DOCSLIB.ORG

How Discourses Cast Airport Security Characters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

How Discourses Cast Airport Security Characters: A Discourse Tracing and Qualitative Analysis of Identity and Emotional Performances by Shawna Malvini Redden A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Sarah Tracy, Chair Kevin Corley Janet Alberts Angela Trethewey ARIZONA STATE UNIVERSITY May 2013 ABSTRACT Since the September 11, 2001 terrorist attacks and subsequent creation of the Transportation Security Administration (TSA), airport security has become an increasingly invasive, cumbersome, and expensive process. Fraught with tension and discomfort, “airport security” is a dirty phrase in the popular imagination, synonymous with long lines, unimpressive employees, and indignity. In fact, the TSA and its employees have featured as topic and punch line of news and popular culture stories. This image complicates the TSA’s mission to ensure the nation’s air travel safety and the ways that its officers interact with passengers. Every day, nearly two million people fly domestically in the United States. Each passenger must interact with many of the approximately 50,000 agents in airports. How employees and travelers make sense of interactions in airport security contexts can have significant implications for individual wellbeing, personal and professional relationships, and organizational policies and practices. Furthermore, the meaning making of travelers and employees is complexly connected to broad social discourses and issues of identity. In this study, I focus on the communication implications of identity and emotional performances in airport security in light of discourses at macro, meso, and micro levels. Using discourse tracing (LeGreco & Tracy, 2009), I construct the historical and discursive landscape of airport security, and via participant observation and various types of interviews, demonstrate how officers and passengers develop and perform identity, and the resulting interactional consequences. My analysis suggests that passengers and Transportation Security Officers (TSOs) perform three main types of identities in airport security contexts—what I call Stereotypical, Ideal, and Mindful—which reflect different types and levels of discourse. Identity i performances are intricately related to emotional processes and occur dynamically, in relation to the identity and emotional performances of others. Theoretical implications direct attention to the ways that identity and emotional performances structure interactions, cause burdensome emotion management, and present organizational actors with tension, contradiction, and paradox to manage. Practical implications suggest consideration of passenger and TSO emotional wellbeing, policy framing, passenger agency, and preferred identities. Methodologically, this dissertation offers insight into discourse tracing and challenges of embodied “undercover” research in public spaces. ii DEDICATION For my Marm. Mom, thank you for teaching me about faith, hard work, creativity and that no matter whether I succeed or fail, I am always loved. I promise to drink water, take my vitamins, and always call you when I land. Love you! iii ACKNOWLEDGMENTS Thanks and gratitude to everyone who helped me through this doctoral journey— family, friends, mentors, participants, and the many, many baristas along the way. Massive amounts of gratitude to my husband, Tim Redden. It sounds so cliché to say “I couldn’t have done it without you” but I couldn’t and really wouldn’t have wanted to anyway. Your unending support for my dreams—including this one that kept us states apart for more than two years—means more to me than any degree ever could. Thank you for the endless encouragement and editing, the occasional get-back-to-work ass-kicking, the hours spent talking through ideas, the hours spent without me as I wrote through the ideas, and the questions that pushed me and kept me curious. I am indebted to you for last minute reference wrangling and the stay-on-track mantra, “Don’t Hate. Dissertate.” Love you. Much appreciation to my advisor, Dr. Sarah J. Tracy, for being a committed and engaged mentor, teacher, and friend. Thank you for encouraging me in all things—research, teaching, job hunting, and life living. I am grateful for the untold hours you’ve given reading drafts, writing helpful feedback, talking through ideas, and pushing me to realize this dream especially when it seemed impossible. Thank you for being a cheerful and compassionate role model. Thank you to my dissertation committee: Jess Alberts, Kevin Corley, and Angela Trethewey. Jess, I will remember fondly everything you’ve done for me including helping with funding, providing guidance as my temporary advisor, demonstrating how to lead large lecture classes with genius, teaching me how to write better by being the toughest line editor in the world, and of course, introducing me to the two silliest dogs on earth. Thank you for your kindness, interest, and endless interpersonal support. iv Kevin, thank you for stimulating my intellectual curiosity, engaging my many, many sensemaking questions, introducing me to new ways of thinking about identity, and blowing my mind with “Bicycle v. Ferrari” research question problems. I appreciate the hours you’ve spent with me in the classroom and in office hours poring over theory, and especially the humor and kindness that you shared with me as I worked on my “minor” in management. Angela, thank you for everything from your formal role as department chair during my time at ASU, to being my teacher inside the classroom and out, to the immense kindness you’ve shown me at every turn. Thank you for introducing me to Foucault and helping me to see the world through a more critical lens while at the same time keeping humor and candor at the forefront of our every interaction. Gratitude especially to my dear, dear friends. Brenda and Emily, sisters and also friends, thank you for the encouraging messages, support, and of course, the celebrations! Heather Wheeler and Jeanne Jackson, who knew our corner in the Quadrant of Silence would spawn such wonderful friendships? Thank you for helping me, cheering me on, and of course, reading drafts. You are my most hilarious editors. To my FIFI girls—I love you both, for reasons. Kristin Fleischer, thank you for being the best, most surprising BFF. I never imagined that serial killers and cheese sticks could start such a great friendship. Thank you for being you, for having a giant red beanbag for me to crash on, and for having excellent taste in junk food. Geeta Nemmers, I adore you. Thank you for caring so much, for your brutal editing skills, and of course, for being my donut soul sister. You will always be the cheese. Jenn Scarduzio, thank you for being a friend and mentor. I learned so much from you in classes and out, through your genius and kindness. Thank you for answering my questions, no matter how silly or neurotic, and for always having a supportive word. v Amy Way, thank you for being a kind friend, for listening to me whine, for commiserating, for reminding me that it all gets done, for being an excellent conference roomie, for your passion, and for understanding the problems with ice chomping. Tim Huffman, thank you for your kind and energetic spirit, for sharing philosophical conversations any time, and especially for the Comps Cape and other ways that made grad school less like hell and more like Hogwarts. Sarah Riforgiate, thank you for being a wonderful peer mentor who turned into a friend. I appreciate you inviting me into your home, introducing me to your beautiful family, providing me encouragement and advice, dragging me (kicking and screaming) to baby stats class, and for continuing to be a beautiful friend. Special appreciation to Katie Harris, my Adventures in Dissertating buddy. I appreciate your kind attention, careful questioning, and partner-in-crime spirit. Thanks especially for weekly check-ins, humor, and inspiration! Thanks to the underwriters of this project: Tim Redden, for being an effective household CFO and budgeting an inordinate amount of funds for travel; the Hugh Downs School of Human Communication for several important research grants; Arizona State University’s Graduate Student Professional Association for the Jump Start and Independent Research Support Program grants; and ASU’s Graduate College for the Completion Fellowship which enabled me to finish the book on time and with a decent amount of sanity. Thank you to the Hugh Downs School staff members who make attending grad school easier and more fun—Heather Freireich, who I am convinced is magical; Rosemary Carpenter, who knows all and is not afraid to share her knowledge with a smile; Lynne MacDonald, travel funding and organizational extraordinaire; Sue Wurster, for keeping the money straight and being so kind; and Karen Hayes, for keeping us all employed. vi Belle Edson, thank you especially for arranging teaching schedules in helpful ways and for your support and encouragement. Thank you to the crews of Southwest Airlines for shuttling me to and fro, for all the honey roasted peanuts, and for keeping me safe, even that one time. Gratitude to the many, many baristas purveying The Life Force. And special appreciation for the piles of Four Peaks nachos and Casey Moore’s cheese sticks without which this book would never have been written. Most importantly, thank you to the participants in this study. I am grateful to you for sharing your stories
Recommended publications
  • 9/11 Report”), July 2, 2004, Pp

