The Pearls of the Po & the Venetian Lagoon

Total Page:16

File Type:pdf, Size:1020Kb

The Pearls of the Po & the Venetian Lagoon unfinished 14th-century Basilica of San Petronio. Saint Mark’s Basilica, an 11th-century showstopper filled with The Pearls of the Po glittering gold mosaics and beautiful marble floors and statues & the Venetian Lagoon From Venice to Polesella Aboard La Venezia September 18–26, 2021 CRUISE HIGHLIGHTS SAIL from Venice to historic towns along the Po River and Venetian Lagoon on the lavish, newly renovated La Venezia. Dock overnight in the heart of stunning Venice for early access to the city at sunrise, when its sparkling piazze and palazzi are most captivating ENJOY extraordinary exclusive tours of famed Renaissance architect Andrea Palladio’s UNESCO-listed Villa Capra (La unfinished 14th-century Basilica of San Petronio. Rotonda) and the opulent Villa Valmarana ai Nani, featuring frescoes by Tiepolo, in underexplored Vicenza REVEL in guided, behind-the-scenes visits to Villa Foscari, adorned with splendid frescoes by Battista Franco, and Villa Widman, with its frescos by Giuseppe Angeli—two grand villas along the Brenta Canal, opened exclusively for us ACCOMPANY an art historian to marvel at golden Byzantine mosaics in Torcello’s 11th-century basilica on an exclusive tour, and admire stunning 5th- and 6th-century mosaics in Ravenna EXPLORE the medieval and Renaissance city of Ferrara, innovatively designed as an “ideal city” by urban planner Biagio Rossetti DELIGHT in an exclusive, after-hours visit to Venice’s iconic Saint Mark’s Basilica, an 11th-century showstopper filled with glittering gold mosaics and beautiful marble floors and statues of 20th-century art at her eponymous museum Dear National Trust Traveler, This September, aboard the luxurious, newly renovated river vessel La Venezia, join the National Trust to cruise along the legendary Po River and the Venetian Lagoon, savoring la bella vita in northern Italy. Padua and Ravenna are towns that have inspired the likes of Shakespeare, yet their numerous historic treasures remain underexplored. On this spectacular river voyage, enjoy full access to the region’s abundance of medieval and Renaissance art and architecture. This exquisite journey will begin with a walking tour through Venice’s picturesque Dorsoduro neighborhood, which offers a lovely snapshot of the city’s local color. Then discover one of Italy’s best-kept secrets, UNESCO-listed Vicenza, where you will delight in private access to some of Andrea Palladio’s 16th-century villas. Back in Venice, experience an exclusive, after-hours visit at the awe-inspiring Saint Mark’s Basilica. In Padua, stop to see frescoes by Giotto, bronzes by Donatello, and breathtaking architecture and scenery. Next, call at Ferrara, the seat of the great Este court. Designed in the 16th century by Biagio Rossetti, it has earned a UNESCO designation. Visit Ferrara’s Jewish quarter, a haven for Jewish exiles throughout Europe for centuries, and its newly opened Jewish Museum. Alternatively, venture to Bologna, cultural capital of the Emilia-Romagna region, where you will take a special tour of the unfinished 14th-century Basilica of San Petronio. The greatest assemblage of early Christian mosaics awaits in Ravenna, the 6th-century seat of the Byzantine governor of Italy. Sail around the lovely Venetian Lagoon, stopping in Torcello’s basilica to gaze upon its splendid Byzantine mosaics with an art historian. Conclude with a return to Venice, where you will enjoy three curator-led, behind-the-scenes tours, including an exclusive inside look at the city’s famous opera house, La Fenice. Extraordinary cuisine and luxurious accommodations make this trip a true delight for all the senses, and I hope you will join the National Trust on this new offering. An optional postlude to Asolo and the Palladian Villas is also available. Sincerely, At the time of publication, the world is beginning to reopen, with enhanced travel