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Lessons from Burkina Faso's Thomas Sankara By
Pan-Africanism and African Renaissance in Contemporary Africa: Lessons from Burkina Faso’s Thomas Sankara By: Moorosi Leshoele (45775389) Submitted in accordance with the requirements for the degree of Doctor of Philosophy At the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: Prof Vusi Gumede (September 2019) DECLARATION (Signed) i | P a g e DEDICATION I dedicate this thesis to Thomas Noel Isadore Sankara himself, one of the most underrated leaders in Africa and the world at large, who undoubtedly stands shoulder to shoulder with ANY leader in the world, and tall amongst all of the highly revered and celebrated revolutionaries in modern history. I also dedicate this to Mariam Sankara, Thomas Sankara’s wife, for not giving up on the long and hard fight of ensuring that justice is served for Sankara’s death, and that those who were responsible, directly or indirectly, are brought to book. I also would like to tremendously thank and dedicate this thesis to Blandine Sankara and Valintin Sankara for affording me the time to talk to them at Sankara’s modest house in Ouagadougou, and for sharing those heart-warming and painful memories of Sankara with me. For that, I say, Merci boucop. Lastly, I dedicate this to my late father, ntate Pule Leshoele and my mother, Mme Malimpho Leshoele, for their enduring sacrifices for us, their children. ii | P a g e AKNOWLEDGEMENTS To begin with, my sincere gratitude goes to my Supervisor, Professor Vusi Gumede, for cunningly nudging me to enrol for doctoral studies at the time when the thought was not even in my radar. -
Mothers of the Revolution
Mothers of the revolution http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.crp3b10035 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Mothers of the revolution Author/Creator Staunton, Irene Publisher Baobab Books (Harare) Date 1990 Resource type Books Language English Subject Coverage (spatial) Zimbabwe Source Northwestern University Libraries, Melville J. Herskovits Library of African Studies, 968.9104 M918 Rights This book is available through Baobab Books, Box 567, Harare, Zimbabwe. Description Mothers of the Revolution tells of the war experiences of thirty Zimbabwean women. Many people suffered and died during Zimbabwe's war of liberation and many accounts of that struggle have already been written. -
Africans: the HISTORY of a CONTINENT, Second Edition
P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 This page intentionally left blank ii P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 africans, second edition Inavast and all-embracing study of Africa, from the origins of mankind to the AIDS epidemic, John Iliffe refocuses its history on the peopling of an environmentally hostilecontinent.Africanshavebeenpioneersstrugglingagainstdiseaseandnature, and their social, economic, and political institutions have been designed to ensure their survival. In the context of medical progress and other twentieth-century innovations, however, the same institutions have bred the most rapid population growth the world has ever seen. The history of the continent is thus a single story binding living Africans to their earliest human ancestors. John Iliffe was Professor of African History at the University of Cambridge and is a Fellow of St. John’s College. He is the author of several books on Africa, including Amodern history of Tanganyika and The African poor: A history,which was awarded the Herskovits Prize of the African Studies Association of the United States. Both books were published by Cambridge University Press. i P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 ii P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 african studies The African Studies Series,founded in 1968 in collaboration with the African Studies Centre of the University of Cambridge, is a prestigious series of monographs and general studies on Africa covering history, anthropology, economics, sociology, and political science. -
RCS Demographics V2.0 Codebook