    9/11 Report”), July 2, 2004, Pp

    Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5.
  • The Automobile and Communication in Twentieth-Century American Literature and Film

    The Automobile and Communication in Twentieth-Century American Literature and Film

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository MOTORCARS AND MAGIC HIGHWAYS: THE AUTOMOBILE AND COMMUNICATION IN TWENTIETH-CENTURY AMERICAN LITERATURE AND FILM BY JASON VREDENBURG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee Professor Gordon Hutner, Chair Professor Dale Bauer Professor John Timberman Newcomb Associate Professor José B. Capino ii ABSTRACT Motorcars and Magic Highways examines the nexus between transportation and communication in the development of the automobile across the twentieth century. While early responses to the automobile emphasized its democratizing and liberating potential, the gradual integration of the automobile with communications technologies and networks over the twentieth century helped to organize and regulate automobile use in ways that would advance state and corporate interests. Where the telegraph had separated transportation and communication in the nineteenth century, the automobile’s development reintegrates these functions through developments like the two-way radio, car phones, and community wireless networks. As I demonstrate through a cultural study of literature and film, these new communications technologies contributed to the standardization and regulation of American auto-mobility. Throughout this process, however, authors and filmmakers continued to turn to the automobile as a vehicle of social critique and resistance. Chapter one, “Off the Rails: Potentials of Automobility in Edith Wharton, Theodore Dreiser, and Sinclair Lewis,” establishes the transformative potential that early users saw in the automobile.
  • Cash-Box-1976-06-19.Pdf

