Catherine Opie
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We Went to No Man's Land: Women Artists from the Rubell Family Collection
We Went to No Man’s Land: Women Artists from The Rubell Family Collection 12/22/15, 11:06 AM About Features AFC Editions Donate Sound of Art Search Art F City We Went to No Man’s Land: Women Artists from The Rubell Family Collection by Paddy Johnson and Michael Anthony Farley on December 21, 2015 We Went To... Like 6 Tweet Mai-Thu Perret with Ligia Dias, “Apocalypse Ballet (Pink Ring) and “Apocalypse Ballet (3 White Rings,” steel, wire, papier-mâché, emulsion paint, varnish, gouache, wig, flourescent tubes, viscose dress and leather belt, 2006. No Man’s Land: Women Artists from The Rubell Family Collection 95 NW 29 ST, Miami, FL 33127, U.S.A. through May 28, 2016 Participating artists: Michele Abeles, Nina Chanel Abney, Njideka Akunyili Crosby, Kathryn Andrews, Janine Antoni, Tauba Auerbach, Alisa Baremboym, Katherine Bernhardt, Amy Bessone, Kerstin Bratsch, Cecily Brown, Iona Rozeal Brown, Miriam Cahn, Patty Chang, Natalie Czech, Mira Dancy, DAS INSTITUT, Karin Davie, Cara Despain, Charlotte Develter, Rineke Dijkstra, Thea Djordjadze, Nathalie Djurberg, Lucy Dodd, Moira Dryer, Marlene Dumas, Ida Ekblad, Loretta Fahrenholz, Naomi Fisher, Dara Friedman, Pia Fries, Katharina Fritsch, Isa Genzken, Sonia Gomes, Hannah Greely, Renée Green, Aneta Grzeszykowska, Jennifer Guidi, Rachel Harrison, Candida Höfer, Jenny Holzer, Cristina Iglesias, Hayv Kahraman, Deborah Kass, Natasja Kensmil, Anya Kielar, Karen Kilimnik, Jutta Koether, Klara Kristalova, Barbara Kruger, Yayoi Kusama, Sigalit Landau, Louise Lawler, Margaret Lee, Annette Lemieux, Sherrie Levine, Li Shurui, Sarah Lucas, Helen Marten, Marlene McCarty, Suzanne McClelland, Josephine Meckseper, Marilyn Minter, Dianna Molzan, Kristen Morgin, Wangechi Mutu, Maria Nepomuceno, Ruby Neri, Cady Noland, Katja Novitskoval Catherine Opie, Silke Otto-Knapp, Laura Owens, Celia Paul, Mai-Thu Perret, Solange Pessoa, Elizabeth Peyton, R.H. -
BRBL 2016-2017 Annual Report.Pdf
BEINECKE ILLUMINATED No. 3, 2016–17 Annual Report Cover: Yale undergraduate ensemble Low Strung welcomed guests to a reception celebrating the Beinecke’s reopening. contributorS The Beinecke Rare Book and Manuscript Library acknowledges the following for their assistance in creating and compiling the content in this annual report. Articles written by, or adapted from, Phoenix Alexander, Matthew Beacom, Mike Cummings, Michael Morand, and Eve Neiger, with editorial guidance from Lesley Baier Statistics compiled by Matthew Beacom, Moira Fitzgerald, Sandra Stein, and the staff of Technical Services, Access Services, and Administration Photographs by the Beinecke Digital Studio, Tyler Flynn Dorholt, Carl Kaufman, Mariah Kreutter, Mara Lavitt, Lotta Studios, Michael Marsland, Michael Morand, and Alex Zhang Design by Rebecca Martz, Office of the University Printer Copyright ©2018 by Yale University facebook.com/beinecke @beineckelibrary twitter.com/BeineckeLibrary beinecke.library.yale.edu SubScribe to library newS messages.yale.edu/subscribe 3 BEINECKE ILLUMINATED No. 3, 2016–17 Annual Report 4 From the Director 5 Beinecke Reopens Prepared for the Future Recent Acquisitions Highlighted Depth and Breadth of Beinecke Collections Destined to Be Known: African American Arts and Letters Celebrated on 75th Anniversary of James Weldon Johnson Collection Gather Out of Star-Dust Showcased Harlem Renaissance Creators Happiness Exhibited Gardens in the Archives, with Bird-Watching Nearby 10 344 Winchester Avenue and Technical Services Two Years into Technical -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Screening Guides to the Sixth Season
art:21 screening guides to the sixth season © Art21 2012. All Rights Reserved. www.pbs.org/art21 | www.art21.org season six GETTING STARTED ABOUT THIS SCREENING GUIDE unique opportunity to experience first-hand the complex artistic process—from inception to finished This screening guide is designed to help you plan product—behind some of today’s most thought- an event using Season Six of Art in the Twenty-First provoking art. These artists represent the breadth Century. This guide includes an episode synopsis, of artistic practices across the country and the artist biographies, discussion questions, group world and reveal the depth of intergenerational activities, and links to additional resources online. and multicultural talent. Educators’ Guide The 32-page color manual ABOUT ART21 SCREENING EVENTS includes information on the ABOUT ART21, INC. artists, before-viewing and Public screenings of the Art in the Twenty-First after-viewing questions, and Century series illuminate the creative process of Art21 is a non-profit contemporary art organization curriculum connections. today’s visual artists by stimulating critical reflection serving students, teachers, and the general public. FREE | www.art21.org/teach as well as conversation in order to deepen Art21’s mission is to increase knowledge of contem- audience’s appreciation and understanding of porary art, ignite discussion, and empower viewers contemporary art and ideas. Organizations and to articulate their own ideas and interpretations individuals are welcome to host their own Art21 about contemporary art. Art21 seeks to achieve events year-round. Art21 invites museums, high this goal by using diverse media to present an schools, colleges, universities, community-based independent, behind-the scenes perspective on organizations, libraries, art spaces and individuals contemporary art and artists at work and in their to get involved and create unique screening own words. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
SPELGBTQ Resource Guide
SPELGBTQ Resource Guide Spring 2019 ARTISTS Braden Summers // Portraits, Culture // slrlounge.com/love-equal-braden-summers Braden Summers is a photographer who aims to capture dignified representations of LGBT people all over the world. Citing media misrepresentation of the LGBT community as a catalyst for his recent work, Summers’ “All Love is Equal” showcases love instead of stereotype. Cassils // Self-Portraits, Performance // cassils.net/about-2/ Cassils is an American artist who draws on “conceptualism, feminism, body art, and gay male aesthetics”, in order to “construct a visual critique around ideologies and histories.” Cassils uses live performance, film, sound, sculpture, and photography as a way to use the human body as a vehicle for social sculpture. Catherine Opie // Portraits, Self-Portraits, Landscape // art21.org/artist/catherine-opie/ Opie is an American photographer who uses portraiture and landscape as a way to investigate “the ways in which photographs both document and give voice to social phenomena in America today.” Chad States // Portraits, Multimedia // chadstates.com/ Chad States is an American photographer that explores masculinity by working with subjects he contacts through online platforms such as Craigslist. State’s interdisciplinary work examines the complex systems that produce myriad complex answers to the question, “Are you masculine?” Chloe Meynier // Portraits // chloemeynier.com/ After completing a PhD in Cognitive Psychology, Chloe Meynier began their photography practice as their “way to actively contribute to society.” In their work they use self-portraiture as a methodology to “explore different societal issues like violence against women, women's roles, and gender identity issues.” Claude Cahun // Self-Portraits // moma.org/learn/moma_learning/claude-cahun Born on the Isle of Jersey, artist and writer Claude Cahun created provocative self-portraits that explore the complex relationship between photography, identity, and representation. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
Catherine Opie
CATHERINE OPIE: PORTRAITS AND LANDSCAPES OPENS MAY 16 NEW WORK BY THE SEMINAL AMERICAN PHOTOGRAPHER INCLUDES PORTRAITS OF MATTHEW BARNEY, KARA WALKER, JOHN BALDESSARI, JONATHAN FRANZEN, DIANA NYAD, AND MIRANDA JULY Columbus, OH—January 22, 2015—Opening in May, the Wexner Center for the Arts will present Catherine Opie: Portraits and Landscapes, an exhibition of approximately 50 recent works by the influential American photographer. Featuring formal portraits of Opie’s family and friends and nearly abstract views of landscape, the series draws upon the traditions of classical painting and the artist’s longstanding interest in American nature photography. Among the portraits’ subjects—“friends and people that I admire,” according to Opie—are visual artists Kara Walker, Matthew Barney, John Baldessari, Glenn Ligon, performers Elizabeth Streb, Ron Athey, Miranda July, Olympic athlete Diana Nyad, and writers Hamza Walker, Hilton Als, and Jonathan Franzen. Opie will also adapt one of the landscapes featured in the show so that it will fully cover the Catherine Opie, Mary, 2012 30-foot-long wall adjacent to the Wexner Center’s café. Pigment print 33 x 25 in. Organized by Wexner Center Curator at Large Bill Horrigan, © Catherine Opie, Image Courtesy of the exhibition unites various elements of Opie’s practice, Regen Projects, Los Angeles highlighting the particularities of portraiture along with the ethereal space of abstracted landscapes. The portraits, which employ classical compositions, theatrical lighting, and saturated color to render the faces and expressions of the subjects in intimate detail, hint at a tension between interior realities and external presentations. In contrast to the personal quality of the portraits, the series’ abstracted landscape photographs articulate space as a haze of blurred light and color. -
Art in the Twenty-First Century Screening Guide: Season
