DOCSLIB.ORG

United States Media Portrayals of the Developing World: a Semiotic Analysis of the One Campaign's Internet Web Site

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
United States Media Portrayals of the Developing World: a Semiotic Analysis of the One Campaign's Internet Web Site California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2008 United States media portrayals of the developing world: A semiotic analysis of the One campaign's internet web site Lindsey Marie Haussamen Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Mass Communication Commons, and the Rhetoric Commons Recommended Citation Haussamen, Lindsey Marie, "United States media portrayals of the developing world: A semiotic analysis of the One campaign's internet web site" (2008). Theses Digitization Project. 3387. https://scholarworks.lib.csusb.edu/etd-project/3387 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. UNITED STATES MEDIA PORTRAYALS OF THE DEVELOPING WORLD: A SEMIOTIC ANALYSIS OF THE ONE CAMPAIGN'S INTERNET WEB SITE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Lindsey Marie Haussamen December 2008 UNITED STATES MEDIA PORTRAYALS OF THE DEVELOPING WORLD: A SEMIOTIC ANALYSIS OF THE ONE CAMPAIGN'S INTERNET WEB SITE A Thesis Presented to the Faculty of California State University, San Bernardino by Lindsey Marie Haussamen December 2008 Approved by: Date ABSTRACT The goal of this research was to examine how the One organization's Web site either supports or rejects established literature that concludes that U.S. media contains negative representations of the developing world. This thesis offers a semiotic critique of the One -organization's Home, About, Issues, and FAQs Web site pages' visual and verbal portrayals of people in Africa, and how these portrayals establish or counteract cultural imperialism. The visual and verbal representations portrayed on One's Web site are a mixture of positive and negative representations. Many of the messages follow the all too frequently witnessed depictions of negativity; however, there are a few messages that convey positive representations of the situations facing the developing world. While the four Web pages under critical examination did display a select few positive representations of the developing nations of Africa, the overall finding is that One's portrayal of the developing world supports the general conclusion of negative portrayals in U.S. media. iii ACKNOWLEDGEMENTS There are many people who I would like to thank for their support with this project. Although I would like to take all the credit for this piece of work, this thesis would not have been possible without many others who helped me along the way. Much appreciation goes out to my thesis committee members, Dr. Heather Hundley, Dr. Ahlam Muhtaseb, and Dr. Ece Algan for all their guidance and support. Thank you for sticking with me and helping me realize the potential and ultimate goal of this research. Thank you to my family. Without your love and support I would have given up on school a long time ago, but you all kept me going and helped me see the future possibilities that await me. Thank you most of all for instilling in me a passion for the larger world around me. Whether you all realize it or not, you helped me out of my bubble and showed me that there is much more to life than my immediate surroundings, and that there is much to be explored and discovered from other people and cultures around the world. iv My deepest gratitude goes out to my love and best friend, without whom graduate school and this project would have remained a future dream of mine. You have been with me from the beginning and have seen me through all the ups and downs of my work. Thank you for always sticking by my side and giving me the support and encouragement I needed to see this through to the end. v TABLE OF CONTENTS ABSTRACT................................................... iii ACKNOWLEDGEMENTS............................ iv CHAPTER ONE: DOMINANCE OF UNITED STATES MEDIA Introduction........................................ 1 Statement of the Problem.......................... 5 Literature Review ............... ............... , 8 Cultural Imperialism as a Theoretical ■ Perspective....................................... 27 CHAPTER TWO: WEB SITES, NONPROFITS, AND SEMIOTICS. 41 Research Questions. ... 61 ■Method: Semiotic Analysis ........................ 62 CHAPTER THREE: VISUAL REPRESENTATIONS OF THE DEVELOPING WORLD Pictures and Images............................. 75 Semiotic Visual Conclusions ...................... 91 CHAPTER FOUR: VERBAL REPRESENTATIONS OF THE DEVELOPING WORLD................... 95 Words.............................................. 96 Semiotic Verbal Conclusions ............... ... 112 CHAPTER FIVE: AFFIRMING CULTURAL.IMPERIALISM AND THE SEARCH FORA MORE POSITIVE APPROACH. 113 Implications............................ 119 Limitations ..... ............................ 123 Future Research ................................. 133 vi APPENDIX A: ONE'S INTERNET HOME PAGE . 136 APPENDIX B: ONE'S INTERNET ABOUT PAGE.................... 139 APPENDIX C: ONE'S INTERNET ISSUES PAGE ................ 142 APPENDIX D: ONE'S INTERNET FAQS PAGE.................... 147 FOOTNOTES................................................... 156 REFERENCES................................................. 