    Cash-Box-1976-06-19.Pdf

    “AFTERNOON DELIGHT” The big hit single by STARLAND VOCAL BAND It’s got all the moves. Billboard Cashbox Record World This * 8* * week 9 18 * * * 6/12 25 13 24 * * * 6/5 33 24 31 * * * 5/29 44 41 40 Stock up now. 32 2 G THE INTtHNA [ IONAL MUSIC-RECORD WEEKLY VOLUME XXXVIII — NUMBER 5 — JUNE 19, 1976 "\ GEORGE ALBERT President and Publisher MARTY OSTROW Executive Vice President Editorial DAVID BUDGE Editor In Chief GARY COHEN East Coast Editor New York PHIL DIMAURO ERICRUDOLPH cash box editorial Hollywood JESS LEVITT STEPHEN FUCHS J B CARMICLE JOHN MANKIEWICZ The Third Coming NICK NICHOLS Rpcpo rrh HOWARD LOWELL Director We’ve come full circle. The search for the colossal talent that could take the baton of STEVE OSTROW BOB SPEISMAN creative innovation from the Beatles has come to an end. Or is it merely a new beginning? The LARRY CARLAT MARK ALBERT music industry has been in a race with itself to generate a new superact every decade. Few will JACKIE WHITE LINDA CAUTHEN dispute Elvis Presley’s reign as the king of the 50's or the Beatles' domination of the post 1963 Art Director era. But can the same claim be made for any artist or group in the 70’s? Certainly persuasive WOODY HARDING arguments could be advanced for half a dozen superstars, yet none truly own the current Coin Machine Chicago generation. CAMILLE COMPASIO Manager KAREN SHENK At various times over the past five years, so called seers have trumpeted the emergence of Circulation the singer-songwriter, the ultimate audio visual mega-group, or ‘new’ music forms such THERESA TORTOSA as Manager reggae or disco as the third coming.
  • 1903 Friday January 2, 1903 EVENTS of EVERYWHERE Two Men Were Killed and Four Engines and Two Freight Trains Demolished by a Runaway Engine at Liberty, Ind

    1903 Friday January 2, 1903 EVENTS of EVERYWHERE Two Men Were Killed and Four Engines and Two Freight Trains Demolished by a Runaway Engine at Liberty, Ind

    The ARLINGTON JOURNAL, Arlington, Texas. 1903 Friday January 2, 1903 EVENTS OF EVERYWHERE Two men were killed and four engines and two freight trains demolished by a runaway engine at Liberty, Ind. The crown princess of Saxony has disappeared and the best efforts of the police of Europe have failed to find a trace of her. The Most Rev. Frederick Temple, archbishop of Canterbury and primate of all England, who had been ill for some time past, is dead. Ten men, the survivors of the crews of the schooners that collided in Massachusetts bay, have been landed at Boston. Their sufferings were frightful. Northwest Missouri has a 23,000-acre farm, where more corn is raised than on any other farm in the world. But not a bushel of it is marketed as corn, but is used to fatten hogs and cattle which are sold in the markets. Friday January 2, 1903 Fearful Wreck in Canada. London, Ont.: During a blinding snowstorm Friday night twentyeight persons were killed and thirty others injured in a head-on collision between a westbound through passenger and a freight train near Wanstead, on the Grand Trunk railway. The wreck was due to conflicting orders. Some of the injured have since died. Friday January 2, 1903 The Standard Oil Company now controls the Beaumont oil field, and a great raise in prices to the public may be looked for. Several consumers own wells and can go on undisturbed in the use of fuel oil. Friday January 2, 1903 Sad Fatality in Limestone. Mexia: On Christmas day while some boys were out hunting and as Moss Cogdell, a lad of 13, was pulling a gun through the fence, it was discharged, and the load shot away two fingers for Starley Cogdell, a cousin of the other lad, and then entered the stomach of Moss.
  • The James Taylor Encyclopedia

