V Ision & V Itality

Total Page:16

File Type:pdf, Size:1020Kb

V Ision & V Itality Vision & Vitality Vision Vitality Celebrating 25 Years of the Older Women’s Network in NSW DOROTHY CORA Vision Vitality Celebrating 25 Years of the Older Women’s Network in NSW DOROTHY CORA An Older Women's Network publication Published in Australia by the Older Women’s Network NSW, 2014 Copyright © 2014 Dorothy Cora This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying or otherwise, without written permission of the publisher. Graphic design by Ruth Butler Cover photograph by Kay Hathway Printed by Breakout Media Communications, Sydney, Australia National Library of Australia Cataloguing-in-Publication entry: Author: Cora, Dorothy. Title: Vision & Vitality: Celebrating 25 Years of the Older Women’s Network in NSW / Dorothy Cora. Edition: 1st ed. ISBN: 978-0-9808412-0-6 (pbk.) Subjects: Older Women’s Network 1. Women social reformers–Australia. 2. Women political activists–Australia 3. Women’s rights–Australia–History–20th century. 4. Women–Australia Dewey Number: 305.2609944 Available from: Older Women’s Network NSW 87 Lower Fort Street Millers Point NSW 2000 Australia Phone: 02 9247 7046 Email: [email protected] All proceeds from the sale of this book will go to the Older Women’s Network NSW. Aboriginal and Torres Strait Islander people should be aware that this book may contain images or names of women who have passed away. Networks are cooperative, not competitive. They are true grassroots: self-generating, self-organising, sometimes self destructing. They represent a process, a journey, not a frozen structure. A network is both intimate and expansive. Networks are the strategy by which small groups can transform an entire society. Marilyn Ferguson, The Aquarian Conspiracy (1982) Dedication Vision & Vitality is dedicated to the memory of Noreen Hewett, whose dynamic vision for older women’s involvement in public life led to the formation and growth of the Older Women’s Network. Noreen (left) and Joy at Noreen’s 90th Birthday celebration in 2010 And to Joy Ross, who shouldered the heavy building blocks that laid the foundations of the Older Women’s Network, and who passionately advanced its aims and objectives for well over two decades. Preface Amongst other things I am an older woman and a feminist. Before being employed by the Older Women’s Network (OWN) Inc. in Oc- tober 1994 I had worked for twenty years as a refuge worker, abortion counsellor, family support worker, sexual assault counsellor and group facilitator. At fifty-six I was thrilled to be employed in another women’s organisation, this time one concerned with older women’s issues. In previous jobs the management committee attended monthly committee meetings with paid workers. In between meetings they were rarely seen. At OWN, members of the management committee (known as the Working Committee) came into the office on a regular basis – often daily – to work on their activist or organisational projects. I initially found their presence disconcerting but before long came to appreciate the benefits of working closely together, despite them being, technically, my ‘bosses’. viii > VISION & VITALITY Their energy and passion was infectious. Together we devised pro- jects and wrote submissions to create new levels of visibility, relevance and influence for older women in NSW. I came to relish the dynamic atmosphere our collaborative relationship created and along the way learned much from them individually and collectively. I retired from OWN in 2005 after eleven challenging and fulfilling years. Over the next few years, in between overseas travel, gym classes, ill health and socialising, I wrote Centre Stage: Celebrating the Rise and Rise of the Older Women’s Network Theatre Group. In 2010, in recogni- tion of the inspirational role she had played in the story of OWN, I also wrote Noreen Hewett: Portrait of a Grassroots Activist. Both books were published by OWN. The idea of writing a history of the Older Women’s Network in NSW had been floating around for a number of years. Personal stories were collected, archival material sorted, meetings and workshops held. Sug- gestions were floated about who could write it. Some suggested em- ploying an historian to take on the task, but lack of money put paid to that idea. Throughout 2011, the project stalled. By early 2012, with encouragement from Noreen Hewett (since deceased) and Joy Ross, I began to explore the idea of volunteering to write it myself. I had two main concerns. Firstly, were my research and writing skills adequate for such a complex social history project and secondly, how could I write a history of a volunteer organisation where the diversity of activities, projects, programs and people have generated not one, but many, histories? I eventually decided that combined with the personal knowledge I had of OWN, my research and writing skills were probably adequate to the task. I also concluded that it would be unrealistic to try to name and incorporate the experiences and perspectives of all the women who have shaped and enriched OWN over the past twenty-five years. All I could attempt is a story that documents the focus, activities and Preface < ix achievements of key players, projects and groups while acknowledging discoveries made and lessons learned along the way. The material in Vision & Vitality has been sourced from archival material and records, including newsletters, minutes, annual reports and other publications. On many occasions I contacted individuals to fill in the gaps or to ask for further