NOT IF ITS Snovy BIRD! Ceimpalgn Deeper Into Largely Been in Recess Most of Friday out "Eajiler in the Senate-House Asst
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American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives. -
Follies Collection of Anthony J
Follies Collection of Anthony J. Mazzaschi Inventory Updated February 28, 2017 Frame Description Year Company/Theatre City State Country Notes Number Display Script of 2011 Kennedy Center Washington DC USA Signed by entire cast. Box Bernadette Peters Purchased from Broadway Cares/Equity Fights AIDS via E-Bay auction. Display Conductor’s Score 1971 Original Production New York NY USA Custom Bound; gift of Box Mathilda Pincus, copyist, to Thomas Z. Shepherd, producer; inscribed with a personal note from Pincus to Shepherd 1 Program 1998 Signature Theatre Arlington VA USA 2 Flyer 1987 Shaftesbury Theatre London UK 3 Album 1971 Original Cast New York NY USA 4 Program 2007 Key West Pops Key West FL USA Also one page cast insert 5 Poster 2009 Arlington Players Arlington VA USA Printed from a PDF 5 Program 2009 Arlington Players Arlington VA USA 6 Magazine 2001 Sondheim Review Chicago IL USA Spring issue 7 Book Dust Jacket 2003 Everything Was USA By Ted Chapin, published by Possible Knopf 8 Poster 2007 Encores! New York NY USA Standard version 9 Poster 1971 Original Production New York NY USA Original. Some damage. 10 Poster 2004 California Irvine CA USA Autographed by cast Conservatory of the Arts 11 Album 1987 Original London London UK Silver version, Shaftesbury Cast cast 1 Frame Description Year Company/Theatre City State Country Notes Number 12 Album 1985 Lincoln Center New York NY USA Autographed by Sondheim, Concert Cook, and Stritch 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s 13 Invitation 1987 First night party at London UK Numbered (but not visible) Tony’s Book Invitation 1987 First night party at London UK Tony’s 14 Brochure 1987 Shaftesbury Theatre London UK Framed with front and back covers visible 15 Program 1987 Shaftesbury Theatre London UK White curtain (preview) version- Marked “18-7-87” – three days before official opening. -
Raymond Scott Collection Finding
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USE FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 2 Scope and Content …………………………………………………………………… 4 Series Notes …………………………………………………………………………… 5 Series I: Manuscript Music Scores …………………………………………………… 9 A. Lute Song Manuscripts …………………………………………………… 9 B. Jingles/Hit Parade …………………………………………………………… 19 C. Quintet/Band/Orchestral Manuscripts …………………………………… 24 D. Other Manuscripts …………………………………………………………… 29 E. Untitled Manuscripts …………………………………………………… 35 Series II: Published Music by Raymond Scott (band parts only) …………………… 40 Series III: Correspondence …………………………………………………………… 42 A. Personal …………………………………………………………………… 42 B. Business …………………………………………………………………… 43 C. To & From Bob Briody …………………………………………………… 44 D. Miscellaneous …………………………………………………………… 46 Series IV: Newspaper/Magazine Clippings …………………………………………… 47 A. Raymond Scott and Dorothy Collins …………………………………… 47 B. Raymond Scott …………………………………………………………… 48 C. Dorothy Collins …………………………………………………………… 49 Series V: Journals/Diaries/Scrapbooks …………………………………………… 51 A. Dorothy Collins …………………………………………………………… 51 B. Raymond Scott …………………………………………………………… 51 Series VI: Production Notes …………………………………………………………… 52 Series VII: Personal …………………………………………………………………… 52 Series VIII: Engineering and Invention Materials …………………………………… 52 A. Notebooks …………………………………………………………………… 52 B. Disclosures …………………………………………………………………… 53 C. Notes/Documents …………………………………………………………… 55 Series -
Sociocultural and Collaborative Antagonism in the Harold Prince- Stephen Sondheim Musicals (1970-1979)
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2019 Sociocultural and Collaborative Antagonism in the Harold Prince- Stephen Sondheim Musicals (1970-1979) Ashley Marian Pribyl Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the American Studies Commons, Music Commons, and the Theatre History Commons Recommended Citation Pribyl, Ashley Marian, "Sociocultural and Collaborative Antagonism in the Harold Prince-Stephen Sondheim Musicals (1970-1979)" (2019). Arts & Sciences Electronic Theses and Dissertations. 1940. https://openscholarship.wustl.edu/art_sci_etds/1940 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Patrick Burke Paige McGinley Christopher Stark Steven Swayne Sociocultural and Collaborative Antagonism in the Harold Prince-Stephen Sondheim Musicals (1970-1979) by Ashley M. Pribyl A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August -
Rediscovering the Forgotten Wit of Jazz