157 vii CHAPTER ONE DOMINANCE OF UNITED STATES MEDIA Introduction Interest in international affairs has increased greatly in recent years (Ritzer, 2004). More and more events that happen in and with other countries are receiving attention and action around the world. The globe has become an interdependent network for trading, business, travel, and importing and exporting goods and ideas. Because of this, when events occur in one part of the world, no matter how far away, it has some global impact. For instance, "Saddam Hussein's death sentence was celebrated by some as justice deserved or even divine, but denounced by others as a political ploy before critical US mid-term congressional elections" (The Times of India, 2006, para. 1). Every aspect of Hussein's capture and trial was followed very closely by many people around the world. News coverage of stories such as this has become the norm in the U.S., and has come to be expected by anxious audiences. What may not be so expected is how two years after his capture, Hussein still had the power to influence politics in the U.S. with his death sentence. For instance, 1 critics accused President Bush of strategically scheduling Hussein's hanging two days before midterm elections in order to gain support for Republican control of Congress (The Times of India, 2006). It seems as if anything is possible nowadays through the media, which is why studying the media remains so important. There are two basic types'of media: mainstream media and alternative or social media. Albert (1997) stated this about mainstream media: it "aims to maximize profit or sells an elite audience to advertisers for its main source of revenue... always structured...to help reinforce society's defining hierarchical social relationships ... controlled by...major social institutions" (p. 2). These institutions include corporations and religious and political organizations. Alternative media, on the other hand, "sees itself as part of a project to establish new ways of organizing media and social activity and it is committed to furthering these as a whole, and not just its own preservation" (Albert, 1997, p. 3). Alternative media does not exist solely to gain monetary profit, and as such is not influenced by corporate sponsorship or other social institutions. In this thesis, 2 when media is discussed, it is in reference to mainstream media unless identified as alternative media. With global media networks in place today, such as NewsCorp, Time Warner, and Viacom, news, entertainment, and culture from all around the world is accessible even to those people living in the most remote areas. Thus, with such extant proliferation it is important to ask, "Who has control of these networks?" For the past 40 years, there has been a debate over which country dominates worldwide media, and the consensus seems to be that the Western world holds control where media are concerned, especially the U.S. (Thussu, 2000). In this respect, the United States is everywhere. Americans can virtually go anywhere in the world and still be surrounded by the familiarity of media from home (Stevenson, 1996). Whether it is movies, television shows, news coverage, music, or the latest fashion trends, United States popular culture can- be found in most places throughout the world, primarily exported through the media. Although goods, culture, and media are exported out of this country, it is important to realize that comparatively not much is imported from other nations and cultures. When cultural products, such as media, are introduced in the U.S., they are not exact cultural 3 replicas, but rather hybrid representations that place the original creators into a subordinate state of "otherness" while allowing the U.S. to become more desirable and exotic (Moorti, 2006). For example, the television show American Idol produces American music stars, but was created in Britain, where those stars are rarely remembered. In terms of news, the U.S. imports stories of disaster and crisis from the developing
Load more

Recommended publications
  • Terhi Rantanen LSE Media Globalization So Much Has
    Terhi Rantanen LSE Media Globalization So much has happened since the word globalization was first introduced in the early 1990s. Originally introduced as a concept of something positive that would transform many worlds into one – something, as Albrow put it, ‘by which the peoples of the world are incorporated into a single world society, global society’ (Albrow, 1990: 45), and even into a ‘global village’ (McLuhan (1964/1994), it is increasingly seen in negative terms. Soon after its introduction the very word it became a target of anti-globalization movements protesting against unforeseen consequences of injustices accompanying globalization around the world. Rarely has an academic concept so quickly reached the streets and so rapidly become a symbol of inequality. What anti-globalization demonstrators, who often identified themselves also as anti-capitalist and anti-neoliberalist, could not foresee was that right-wing populist parties would also start blaming globalization for the erosion of national economies, politics and culture. As the Financial Times wrote, ​ ​ Mr Trump’s sweeping rhetoric and compulsive tweeting resonated among millions of Americans who have felt marginalized by globalization. In the US, as told by Mr Trump, globalization and free trade have rewarded only a privileged few. There is a kernel of truth in Mr Trump’s generalizations, to which more centrist leaders have given too little notice. Inequality has risen and median incomes have stagnated or fallen in recent years, especially among those without a college degree (Donald Trump’s victory challenges the global liberal order, 2016). Today, at least in Europe and the United States, it often looks as if globalization has become Public Enemy Number One for both right- and left-wing movements and parties.