    The James Taylor Encyclopedia

    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
  • Performing Community 3: Short Essays on Community, Diversity, Inclusion, and the Performing Arts

    Performing Community 3: Short Essays on Community, Diversity, Inclusion, and the Performing Arts

    Performing Community 3: Short Essays on Community, Diversity, Inclusion, and the Performing Arts By Blair Ruble Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 www.wilsoncenter.org ISBN:978-1-938027-75-8 February 2018 SHORT ESSAYS ON COMMUNITY, DIVERSITY, INCLUSION, AND THE PERFORMING ARTS l III l THE WILSON CENTER, chartered by Congress as the official memorial to President Woodrow Wilson, is the nation’s key nonpartisan policy forum for tackling global issues through independent research and open dialogue to inform actionable ideas for Congress, the Administration, and the broader policy community. Conclusions or opinions expressed in Center publications and programs are those of the authors and speakers and do not necessarily reflect the views of the Center staff, fellows, trustees, advisory groups, or any individuals or organizations that provide financial support to the Center. Please visit us online at www.wilsoncenter.org. Jane Harman, Director, President, and CEO BOARD OF TRUSTEES Frederic V. Malek, Chair Public members: Elisabeth DeVos, Secretary, U.S. Department of Education; David Ferriero, Archivist of the United States; Carla D. Hayden, Librarian of Congress; Jon Parrish Peede, Acting Chairman, National Endowment for the Humanities; David J. Skorton, Secretary, Smithsonian Institution; Rex W. Tillerson, Secretary, U.S. Department of State; Eric D. Hargan, Acting Secretary, U.S. Department of Health and Human Services Private Citizen Members: Peter J. Beshar, Vice President & General Counsel, Marsh & McLennan Companies, Inc.; Thelma Duggin, President, The AnBryce Foundation; Barry S. Jackson, Managing Director, The Lindsey Group and Strategic Advisor, Brownstein, Hyatt Farber Schreck; David C.
  • David Sanborn Hideaway Mp3, Flac, Wma

    David Sanborn Hideaway Mp3, Flac, Wma

    David Sanborn Hideaway mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Hideaway Country: Europe Released: 2014 Style: Post Bop, Smooth Jazz, Contemporary Jazz MP3 version RAR size: 1828 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1269 mb Rating: 4.2 Votes: 687 Other Formats: MP1 MIDI APE AIFF AA WAV ASF Tracklist Hide Credits Hideaway Clavinet – Don GrolnickCongas, Percussion – Ralph MacDonaldGuitar [Electric] – Hiram 1 5:53 BullockPercussion – Ray BardaniSaxophone [Tenor, Soprano], Electric Piano – David SanbornWritten-By – D. Sanborn* Carly's Song Backing Vocals – Arnold McCuller, David Lasley, James Taylor Bass – Marcus MillerDrums – 2 5:12 Rick MarottaElectric Piano – Don GrolnickPercussion – Ralph MacDonaldVibraphone [Electric], Marimba, Marimba [Bass] – Michael Manieri*Written-By – D. Sanborn* Anything You Want 3 Clavinet – Don GrolnickCowbell, Tambourine – Ray BardaniGuitar [Electric] – David 3:43 SpinozzaWritten-By – M. McDonald* The Seduction (Love Theme) Backing Vocals – Bette Sussman, Naimy HackettDrums – Buddy WilliamsElectric Piano – 4 3:54 Paul ShafferGuitar – Jeff MironovPiano – Michael ColinaProducer – Ray BardaniTambourine – Ray BardaniWritten-By – G. Moroder* Lisa 5 Acoustic Guitar – David SpinozzaCowbell – Jody LinscottCymbal [Finger], Triangle – Ralph 4:28 MacDonaldElectric Piano – David SanbornWritten-By – D. Sanborn* If You Would Be Mine 6 Acoustic Guitar – David SpinozzaCongas – Ralph MacDonaldElectric Piano – Michael Colina, 4:37 Rob MounseyPercussion – Ray BardaniWritten-By – M. Colina* Creeper Bass – John Evans Bass [Cat] – Michael ColinaCymbal [High-hat] – Ray BardaniDrums – Rick 7 MarottaElectric Guitar – Danny Kortchmar, Waddy WachtelElectric Piano – Don 4:35 GrolnickPercussion [Cabassa, Devil Stick] – Jody LinscottSoprano Saxophone, Organ [Hammond] – David SanbornWritten-By – J. Evans* Again An Again 8 Percussion [Cabassa], Tambourine – Ray BardaniPiano – Don GrolnickWritten-By – M. 5:15 McDonald* Companies, etc.
  • Carly Simon Hotcakes Mp3, Flac, Wma