clarification. A key person from each NSW group signed off on group overviews on the understanding that I was not writing a history per se of the groups, but simply trying to capture each groups’ distinctive qualities and ‘flavour’. I am hopeful that when more comprehensive histories are written about individual OWN groups in NSW that the women who have made OWN what it is today can have the pleasure of seeing their contribu- tions acknowledged. Pat Carlton’s history of Newcastle OWN, which can be read online at www.ownnsw.org.au, is an inspiring illustration of how this can be achieved. Dorothy Cora Acknowledgements In the writing of OWN’s story, I have again felt the loss of OWN mem- bers who have died during the past twenty-five years. Their insights on OWN’s development during the early years and commentaries on later years would have been invaluable. They include Linda Adamson, Louise Anike, Pam Benton, Gwen George, Sylvia Harding, Noreen Hewett, Muriel Hortin, Trude Kallir, Pam Ledden, Helen Murphy, Una Nich- ols, Jacqueline Schofer, Renee Simons, Ermes Solari, Nina Walton and Helen Young. There are many women to thank for their encouragement and as- sistance during the writing of this book. I am especially indebted to Joy Ross for her insightful comments and enduring support for the project. Although I read countless articles and reports throughout the writing of Vision & Vitality, without Joy’s memory of events from the very early days when information about individual women and group activities was not always recorded this book would be much leaner. xii > VISION & VITALITY My thanks go to Pat Zinn and Lucy Porter for their invaluable assis- tance in providing memories and resources for chapter 8, The Aborigi- nal Support Circle. Thanks also to the coordinators of each NSW group for their willingness to condense their contributions for inclusion in the book, and also to all the women with ‘insider’ knowledge who read and commented on specific chapters. Warm appreciation goes to my friend Val Brown for her useful feed- back; to Kris Ferguson, my former colleague, for her wise and construc- tive suggestions; to Pat Carlton, the author of Newcastle OWN’s his- tory, who continued to provide valuable feedback even in the midst of selling the family home; and to Robyn Smith, coordinator of Southern Highlands OWN, for her attention to detail and expert editorial notes. Finally, my sincere thanks to Jenny Onyx, academic, author, and member of Sydney OWN, who agreed to provide feedback on the final draft ofVision & Vitality. Her insights, comments and suggestions have been immeasurably beneficial to the final work. For errors and inadequacies in this work, of course, the responsibil- ity is entirely my own. Dorothy Cora Contents Dedication v Preface vii Acknowledgements xi Introduction xxi 1. The Age of Invisibility 1 Flying high … ......................................... 5 The OWN logo ........................................ 7 Increasing visibility .................................... 7 New premises! ......................................... 8 2. Networking, Management and Roles 12 Sharing the work ..................................... 13 Coordination of OWN Inc. ............................ 15 Structural challenges .................................. 16 Management and coordination of OWN NSW .......... 18 Paid workers and their roles ........................... 20 And now … .......................................... 22 3. When older women get together… 24 Democracy in action .................................. 27 A snapshot of one year ................................ 28 A good idea, but … ................................... 28 Housing ............................................. 28 Older Lesbians........................................ 30 4. The Theatre Group 32 Overview
Recommended publications
  • Phanfare May/June 2006
    Number 218 – May-June 2006 Observing History – Historians Observing PHANFARE No 218 – May-June 2006 1 Phanfare is the newsletter of the Professional Historians Association (NSW) Inc and a public forum for Professional History Published six times a year Annual subscription Email $20 Hardcopy $38.50 Articles, reviews, commentaries, letters and notices are welcome. Copy should be received by 6th of the first month of each issue (or telephone for late copy) Please email copy or supply on disk with hard copy attached. Contact Phanfare GPO Box 2437 Sydney 2001 Enquiries Annette Salt, email [email protected] Phanfare 2005-06 is produced by the following editorial collectives: Jan-Feb & July-Aug: Roslyn Burge, Mark Dunn, Shirley Fitzgerald, Lisa Murray Mar-Apr & Sept-Oct: Rosemary Broomham, Rosemary Kerr, Christa Ludlow, Terri McCormack, Anne Smith May-June & Nov-Dec: Ruth Banfield, Cathy Dunn, Terry Kass, Katherine Knight, Carol Liston, Karen Schamberger Disclaimer Except for official announcements the Professional Historians Association (NSW) Inc accepts no responsibility for expressions of opinion contained in this publication. The views expressed in articles, commentaries and letters are the personal views and opinions of the authors. Copyright of this publication: PHA (NSW) Inc Copyright of articles and commentaries: the respective authors ISSN 0816-3774 PHA (NSW) contacts see Directory at back of issue PHANFARE No 218 – May-June 2006 2 Contents At the moment the executive is considering ways in which we can achieve this. We will be looking at recruiting more members and would welcome President’s Report 3 suggestions from members as to how this could be Archaeology in Parramatta 4 achieved.