    [Show full text]
  • Medien Im Nord-Süd-Konflikt
    JOURNAL FÜR ENTWICKLUNGSPOLITIK herausgegeben vom Mattersburger Kreis für Entwicklungspolitik an den österreichischen Universitäten vol. XXIV 1–2008 MEDIEN IM NORD-SÜD-KONFLIKT Schwerpunktredaktion: Bettina Köhler Inhaltsverzeichnis B K Medienkritik im Nord-Süd-Verhältnis C J. H New Media, the Internet and the North/South Conflict J W What is Media Imperialism? N S Oil, Arms and Media: How US Interventionism Shapes Arab TV G W Reconceptualizing the Role of Culture in Media Globalization: Reality Television in Greater China F N, V W Global Digital Divide: eine neue Dimension der Zentrum- Peripherie-Polarisierung A S-V Indigene Identitäten und politisch-rechtliche Forderungen im bolivianischen Verfassungsänderungsprozess: ein Vergleich der CONAMAQ und der CSUTCB Rezension SchwerpunktredakteurInnen und AutorInnen Impressum J E XXIV -, S. - JANET WASKO What is Media Imperialism? During the s and s, the debate about media imperialism erupted in the field of communication studies. A good deal of critique and discussion followed during the next few decades, as academics and policy makers continued to debate the feasibility of the concept. Meanwhile, global media expanded and changed in various ways. Is media imperialism still a viable concept in an increasingly globalized, diverse media system? Or has a new form of cultural imperialism developed? is essay discusses how these concepts have been defined, how they have been challenged and redefined, and their current relevance. Background of the Cultural Imperialism Debate Of course, the story of cultural imperialism is not new and is an inevi- table component of imperialism more generally. Imperialism involves the extension of power or authority over others in the interests of domination and results in the political, military, or economic dominance of one country over another.
    [Show full text]
  • Media Imperialism Continuity and Change
    DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540141 WWW.NOKRIWALA.NET CSS Solved Compulsory MCQs From 2000 to 2020 Latest & Updated Order Now Call/SMS 03336042057 - 0726540141 MEDIA IMPERIALISM CONTINUITY AND CHANGE Edited by OLIVER BOYD-BARRETT Bowling Green State University TANNER MIRRLEES University of Ontario Institute of Technology ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 19_0411-Boyd_Barrett.indb 1 6/25/19 6:35 AM Executive Editor: Elizabeth Swayze Editorial Assistant: Megan Manzano Senior Marketing Manager: Kim Lyons Credits and acknowledgments for material borrowed from other sources, and reproduced with permission, appear on the appropriate page within the text. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 6 Tinworth Street, London SE11 5AL, United Kingdom Copyright © 2020 by The Rowman & Littlefield Publishing Group, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Available ISBN 9781538121542 (cloth : alk.
