Maine: Poets' Corner of America
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Biophilia, Gaia, Cosmos, and the Affectively Ecological
vital reenchantments Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) vital reenchantments: biophilia, gaia, cosmos, and the affectively ecological. Copyright © 2019 by Lauren Greyson. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/li- censes/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-07-6 (print) ISBN-13: 978-1-950192-08-3 (ePDF) lccn: 2018968577 Library of Congress Cataloging Data is available from the Library of Congress Editorial team: Casey Coffee and Eileen A. -
Atlantic Coast: Eastport, ME to Cape Cod, MA UNITED STATES Atlantic Co Eastport, M Cape Cod, UNITED STATES 2014 (44Th) Edition
UNITEDUNITED SSTTAATTEESS AtAtlanticlantic Coast: EastpoEastporrtt,, MEM to CaCapepe Codd,, MA 2014 (44th) Edition This edition cancels the 43rd Edition and includes all previously published corrections. Weekly updates to this edition are available at: http://nauticalcharts.noaa.gov/nsd/cpdownload.htm They are also published in the National Geospatial-Intelligence Agency (NGA) U.S. Notice to Mariners. U.S. Department of Commerce Penny Pritzker, Secretary of Commerce National Oceanic and Atmospheric Administration (NOAA) Kathryn Sullivan, Ph.D., Acting Under Secretary of Commerce for Oceans and Atmosphere, and Administrator, NOAA National Ocean Service Holly Bamford, Ph.D., Assistant Administrator, National Ocean Service II U.S. Coast Pilot 1 Pilot Coast U.S. 72° 70° 68° 66° Calais CANADA Coast Pilot 1 – Chapter Index UNITED STATES Chapter 4 – Quoddy Narrows to Calais, Maine MAINE 4 Chapter 5 – Quoddy Narrows to Petit Manan Island, Maine Eastport Chapter 6 – Petit Manan Island to Jericho Bay, Maine BAY OF FUNDY Chapter 7 – Jericho Bay to Penobscot Bay, Maine Bangor Chapter 8 – Muscongus Bay to Cape Elizabeth, Maine Chapter 9 – Cape Elizabeth, Maine to Cape Ann, Massachusetts Machias Chapter 10 – Cape Ann to Boston Harbor, Massachusetts Chapter 11 – Boston Harbor and Approaches 5 Chapter 12 – Minots Ledge to Provincetown, Massachusetts 8 6 NOV A SCOTIA CANADA 44° 44° Bath PENOBSCOT BAY NEW HAMPSHIRE 7 Portland CASCO BAY Portsmouth 9 NORTH ATLANTIC OCEAN Gloucester Salem 10 MASSACHUSETTS Boston 11 42° 42° 12 72° 70° 68° 66° U.S. Coast Pilot 1, Preface III Preface he United States Coast Pilot is published by the National Ocean Service (NOS), National TOceanic and Atmospheric Administration (NOAA), pursuant to the Act of 6 August 1947 (33 U.S.C. -
American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Winter 1-1-2012 American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Bloomquist, Katherine Mary, "American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism" (2012). All Theses and Dissertations (ETDs). 997. https://openscholarship.wustl.edu/etd/997 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Vivian Pollak, Chair Ruth Bohan Anca Parvulescu Daniel Shea Akiko Tsuchiya Rafia Zafar American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism by Katherine Mary Bloomquist A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2012 Saint Louis, Missouri © Copyright 2012 by Katherine Mary Bloomquist All rights reserved. Table of Contents List of Figures iii Acknowledgements iv Dissertation Abstract v Introduction: 1 Of Maps and Memoirs Chapter 1: 30 Self and Other Portraits: Sarah Orne Jewett’s “A White Heron” as Human Documents Chapter 2: 79 As If They Had a History: Documenting the Things Named in Willa Cather’s Regional Fiction Chapter 3: 137 In Place of Picture-Postcards: “Some Measure of Privacy” in Ann Petry’s Wheeling Chapter 4: 190 “Some Kind of a Writin’ Person”: Regionalism’s Unfinished Women Writers Bibliography 245 ii List of Figures Figure 1: 29 Cover Image of The Local Colorists: American Short Stories 1857-1900, ed. -
Newsletter & Review
NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No. -
The Letters of Sarah Orne Jewett
Colby Quarterly Volume 5 Issue 3 September Article 4 September 1959 The Letters of Sarah Orne Jewett John Eldridge Frost Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.3, September 1959, p.38-45 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Frost: The Letters of Sarah Orne Jewett 38 Colby Library Quarterly glimpses of the farmscapes and homely prototypes she so art fully and viably transposed to paper. So with the First Citi zeness of South Berwick: the evanescent flesh is remote now, but the inextinguishable spirit lives on. THE LETTERS OF SARAH ORNE JEWETT By JOHN ELDRIDGE FROST THE ever-growing volume of Miss Jewett's letters in print has made desirable a survey both of those which have been printed and of those in manuscript form in libraries. It is neither possible nor desirable to list those owned by individuals for this would constitute an invasion of the collector's privacy or, worse still, a breach of manners toward Miss Jewett's friends and their heirs. It is interesting to note that plans have already been nlade for the eventual disposal to libraries of all letters privately owned that I have viewed. Miss Jewett was a warm, vivid, stinlulating person whose genius often flowed into her correspondence. An astonishingly large amount of it was saved by those who knew her. She was an avid correspondent who frequently devoted an entire morn ing to the writing of letters. -