art:21 ART IN2 THE TWENTY-FIRST CENTURY SCREENING GUIDE: SEASON TWO SEASON TWO GETTING STARTED ABOUT THIS SCREENING GUIDE ABOUT ART21, INC. This screening guide is designed to help you plan an event Art21, Inc. is a non-profit contemporary art organization serving using Season Two of Art in the Twenty-First Century. This guide students, teachers, and the general public. Art21’s mission is to includes a detailed episode synopsis, artist biographies, discussion increase knowledge of contemporary art, ignite discussion, and inspire questions, group activities, and links to additional resources online. creative thinking by using diverse media to present contemporary artists at work and in their own words. ABOUT ART21 SCREENING EVENTS Public screenings of the Art:21 series engage new audiences and Art21 introduces broad public audiences to a diverse range of deepen their appreciation and understanding of contemporary art contemporary visual artists working in the United States today and and ideas. Organizations and individuals are welcome to host their to the art they are producing now. By making contemporary art more own Art21 events year-round. Some sites plan their programs for accessible, Art21 affords people the opportunity to discover their broad public audiences, while others tailor their events for particular own innate abilities to understand contemporary art and to explore groups such as teachers, museum docents, youth groups, or scholars. possibilities for new viewpoints and self-expression. Art21 strongly encourages partners to incorporate interactive or participatory components into their screenings, such as question- The ongoing goals of Art21 are to enlarge the definitions and and-answer sessions, panel discussions, brown bag lunches, guest comprehension of contemporary art, to offer the public a speakers, or hands-on art-making activities. -
Liz Deschenes
MIGUEL ABREU GALLERY LIZ DESCHENES Born in Boston, MA, 1966 Lives and works in New York EDUCATION 1988 Rhode Island School of Design B.F.A. Photography, Providence, RI SOLO EXHIBITIONS 2016 Campoli Presti, Paris, France Institute of Contemporary Art, Boston, MA 2015 Gallery 4.1.1, MASS MoCA, North Adams, MA 2014 Gallery 7, Walker Art Center, Minneapolis, MN Stereographs #1-4 (Rise / Fall), Miguel Abreu Gallery, New York 2013 Bracket (Paris), Campoli Presti, Paris, France Bracket (London), Campoli Presti, London, UK 2012 Secession, Vienna, Austria 2010 Shift / Rise, Sutton Lane, Brussels, Belgium 2009 Right / Left, Sutton Lane, Paris, France Chromatic Aberration (Red Screen, Green Screen, Blue Screen - a series of photographs from 2001 - 2008), Sutton Lane, London, UK Tilt / Swing, Miguel Abreu Gallery, New York 2007 Photographs, Sutton Lane, London, UK Registration, Miguel Abreu Gallery, New York 2001 Blue Screen Process, Andrew Kreps Gallery, New York 1999 Below Sea Level, Andrew Kreps Gallery, New York 1997 Beppu, Bronwyn Keenan Gallery, New York 88 Eldridge Street / 36 Orchard Street, New York, NY 10002 • 212.995.1774 • fax 646.688.2302 [email protected] • www.miguelabreugallery.com SELECTED GROUP & TWO-PERSON EXHIBITIONS 2017 Sol Lewitt & Liz Deschenes, Fraenkel Gallery, San Fransisco, CA PhotoPlay: Lucid Objects, Paris Photo, Grand Palais, Paris, France The Coffins of Paa Joe and the Pursuit of Happiness, The School | Jack Shainman Gallery, Kinderhook, NY Paper as Object, curated by Richard Tinkler, Albert Merola Gallery, -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
Catherine Opie Born
Catherine Opie Born: Sandusky, Ohio, USA, 1961 Lives and works in Los Angeles, USA Education 2001–Present Professor of Fine Art University of California, Los Angeles, USA 2000–2001 Professor of Fine Art, Yale University, New Haven, Connecticut, USA 1988 MFA CalArts, California, USA 1985 BFA San Francisco Art Institute, San Francisco, USA Solo Exhibitions (selected) 2017 700 Nimes Road, NSU Art Museum, Fort Lauderdale, Florida, USA 2016-2017 700 Nimes Road, George Eastman House, Rochester, New York, USA 2016 Portraits and Landscapes, Lehmann Maupin, New York, USA 700 Nimes Road, MOCA PDC, Los Angeles, California, USA Catherine Opie: Portraits, Hammer Museum, Los Angeles, California, USA 700 Nimes Road, University of Michigan Museum of Art, Ann Arbor, Michigan, USA Catherine Opie: O, LACMA, Los Angeles, California, USA 2015 Catherine Opie: Portraits and Landscapes, Wexner Center for the Arts, Columbus, Ohio, USA 2014 The Gang: Photographs by Catherine Opie, Walker Art Gallery, Liverpool, UK Only Miss the Sun when it Starts to Snow, Peder Lund, Oslo, Norway 2013 Catherine Opie, Regen Projects, Los Angeles, USA Catherine Opie: In & Around L.A., presented by the Julius Shulman Institute of Woodbury University, Woodbury University Hollywood Gallery, Los Angeles, USA 2012-2013 Twelve Miles to the Horizon, Long Beach Museum of Art, Los Angeles, California, USA Catherine Opie: Broadway Billboard, Socrates Sculpture Park, New York, USA 2012 High School Football, Mitchell-Innes & Nash, New York, USA Catherine Opie photographs Cliff May, AD&A Museum,