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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
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$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. 4 x 2” ad www.forevervets.com Expires 3/31/2020 Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! June 25 - July 1, 2020 has a new home at INSIDE: THE LINKS! Sports listings, 1361 S. 13th Ave., Ste. 140 sports quizzes Jacksonville Beach and more Pages 18-19 Offering: · Hydrafacials · RF Microneedling · Body Contouring · B12 Complex / Lipolean Injections ‘Hamilton’ – Disney+ streams Broadway hit Get Skinny with it! “Hamilton” begins streaming Friday on Disney+. (904) 999-0977 1 x 5” ad www.SkinnyJax.com Kathleen Floryan PONTE VEDRA IS A HOT MARKET! REALTOR® Broker Associate BUYER CLOSED THIS IN 5 DAYS! 315 Park Forest Dr. Ponte Vedra, Fl 32081 Price $720,000 Beds 4/Bath 3 Built 2020 Sq Ft. 3,291 904-687-5146 [email protected] Call me to help www.kathleenfloryan.com you buy or sell. 4 x 3” ad BY GEORGE DICKIE Disney+ brings a Broadway smash to What’s Available NOW On streaming with the T American television has a proud mistreated peasant who finds her tradition of bringing award- prince, though she admitted later to winning stage productions to the nerves playing opposite decorated small screen. -
Large-Print-Mag-Nov-19.Pdf
CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel. -
The Island Ostrov
The Island Ostrov Director: Pavel Lungin Writer: Dmitri Sobolev Released: 23 November 2006 (Russia) "He has played so many well-meaning jokes on the locals and other monks, but the grand joke is on him, tricked by God into a life of faithfulness and the healing of others." Synopsis: Somewhere in Northern Russia in a small Russian Orthodox monastery lives a very unusual man. His fellow-monks are confused by his bizarre conduct. Those who visit the island believe that the man has the power to heal, exorcise demons and foretell the future. However, he considers himself unworthy because of a sin he committed in his youth. The film is a parable, combining the realities of Russian everyday life with monastic ritual and routine. http://www.amazon.com/Ostrov-Island-version-English-subtitles/dp/B000LTTOOS Before you watch the film, consider the following questions to guide your reflection: The Island has been perceived around the world, both by film critics and audience members, as a symbolic work for Russia today – a parable of sorts. Pavel Lungin’s The Island was shown in Voronezh with no free seats. The local clergy booked the entire movie theater… A day before the first show, the Metropolitan of Voronezh and Borisoglebsk gave an order to post the AD for the coming premier next to the schedule of worship in all of the city’s forty churches. The parish was surprised: never before were films advertised in churches… Father Andrei, a secretary of the eparchy comments: “The Metropolitan has watched the film and, therefore, we recommend it to the clergy and the parish.” … The show started with a prayer… Prior to the screening everybody crossed themselves… Petr Mamonov, the actor: “To me it means that our church is alive.” The clergy thanked Mamonov. -
Connecticut Summer Campus Published by the Connecticut Daly Campus Thursday, July 8, 1962
Connecticut Summer Campus Published by the Connecticut Daly Campus Thursday, July 8, 1962 Jill Gibb eryoys the swirling waters at Diards Pool Jack Wilson photo Commentary Connecticut Summer Campus The selling of the ERA Published by the Connecticut Daily CampuM BY THIS TIME, THE IMPLICATIONS ch. The two, rather than being confident Editor In Chief Jeff Denny of the Equal Rights Amendment's interpreters of the polarity of the issue, Business Manager Euan Roklen failure to be ratified has hit home. were only strident celebrities heavy with Office Manager Lois McLean The amendment, stated broadly, would the weight of their opinions. The two Production Staff Diane Speigel have made it illegal to discriminate against representatives of the so-called "op- Sue Kirwln anyone on the basis of sex. Now it is still posing" viewpoints ended up sparring with legal. The ratification would have allowed semantics and statistics rather thad the U.S. Supreme Court to pass sweeping discussing the ERA and enlightening the judgements upon a society that hasn't audiences with the philosophies of their New student loans always been able to pride itself with being, positions. Arguments about gays teaching as the Constitution guarantees, one which grade school children, women slogging may remedy View federalism' offers equality under the law. The Supreme through foxholes on the war front, and Court, as before, is almost powerless to en- abortion may have given the debate spice, force equality of the sexes. but offered the Storrs community nothing to BECAUSE OF THE CUTBACKS IN STUDENT In a way, the fight that has ensued for sink its teeth into. -