    [Show full text]
  • Globalization, Africa and the Question of Imperialism
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Covenant University Repository Journal of Global Communication Vol. 3, No. 2, July - Dec. 2010 : 01-07 Globalization, Africa and the Question of Imperialism Okorie Nelson* Abstract: The influence of globalization has been a growing concern for social scientists and cultural theorists. For many, global media institutions abet cultural globalization, which is synonymous with cultural homogenization, which refers the processes of global uniformity and standardization of human cultural experience. Drawing from the perspective of globalization, critical discourse analysis and cultural studies, this paper presents an argumentative discussion on globalization and its cultural influence in Africa. It examined how globalization has been associated with a range of cultural consequences. These can be analyzed in terms of three major theses; namely homogenization, polarization and hybridization. In addition, this paper reviews the cultural imperialism argument in terms of how global media institutions negatively affect the culture of Africans. Keywords: Globalization; Cultural Globalization; Cultural Imperialism; Africa. Introduction and mass communication is a very strong vehicle for cultural dissemination. Nevertheless, with the nature of The current restructuring and reshaping of international communication system, there have been globalization has become a powerful transformation massive flows of Western, largely American, media process, that has acquired hegemonic status as a result culture into non-western societies. As a result, native of its operative logic and ideological connotation in the cultures have been distorted and displaced leading to the contemporary global economy. A wide and diverse range increase in the adaptation of foreign values, life style and of social theorists are arguing that today’s world is behavioral pattern.
    [Show full text]
  • Singapore and the New World Information and Communication Order
    GLOBAL VILLAGE OR GLOBAL GHETTO? SINGAPORE AND THE NEW WORLD INFORMATION AND COMMUNICATION ORDER. THEEN LIANG KHENG THESIS SUBMITTED IN PARTIAL FULFILMENT FOR THE HONOURS DEGREE OF MASTER OF ARTS IN SOCIOLOGY, THE UNIVERSITY OF NEW SOUTH WALES. May 1992 1 Certificate Of Originality I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgment is made in the text. (Signed) ........ ii CONTENTS Acknowledgments Page IV 1 . Introducing communication as a cultural artefact 1 2 . The 'imagined' community through comm un ica tion 7 3 . The rise of media imperialism 1 8 4. New World Information and Communication Order 42 Introduction 42 The evolution of the free flow information doctrine 1945-1970 44 The establishment of a NWICO 1970-1980 46 The US position on the NWICO 1976-1980 54 The US Confronts UNESCO 1980-1985 59 5 The Case of Singapore 64 Historical background 64 The rise of nationalism and the formation of the 'imagined' community in Singapore 66 The role of the mass media in the creation of the 'imagined' community 76 Singapore as a developed nation 79 The mass media's role remains consistent despite technological advancement 87 111 Singapore as a business and information hub 99 6 . Conclusion 105 The contradiction between news as a commodity and a social good 1 0 5 The.
    [Show full text]
  • Cross-Border Film Production: the Neoliberal Recolonization of an Exotic Island by Hollywood Pirates
    CROSS-BORDER FILM PRODUCTION: THE NEOLIBERAL RECOLONIZATION OF AN EXOTIC ISLAND BY HOLLYWOOD PIRATES Anthony Frampton A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Committee: Oliver Boyd-Barrett, Advisor Federico A. Chalupa Graduate Faculty Representative Ewart Skinner Radhika Gajjala © 2014 Anthony Frampton All Rights Reserved iii ABSTRACT Oliver Boyd-Barrett, Advisor This qualitative study explores the relationship between Small Island Developing States (SIDS) and Hollywood’s cross-border film productions by examining the strategies that these islands use to facilitate the filming of big-budget foreign films within their borders. The dissertation also analyzes the inherent implications of transnational film production practices from the perspective of the host location and reviews extant theories of international film production to explore whether they adequately explain the peculiar dynamics and experiences of filmmaking in SIDS countries by heavily financed, non-resident film producers. The study blends relevant strands of political economy of media and critical cultural studies to construct a customized theoretical backbone. From this critical standpoint, it engages theories of globalization, development, cultural industries, post- colonialism, and policymaking to analyze the interaction between SIDS nations and international satellite film productions. Adopting a grounded theory methodological framework, it uses interviewees, focus groups, participant observation and document analysis to collect data from the island of Dominica in the Caribbean, which hosted two films in Disney’s Pirates of the Caribbean franchise. The study found that these foreign film producers received unprecedented levels of concessions and amassed huge savings from their ability to manipulate governmental authorities and local elites and exploit the weak institutional capacity of the state and its poor systems of accountability.