Religious Characteristics of States Dataset Project Demographics, version 2.0 (RCS-Dem 2.0) CODE BOOK Davis Brown Non-Resident Fellow Baylor University Institute for Studies of Religion [email protected] Acknowledgements I would like to thank the following persons for their assistance, without which this project could not have been completed. First and foremost, my co-principal investigator, Patrick James. Among faculty and researchers, I thank Brian Bergstrom, Peter W. Brierley, Peter Crossing, Abe Gootzeit, Todd Johnson, Barry Sang, and Sanford Silverburg. I also thank the library staffs of the following institutions: Assembly of God Theological Seminary, Catawba College, Maryville University of St. Louis, St. Louis Community College System, St. Louis Public Library, University of Southern California, United States Air Force Academy, University of Virginia, and Washington University in St. Louis. Last but definitely not least, I thank the following research assistants: Nolan Anderson, Daniel Badock, Rebekah Bates, Matt Breda, Walker Brown, Marie Cormier, George Duarte, Dave Ebner, Eboni “Nola” Haynes, Thomas Herring, and Brian Knafou. - 1 - TABLE OF CONTENTS Introduction 3 Citation 3 Updates 3 Territorial and Temporal Coverage 4 Regional Coverage 4 Religions Covered 4 Majority and Supermajority Religions 6 Table of Variables 7 Sources, Methods, and Documentation 22 Appendix A: Territorial Coverage by Country 26 Double-Counted Countries 61 Appendix B: Territorial Coverage by UN Region 62 Appendix C: Taxonomy of Religions 67 References 74 - 2 - Introduction The Religious Characteristics of States Dataset (RCS) was created to fulfill the unmet need for a dataset on the religious dimensions of countries of the world, with the state-year as the unit of observation. -
The Ground of Empowerment
THE GROUND OF EMPOWERMENT W. E. B. Du Bois and the Vision of Africa’s Past by Tracey Lynn Thompson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Tracey Lynn Thompson 2011 The Ground of Empowerment W. E. B. Du Bois and the Vision of Africa’s Past Tracey Lynn Thompson Doctor of Philosophy Department of History University of Toronto 2011 Abstract Scholars have examined many aspects of W. E. B. Du Bois’s project of empowering oppressed peoples in the United States and around the world. However they have treated in only a fragmentary way one of the principal strategies that he used to counter hegemonic ideologies of African and African American inferiority. That strategy was to turn to the evidence of history. Here I argue that Du Bois, alerted by Franz Boas to Africans’ historical attainments, confronted claims made by European Americans that Africans and a fortiori African Americans lacked any achievement independent of European or other foreign influence. Du Bois linked African Americans to Africa and laid out repeatedly and in detail a narrative of autonomous African historical accomplishment. I demonstrate that his approach to the history of Africa constituted a radical departure from the treatment of Africa presented by scholars located in the mainstream of contemporary anglophone academic thought. I argue that while his vision of Africa’s history did not effect any significant shift in scholarly orthodoxy, it played a crucial role, at a grave juncture in race relations in the United States, in helping to equip young African Americans with the psychological resources necessary to challenge white supremacist systems. -
Zimbabwe Annual Budget Review for 2016 and the 2017 Outlook
ZIMBABWE ANNUAL BUDGET REVIEW FOR 2016 AND THE 2017 OUTLOOK Presented to the Parliament of Zimbabwe on Thursday, July 20, 2017 by The Hon. P. A. Chinamasa, M.P. Minister of Finance and Economic Development 1 1 2 FOREWORD In presenting the 2017 National Budget on 8 December 2016, I indicated the need to strengthen the outline of the Budget Statement presentation as an instrument of Budget accountability and fiscal transparency, in the process improving policy engagement and accessibility for a wider range of public and targeted audiences. Accordingly, I presented a streamlined Budget Statement, and advised that extensive economic review material, which historically was presented as part of the National Budget Statement, would now be provided through a new publication called the Annual Budget Review. I am, therefore, pleased to unveil and Table the first Annual Budget Review, beginning with Fiscal Year 2016. This reports on revenue and expenditure outturn for the full fiscal year, 2016. Furthermore, the Annual Budget Review also allows opportunity for reporting on other recent macro-economic developments and the outlook for 2017. As I indicated to Parliament in December 2016, the issuance of the Annual Budget Review, therefore, makes the issuance of the Mid-Term Fiscal Policy Review no longer necessary, save for exceptional circumstances requiring Supplementary Budget proposals. 3 Treasury will, however, continue to provide Quarterly Treasury Bulletins, capturing quarterly macro-economic and fiscal developments, in addition to the Consolidated Monthly Financial Statements published monthly in line with the Public Finance Management Act. This should avail the public with necessary information on relevant economic developments, that way enhancing and supporting their decision making processes, activities and engagement with Government on overall economic policy issues. -
The End of Jambanja?
