University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2005-6: Word Penn Humanities Forum Undergraduate & Image Research Fellows 4-1-2006 Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy Claudia Moser University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/uhf_2006 Part of the Classics Commons Moser, Claudia, "Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy" (2006). Undergraduate Humanities Forum 2005-6: Word & Image. 11. https://repository.upenn.edu/uhf_2006/11 2005-2006 Penn Humanities Forum on Word & Image, Undergraduate Mellon Research Fellows. URL: http://humanities.sas.upenn.edu/05-06/mellon_uhf.shtml This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2006/11 For more information, please contact
[email protected]. Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy Abstract Representations of the phallus abound in both the art and the literature of the first-century A.D. Roman world. On frescoes in both private homes and public buildings, on amulets, statues, etchings, tripods, drinking cups and vases, exaggerated phallic images, these purportedly apotropaic symbols protect the inhabitant, the passerby, the wearer, the user from outside evil. The contemporary Latin literature, Roman satire and elegy in particular (Catullus, Martial, Juvenal, Horace, Tibullus), and the Priapea, a collection of poems about the phallic god Priapus, offer descriptions of the phallus and its functions that both coincide with and differ from the material examples. This paper will investigate these correspondences and discrepancies between verbal and artistic representation, and, in particular, what these similarities and inconsistencies reveal about the public function of this private imagery in the contemporary culture of ancient Roman Italy.