    [Show full text]
  • Jose M. Alvarez-Monzoncillo, Watching the Internet: the Future Of
    International Journal of Communication 7 (2013), 1718–1739 1932–8036/20130005 The BBC and Al Jazeera English: The Similarities and Differences in the Discourse of the Pre-Election Coverage of the 2009 Iranian Election MOHD FAIZAL KASMANI Universiti Sains Islam Malaysia This article aims to understand to what extent the news-gathering factor explained global news coverage of the 2009 Iranian election. It examines the differences and similarities between the BBC and Al Jazeera English (AJE) pre-election coverage of the 2009 Iranian election, when all the international networks were relatively free to report on the Iranian street. It triangulates critical discourse analysis of the BBC and AJE news with the results of interviews with BBC reporters and editors who were involved in coverage of the election. The analysis reveals more similarities than differences in the pre-election coverage of the BBC and AJE. It concludes that shared occupational ideology among international journalists and the lack of access to the conservative group and the Iranian authorities contributed to the convergence of coverage of both networks during the pre-election period. Keywords: Iranian election, critical discourse analysis, global news, BBC, Al Jazeera Studies that map the complexity of today’s satellite channels support the idea of diversity and complexity of global media flows (Brüggemann & Schulz-Forberg, 2009; Cottle & Rai, 2008). Daya Kishan Thussu (2007, p. 10) divides the global media flow into two categories: dominant flows of media networks from the United States, Britain, and European countries and contra-flows1of global media traffic from the non-Western regions such as India, Korea, China, and the Middle East.
    [Show full text]
  • Globalization and the Mass Media
    City Research Online City, University of London Institutional Repository Citation: Matos, C. (2012). Globalization and the mass media. In: Encyclopedia of Globalization. Oxford: Wiley-Blackwell. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/5542/ Link to published version: http://dx.doi.org/10.1002/9780470670590.wbeog369 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] “Globalization and the mass media” in Wiley-Blackwell’s Encyclopaedia of Globalization, 2012 Dr. Carolina Matos The mass media are seen today as playing a key role in enhancing globalization, facilitating culture exchange and multiple flows of information and image between countries through international news broadcasts, television programming, new technologies, film and music. If before the 1990’s mainstream media systems in most countries of the world were relatively national in scope, since then most communication media have become increasingly global, extending their reach beyond the nation-state to conquer audiences worldwide.
    [Show full text]
  • Concept of "A Cultural Imperialism" and Its Media and Communication Embodiment Today
    IJASOS- International E-Journal of Advances in Social Sciences, Vol. IV, Issue 10, April 2018 CONCEPT OF "A CULTURAL IMPERIALISM" AND ITS MEDIA AND COMMUNICATION EMBODIMENT TODAY Iuliia Gudova 1Mrs., Ural Federal University, Russia, [email protected] Abstract The cultural imperialism in the broadest sense is the domination of one country over another by means of culture. In the book "Culture and Imperialism" (1993) Edward Said has given a conceptual character to a notion of cultural imperialism and has proved theoretically intellectual approach realized by him in relation to the analysis of an imperialism and its demonstrations in culture. He understood two interconnected processes as the cultural imperialism: cultural domination and cultural expansion of one country into culture structure and cultural development of another country. E. Said defined a phenomenon of "a cultural imperialism" as multilateral cultural suppression as a result of which the dominating culture forces out and subordinates to himself all manifestations of the subordinated culture — from high to local, from personal to public, from the system of values to consumer interests, from symbols and rituals before their imitations in mass art. Culture as integrity forms imperial feelings, thoughts and imperial imagination. Today the cultural imperialism is investigated by Y. J. Dal, P. Golding, P. Harris, S.P. Mains, G. Munkler, H. Schiller, and others have given. They consider a cultural imperialism as a way of realization of the symbolical power which manifestations can be cultural submission of other people by means of advance of language of the mother country as state and language of the international communication (a communication imperialism), domination in production and distribution of a cultural product (a media imperialism), domination in financing of the cultural industries (an investment imperialism).