The End of Jambanja? Social Organisation and Agency in ‘fast track’ Areas Tendai Murisa 2012 Copyright © 2012 Tendai Murisa First Printing 2012 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechani- cal, photocopying, recording or otherwise without the prior written permission of the publisher. Book and cover design: Isis Designs ISBN 978-0-7974-4754-7. The End of Jambanja? | i Table of Contents LIST OF TABLES vii PREFACE ix ACKNOWLEDGEMENTS x LIST OF ACRONYMS xii -1- SETTING THE SCENE 1 1.1 Introduction 1 1.2 Background to the Study 3 1.3 Rural Collective Action 5 1.4 Justification 14 1.5 Research Methods 16 1.6 Background to the Study Area 18 1.6.1 Goromonzi District and Bromley Ward 18 1.6.2 Zvimba District and Banket 20 1.7 The Structure of the Book 22 1.8 Study Approach 23 1.9 Research Objectives and Questions 26 -2- LAND REFORM AND THE QUEST FOR A ‘DEMOCRATIC SOCIETY’ 27 2.1 Introduction 27 2.2 Agrarian Reform and the Democratic Society 28 2.3 The Discourse on Rural Collective Action 30 ii | The End of Jambanja? 2.4 Unravelling the Concepts 33 2.4.1 Rural Communities and Social Organisation 34 2.4.2 Agency and Associational Rural Activities 36 2.4.3 Civil Society in Newly Resettled Areas: Nailing Jelly to the Wall 39 -3- AGRARIAN RESTRUCTURING IN POST-INDEPENDENCE ZIMBABWE 42 3.1 Introduction 42 3.2 Social Reproduction in Customary Tenure Areas 42 3.3 Constraints to Land and Agrarian Reform 45 3.4 Early Attempts at Reform 46 -
Appendix 13 Pdf, 765Kb
UNRSC MEETING OCTOBER 5 – 6, 2010 LASER INTERNATIONAL MANAGING A ROAD SAFETY NETWORK Co authors : Ms. Ndèye Awa SARR – President Dr Daouda SAGNA- Director of Projects MAIN FORMER ACTIVITIES: DECEMBER 2009: FIRST EUROMEDITERRANEAN FORUM IN PARIS FEBRUARY 2010: GLOBAL ROAD SAFETY FILM FESTIVAL IN MARRAKECH MARSCH 2010: Launch GLOBAL HELMET VACCINE INITIATIVE IN SENEGAL MAY 2010: FIRST REGIONAL ROAD SAFETY FORUM IN DAKAR THE MINISTER OF TRANSPORT, THE 18-19-20 FEB IN PARTENRSHIP WITH PRESIDENT OF LASER, THE DIRECTOR MAROCCO OF CNPAC AND THE JURY GLOBALGLOBAL ROADROAD SAFETYSAFETY FILMFILM FESTIVALFESTIVAL MICHELE YEOH RECEIVING FIA AWARD FEBRUARYFEBRUARY 1919 –– 2020 GLOBALGLOBAL FESTIVALFESTIVAL ROADROAD SAFETYSAFETY ININ MARRAKECHMARRAKECH GLOBAL HELMET VACCINE INITIATIVE ¾ PROGRAM LAUNCHED ON MARCH 2010 ¾ SENEGAL THE PILOTE COUNTRY ¾ AIPF PROGRAM LEADED BY LASER INTERNATIONAL ¾ 5 CITIES TARGETTED MARSCH 18, 2010 LAUNCH GHVI SENEGAL Road Safety Ambassador Rita Cuypers receiving DIDIER AWADI FIA certificate M. Greig CRAFT HELMET DONATION IN A PRIMARY SCHOOL IN ZIGUINCHOR 1st REGIONAL ROAD SAFETY FORUM SAFE, CLEAN AND HEALTHY TRANSPORT MrMr EKEKEEKEKE MONONOMONONO (WHO(WHO AFRICA)AFRICA) COUNTRIES AND INSTITUTIONS Senegal, Malia, Ivory Coast, Mauritania, Benin, Togo, Cap Vert, Burkina Faso, Niger, Bissau Guinea, Morocco, Gambia, Tunisia, Cameroun, Nigeria, France, EU, UNECA, WHO, Fleet Forum, LASER EUROPE, TNT, North Star Alliance, UNEP, GTKP IT MOBILE, SICTA-SGS, CETUD LASER GOING REGIONAL AND INTERNATIONAL IN THE HEART OF A REGIONAL ROAD SAFETY NETWORK: WARSO - WAEMU – ECOWAS- WESTERN AFRICAN COUNTRIES ¾ RAISING GOVERNEMENTS COMMITMENT. ¾ FACILTATE RELATION BETWEEN GOVERNEMENT AND INSTITUTIONS. ¾ KNOWLEDGE AND REGIONAL EXPERTISE. ¾ PARTICIPATION IN COMITIES IN CHARGE OF DRAWING AND SETTING UP NATIONAL ROAD SAFETY PLANS. ◦ INVOLVMENT IN ROAD SAFETY AUDIT. -
Mise En Page 1
[]Annual Report 2004 Legalmentions Published by : IUCN Regional Office for West Africa, Ouagadougou, Burkina Faso © 2005 International Union for Conservation of Nature and Natural Resources Reproduction of this publication for educational or other non-commercial purposes is authorized without prior written permission from the copyright holder provided the source is fully acknowled- ged. Citation : IUCN-BRAO (2005). Annual Report 2004, Ouagadougou, Burkina Faso. 34 pp. ISBN : 2-8317-0851-6 Cover photos : J.F. Hellion N. Van Ingen - FIBA IUCN Jean-Marc GARREAU Louis Gérard d’ESCRIENNE Design and layout by : DIGIT’ART Printed by : Ghana Printing & Packaging Industries LTD Available from : IUCN-regional office for West Africa 01 BP 1618 Ouagadougou 01 Burkina Faso Tél.: (226) 50 32 85 00 Fax : (226) 50 30 75 61 E-mail : [email protected] Website : www.iucn.org/brao IUCN []3 []Annual Report 2004 Contents 6 Foreword Substantial Development of the Regional Programme in 2004 8 IUCN donors A Standing Support 10 Four Years in West Africa 10 - Introduction 12 - The Regional Wetlands Programme 15 - Economic and Social Equity as Core Principle of Conservation 18 - Creating Dialogue for Influencing Policies 21 - WAP transboundary Complex Protecting the Environment is “ to guarantee social and economic livelihood 24 West Africa at the Bangkok Congress IUCN-BRAO took part in the Bangkok World Conservation Congress “ of populations in West Africa 26 Programme Development prospects for IUCN West Africa 26 - The New Four-Year Programme 31 - The PRCM is moving forward 32 Annexes 32 - Financial Reports 33 - Recent Publications 33 - List of IUCN Members in West Africa 34 - IUCN Offices []4 REGIONAL OFFICE FOR WEST AFRICA IUCN []5 []Annual Report 2004 West Africa Members, up to date with the Foreword bylaws of the Organisation, were all represented at this meeting. -