practices and guidelines. Please visit www.nationaltrusttours.com Meg Annacone-Poretz Saint Mark’s Basilica, an 11th-century showstopper filled with and search for “Pearls” for real-time Director, National Trust Tours glittering gold mosaics and beautiful marble floors and statues information on how we’re working to keep you safe and healthy. The Pearls of the Po & the Venetian Lagoon From Venice to Polesella Aboard La Venezia September 18–26, 2021 SATURDAY, SEPTEMBER 18: DEPARTURE Depart for Venice on an overnight flight. LA VENEZIA SUNDAY, SEPTEMBER 19: VENICE, ITALY / EMBARK The 130-passenger Arrive at Venice’s Marco Polo International Airport, where you will be transferred to La Venezia. This afternoon, take an optional walking tour through the Dorsoduro neighborhood, known for its local flavor and picturesque squares and canals. Alternatively, explore the city at your leisure. Unpack, relax, and enjoy your first evening aboard ship.D MONDAY, SEPTEMBER 20: VENICE / VICENZA / VENICE Visit one of Italy’s hidden gems—Vicenza—famous for Andrea Palladio’s UNESCO-listed villas in the countryside and the Teatro Olimpico, the Renaissance theater designed by the great architect. A tour of Palazzo Valmarana Braga, a masterpiece of the mature Palladio, precedes lunch. Then stroll through the historic city center to see the basilica that Palladio adapted to serve as the town hall; the palaces he built for the Vicenza aristocracy; and the Church of Santa Corona, with its masterpieces by Giovanni Bellini and Veronese. Before returning to Venice, take in private visits to two other Palladian villas—Villa Foscari (La Rotonda) and the nearby Villa Valmarana ai Nani, featuring frescoes by Tiepolo. Return to Venice and experience an exclusive, after-hours visit to Saint Mark’s Basilica, with its spellbinding, glittering mosaics. B,L,D TUESDAY, SEPTEMBER 21: VENICE / PADUA / PORTO VIRO Travel to Padua for a guided stroll through the Old Town, including visits to the Scrovegni Chapel, famous for its rich and elaborate frescoes by Giotto, and the Basilica of Saint Anthony, with its bronzes by Donatello. Later, take private guided visits to Villa Foscari (La Malcontenta) and Villa Widmann, two of the grand villas along the bucolic tiny islands and picturesque fishing villages. On peaceful Torcello, admire Byzantine mosaics Brenta Canal, opened exclusively for us. Dock in the picturesque fishing village of Porto Viro. Enjoy a festive captain’s welcome reception and dinner this evening. B,L,R,D WEDNESDAY, SEPTEMBER 22: POLESELLA / FERRARA OR BOLOGNA Disembark for a morning excursion to Ferrara, once a center for the arts ruled by the Este family. Meticulously designed by urban planner Biagio Rossetti, Ferrara was the first fully executed concept of an ideal city during the Renaissance. Explore the cobbled streets of the UNESCO-designated city center. See its grand palaces including the Palazzo dei Diamanti, whose façade is studded with marble blocks carved to resemble diamonds. Stroll n through the ancient Jewish quarter, whose community has lived here continuously since n the Middle Ages, and visit the newly opened Jewish Museum. Admire the 12th-century n n Disembark in Venice this morning and transfer to the airport for flights home. n n n Ferrara Villa Valmarana ai Nani, Vicenza, photo by istela1 Vicenza Padua Venetian ITALY Venice Lagoon Polesella Porto Viro Ferrara Po River Adriatic Bologna Sea Ravenna Basilica of Santa Maria Assunta, Torcello, photo by molamoni cathedral, which combines Romanesque and Gothic styles in its three-tiered pink and white Depart for Venice on an overnight flight. marble façade. Return to the ship with lunch on board. You may opt to visit Bologna, the cultural center of the Emilia-Romagna region, and one of Italy’s best-kept secrets. Marvel at the works of Reni, Giotto, and Parmigianino at the The 130-passenger National Gallery, and see the Basilica of San Petronio, a Baroque confection dating to the 14th century. A