    [Show full text]
  • Alternative and Mainstream Media Coverage of Drone Strikes
    KILLING IN SILENCE: ALTERNATIVE AND MAINSTREAM MEDIA COVERAGE OF DRONE STRIKES Brion White A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2015 Committee: Joshua Atkinson, Advisor Cynthia A. Hendricks, Graduate Faculty Representative Clayton Rosati Oliver Boyd Barrett ii ABSTRACT Joshua Atkinson, Advisor This dissertation focuses on the media coverage of U.S. drone strikes by both mainstream and alternative media sources. Chapter 1 introduces some background on alternative media and drone strikes and introduces the main points of the project. Chapter gives an extended literature review of ideology, media and power and alternative media to establish the parameters of the study and establish previous work on similar topics. Chapter 3 establishes both the method and methodology of the study, including why I conducted the study I did and how I processed the information from both mainstream and alternative media. Chapter 4 includes the results from both the mainstream media and alternative media texts I used in this study. Finally, Chapter 5 reviews my contributions to the literature along with future research based on the findings of this study. iii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ........................................................................................... 1 CHAPTER II. LITERATURE REVIEW ............................................................................. 23 Ideology....................................................................................................................
    [Show full text]
  • Beyond Normative Dewesternization: Examining Media Culture from the Vantage Point of the Global South
    Wendy Willems Beyond normative dewesternization: examining media culture from the vantage point of the Global South Article (Accepted version) (Refereed) Original citation: Willems, Wendy (2014) Beyond normative dewesternization: examining media culture from the vantage point of the Global South. The Global South, 8 (1). pp. 7-23. ISSN 1932-864 © 2014 Indiana University Press This version available at: http://eprints.lse.ac.uk/61882/ Available in LSE Research Online: May 2015 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Beyond normative dewesternization: examining media culture from the vantage point of the Global South Wendy Willems Department of Media and Communications, London School of Economics and Political Science, London, United Kingdom Department of Media Studies, University of the Witwatersrand, Johannesburg, South Africa Forthcoming in: The Global South, http://www.jstor.org/action/showPublication?journalCode=globalsouth ABSTRACT This article examines five dominant conceptualizations of “the Global South” in the field of media and communication studies, and more specifically in the subfields of (1) comparative media studies, (2) international communication or global media studies, and (3) development communication.
    [Show full text]
  • Media and Communications Nick Couldry
    University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 2017 Media and Communications Nick Couldry Clemencia Rodriguez Göran Bolin Julie Cohen Gerard Goggin See next page for additional authors Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Social Influence and Political Communication Commons Recommended Citation Couldry, N., Rodriguez, C., Bolin, G., Cohen, J., Goggin, G., Kraidy, M. M., Iwabuchi, K., Lee, K., Qiu, J., Volkmer, I., Wasserman, H., & Zhao, Y. (2017). Media and Communications. Report of the International Panel on Social Progress, 523-562. https://doi.org/ 10.1017/9781108399647.006 Contributing Authors (not listed above): Olessia Koltsova, Inaya Rakhmani, Omar Rincón, Claudia Magallanes-Blanco, Pradip Thomas This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/719 For more information, please contact [email protected]. Media and Communications Disciplines Communication | Social and Behavioral Sciences | Social Influence and Political Communication Comments Contributing Authors (not listed above): Olessia Koltsova, Inaya Rakhmani, Omar Rincón, Claudia Magallanes-Blanco, Pradip Thomas Author(s) Nick Couldry, Clemencia Rodriguez, Göran Bolin, Julie Cohen, Gerard Goggin, Marwan M. Kraidy, Koichi Iwabuchi, Kwang-Suk Lee, Jack Qiu, Ingrid Volkmer, Herman Wasserman, and Yuezhi Zhao This report is available at ScholarlyCommons: https://repository.upenn.edu/asc_papers/719 523 13 Media and Communications*
    [Show full text]