Howellsian Chic: the Local Color of Cosmopolitanism
HOWELLSIAN CHIC: THE LOCAL COLOR OF COSMOPOLITANISM BY BRAD EVANS We who are nothing but self, and have no manner of being Save in the sense of self, still have no other delight Like the relief that comes with the blessed oblivion freeing Self from self in the deep sleep of some dreamless night. —William Dean Howells, “Sphinx” Had Sarah Orne Jewett’s country maiden from A Marsh Island (1885), Doris Owen, decided to go off with the bohemian artist Dick Dale to a life of heady, urban aestheticism, she could have hoped for no better end than to have become William Dean Howells’s Alma Leighton from A Hazard of New Fortunes (1890). The two women’s circumstances are remarkably similar, both of them familiar characters from the archives of New England regional fiction. Like Doris Owen, Alma Leighton grew up in one of those picturesque vacation destinations scattered someplace between Vermont, New Hampshire, or Maine; like Doris, her mother kept a summer boarder who happened to be a young bohemian artist who had come with the purpose of making some sketches of the local scene; and like Doris, she became romantically involved with him. The difference between them is that, rather than staying at home in rural Maine, Alma travels to New York: though, like Doris, she ultimately rejects her bohemian suitor, she does so not to remain true to her roots in the country but to become a bohemian artist herself. It is Alma’s sketch for the cover of the novel’s new illustrated magazine, Every Other Week, that sets the aesthetic framework for the novel itself. -
Sarah Orne Jewett's Interpretation of Maine Life
2^° SARAH ORME JEWETT'S INTERPRETATION OF MAINE LIFE A THESIS' Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in English) By JESSIE FRENCH BRYAN B. A., Wellesley, 1910 University of Maine Orono June, 19S0 ACKNOWLEDGMENT One of the principal pleasures in writing this thesis has been the anticipation of having it pass under the criticism of Doctor Turner. To her evaluation of the ideas from their first groping toward formulation to their present state, is due whatever merit this slight study may have. To Doctor Ellis, who directed my study, to Doctor Morton Turner and to Doctor Draper I wish to express my appreciation of the help they have given me in my graduate work. Mr. Louis Ibbotson, Librarian of the University, has assisted me over many places where my ability to find material has failed. I thank him and the library force for their patient efforts. Mrs. Hoyt D. Foster has supplied me with informa tion which no one else could give. Her personal acquain tance with two of the authors has thrown light upon their interpretations which has proved invaluable. Mr. Edwin Arlington Robinson very kindly responded to an inquiry telling me where I could be sure of Maine in his poetry. 968 7 9 TABLE OF CONTENTS Foreword Introduction The People Character andCharacterization ......................... p. .1 Culture.......................................................... .. ...p. 40 Social and Economic Conditions......................p. 71Z/ ^ The Countryside.................................. ;..............................p. 113 The Dialect ............................ p. 160 Conclusion................................................................................p. 202 Bibliography FOREWORD There is in Maine a kind of state-consciousness which makes a guest of all who come from other places, no matter how welcome they are made to feel, nor how long they remain. -
For a Boston Marriage: Sarah Orne Jewett's Illustrated Deephaven
“Bedtime” for a Boston Marriage: Sarah Orne Jewett’s Illustrated Deephaven adam sonstegard Downloaded from http://direct.mit.edu/tneq/article-pdf/92/1/75/1793769/tneq_a_00721.pdf by guest on 01 October 2021 ARAH ORNE JEWETT first published Deephaven in 1877, S but an illustrated edition that appeared in 1893 with a text with complex, new contributions to the meaning of the work.1 Houghton Mifflin included visual art by Charles H. Woodbury and Marcia Oakes Woodbury. Among the fifty-five visual ad- ditions to Jewett’s novel of coastal Maine, an image captioned “Bedtime” adorns one story (Fig. 1). Nocturnal and shadowy, the image incorporates curved bannisters and arched windows and depicts Deephaven’s heroines, Helen Denis and Kate Lan- caster, climbing stairs toward upper-story chambers, exchang- ing conspiratorial glances across a solemn clock face. Merely putting a story about fisherman’s yarns to bed, as it were, and leaving something gleaming in the ladies’ eyes, the picture portends something other than slumber. The image appeared decades ahead of the first work scholars have identified asa This project has been made possible by a Faculty Scholarship Initiative at Cleve- land State University, Cleveland, Ohio. Sincerest thanks to Jeff Karem, Brooke Conti, Heather Russell, Jackie LaPlante, Peter Woodbury, Wendy Pirsig, Terry Heller, Holly Jackson, and the anonymous reader reviewers of New England Quarterly. 1Jewett first published short fictions in several magazines, many of which illustrated them, and many of which are reproduced with those illustrations in The Irish Stories of Sarah Orne Jewett, ed. Jack Morgan and Louis A. -