short walk will take us to the Palazzo Comunale, an impressive Renaissance neighborhood, known for its local flavor and picturesque squares and canals. Alternatively, building that is now the City Hall. After lunch featuring local specialties, participate in a explore the city at your leisure. Unpack, relax, and enjoy your first evening aboard ship. pasta-making class, or spend the afternoon visiting the Church of San Petronio and San Giacomo Maggiore, with the important Costa frescoes in the Cappella Bentivoglio. B,L,D THURSDAY, SEPTEMBER 23: PORTO VIRO / RAVENNA / BURANO Get an in-depth look at the UNESCO-listed Byzantine and early Christian mosaics in Ravenna, capital of the Western Roman Empire from 402 to 476 A.D. Visit Sant’Apollinare in Classe, with its glorious 6th-century apse covered in brilliant mosaics. Then see the mausoleum of Galla Placidia and Theodoric the Great’s churches—San Vitale and Sant’Apollinare Nuovo—with their extraordinary mosaics. Rejoin the ship in Burano and later this evening opt to explore Burano with an evening walking tour. Dine al fresco as La Venezia is docked in Burano. B,L,D FRIDAY, SEPTEMBER 24: VENETIAN LAGOON / VENICE Continue your exploration of Burano’s brightly colored houses in the morning, and visit a historic lace-making atelier. Cross to the neighboring island of Mazzorbo, and wander through an estate devoted to making wine with indigenous Dorona grapes. After a tour of the vineyard, gather for a wine tasting. Sail the historic Venetian Lagoon, with its numerous tiny islands and picturesque fishing villages. On peaceful Torcello, admire Byzantine mosaics inside the Basilica of Santa Maria Assunta with an art historian. Be on deck tonight as we sail Brenta Canal, opened exclusively for us. Dock in the picturesque fishing village of Porto into illuminated Venice. B,L,D SATURDAY, SEPTEMBER 25: VENICE Docked in Venice, take a tour led by an art expert to the Accademia, Venice’s grand museum housing masterworks by Tiepolo, Veronese, and Bellini. Explore Venice’s famous family. Meticulously designed by urban planner Biagio Rossetti, Ferrara was the first fully opera house, La Fenice, on a behind-the-scenes tour.
Recommended publications
  • Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences
    Athens Journal of History January 2016 Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences By Antonella Manzo The main aim of this work is to critically examine Santa Fosca building period through the analysis of the similarities as well as the differences with some churches located in Greece and belonging to the so-called octagonal domed type. In fact, since the second half of the Nineteenth century a historiographical tradition has compared Santa Fosca with these Greek Middle-Byzantine churches, where eight supports, piers or columns, arranged in a regular or irregular octagon, receive the loads from the cupola. The comparison is based on the direct analysis of these buildings: the structural configuration, the constructive materials and techniques as well as the affinities in decoration, occurring both inside and outside, are under investigation. This contribution offers a new perspective, from which it could be possible to study the period of erection of the Venetian church, a topic that is still object of debate among the scientific community. Introduction Torcello is an island belonging to the Northern Venetian Laguna, which lives its golden age during the X-XI century AD: in his Administrando Imperio of 927 Constantine VII Porphyrogenitus defines Torcello as emporion mega, to testify the great importance of its intense trades with the Orient. The church of Santa Fosca is located on the island at the Southern side of the ancient Basilica of Santa Maria Assunta, whose origins date back to the inscription of 639 AD, discovered during the excavations of 1895.
    [Show full text]
  • ART HISTORY of VENICE HA-590I (Sec
    Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001).
