A Stray Notebook of Miscellaneous Writings by Coleridge
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Coleridge Family
Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies. -
1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey. -
Cambridge Histories Online
Cambridge Histories Online http://universitypublishingonline.org/cambridge/histories/ The Cambridge History of Nineteenth-Century Political Thought Edited by Gareth Stedman Jones, Gregory Claeys Book DOI: http://dx.doi.org/10.1017/CHOL9780521430562 Online ISBN: 9780511973581 Hardback ISBN: 9780521430562 Paperback ISBN: 9781107676329 Chapter 7 - Radicalism, republicanism and revolutionism pp. 200-254 Chapter DOI: http://dx.doi.org/10.1017/CHOL9780521430562.009 Cambridge University Press 7 Radicalism, republicanism and revolutionism From the principles of ’89 to the origins of modern terrorism gregory claeys and christine lattek 1 Introduction Modernity has been quintessentially defined by the revolutionary impulse, and our judgement, whether laudatory or critical, of the French Revolution of 1789. In the nineteenth century it would be associated with virtually all radical, republican and revolutionary movements, and, by the end of the First World War, the overthrow of many of the leading crowns of Europe. Yet the course of events which produced the overthrow of Louis XVI was not at its outset inevitably anti-monarchical, and would indeed culminate in imperial dictatorship. In association with American independence, how- ever, the idea of revolution came to be identified with the principle of popular sovereignty as such. It was also linked to the explosion of nation- alist aspirations which became definitive of the period, as well as to the causes of reaction and the creation of modern conservatism in the works of Burke, Bonald and others.1 If the British model of limited, constitu- tional monarchy resting on the principle of the rule of law was central to eighteenth-century reformers elsewhere, thus, it was increasingly sup- planted during the nineteenth century by the ideals which emerged from the revolutions of 1776, 1789 and 1848. -
Nervous Sympathy in the Familial Collaborations of the Wordsworth
The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions. -
Link to Coleridge Poems
1 Poems for S. T. Coleridge Edward Sanders 1. Coleridge won a medal his 1st year in college (Cambridge 1792) for a “Sapphic Ode on the Slave Trade” 2. Pantisocracy Sam Coleridge and Bob Southey conceived of Pantisocracy in 1794 just five years after the beautiful tearing down of the Bastille twelve couples would found an intentional community on the Susquehanna River which flows from upstate New York ambling for hundreds of miles down thru Pennsylvania & emptying into the Chesapeake Bay The plan was to work maybe 2-3 hours a day with sharing of chores Each couple had to come up with 125 pounds So Southey & Coleridge strove to earn their shares through writing C. wrote to Southey 9-1-94 2 that Joseph Priestly might join the Pantisocrats in America The scientist-philosopher had set up a “Constitution Society” to advocate reform of Parliament inaugurated on Bastille Day 1791 Then “urged on by local Tories” a mob attacked & burned Priestly’s books, manuscripts laboratory & home so that he ultimately fled to the USA. 3. Worry-Scurry for Expenses In Coleridge from his earliest days worry-scurry for expenses relying on say a play about Robespierre writ w/ Southey in ’94 (around the time Robe’ was guillotined) to pay for their share of Pantisocracy on the Susquehanna & thereafter always reliant on Angels & the G. of S. Generosity of Supporters & brilliance of mouth all the way thru the hoary hundreds 3 4. Coleridge & Southey brothers-in-law —the Fricker sisters, Edith & Sarah Coleridge & Sarah Fricker married 10-4-95 son Hartley born September 19, 1996 short-lived Berkeley in May 1998 Derwent Coleridge on September 14, 1800 & Sara on Dec 23, ’02 5. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
Hartley Coleridge
Hartley Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Hartley, 1796-1849 Title: Hartley Coleridge Collection Dates: 1796-1933, undated Extent: 15 boxes (6.30 linear feet), 2 oversize folders (osf) Abstract: Includes manuscripts and letters written by, to, or about Hartley Coleridge, the English author, educator, and eldest son of poet Samuel Taylor Coleridge. Correspondents include members of the Coleridge, Southey, Wordsworth and related families—including Samuel Taylor Coleridge and Robert Southey—and other notables such as Charlotte Brontë and Lord Alfred Tennyson. A number of letters are addressed to Derwent Coleridge following the death of his brother Hartley in 1849. Call Number: Manuscript Collection MS-0859 Language: English, German, Latin, Welsh Access: Open for research Administrative Information Processed by: Joan Sibley and Michael Ramsey, 2012 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 2 Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 Works: Untitled essays: Container On adversity, handwritten manuscript with corrections, 2 pages, undated. 1.1 On Antonio Augustino, handwritten manuscript, 4 pages, undated. On biological deformities, handwritten manuscript, 5 pages, undated. On books, handwritten manuscript, 22 pages, undated; partially published as The books of my childhood in essays and marginalia by Hartley Coleridge, vol. 1, p. -
Sometime Between the Autumn of 1834, When the Idea for Sara Coleridge’S Fairy Tale
(Re-)Mapping the ‘native vale’: Sara Coleridge’s Phantasmion JOANNA E. TAYLOR Keywords: Sara Coleridge, cartography, Phantasmion, Lake District, landscape, fairy tale Sometime between the autumn of 1834, when the idea for Sara Coleridge’s fairy tale Phantasmion was conceived, and the summer of 1837, when it was published, Sara drew a rough sketch of the imaginary landscape in which her tale was set. The map is scarcely more than a line drawing; it contains little detail beyond some early ideas of place names and suggestions as to where the key topographical features might be located. From the earliest reviews, commentators were certain that the world of Phantasmion was simply ‘a glorification of the Lake Country’,1 or, more recently, ‘a kind of medieval Tuscany nestling into the Lake District’.2 Sara confirmed on several occasions that this ‘account of Fairy-land nature’ was based upon her memories of her ‘native vale, seen through a sunny mist of dreamery’.3 Because it was based on a landscape so familiar to readers of Wordsworth and STC, Sara’s ‘native vale’ seemed to confirm her status as ‘a Wordsworthian minor poet’.4 The map supports the text in indicating the extent to which Sara’s Fairyland was indebted to her memories of that ‘native vale’, but it does other things too: it demonstrates that Sara’s conception of this imaginary world was more complex than has hitherto been recognised. This essay will argue that the Fairyland of Phantasmion is not a simple repetition of established Lake District tropes, but a considered reconstruction of Sara’s topographical childhood memories. -