Women's Club Arranges Fall Decorations on Front Street
INSIDE TODAY: Agency eyes big revamp of Wall Street whistleblower program /A3 OCT. 13, 2019 JASPER, ALABAMA — SUNDAY — www.mountaineagle.com $1.50 INSIDE MANY ATTEND DAY’S GAP FESTIVAL IN OAKMAN Parade of pets takes over park Local furbabies dressed in their best took over Gamble Park on Saturday. /A10 BRIEFS Army defends decision to close space, Daily Mountain Eagle - Nicole Smith tech library The streets of Oakman were crowded for the HUNTSVILLE, Ala. Day’s Gap Festival on Friday and Saturday. Vis- (AP) — The U.S. itors enjoyed the fall temperature while brows- Army is defending a ing vendor booths and enjoying music, games, decision to close its food, and a car show. This was the third year for historic 57-year-old Oakman to host Day’s Gap Fest, which invites space and technical Oakman natives to celebrate their hometown. library at Redstone Arsenal. Army officials said it was a joint decision made by Grinston to be at Jasper interested parties. The Redstone Veterans Day Parade Scientific Infor- mation Center, or By ED HOWELL RSIC, closed its Daily Mountain Eagle doors Sept. 30, Sgt. Maj. of the Army Michael A. Grinston, who grew up in Jasper, will be the grand marshal of this Al.com reported. year’s Jasper Veterans Day Parade, resulting in the 11 a.m. parade being moved to Monday, Nov. 11, DEATHS and requirements for signing up in advance to participate in the event. The parade has traditionally Wanda Dean Jackson, 66, been held on Saturday mornings, Sheffield but Grinston was not available Reba Shubert Morrow, 87, Hueytown until later “so we made the parade work for him in his schedule,” co-or- ganizer Brent McCarver said. -
Self/Other Representations in Aleksei Balabanov's 'Zeitgeist Movies'
SELF/OTHER REPRESENTATIONS IN ALEKSEI BALABANOV‟S „ZEITGEIST MOVIES‟: FILM GENRE, GENRE FILM AND INTERTEXTUALITY Florian Weinhold School of Languages, Linguistics and Cultures A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2011 2 Contents ABSTRACT……………….……………………………..….............…............... 6 DECLARATION………………………………………………….......................7 COPYRIGHT STATEMENT.....……………………………………................. 7 THE AUTHOR...………………………………………………….......................8 ACKNOWLEDGEMENTS…………………………..………....…................... .9 Chapter 1: Introduction..............................………………………......……........11 1.1 Background, Rationale, Aim and Structure of the Introduction…………. 11 1.2 Why Balabanov?…………………………………..…….…….................. 13 1.3 Why Balabanov‟s „Genre Films‟?………………………..………............ 16 1.4 Balabanov‟s Genre Films in Russian and Western Criticism..................... 19 1.5 Contributions of the Study......................………………………………… 28 1.6 Aim, Objectives and Research Questions of the Thesis..............…........... 29 1.7 Primary Sources………….......................................................................... 31 1.8 Structure of the Thesis................................................................................ 32 Chapter 2: Methodology.......................................................................................35 2.1 Introduction...........................………………….......................................... 35 2.2 Why Genre?……………………………………...................……............ -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Academic All-America All-Time List
Academic All-America All-Time List Year Sport Name Team Position Abilene Christian University 1963 Football Jack Griggs ‐‐‐ LB 1970 Football Jim Lindsey 1 QB 1973 Football Don Harrison 2 OT Football Greg Stirman 2 OE 1974 Football Don Harrison 2 OT Football Gregg Stirman 1 E 1975 Baseball Bill Whitaker ‐‐‐ ‐‐‐ Football Don Harrison 2 T Football Greg Stirman 2 E 1976 Football Bill Curbo 1 T 1977 Football Bill Curbo 1 T 1978 Football Kelly Kent 2 RB 1982 Football Grant Feasel 2 C 1984 Football Dan Remsberg 2 T Football Paul Wells 2 DL 1985 Football Paul Wells 2 DL 1986 Women's At‐Large Camille Coates HM Track & Field Women's Basketball Claudia Schleyer 1 F 1987 Football Bill Clayton 1 DL 1988 Football Bill Clayton 1 DL 1989 Football Bill Clayton 1 DL Football Sean Grady 2 WR Women's At‐Large Grady Bruce 3 Golf Women's At‐Large Donna Sykes 3 Tennis Women's Basketball Sheryl Johnson 1 G 1990 Football Sean Grady 1 WR Men's At‐Large Wendell Edwards 2 Track & Field 1991 Men's At‐Large Larry Bryan 1 Golf Men's At‐Large Wendell Edwards 1 Track & Field Women's At‐Large Candi Evans 3 Track & Field 1992 Women's At‐Large Candi Evans 1 Track & Field Women's Volleyball Cathe Crow 2 ‐‐‐ 1993 Baseball Bryan Frazier 3 UT Men's At‐Large Brian Amos 2 Track & Field Men's At‐Large Robby Scott 2 Tennis 1994 Men's At‐Large Robby Scott 1 Tennis Women's At‐Large Kim Bartee 1 Track & Field Women's At‐Large Keri Whitehead 3 Tennis 1995 Men's At‐Large John Cole 1 Tennis Men's At‐Large Darin Newhouse 3 Golf Men's At‐Large Robby Scott #1Tennis Women's At‐Large Kim -