    Carly Simon Hotcakes Mp3, Flac, Wma

    Carly Simon Hotcakes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Hotcakes Country: US Released: 2015 Style: Soft Rock, Pop Rock MP3 version RAR size: 1867 mb FLAC version RAR size: 1464 mb WMA version RAR size: 1185 mb Rating: 4.8 Votes: 876 Other Formats: APE RA VQF WMA MP3 AA DXD Tracklist Hide Credits Safe And Sound Acoustic Guitar – Carly SimonArranged By [Strings And Woodwinds Arr. By], Conductor A1 [Strings And Woodwinds Cond. By] – Paul BuckmasterBass – Klaus Voorman*Drums – Rick 3:36 MarottaElectric Guitar [Elec. Guitar] – David SpinozzaPiano – Ken Asher*Written-By – Jacob Brackman Mind On My Man Acoustic Guitar – James Taylor Bass – Richard Davis Cabasa [Cabaza] – George A2 2:57 Devons*Congas – Ralph McDonald*Electric Guitar – Bucky PizzarelliPiano, Electric Piano, Whistle – Carly Simon Think I'm Gonna Have A Baby Backing Vocals [Background Vocals] – Carl Hall, Lani Groves, Tasha ThomasBass – Klaus A3 Voorman*Drums – Jim KeltnerElectric Guitar [Elec. Guitar] – David SpinozzaPercussion – 3:55 Ralph McDonald*Piano, Acoustic Guitar – Carly SimonVocals [La-la's] – Lucy Simon, Todd Graff Older Sister Acoustic Guitar – James Taylor , Jimmy Ryan Backing Vocals [Background Vocals] – Bennie A4 Diggs And The Revelations*Bass [Slap Bass] – Larry BreanDrums – Jim KeltnerElectric 3:06 Guitar [Elec. Lead Guitar] – David SpinozzaPiano – Carly SimonVocals [Ba-yoops] – Richard Perry Just Not True Acoustic Guitar [Acoustic Lead Guitar] – James Taylor Acoustic Guitar [Acoustic Rhythm A5 Guitar] – Jimmy Ryan Arranged By [Strings And Woodwinds Arr. By], Conductor [Strings 5:16 And Woodwinds Cond. By] – Paul BuckmasterBacking Vocals [Background Vocals] – Carly Simon, James Taylor Bass – Klaus Voorman*Drums – Jim GordonPiano – Carly Simon Hotcakes Arranged By [Horns Arr.
  • James Taylor Caminante Mp3, Flac, Wma

    James Taylor Caminante Mp3, Flac, Wma

    James Taylor Caminante mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Caminante Country: Argentina Released: 1975 Style: Folk Rock, Acoustic, Soft Rock MP3 version RAR size: 1353 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1505 mb Rating: 4.6 Votes: 155 Other Formats: MP4 DTS WAV AA FLAC AC3 MOD Tracklist Hide Credits Caminante (Walking Man) A1 3:30 Percussion – Ralph MacDonaldViolin – Gene Orloff Rock And Roll Es Musica Ahora (Rock 'A' Roll Is Music Now) A2 Backing Vocals – Carly Simon, Paul Y Linda McCartney*, Rick MarottaElectric Piano – 3:25 David Spinozza Deja Que Todo Se Vaya Al Demonio (Let It All Fall Down) A3 3:30 Backing Vocals – Carly Simon, Paul Y Linda McCartney*Percussion – Ralph McDonald* Mi Guitarra Y Yo (Me And My Guitar) A4 Harmonica – Hugh McCrackenPercussion – Ralph McDonald*Piano, Organ – Don 3:30 GrolnickViolin – Gene Orloff Nenita De Papa (Daddy's Baby) A5 2:37 Backing Vocals – Carly SimonVoice [Vox Humana] – Don Grolnick No Hay Ninguna Cancion (Ain't No Song) B1 Backing Vocals – Carly Simon, Peter AsherClavinet – Ralph SchuckettPercussion – Ralph 3:28 McDonald*Written-By – David Spinozza, Joey Levine Hola Viejo Amigo (Hello Old Friend) B2 Alto Saxophone – George Young Directed By [Strings] – Gene OrloffElectric Piano – Ralph 2:45 Schuckett Migracion (Migration) B3 3:14 Percussion – Ralph McDonald*Voice [Vox Humana] – Don Grolnick La Tierra Prometida (The Promised Land) B4 4:03 Piano – Don GrolnickWritten-By – Chuck Berry Desvaneciendose (Fading Away) B5 3:32 Organ – Don Grolnick Companies, etc. Distributed By – Music Hall Manufactured By – Music Hall Printed By – Alpha S.A.I.C.
  • Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last Up-Date: September 27Th, 2021

