Pigment print 33 x 25 in. Organized by Wexner Center Curator at Large Bill Horrigan, © Catherine Opie, Image Courtesy of the exhibition unites various elements of Opie’s practice, Regen Projects, Los Angeles highlighting the particularities of portraiture along with the ethereal space of abstracted landscapes. The portraits, which employ classical compositions, theatrical lighting, and saturated color to render the faces and expressions of the subjects in intimate detail, hint at a tension between interior realities and external presentations. In contrast to the personal quality of the portraits, the series’ abstracted landscape photographs articulate space as a haze of blurred light and color. -
Art AIDS America Co-Curator Talks Activism, Exhibition
VOL 32, NO. 11 NOV. 30, 2016 www.WindyCityMediaGroup.com THE ART OF ACTIVISM Roger Brown, Peach Light, 1983. Copyright The School of the Art Institute of Chicago and the Brown family Art AIDS America co-curator talks activism, exhibition BY GREtcHEN RACHEL HAMMOND The Alphawood Gallery and the city of Chicago will be the exhibit’s final home—a host to work that, for the most part, On World AIDS Day Dec. 1, The Alphawood Gallery in Chicago’s was never before seen until co-curators Chicagoan gay-rights Lincoln Park neighborhood will officially open the extraor- activist/Leslie-Lohman Museum of Gay and Lesbian Art Presi- dinary and historic new exhibit for which the building was dent Jonathan David Katz (who is also director of the visual CITIZEN JANE conceived and designed. studies doctoral program at State University of New York- Buffalo), alongside Tacoma Art Museum Chief Curator Rock Jane Lynch on Glee, new holiday CD. Since its Oct. 3, 2015 premiere at the Tacoma Art Musuem (TAM), Art AIDS America has been touring the country with Hushka, began years of painstaking work. Photo by Jake Bailey pieces depicting the history of AIDS in the United States as Katz spoke with Windy City Times about that work and the 34 seen through the uncompromising eyes and limitless creativ- life which gave rise to it. ity of the visual artist. Turn to page 23 UBER RELATIONSHIP HOLIDAY GIFT GUIDE FIDEL CASTRO Couple unites, thanks to ridesharing. Controversial world leader Photo of Tanya Serrano-Bargas and Marisela Bargas dies; LGBTs react. -
Catherine Opie Born
Catherine Opie Born: Sandusky, Ohio, USA, 1961 Lives and works in Los Angeles, USA Education 2001–Present Professor of Fine Art University of California, Los Angeles, USA 2000–2001 Professor of Fine Art, Yale University, New Haven, Connecticut, USA 1988 MFA CalArts, California, USA 1985 BFA San Francisco Art Institute, San Francisco, USA Solo Exhibitions (selected) 2017 700 Nimes Road, NSU Art Museum, Fort Lauderdale, Florida, USA 2016-2017 700 Nimes Road, George Eastman House, Rochester, New York, USA 2016 Portraits and Landscapes, Lehmann Maupin, New York, USA 700 Nimes Road, MOCA PDC, Los Angeles, California, USA Catherine Opie: Portraits, Hammer Museum, Los Angeles, California, USA 700 Nimes Road, University of Michigan Museum of Art, Ann Arbor, Michigan, USA Catherine Opie: O, LACMA, Los Angeles, California, USA 2015 Catherine Opie: Portraits and Landscapes, Wexner Center for the Arts, Columbus, Ohio, USA 2014 The Gang: Photographs by Catherine Opie, Walker Art Gallery, Liverpool, UK Only Miss the Sun when it Starts to Snow, Peder Lund, Oslo, Norway 2013 Catherine Opie, Regen Projects, Los Angeles, USA Catherine Opie: In & Around L.A., presented by the Julius Shulman Institute of Woodbury University, Woodbury University Hollywood Gallery, Los Angeles, USA 2012-2013 Twelve Miles to the Horizon, Long Beach Museum of Art, Los Angeles, California, USA Catherine Opie: Broadway Billboard, Socrates Sculpture Park, New York, USA 2012 High School Football, Mitchell-Innes & Nash, New York, USA Catherine Opie photographs Cliff May, AD&A Museum, -
Catherine Opie's Domestic Series
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Catherine Opie's Domestic Series Sara Harney Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/471 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Sara Greene Harney 2013 All Rights Reserved CATHERINE OPIE’S DOMESTIC SERIES A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. by Sara Greene Harney, B.A., College of William and Mary, 2009 M.A., Virginia Commonwealth University, 2013 Director: Dr. Michael Schreffler, Associate Professor & Department Chair, Art History Virginia Commonwealth University Richmond, Virginia May, 2013 ii Acknowledgement The author wishes to thank several people. I would like to thank my thesis adviser, Dr. Michael Schreffler, for advising me throughout this process, and my thesis committee members, Dr. Kathleen Chapman and Dr. Eric Garberson, for being a part of this project and allowing me to see it through to the end. Although he may not remember this, Dr. Garberson once told me that graduate school would be the hardest thing that I will ever do. While at first I was skeptical, I think I now have to agree that this is the hardest thing that I have done, aside from completing a marathon. -
CV-2021V4-New Path