    [Show full text]
  • Governor Phillip Tower, Museum of Sydney and First Government
    Nationally Significant 20th-Century Architecture Revised date 20/07/2011 Governor Phillip Tower, Museum of Sydney and First Government House Place Address 1 Farrer Place and 41 Bridge Street, Sydney, NSW, 2000 Practice Denton Corker Marshall Designed 1989 Completed 1993 (GPT) 1995 (MoS) History & The site of Governor Phillip Tower, Museum of Sydney & First Government Description House Place are located on a city block bounded by Bridge, Phillip, Bent & Young Streets in Sydney's CBD. Together with the Governor Macquarie Tower First Government House & the heritage listed terraces fronting Young & Phillip Streets the site was the Place with Museum of subject of an international design competition held in 1988, of which the primary Sydney & Governor Phillip aim was to conserve the archaeological resource of the First Government Tower behind, terraces to House which investigations of 1983-85 had revealed to lie beneath the northern portion of the block & extending into the road reserves of Young, Bridge & either side. Source: City of Phillip Streets. The cultural significance of the place shaped the development Sydney Model Makers. for the site: the conservation of the archaeological site of First Government . House & the Victorian terrace housing. To satisfy this & the commercial imperatives of maximising tower floor plate areas, the scheme incorporated several innovative approaches. Firstly in the urban design: the conception of First Government House Place as an 'urban room', achieved by setting back the Governor Phillip Tower from Bridge Street, enabled the archaeological site to be conserved, interpreted & celebrated, & served to ennoble the space with the presence of the imposing colonial sandstone buildings to either side; the public link from Phillip Street to Farrer Place, & the setbacks provided to the terraces.
    [Show full text]
  • The Historical Archaeology of the First Government House Site, Sydney
    The Historical Archaeology of the First Government House site, Sydney Further Research PENNY CROOK AND TIM MURRAY Volume 11 of the Archaeology of the Modern City Series A HISTORIC HOUSES TRUST OF NEW SOUTH WALES PUBLICATION Published by the Historic Houses Trust of New South Wales The Mint, 10 Macquarie Street, Sydney NSW 2000, Australia www.hht.net.au Published in Sydney 2006 © Archaeology of the Modern City Project Partners, 2006 ISBN 1 876991 14 3 The views expressed in this book may not be representative of the Historic Houses Trust of New South Wales or the other project partners and remain the responsibility of the authors. The Archaeology of the Modern City project incorporates two research ventures: ‘Exploring the Archaeology of the Modern City: Sydney 1788–1900’ and ‘Managing the Archaeology of Central Sydney and Melbourne 1788–1900’. Both projects are funded by the Australian Research Council Linkage Scheme and conducted by Project Partners: La Trobe University, the Historic Houses Trust of New South Wales, Godden Mackay Logan Pty Ltd, the Sydney Harbour Foreshore Authority, the NSW Heritage Office, Heritage Victoria and the City of Sydney. C ONTENTS Synopsis.......................................................................................................................................... 7 Introduction................................................................................................................................... 9 Acknowledgements..........................................................................................................................................................9
    [Show full text]
  • Sydney Government House
    TOP EDUCATION STUDENT FIELD TRIP INSTITUTE SEMESTER 1/2019 SYDNEY GOVERNMENT HOUSE SYDNEY GOVERNMENT HOUSE Government House is the Official Residence and Office of His Excellency General The Honourable David Hurley AC DSC (Ret’d) 38th Governor of New South Wales and Mrs Linda Hurley. His Excellency is the 27th Governor to occupy this Government House and has held the position since 2 October 2014. In 1788, soon after a British settlement was established at Sydney Cove, the first Governor of the colony of New South Wales, Governor Arthur Phillip, laid the foundations of Sydney’s first Government House. This building was located in Bridge Street (on the site of the Museum of Sydney). After nearly 50 years of serving as the colony’s political, ceremonial and social centre, the building had become worn and dilapidated and many submissions were made to the British government for permission and funding to construct a new building. In 1836 construction finally began on a new Government House. The new building was influenced in its location and architectural style by the existing Governor’s Stables, completed in 1821 (now the Conservatorium of Music located at the main entry gates to Government House). Locally quarried sandstone was used for the construction. The building was designed by Edward Blore, architect to William IV and Queen Victoria. Blore had recently built the British Houses of Parliament in an Elizabethan Gothic style, expressing the continuity of government by constitutional monarchy. Blore had also worked on Buckingham Palace and Windsor Castle. The new Government House was built in the Gothic Revival style characterized by castellated towers and other medieval features.