Statewide Transportation Improvement Program Federal Fiscal Years 2012-2013-2014-2015
Maine Department of Transportation Statewide Transportation Improvement Program Federal Fiscal Years 2012-2013-2014-2015 Effective October 01, 2011 Prepared by The Maine Department of Transportation Bureau of Transportation Systems Planning Statewide Transportation Improvement Program Federal Fiscal Years 2012-2013-2014-2015 PREFACE: What is a STIP………………………………………….………….……………………..i TABLE OF CONTENTS: I. Introduction……………………………………………………………………….....2 II. STIP, Public Involvement and the MaineDOT Capital Work Plan…………..……..3 III. STIP Finances…………………………………………………………………..…....4 IV. Operation and Maintenance…………………………………………………….....…5 V. Air Quality Conformity Determination………………………………………..…......6 STIP DOCUMENT: Section I – Federal Highway Administration - Fund Source Obligation Summary • Summary by fund source, by fiscal year of obligation • Listing of individual projects, alphabetically by municipality Section II – Federal Transit Administration - Fund Source Obligation Summary • Summary by fund source and the fiscal year of obligation • Listing of individual projects, alphabetically by municipality Section III – Indian Reservation Roads Program and Eastern Federal Lands Division Program • Listing of individual projects grouped by project number Section IV – Other Projects of Significance • Summary by fund source, by fiscal year of obligation • Listing of individual projects, alphabetically by municipality Section V - Appendices • Glossary of Terms • Statewide Transportation Planning Self-Certification • Metropolitan Planning Organization -
Sarah Orne Jewett Collection, 1801-1997
Sarah Orne Jewett collection, 1801-1997 This finding aid was produced using ArchivesSpace on October 24, 2018. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc Sarah Orne Jewett collection, 1801-1997 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ...................................................................................................................................... -
Maine DOT Historic Bridge Survey, Phase II Final Report & Historic
Maine State Library Digital Maine Transportation Documents Transportation 8-2004 Maine DOT Historic Bridge Survey, Phase II Final Report & Historic Context. 2004 Lichtenstein Consulting Engineers Maine Department of Transportation Follow this and additional works at: https://digitalmaine.com/mdot_docs Recommended Citation Lichtenstein Consulting Engineers and Maine Department of Transportation, "Maine DOT Historic Bridge Survey, Phase II Final Report & Historic Context. 2004" (2004). Transportation Documents. 33. https://digitalmaine.com/mdot_docs/33 This Text is brought to you for free and open access by the Transportation at Digital Maine. It has been accepted for inclusion in Transportation Documents by an authorized administrator of Digital Maine. For more information, please contact [email protected]. Maine DOT Historic Bridge Survey Phase II Final Report & Historic Context Free/Black Bridge, Brunswick #0323. Photo Courtesy MHPC. Prepared by Lichtenstein Consulting Engineers August 2004 PHASE II OF THE HISTORIC BRIDGE SURVEY - FINAL REPORT Table of Contents Introduction .................................................................... iv Section I. Methodology for Field Inspection, Research, and Evaluation ...................I-1 Field Inspection ............................................................I-1 Research ................................................................I-2 Determining Eligibility .......................................................I-3 Criteria for Determining Significance ............................................I-4 -
James Thomas Fields Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/tf2z09n5tc No online items James Thomas Fields Papers: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers: mssFI 1 Finding Aid Descriptive Summary Title: James Thomas Fields Papers Dates: 1767-1914 Bulk dates: 1850-1914 Collection Number: mssFI Creator: Fields, James Thomas Extent: 5,438 items in 74 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: The collections consist primarily of letters, as well as poems and manuscripts, from various American and British authors to American editor, publisher, and poet James Thomas Fields (1817-1881), mostly relating to publication of their manuscripts by his firm Ticknor and Fields and in The Atlantic Monthly. The collection also includes letters to Fields's wife Annie Fields (1834-1915) concerning literary matters. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information The collection was processed and a summary report first created in 1976, and revised in 1983.