    [Show full text]
  • The Future of Venice's Past and the Archaeology of The
    CHAPTER SEVEN THE FUTURE OF VENICE’S PAST AND THE ARCHAEOLOGY OF THE NORTHEASTERN ADRIATIC EMPORIA DURING THE EARLY MIDDLE AGES Sauro Gelichi1 Were there Italian Emporia in the Early Middle Ages? The debate about the archaeology of early medieval emporia has been, and essentially remains, entirely north-European, due to both its greater visibility in those regions and the intrinsic nature of archaeology in those countries.2 Of course, the development of these investigations has produced records that have been immediately used for a more general discussion of the economy in Europe and the Mediterranean from Late Antiquity to the Carolingian Age, following in the wake of a critical revision of the views of the well-known Belgian historian Pirenne.3 Developed during the first decade of the last century, the Pirenne thesis has been variously discussed and disputed over time.4 However, due to its overall persuasive nature, it continues to be one of the few examples that attempts to explain the developments and mechanisms of the economy in early medieval Europe in general terms. Lying in the background of this theory and linked to Pirenne’s view of Europe as a centre of the Carolingian economy is the ques- tion of towns and their function in the early medieval period. This is a question to which Pirenne had also made a particular contribution in terms of a reassessment of their role and function, at least before 1 Università Ca’ Foscari—Venezia. 2 R. Hodges, Dark Age Economics: the origins of towns and trade AD 600–1000 (London, 1982); M.
    [Show full text]
  • The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and Their Modern Day Implications Dimitar M
    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects December 2016 The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and their Modern Day Implications Dimitar M. Vouldjeff Worcester Polytechnic Institute Jessica Lynn Wey Worcester Polytechnic Institute John W. Devine Worcester Polytechnic Institute Marcus Patrick Lundgren Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Vouldjeff, D. M., Wey, J. L., Devine, J. W., & Lundgren, M. P. (2016). The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and their Modern Day Implications. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3242 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Boundaries of Venice Digitally Mapping Historical Venetian Borders and their Modern Day Implications An Interactive Qualifying Project Report submitted to the faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science Submitted by: John DeVine, Jr. Marcus Lundgren Dimitar Vouldjeff Jessica Wey Submitted to: Prof. N. Aaron Deskins Prof. Fabio Carrera Sponsor: Venice Project Center [email protected] https://sites.google.com/site/ve16bound/ This report represents the work of WPI undergraduate students submitted to the faculty as evidence of completion of a degree requirement. WPI routinely publishes these reports on its website without editorial or peer review. For more information about the projects program at WPI, please see http://www.wpi.edu/academics/ugradstudies/project-learning.html The Boundaries of Venice Authorship John DeVine, Jr.
    [Show full text]
  • Curriculum Laguna Membership La Venessiana
    C U R R I C U L U M 2 0 2 0 / 2 1 Laguna in Cucina M E M B E R S H I P created by: L A V E N E S S I A N A - V E N E Z I A CURRICULUM 0 2 Virtual visits to Venice + Lagoon. Gourmet Classes Listen + watch Venetian stories (audio + video), come along on virtual visits around the hidden Venice, learn to cook our seasonal menus, and explore the Lagoon islands in the videos tours. New content drops weekly (every Tuesday). Here's the syllabus for the first 12 months + 3 very special bonuses! CASSIS AND CALENDULA: The Almanac; the story of Campo San Lorenzo and Marco Polo - Ferragosto menu + summer comfort food + visit AUGUST to Sacca Sessola, August recipe box. Herb of the month: the curry plant; How Venice dealt with pandemics CORIANDER AND UVA FRAGOLA: The Almanac; Disnar de la Regata storica (traditional menu), Mondays on the Lido, Harvesting uva fragola grapes + cake recipe, Autumn equinox in Venice, SEPTEMBER a virtual visit to Poveglia, September recipe box. Herb of the month: coriander SQUASH AND POMEGRANATE: The Almanac; San Firmino; Lepanto day in Venice; Wine harvest in the Lagoon; Spicy Venetian squash soup; recipes OCTOBER with pomegranates; October recipe box, Pan di pistacchio - the Doge's Pistacchio cake, Virtual visit to San Francesco del Deserto. CHESTNUTS AND LIQUORICE: The Almanac, All Saints Day in Venice + recipes, Virtual visit to the islands San Michele / San NOVEMBER Cristoforo, San Martino in Venice, comfort food for fall, Recipe box, The true story of Festa della Salute - Thanksgiving in Venice + recipes PERSIMMON AND BERGAMOT: The Almanc, the Venetian Christmas cake - la pinza; Foraging for DECEMBER winter herbs in the Lagoon; Winter solstice menu; Christmas flavors from Venice; New Years Eve; Recipe box, le nuvoete - fluffy Christmas cookies CURRICULUM 0 2 Virtual visits to Venice + Lagoon.