DAVID J. GETSY [email protected] // http://davidgetsy.com // pronouns: he/him Department of Art; University of Virginia; Fayerweather Hall 205; P.O. Box 400130; Charlottesville, VA 22904-4130 EDUCATION Ph.D., 2002, Department of Art History, Northwestern University M.A., 1996, Department of Art History, Northwestern University B.A. with Highest Honors, 1995, Oberlin College ACADEMIC AND PROFESSIONAL APPOINTMENTS University of Virginia 2021-present Eleanor Shea Professor of Art History, Department of Art, College and Graduate School of Arts and Sciences School of the Art Institute of Chicago 2011-2021 Goldabelle McComb Finn Distinguished Professor of Art History 2018-2019 Interim Director, Low-Residency MFA in Studio Program 2015-2016 Interim Dean of Graduate Studies 2013-2015 Chair of the Department of Art History, Theory, and Criticism 2008 named to Goldabelle McComb Finn Chair in Art History 2008-2011 Associate Professor, Department of Art History, Theory, and Criticism 2005-2008 Assistant Professor, Department of Art History, Theory, and Criticism Dartmouth College 2002-2004 Mellon Postdoctoral Fellow in the Humanities, Department of Art History Visiting professorships and appointments Freie Universität Berlin, John F. Kennedy Institute for North American Studies 2020-2021 Terra Foundation Visiting Professor of American Art University of York, Department of History of Art 2017 Honorary Visiting Professor of History of Art 2010 Honorary Visiting Professor of History of Art Ox-Bow School of Art 2014 Critic-in-Residence FELLOWSHIPS, GRANTS, -
2006 Annual Conference Program Sessions
24 CAA Conference Information 2006 ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large audience session space and a section devoted to the video lounge. UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312. WEDNESDAY, FEBRUARY 22 ------------------- 7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE 9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees. 12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!. 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, Brandeis University; John G. Walker, Boston University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, Massachusetts College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image. -
Media Contact
FOR IMMEDIATE RELEASE Friday, January 18, 2013 THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), ANNOUNCES 2012 ACQUISITIONS 117 significant objects added to museum’s renowned permanent collection through generous gifts and new acquisitions Two permanent collection exhibitions MOCA’s Permanent Collection: A Selection of Recent Acquisitions and A Point of View: Selected Gifts from the Lawrence A. Rickels Collection opening at MOCA Grand Avenue Los Angeles - The Museum of Contemporary Art announced today the acquisition of 117 important objects, adding to its renowned collection of more than 6,700 works. 2012 saw an extremely generous level of giving among its donors and artists, and the efforts of the museum’s Acquisition & Collection, Photography, and Drawings committees, as well as those of many philanthropic individuals and institutions have enabled MOCA to cultivate one of the premier collections of contemporary art in the world. ‚2012 was an extraordinary year for gifts and new acquisitions to the MOCA collection. Several major works acquired have been presented in recent MOCA exhibitions, including the original storyboard for Kenneth Anger’s seminal film Puce Moment, one of the great body prints by David Hammons, a large-scale gunpowder drawing by Cai Guo-Qiang, an installation by the late Mike Kelley donated as a gift from the artist, and the first work by Mark Bradford to enter the MOCA collection,‛ said MOCA Director Jeffrey Deitch. Among the 2012 acquisition highlights are; MOCA Announces 2012 Acquisitions Page 2 of 5 MAJOR GIFTS Continuing her generous tradition of giving, one of MOCA’s most engaged patrons and long-serving trustee Dallas Van Breda made a promised gift of Ghost and Stooges (2011), a new painting by Los Angeles artist Mark Bradford, recently presented at MOCA in The Painting Factory, and the first work by the artist to enter the museum’s permanent collection. -
Queer Friendship and Erotic Bonds a Dissertation Submitted in Partial Sa
UNIVERSITY OF CALIFORNIA RIVERSIDE Anarchic Intimacies: Queer Friendship and Erotic Bonds A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Laurence Hilary Dumortier March 2017 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. George E. Haggerty Copyright by Laurence Hilary Dumortier 2017 The Dissertation of Laurence Hilary Dumortier is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to acknowledge the tremendous support and guidance of my dissertation committee, Jennifer Doyle, Steven Gould Axelrod and George E. Haggerty. Their advice, suggestions and encouragement have been invaluable. I also want to recognize how inspiring they have been to me as examples of brilliant scholarship, dedicated teaching, and personal integrity. I’m also grateful to Stephen Koch who granted me several lengthy personal interviews about his recollections of Peter Hujar and David Wojnarowicz, and who allowed me to study previously unpublished photographs and contact sheets from the Peter Hujar Archive. iv ABSTRACT OF THE DISSERTATION Anarchic Intimacies: Queer Friendship and Erotic Bonds by Laurence Hilary Dumortier Doctor of Philosophy, Graduate Program in English University of California, Riverside, March 2017 Dr. Jennifer Doyle, Chairperson What makes a friendship “queer”? The queerness of the friendships I will explore in this project is, in part related to, but not co-extensive with, the sexual orientation of its participants. In all of the pairings I examine, at least one, if not both, of the friends is non- heterosexual. However, what makes the “queerness” of each of these friendships is not only the orientation of its participants, but the relationship’s exceeding of the conventional boundaries and definitions of friendships.