    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
  • Titanic: Voices from the Disaster

    Titanic: Voices from the Disaster

    ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* ******ebook converter DEMO Watermarks******* COVER FRONTISPIECE TITLE PAGE DEDICATION FOREWORD DIAGRAM OF THE SHIP CHAPTER ONE — Setting Sail CHAPTER TWO — A Floating Palace CHAPTER THREE — A Peaceful Sunday CHAPTER FOUR — “Iceberg Right Ahead.” CHAPTER FIVE — Impact! CHAPTER SIX — In the Radio Room: “It’s a CQD OM.” CHAPTER SEVEN — A Light in the Distance CHAPTER EIGHT — Women and Children First CHAPTER NINE — The Last Boats CHAPTER TEN — In the Water CHAPTER ELEVEN — “She’s Gone.” CHAPTER TWELVE — A Long, Cold Night CHAPTER THIRTEEN — Rescue at Dawn ******ebook converter DEMO Watermarks******* CHAPTER FOURTEEN — Aftermath: The End of All Hope EPILOGUE — Discovering the Titanic GLOSSARY PEOPLE IN THIS BOOK OTHER FAMOUS TITANIC FIGURES SURVIVOR LETTERS FROM THE CARPATHIA TITANIC TIMELINE BE A TITANIC RESEARCHER: FIND OUT MORE TITANIC FACTS AND FIGURES FROM THE BRITISH WRECK COMMISSIONER’S FINAL REPORT, 1912 TITANIC: THE LIFEBOAT LAUNCHING SEQUENCE REEXAMINED TITANIC Statistics: Who Lived and Who Died SELECTED BIBLIOGRAPHY SOURCE NOTES PHOTO CREDITS INDEX ACKNOWLEDGMENTS ABOUT THE AUTHOR ALSO BY THIS AUTHOR COPYRIGHT ******ebook converter DEMO Watermarks******* (Preceding image) The wreck of the Titanic. At 2:20 a.m. on Monday, April 15, 1912, the RMS Titanic, on her glorious maiden voyage from Southampton to New York, sank after striking an iceberg in the North Atlantic, killing 1,496 men, women, and children. A total of 712 survivors escaped with their lives on twenty lifeboats that had room for 1,178 people.

  • Law As a Foreign Language: Understanding Law School

    City University of New York Law Review Volume 1 Issue 1 Winter 1996 Law as a Foreign Language: Understanding Law School Ken Vinson Florida State University Follow this and additional works at: https://academicworks.cuny.edu/clr Part of the Law Commons Recommended Citation Ken Vinson, Law as a Foreign Language: Understanding Law School, 1 N.Y. City L. Rev. 5 (1996). Available at: 10.31641/clr010102 The CUNY Law Review is published by the Office of Library Services at the City University of New York. For more information please contact [email protected]. Law as a Foreign Language: Understanding Law School Acknowledgements Thanks go to Linda Griffiths for helping edit this work, ando t Tracy Adams for research assistance. Research for this article was supported by grants from the FSU College of Law. To the editors of The New York City Law Review, for their interest in this project, their editorial suggestions, and their willingness to include this article in this inaugural issue, I will be forever grateful. This article is available in City University of New York Law Review: https://academicworks.cuny.edu/clr/vol1/iss1/3 LAW AS A FOREIGN LANGUAGE: UNDERSTANDING LAW SCHOOL Ken Vinson t TABLE OF CoTENrs I. Cracking The Law School Code ....................... 7 A. Rite Of Passage .................................... 7 B. Formalism And Realism ........................... 12 C. Ambiguity In Language ........................... 14 II. Introduction To Legalism ............................. 18 A. So Many Words, So Few Answers .................. 18 B. Acquiring A Legal Mind ........................... 20 C. The Ideal And The Real .......................... 22 D. What Is A "Chicken"? ............................. 28 III. Pursuit Of Deathless Rules And Wily Foxes ...........