    [Show full text]
  • Basilica Santa Maria Assunta in Torcello, Italy
    HADES AS THE RULER OF THE DAMNED IN THE MOSAIC COMPLEX ON THE WEST WALL OF BASILICA SANTA MARIA ASSUNTA IN TORCELLO, ITALY ALEKSANDRA KRAUZE-KOŁODZIEJ The aim of this article is to show the figure of the ancient god Hades as an important part of Byzantine symbolic representations of the Last Judgement, using the example of the mosaic from the west wall of Basilica Santa Maria Assunta in Torcello, Italy. The article is divided into three main parts. The first part briefly introduces the mosaic complex from Torcello, providing a description of the place, the Basilica, and the mosaic. In the second part, the author focuses on the fragment of the mosaic presenting the figure of Hades in hell. In an effort to show the iconographical and cultural continuity between ancient and early medieval representations, the author compares this figure to its ancient prototype. The last part of the article portrays the development of the motif of the Last Judgment by looking at other chosen representations. In conclusion, the author proposes a possible meaning of the presence of Hades in the mosaic of Torcello. Introduction “There [in Hades] also among the dead, so men tell, another Zeus [Haides] holds a last judgment upon misdeeds” (Aeschyl. Suppl. 230).1 Thus, the Greek tragedian describes one of the most mysterious and terrifying gods in the ancient world: Hades, the god of death. Although this mighty divinity already ruled the ancient Greek Underworld in the time of Homer (e.g. Hom. Il. 9,457; Hes. Theog. 455), he did not receive the power to judge the dead until the post-Homeric period (e.g.
    [Show full text]
  • Veneziaterreing.Pdf
    ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MMEESSTTRREE Aeroporto Marco Polo SANTA LUCIA RAILWa AY STATION - Venice MARGHERA ezia TORCELLO Padova-Ven BURANO autostrada S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ i ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA VTP. - M. 103 for Venice PUNTA SABBIONI RIVIERA DEL BRENTA VENEZIA LIDO WATER-BUS STATION MALAMOCCO VTP - San Basilio ALBERONI z S. PIETRO IN VOLTA WATER-BUS STATION Riva 7 Martiri - Venice PORTOSECCO PELLESTRINA P PIAZZALE ROMA CAe R PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA Cn AR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre e P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre V P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year.
    [Show full text]
  • Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences
    Athens Journal of History - Volume 2, Issue 1 – Pages 43-58 Santa Fosca in Torcello and the Middle Byzantine Churches in Eastern Greece: Preliminary Comparison and Remarks on Common Features and Differences By Antonella Manzo The main aim of this work is to critically examine Santa Fosca building period through the analysis of the similarities as well as the differences with some churches located in Greece and belonging to the so-called octagonal domed type. In fact, since the second half of the Nineteenth century a historiographical tradition has compared Santa Fosca with these Greek Middle-Byzantine churches, where eight supports, piers or columns, arranged in a regular or irregular octagon, receive the loads from the cupola. The comparison is based on the direct analysis of these buildings: the structural configuration, the constructive materials and techniques as well as the affinities in decoration, occurring both inside and outside, are under investigation. This contribution offers a new perspective, from which it could be possible to study the period of erection of the Venetian church, a topic that is still object of debate among the scientific community. Introduction Torcello is an island belonging to the Northern Venetian Laguna, which lives its golden age during the X-XI century AD: in his Administrando Imperio of 927 Constantine VII Porphyrogenitus defines Torcello as emporion mega, to testify the great importance of its intense trades with the Orient. The church of Santa Fosca is located on the island at the Southern side of the ancient Basilica of Santa Maria Assunta, whose origins date back to the inscription of 639 AD, discovered during the excavations of 1895.