AURA Ou De La Production Politique De La Musique Hip-Hop »
City Research Online City, University of London Institutional Repository Citation: Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49, pp. 147-160. doi: 10.7202/1001415ar This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/13253/ Link to published version: http://dx.doi.org/10.7202/1001415ar Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Article « AURA ou de la production politique de la musique hip-hop » Jenny MBaye Cahiers de recherche sociologique , n° 49, 2010, p. 147-160. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/1001415ar DOI: 10.7202/1001415ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. -
New Broom in Burkina Faso?
alexandra reza NEW BROOM IN BURKINA FASO? n late october 2014, hundreds of thousands of people poured onto the streets of Burkina Faso, incensed by Blaise Compaoré’s bid to change the constitution and seek a fifth presidential term.1 Many of their placards displayed photographs of Thomas Sankara, ICompaoré’s revolutionary predecessor. Others simply read: ‘Blaise, Get Out.’ Pressure had been building all year among citizens of the impov- erished West African state, and by October the mood had hardened. Compaoré clung on, sometimes defiant, sometimes pleading: suggesting reforms, appealing for stability, issuing reminders about the importance of the rule of law. The protests continued nonetheless. Police lined the streets. Many demonstrators were injured; at least thirty were killed. A group called Balai Citoyen (‘Citizens’ Broom’) played a key role in the protests. Balai was founded by prominent musicians: Smockey, a rapper, and the reggae artist Sams’K Le Jah, whose music helped to energize the mainly young crowd—60 per cent of Burkinabès are under 24. As well as Balai Citoyen, other social movements mobilized, among them the Mouvement Ça Suffit (‘That’s Enough’), along with trade unionists and established opposition politicians such as Zéphirin Diabré and Saran Sérémé, who had formerly been members of Compaoré’s ruling party. Sérémé and her colleague Juliette Kongo organized a major women’s protest in the capital Ouagadougou on 27 October. Thousands marched, holding wooden cooking spatulas and megaphones in the air. Eventually, on the 30th, a huge crowd—the opposition claimed it was a million strong—marched on the parliament building and breached its security cordon. -
Using Hip-Hop As a Form of Decolonizing Public Pedagogy the Case of Didier Awadi
RECLAIMING OUR SUBJUGATED TRUTHS: USING HIP-HOP AS A FORM OF DECOLONIZING PUBLIC PEDAGOGY THE CASE OF DIDIER AWADI by Joanna Daguirane Da Sylva B.A., Manhattan College, 2007 M.A., The New School University, 2010 A THESIS SUBMITTED IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (Educational Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2016 © Joanna Daguirane Da Sylva, 2016 Abstract When walking through the streets of Dakar, hip-hop makes its way through the radios of the city. Hip-hop has been a prominent and influential music genre and culture in Senegal since the 1980s. Hip-hop music has been used by Senegalese to cover the social, economic and political life of the country, and to promote political activism among the youth. Rapping was not born in a vacuum in Senegal but subtly continues the long-standing tradition of storytelling through spoken words and music, griotism. Moving away from hip-hop stereotypes, defined by critics as violent, racist, homophobic, sexist, materialistic, misogynistic and vulgar, my case study focuses on critical and conscious Senegalese hip-hop, which embraces hip-hop social and educational movements utilized to voice societal injustice and challenge the status quo. Senegalese hip-hop is a platform for political activists to denounce institutional racism, Western domination, poverty, and national corruption, with the hope of contributing to a better and just society that recognizes and legitimizes knowledges and voices of formerly colonized Africans. Didier Awadi is one of the most talented, conscientious, influential and revolutionary hip-hop artists and political activists of the continent.