CILECT Conference 2011
“Exploring the Future of Film and Media Education” CILECT Conference FAMU, Prague, Czech Republic 30 November – 2 December 2011 The CILECT Conference 2011 was the first such annual event since 1967 when the annual conferences were changed to biannual ones and were connected to the CILECT congresses. It was held as a result of the new General Strategy of CILECT voted in Barcelona 2010 in which a direction of going back to the “well forgotten old system” was set forward as a priority task for the newly elected Executive Council and Executive Director. It couldn’t, of course, have been possible without the generous support and organisation of FAMU – one of the founding schools of CILECT in 1954. It was a friendly, warm and sharing experience which raised the bar high for every next host. During the Conference the participants had the opportunity to actively contribute to three panels which were held three times each – therefore each panel gave the floor to at least 9-10 official presenters and many more speakers from the audience. The Fundamental Values of Film and Media Education The Impact of Internationalization Benchmarking and Evaluation in an International Context. In this publication you will find the edited transcripts of the sound files that were received by the CILECT Secretariat. As always some of the colleagues in the audience did not talk in the microphone so their opinions, statements, questions, etc. could not be transcribed by any of the three translators who took the task to its finalisation. Most of these colleagues did not introduce themselves either so that even the Executive Director –who proof-edited the final version– sometimes could not identify who was talking although he has been listening to those familiar voices for more than 20 years now :-). -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 9-26-1983 Columbia Chronicle (09/26/1983) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (09/26/1983)" (September 26, 1983). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/52 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Newf'olumu Papal Art: don't miss it Discs have landed 'On the Sidelines' . · ~a~£es 6-7 Page ll Page 12 co1u111bia chronicle Vol. 13 No.5 Columbia College, Chicago September 26, 1983 Columbia gets 2 million dollar face lift Photos by: Peter Rindskopf By Robert Bergsvik What does Columbia get for two million dollars, a summer of con· s truction and hu ndreds of blueprints? A headache fo r students trying to find some classes. The dust has settled on Columbia College's most ambitious rennova· tion ever, resulting in a larger and more modern 11th Street Theater. Moreover, the 600 S. Michigan campus now houses a new student lounge in the basement, 15 extra classrooms a nd additional library, computer, and broadcast space, according to Bert Gall, Dean of Student Services. -
Misleading and Misrepresenting the American Youth: “Little Orphan Annie” and the Orphan Myth in the Twentieth Century ___
MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY ________________ A Senior Honors Thesis Presented to The Faculty of the Department of The Honors College University of Houston ________________ In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts _______________ By Amanda G. Beck May 2020 MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY _______________________________________ Amanda G. Beck APPROVED: _______________________________________ Marina Trninic, Visiting Assistant Professor Honors College Thesis Director ______________________________________ Douglas Erwing, Lecturer Honors College Second Reader _____________________________________ Robert Cremins, Lecturer Honors College Honors Reader _______________________________ William Monroe Dean of the Honors College ! MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY ________________ An Abstract of a Senior Honors Thesis Presented to The Faculty of the Department of The Honors College University of Houston ________________ In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts _______________ By Amanda G. Beck May 2020 ! Abstract ____________________________ This interdisciplinary thesis examines the myth of the orphan in twentieth-century America as exemplified through the recurring story of “Little Orphan Annie,” an iconic American figure of independence, resilience, and optimism. By providing historical context and literary analysis for each of Annie’s crucial moments in the twentieth century, this thesis shows how the character has advanced a misguided perception of orphan and youth agency. While evolving to represent different decades of American society in the twentieth century through different mediums, Annie has further misled Americans in their perception of orphan and youth agency.