    [Show full text]
  • Rob Stokes MP, Minister for Heritage Today Announced a Program of Special Events, Led by the Historic Houses
    Mark Goggin, Director of the Historic Houses Trust of Sydney, Australia: Rob Stokes MP, Minister for NSW, said: “Our special program of events celebrates Heritage today announced a program of special events, the life and work of Governor Arthur Phillip and invites led by the Historic Houses Trust of NSW, to mark the people of all ages to gain insight into the significant Bicentenary of the death of Governor Arthur Phillip on contribution he made to the early colony that has 31 August 1814. shaped the modern nation of Australia.” One of the founders of modern Australia, Governor A memorial bronze bust of Governor Phillip will be Phillip was the Commander of the First Fleet and first installed on First Government House Place at the Governor of New South Wales. Museum of Sydney in a free public event at 11.30am on “Governor Phillip made an outstanding contribution to Thursday 28 August. Sculpted by Jean Hill in 1952 and New South Wales and this Bicentenary is an originally located in First Fleet Park before being moved appropriate moment for the Government to into storage during the renovations of the Museum of commemorate his achievements through a program of Contemporary Art Australia. Sydney Harbour Foreshore events across our cultural institutions and gardens.” Authority has recently undertaken conservation work on said Mr Stokes. the bust. The installation of the bust has been supported with a gift from the Friends of The First The commemorative program includes the installation Government House Site and the Kathleen Hooke of a Phillip memorial bust on First Government House Memorial Trust.
    [Show full text]
  • Imagine 2018 Awards Catalogue
    MINISTER’S FOREWORD Welcome to the 2018 IMAGinE Awards. With a Join with me in congratulating all winners and record 97 nominations received, covering a range nominees and thanking IMAGinE Award partners of outstanding projects, programs and people, Regional and Public Galleries NSW and Museums tonight’s awards showcase the diversity and the Australia NSW for their encouragement and incredible commitment and innovation that exists involvement. across the museum and gallery sector in New South Wales. Finally, in thanking Museums & Galleries of NSW for the work it does, let’s celebrate the 2018 It’s pleasing to note that the judges were IMAGinE Awards in the spirit of its name: Inspiring impressed with the high quality and Museums and Galleries in Excellence. competitiveness of entries. In particular, initiatives across all engagement categories were The Hon. Don Harwin MLC, considered highlights and exhibition nominations Minister for the Arts again resulted in robust deliberation. In general, all nominations used innovative practices to bring quality programming and inclusiveness to their institutions and communities across NSW. I congratulate the Aboriginal Cultural Heritage and Arts Association (ACHAA) for supporting the inaugural ACHAA Award for Excellence by an Aboriginal Curator, in recognition of outstanding work done on an exhibition. There would be no celebration of these successes without the support and investment of many organisations, groups and individuals, including museum volunteers and local councils. Through Create NSW the Government’s commitment to the visual arts, cultural heritage and Aboriginal program sectors is significant and remains integral to my ambition that we continue to support regional development and cultural growth, across this State.