Raymond Scott: Rediscovering the Forgotten Wit of Jazz By Corey M. Goldberg A thesis submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Professor John Howland and approved by _________________ _________________ _________________ _________________ Newark, New Jersey May 2006 2006 Corey M. Goldberg ALL RIGHTS RESERVED ABSTRACT OF THE THESIS Raymond Scott: Rediscovering the Forgotten Wit of Jazz By Corey M. Goldberg Thesis director: Professor John Howland Raymond Scott was a composer and bandleader famous for a unique brand of novelty jazz. His music is exemplified by such compositions as "Power House," "The Toy Trumpet," and "In an Eighteenth Century Drawing Room." Scott used the instrumental palette of jazz to create what he termed "descriptive music." He was also a pioneer in the areas of audio engineering and electronic instrument design. Yet, the politics of jazz historiography omitted him from the canon of "authentic jazz." Scott's music might have been forgotten forever were it not for the scores of Warner Brothers Looney Tunes cartoons. From the 1940s, these short films liberally borrowed from Scott's compositions, thereby turning Scott's melodies into some of the most famous themes in modern popular culture. People from across the globe may know "Power House" by heart, but few have even heard the name of its composer. This thesis attempts to remedy that situation by providing a detailed look at this forgotten American composer. This project contains a thorough biography of Raymond Scott's life and career, a look at Scott's relationship of to jazz history, and an analysis of his compositional style. -
Radio Television
Belknap Collection for the Performing Arts Radio Television RADIO & TELEVISION The Sound of Radio and Television The golden age of broadcasting from the radio heyday of the 20s, 30s and 40s, when Jack Benny, Bob Hope, The Shadow, Fanny Brice and H.V. Kaltenborn ruled the airwaves, through the television era when variety, drama, comedy, sports and world history flashed into our living rooms, each day. The rise of technology and the extraordinary popularity of radio and television, in the past century, led to revolutionary changes in entertainment, news gathering and delivery, lifestyles and history represented by the sights, sounds and ephemera from a magical and legendary era. Writer Robert Campbell called this broadcasting phenomenon "the reality that changed our world forever." Guide to scripts by Preston Wood. One of the more prolific of scriptwriters from the "Golden Age" of radio and television drama and comedy, Preston Wood has produced an amazing and varied list of credits in his sixty-year career. The PRESTON WOOD SCRIPT COLLECTION spans every genre from the western to science fiction and includes many of the classic television episodes cited by broadcast historians and baby boomer fans of the 50s, 60s and 70s. Dick Summer Audio Collection. Collection of audio compact discs (CDs) featuring the spoken word readings and narrations ("personal audios") of legendary radio personality, voice artist, poet, writer and "story teller" Dick Summer. For more information on the Belknap Collection for the Performing Arts contact: Jim Liversidge University of Florida George A. Smathers Libraries Department of Special and Area Studies Collections PO Box 117007 Gainesville, FL 32611-7007 (352) 273-2759 email: [email protected] Copyright © 2003- University of Florida George A. -
Torrance Press
indoy, Jun* 10 1962 THE PRESS Page A-5 TELEVISION LOG FOR THE WEEK SUNDAY MONDAY TUESDAY WEDNESDAY SATURDAY JUNE 10 JUNE 11 FRIDAY JUNE 12 JUNE 13 j JUNE 15 JUNE 16 12:00 ( 2, Burns and Alien 12:00 ( 2) Washington 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien 12:00 ( 2) rns and Alien 2:00 ( 2) Sky King Conversation ( 4) Jan Murray (C) ( 4) Jan Murray (C) ( 7) Camouflage ( 4) Jan Murray (C) ( 4) Jan Murray ( 7) Bugs Bunny ( 7) To Be Announced ( 5) PM East West ( 5) Pf« East ( 5) PM East West ( 9) Movie ( 5) PM East West ( 7) Camouflage West ( 9) Movie ( 9) Car* onsville ( 7) Camouflage ( 7) Camouflage (13) Mexico on Stage ( 9) Cartoonsville ( 9) Cartoonsville ( 9) Cartoonsville (11) Movie (11) Sheriff John (11) Sheriff Johr 2:30 ( 2) Robert Trout (13) OraJ Roberts (13) Midday Report (11) Sheriff John (11) Sheriff John ( £) Movie (13) Midday Report (13) Midday News (13) Midday Report ( 7) Movies 12:30 ( 2) Insight 12:15 (13) Milestones 12:15 (13) Milestones 12:30 ( 2) As World Turns 12:15 (13) Milestones 12:15 (13) Milestones 12:45 ( 2) Sports ( 5) Dateline Europe ( 4) Loretta 12:30 < 2) As World Turns 12:30 12:30 t 2' As World Turns Young ( 4) LoretUt Young ( 2) As World Turns ( 4) Loretta Young 1:00 ( 2) Political Primer t| ( 7) Film ( 7) Window Shopping ( 4) Loretta Young ( 4) KRCA Playhouse (13) The New ( 7) Window Shopping ( 7) Window Shopping ( 7) Window Shopping (13) Bible News You (13) The New You (13) The New You (11) Movie 1:00 (13) The New You 1:00 (2) Torah Umesorah ( 2> Password 1:00 ( 2) Password 1:00 ( 2) Password (13) Bowling ( 4) Film Drama ( 4) Dr.