    [Show full text]
  • Preservenice Preserving Venetian Public Art
    1 PreserVENICE Preserving Venetian Public Art An Interactive Qualifying Project Report Submitted to the faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment on the requirements for the Degree of Bachelor of Science Submitted by Amanda Kent Rebecca Kieselbach Kyle Miller Ryan Sottolano Steven Vessella Submitted on December 14 th , 2007 Sponsor Venice Project Center Worcester Polytechnic Institute Approved: Dr. Kristen Billiar Dr. Fabio Carrera Advisor Advisor [email protected] www.wpi.edu/~veniceart 2 Acknowledgements The 2007 Art Group would like to acknowledge the following people and organizations for their help with our project: • Gerolamo Fazzini , for showing us the lion on Lazzaretto Nuovo • Alberto Gallo, Andrea ovello and Daniela Pavan , the staff of the Venice Project Center, for all the time they took to help us • Count Girolamo Marcello and Countess Lesa Marcello , for helping with our cause • Alberto Rizzi , for starting it all Additionally, the following for their ideas, time, help, and coffee: • Thierry Morel • Piero Pazzi • Franco Filippi • The Settemari Rowing Club • The staff of the Caffé Brasilia : Mauro, Susan, Martina and Elisa 3 Abstract The purpose of this project was to preserve Venetian public art, a diverse collection of artifacts that is as unique as the city itself. Examining the data collected by prior IQP groups, we agreed on a definition of “public art” that included not only decorative pieces but also structural and functional ones. Our next task was to incorporate missing objects into the database. We systematically searched every public street on the lagoon islands of Burano, Mazzorbo, Murano and Torcello, recording condition data for the pieces found and updating the database with the new information.
    [Show full text]
  • Stones of Venice: Targeting the Island Advantage in the Topological Representation of the City
    (Corner)stones of Venice: Targeting the Island Advantage in the Topological Representation of the City Roberto Casati1, 2, Magda Stanová2,3 , Stéphanie Roisin2 1Institut Jean Nicod CNRS EHESS-ENS, Paris, 2Università IUAV, Venice, 3San Francisco Art Institute, San Francisco Abstract: We investigate the spatial structure of Venice from the viewpoint of the pedestrian, distinguishing and taxonomizing various types of blocks, and contrasting blocks with islands. Pedestrians’ Venice has a shape that differs in interesting ways from that of Venice for the sailor. The duality of islands and blocks is introduced and discussed. An “island advantage” may bias the spatial representation of the structure of the city. We provide a tentative large scale block map of downtown Venice that points to some inferential advantages of a block representation. Keywords: maps, Venice, space representation, topology, island advantage 1 1. Islands and blocks The complexity of cities is a challenge for any modelling endeavour. There exist attempts at providing formal analyses (Blanchard and Volchenkov, 2009). Here we are interested in the interface between the underlying topological structure and the cognitive representation that could lead improving existing orientation artefacts. Our case study is Venice, which superpose a network of canals and a network of pedestrian paths. The complex spatial network of Venice is somewhat hard to master and represent, as many a non-native discovers when visiting the town; repeated visits provide some comfort, by improving both the mental representation and the ability to navigate, but a sense of disorientation remains. Graphical representations of the city (Guerra and Scarso, 1999), such as maps, are typically hard to decipher, and many are not even accurate at a level that matters for pedestrian navigation.