    [Show full text]
  • Annual Report 2019–2020 Historic Houses Trust of New South Wales
    Annual Report 2019–2020 Historic Houses Trust of New South Wales The Hon Don Harwin MLC Special Minister of State, and Minister for the Public Service and Employee Relations, Aboriginal Affairs, and the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the provisions of the Annual Reports (Statutory Bodies) Act 1984, the Public Finance and Audit Act 1983 and the Public Finance and Audit Regulation 2015, we submit for presentation to Parliament the Annual Report of Sydney Living Museums under the statutory authority of the Historic Houses Trust of New South Wales for the year ending 30 June 2020. Yours sincerely Naseema Sparks am Adam Lindsay Chair Executive Director The Historic Houses Trust of NSW, incorporating Sydney Living Museums Sydney Living Museums, cares for significant Head Office historic places, buildings, landscapes and The Mint, 10 Macquarie Street collections. It is a statutory authority of, and Sydney NSW 2000 principally funded by, the NSW Government. T 02 8239 2288 E [email protected] This report is published on our website sydneylivingmuseums.com.au 1 ANNUAL REPORT 2019–20 Contents Acknowledgment of Country 4 Operational Plans 48 From the Chair 6 Placemaking, Curation & Collaboration 48 From the Executive Director 7 Public programs 50 Vision, mission, essence, values and approach 8 Learning programs 53 Highlights 2019–20 10 Exhibitions 54 Performance overview 12 Case study – A Thousand Words 58 Visitation 14 Touring exhibition program 61 Research
    [Show full text]
  • The Rocks Education Network OPEN DAY
    The Rocks Education Network OPEN DAY The Rocks Education Network Open Day for teachers on Sunday 26 February 2012 is Australian Theatre for designed to inform educators about the wonderful range of educational resources available Young People (ATYP) for school excursions in The Rocks and East Circular Quay. ATYP Education gives you Venues that normally charge for admission or tours will be FREE FOR TEACHERS the freedom to choose the with discount rates offered for accompanying friends and family. best artistic experiences for your students and Participating venues include: yourself. Our program is · Australian Theatre for Young People designed by trained teachers that specialise · The Big Dig Archaeology Education Centre at Sydney Harbour YHA in connecting professional artists with your · Government House students. We work with you to create inspiring · Justice & Police Museum workshops that fit the unique needs of your · Merchant’s House class. Our experience and knowledge of the · Museum of Contemporary Art drama curriculum result in workshops that · Museum of Sydney unite best theatre practice with · The Rocks Discovery Museum student-focused outcomes. · The Rocks Walking Tours · The Royal Botanic Garden Sydney · Susannah Place Museum · Sydney Learning Adventures Pier 4/5, Hickson Road · Sydney Observatory Walsh Bay NSW 2000 There’ll be a formal welcome at 10.30am at The Rocks Discovery Museum, Kendall Lane, T (02) 9270 2400 The Rocks. The museum will be open from 10am to 4pm as a central point where teachers can www.atyp.com.au make last-minute registrations and collect information about each venue’s educational programs and services. Morning tea will be provided.
    [Show full text]
  • Conservation Issues the Obelisk Macquarie Place
    CONSERVATION ISSUES THE OBELISK MACQUARIE PLACE SYDNEY 1840s 1890s 1930s For City of Sydney August 2003 CASEY & LOWE Pty Ltd Archaeology & Heritage ________________________________________________________________________________ 420 Marrickville Road, Marrickville NSW 2204 • Tel: (02) 9568 5375 Fax: (02) 9572 8409 • Mobile: 0419 683 152 • E-mail: [email protected] i EXECUTIVE SUMMARY Results . The Obelisk, Macquarie Place has a State level of heritage significance. The obelisk’s individual level of significance and its significance to the place warrants its conservation in situ. The obelisk is in a state of decay that involves the continuing loss of inscriptions and fabric. Drummy surfaces have exfoliated since last recorded in 1997. Research has shown that there has been replacement of the two base courses, recutting of the inscription, a stone indent replacing one section of an inscription and large drill holes. While many reports have been written in the last 30 years very little substantive conservation works have been undertaken on the monument. The long-term conservation of this monument of exceptional significance requires the Council of the City of Sydney to act speedily to implement a program of conservation. Council has a Conservation Plan endorsed by the NSW Heritage Council. The endorsed option is to conserve the obelisk in situ. Recommendations Recommended Option 1. This report recommends that the Obelisk, Macquarie Place should be conserved in situ and maintained (Option 3). 2. The obelisk’s condition will need to be monitored and managed through a maintenance program. 3. The City of Sydney should adopt and endorse the recommended option of this report to conserve the obelisk in situ and maintain it into the future.