Taylorphd2016.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920). -
The Concept of Authorship in the Work of Sara Coleridge
The Concept of Authorship in the Work of Sara Coleridge Robin Schofield This Thesis is submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy Oxford Brookes University May 2016 Contents Abstract 2 Abbreviations 3 Introduction: A Career of Authorship 5 1. Collaboration and Dialogue: 1822-1837 27 2. ‘On Rationalism’: ‘The Authoritative Word’ and ‘Liberty of Conscience’ 56 3. Biographia 1847: Plagiarism, Literary Property and Dialogic Authorship 93 4. The Theory and Practice of Polemical Writing: Religious Authorship, 1847- 1849 128 5. Authorial Vocation and Literary Innovation, 1850-1851 164 Conclusion: Public Renewal, Personal Redemption 202 Bibliography 220 ! "! Abstract This thesis aims to establish Sara Coleridge’s place in literary history. Her authorial achievements have been obscured by two factors. First, she has been the subject of predominantly biographical, rather than literary attention. While this thesis does draw on specific biographical contexts, its approach is literary and critical throughout. Second, Coleridge’s mature writings are theological, and consist of polemical contributions to religious debate in the two decades following the Reform Act of 1832. In order to analyse the qualities of Coleridge’s mature authorship, this study undertakes the necessary historical and theological contextualization. Coleridge’s politico-religious setting requires innovatory authorial methods: she is, above all, a dialogic writer. The thesis examines her evolving dialogue with her ‘literary fathers’, and addresses the relationship between her editing of STC and her original writing. Bakhtinian theory informs the approach of this thesis to Coleridge’s textual analysis of STC and his sources. Gadamer’s hermeneutic concept of the ‘fusion’ of historical ‘horizons’ informs the study’s analysis of her appropriation of STC’s thought, which she reworks in addressing post-Reform fractures. -
A Living Spectre of My Father Dead’: Hartley Coleridge, Samuel Taylor Coleridge, and Literary Representation
From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 33 (NS) Summer 2009 © 2009 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm ‘A living spectre of my Father dead’: Hartley Coleridge, Samuel Taylor Coleridge, and Literary Representation Nicola Healey ____________________________________________________________________________________________ OST ACCOUNTS of the relationship between Hartley Coleridge and M his famous father, suggest that Hartley was unable to achieve a strong poetic identity because of STC’s overbearing shadow. At their most extreme, these interpretations perpetuate a myth that Hartley was a lesser version of STC—a drifting wanderer, constitutionally incapable of being grounded in the real physical world. Such readings argue that Hartley adopted a child-like persona to withdraw from the world and to fulfil STC’s celebration of Hartley’s childhood as an ideal state. Judith Plotz, for example, in Romanticism and the Vocation of Childhood, asserts that, both biographically and poetically, Hartley ‘stakes out the territory of the miniature, the youthful, and the minor’.1 This analysis fails to address the full complexity of Hartley’s endeavour to realise his own authorial identity. The dialogue with STC in Hartley’s verse provides no evidence of an overriding Bloomian ‘anxiety of influence’. A closer examination of the four key poems which Hartley addresses to his father reveals that Hartley’s conflict was more with his public image than directly with STC; the strongest emotion in these poems was directed towards his readership and their inability to differentiate between a poet’s public and private identity. In ‘Dedicatory Sonnet to S.T. -
Past and Present at the English Lakes Published by James Maclehose and Sons, Glasgow
6 70 Qlnrnell Intu^rattQ library BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF fi^nrg m. Sage 1891 §306" PAST AND PRESENT AT THE ENGLISH LAKES PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW Publishtrs to tlu anibsrsity MACMILLAN AND CO., LTD., LONDON New York The Macmillan Co. Toronto • The Macmillan Co. of Canada London • Sinipkin, Hamilton and Co. Cambridge Bowes and Boiues Edinburgh Douglas and Foulis Sydney Angus and Robertson Past and Present at the English Lakes By the Rev. H. D. Rawnsley Canon of Carlisle Author of " Literary Associations of the English Lakes," etc. Glasgow James MacLehose and Sons Publishers to the University 1916 6 M^^Til GLASGOW : PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLRHOSE AND CO. LTD. ^^ n^ \' V. PREFATORY NOTE My thanks are due to those who have supplied the photographs for illustration. To Mr. Mayson for view from Helvellyn Top ; to Mr. Pettitt for Harter Fell and High Street from Mardale and for the Nag's Head, Wytheburn ; and to Mr. Abraham for the portrait of Mrs. Dixon. Specially must I thank Mrs. Jackson for allowing me to reproduce a photograph by Henry Mayson ot Keswick of the Old House of the Hechstetters. To Mr. F. C. Eeles for his photographs of the Consecration Crosses at Crosthwaite from which my wife made the drawing. To Mr. Ernest Coleridge for permission to have a photograph made of the portrait of Hartley Coleridge in his possession, which was painted the year before his death by William Bowness of Kendal, and which has been pronounced by those who remember the poet as a most excellent likeness.