    [Show full text]
  • A Short Boat Ride from Busy Piazza San Marco, These Under-The-Radar Venetian Lagoon Islands Promise a Tourist-Free Taste of the Real Italy
    GET HERE BY ADAM H. GRAHAM PHOTOGRAPHY BY JON WHITTLE BEYOND VENICE A short boat ride from busy Piazza San Marco, these under-the-radar Venetian Lagoon islands promise a tourist-free taste of the real Italy. The view of Venice from the JW Marriott, set on a private island. 26 islands JUNE JUNE islands 27 GET HERE There are complimentary water shuttles for guests of both the JW Marriott and Kempinski from Piazza San Marco that depart every 30 minutes and take approximately 15 minutes to reach the islands. From the airport and train station, private shuttles or water taxis can be hired at the canal or arranged ahead of time through the hotels. Venissa Wine Resort can arrange private water taxis, but you can also reach it by taking the public Vaporetto ON THE WATER-TAXI RIDE FROM retreats and Michelin-starred restau- line. Getting to Torcello, Mazzorbo Venice’s Stazione di Venezia Santa Lucia, rants. Mazzorbo, Isola delle Rose, Burano, and Burano takes a storm is building on the horizon. The Torcello, Sant’Erasmo and Isola di San 35 minutes from O Piazza San Marco, boat skids over the canals, blurring past Clemente: what these islands offer is a but only 15 minutes Gothic arched windows and ornamental taste of Venice — with far fewer crowds. from the airport. bridges before emptying out into the vast, The lagoon itself is having a resur- Clockwise from above: The private shuttle boat at the JW open wetlands of the lagoon. The driver gence, finally recovering from decades Marriott; drinking and dining at the hotel’s Sagra Rooftop points to the inky sky and shouts over of pollution.
    [Show full text]
  • Isole Venete: Murano, Burano, Torcello
    Sabato 25 APRILE e Sabato 1° MAGGIO ISOLE VENETE: MURANO, BURANO, TORCELLO PARTENZE: ORE 07:00 ROVIGO – HOTEL CRISTALLO/P.ZZA F.LLI CERVI ORE 07:15 MONSELICE – EX PARK CONAD (Viale Lombardia, 23) ORE 07:30 CONSELVE – AGENZIA VIAGGI TIF ORE 07:45 ALBIGNASEGO – P.ZZA DEL DONATORE ORE 08:00 BRUSEGANA – CAPOLINEA PARK COLLI Si raccomanda la puntualità! Sistemazione in pullman e partenza per Sottomarina Imbarco sulla motonave e navigazione all’interno della laguna veneta, costeggiando i litorali di Pellestrina, del Lido di Venezia, e la città di Venezia incontrando piccole isolette come Poveglia, San Lazzaro degli Armeni, San Michele in Isola. Sbarco a Murano dove verrà effettuata una sosta di circa un’ora per una passeggiata o per la visita ad una fornace di vetro (visita da riconfermare). Murano più che un’isola è in realtà un agglomerato di piccole isole tra loro collegate. Un mondo magico che racconta una storia lunghissima: quella del vetro artistico. Questa fiorente industria, qui concentrata sin dal Medioevo, conferì a Murano un tale prestigio che poté godere di una certa indipendenza rispetto alle altre isole veneziane. Infatti con l'editto promulgato dal Doge Tiepolo nel 1291, Murano venne dichiarata area industriale divenendo ben presto la capitale della produzione vetraria mondiale. I segreti del mestiere, tradizionalmente tramandati di padre in figlio e gelosamente custoditi dalle famiglie più importati, venivano tutelati attraverso dure sanzioni. Proseguimento per Burano, sosta di circa due ore per passeggiare attraverso le calli ed i campielli di questa particolarissima isoletta di pescatori, principalmente conosciuta per l’arte del merletto e per il pranzo libero.
    [Show full text]