    [Show full text]
  • Biennale of Sydney 2006 Report 2006 Partners
    Biennale of Sydney 2006 Report 2006 Partners Founding Partner Government since 1973 Partners We gratefully acknowledge the assistance of Arts NSW through the NSW Government Exhibitions Indemnification Scheme Venue Partners Major Partners Newspaper Partner Partners Supporters Public Program Donors Partners Public Program Exhibition Partners Supporters The Biennale of Sydney acknowledges the generous support of the many organisations and individuals that make the exhibition and its programs possible. CONTENTS Highlights 02 Messages of Support 06 Chairman’s Message 07 Managing Director’s Report 09 Artistic Director’s Report 10 Exhibition 12 Opening Week 22 Events and Programs 24 Participating Artists 26 Official Guests 27 Publications and Educational Resources 28 Supporters 30 Attendance and Audience Research 36 Marketing Campaign 38 Media Coverage 40 Board and Staff 42 Crew, Interns and Volunteers 43 BIENNALE OF SYDNEY 43–51 Cowper Wharf Road Woolloomooloo NSW 2011 Australia All rights reserved. No part of this publication T +612 9368 1411 F +612 9368 1617 may be reproduced, stored in a retrieval E [email protected] system or transmitted in any form or by any www.biennaleofsydney.com.au means without the prior permission in writing ABN 74 001 614 384 CFN 10662 from the publishers. Visitors enjoyed the unique environment of Pier 2/3 that showcased major installations including Adrian Paci’s Noise of Light (foreground) and Cao Fei’s What are you doing here? (background) Highlights — Record crowds – 316,000 visits — Pier 2/3, historic
    [Show full text]
  • 2002-2003 Annual Report
    DISCOVER 2002>2003 Inspire an understanding of New South Wales histories and diverse cultural heritage |Annual Report|Historic Houses Trust of New South Wales| discover MISSION: Conserve, interpret > WHO WE ARE: The Historic Houses Trust of Elizabeth Bay House New South Wales was established under the Elizabeth Farm Historic Houses Act 1980 to manage, conserve and manage places of Government House and interpret the properties vested in it, for the cultural significance in education and enjoyment of the public. Hyde Park Barracks Museum Justice & Police Museum the care of the Trust with > WHAT WE DO: The Trust is a leader in the conservation and management of historic Lyndhurst (head office) integrity and places in Australia and has won many awards Meroogal for its work. It is guided by the view that Museum of Sydney on the site first Government House museums must be part of current debates in imagination and in Rose Seidler House the community, open to new ideas as much as doing so to inspire an they are the repositories of important collections Rouse Hill estate and the memories of the community. Former Rouse Hill Public School understanding of > OUR PROPERTY PORTFOLIO: Our property Susannah Place Museum New South Wales portfolio has grown over the past 23 years to The Mint include 15 diverse sites which illustrate Vaucluse House aspects of New South Wales cultural heritage. histories and diverse Young Street Terraces cultural heritage for HEAD OFFICE, LYNDHURST, 61 DARGHAN STREET, GLEBE NSW 2037 AUSTRALIA T. 02 9692 8366 F. 02 9660 1426 E. [email protected] W.
    [Show full text]
  • The Bunyip As Uncanny Rupture: Fabulous Animals, Innocuous Quadrupeds and the Australian Anthropocene
    The Bunyip as Uncanny Rupture: Fabulous Animals, Innocuous Quadrupeds and the Australian Anthropocene Penny Edmonds ‘But it is also said to be something more than animal, and among its supernatural attributes is the cold, awesome, uncanny feeling which creeps over a company at night when the Bunyip becomes the subject of conversation’ Rosa Praed, ‘The Bunyip’, 1891. Y LOVE AFFAIR WITH MUSEUMS BEGAN WHEN I WAS SEVEN. I SAW A BUNYIP’S HEAD in a glass case, a strange, unsettling creature with a one-eyed blind M stare, a cycloptic monster. I was small and I stood up on my toes to see the creature through the glass. On show, the bunyip was mounted in a tall, ornate nineteenth-century wooden cabinet. The typed paper label gave scientific verification: ‘A bunyip’s head, New South Wales. 1841.’ I recall the palpable shock of it, and my mixed childhood emotions: bunyips were real. With its long jawbone wrapped in fawn-coloured fur, it was a decapitated Australian swamp- dweller preserved. Yet, the horrific creature looked so sad, and with its sightless eye, gaping mouth and cartoonish backward drooping ears. It was a creature of pathos—a gormless, goofy redhead, a ranga, a total outsider.1 1 A ‘ranga’ is Australian slang for a red headed person, once pejorative, but now also used in the positive. The term was entered into the Australian Oxford Dictionary in 2012. Thanks to Lynette Russell for re-acquainting me with this object, known as the Macleay Museum ‘bunyip’ (The Macleay Museum, Sydney University, Registration number MAMU NHM.45).
    [Show full text]