1 Gobalization and Education Parlo Singh, Faculty of Education
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The Deterritorialization of Home and Identity in Brian Chikwava’S Harare North and Chris Cleave’S the Other Hand
THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY İSMAİL KAYGISIZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ENGLISH LITERATURE AUGUST 2020 Approval of the thesis: THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND submitted by İSMAİL KAYGISIZ in partial fulfillment of the requirements for the degree of Master of Arts in English Literature, the Graduate School of Social Sciences of Middle East Technical University by, Prof. Dr. Yaşar KONDAKÇI Dean Graduate School of Social Sciences Prof. Dr. Çiğdem Sağın ŞİMŞEK Head of Department Foreign Language Education Assoc. Prof. Dr. Elif Öztabak-AVCI Supervisor Foreign Language Education Examining Committee Members: Assoc. Prof. Dr. Hülya Yıldız-BAĞÇE (Head of the Examining Committee) Middle East Technical University Foreign Language Education Assoc. Prof. Dr. Elif Öztabak-AVCI (Supervisor) Middle East Technical University Foreign Language Education Assist. Prof. Dr. Mustafa KIRCA Çankaya University Translation and Interpreting Studies PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: İsmail KAYGISIZ Signature: iii ABSTRACT THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND KAYGISIZ, İsmail M.A., The Department of English Literature Supervisor: Assoc. -
Modernity at Large: Cultural Dimensions of Globalization a R J U N a PPADURA
Modernity at Large PUBLIC WORLDS Dilip Gaonkar and Benjamin Lee Series Editors VOLUME 1 Arjun Appadurai, Modernity at Large: Cultural Dimensions of Globalization A R J U N A PPADURA Modernity a t L a r g e Cultural Dim ensions of Globalization 'UBUO WORLDS, VOLUME ' IN HE UNIVERSITY OF MINNESOTA PRE SS SO I TA I MIN NE A POL I S LON DON M The Public Worlds series is a product of Public Works Publications, which includes Public Planet Books and the journal Public Culture. Copyright 1996 by the Regents of the University of Minnesota Chapter 2 is reprinted in revised form from Public Culture 2.2 (1990): 1-24. Copyright 1990 Center for Transnational Cultural Studies. Chapter 3 is reprinted in revised form from Recapturing Anthropology, Working in the Present, ed. Richard C. Fox. School of Ameri can Research Advanced Seminar Series, 191-210. Copyright 1991 School of American Research Press, Santa Fe, New Mexico. Chapter 4 is reprinted in revised form from Stanford Literature Review 10.1-2 (1993): 11-23. Copyright 1993 Arjun Appadurai. Chap ter 5 is reprinted in revised form from Consuming Modernity: Public Culture in a South Asian World, ed. Carol A. Breckenridge (Minneapolis: University of Minnesota Press, 1995), 23-48. Copyright 1995 the Regents of the University of Minnesota. Chapter 6 is reprinted in revised form from Orientalism and the Postcolonial Predicament: Perspectives on South Asia, ed. Carol A. Breckenridge and Peter van der Veer (Philadelphia: University of Pennsylvania Press, 1993), 314-39. Copyright 1993 University of Pennsylvania Press. Chapter 8 is reprinted in revised form from Public Culture 5.3 (1993): 411-29. -
Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-17-2021 9:00 AM Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games Thomas Fabian, The University of Western Ontario Supervisor: Barney, Robert K., The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Doctor of Philosophy degree in Kinesiology © Thomas Fabian 2021 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other International and Area Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Fabian, Thomas, "Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games" (2021). Electronic Thesis and Dissertation Repository. 7701. https://ir.lib.uwo.ca/etd/7701 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Folk sports are the countertype of modern sports: invented traditions, bolstered by tangible ritual and intangible myth, played by the common folk in order to express a romantic ethnic identity. Like other cultural forms, traditional sports and games around the world are becoming marginalized in the face of modernization and globalization. In 2003, UNESCO ratified the Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity in an attempt to counter such trends of cultural homogenization. As elements of intangible cultural heritage, folk sports now fall under the auspices of UNESCO safeguarding policies. -
The Media and the Academic Globalization Debate : Theoretical
The Media and the Academic Globalization Debate Theoretical Analysis and Critique Marko Ampuja Academic dissertation To be presented, with the permission of the Faculty of Social Sciences of the University of Helsinki, for public examination in the auditorium XII, University main building, on 4 September 2010, at 10 a.m. Väitöskirja esitetään Helsingin yliopiston valtiotieteellisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston päärakennuksen auditoriossa XII (Unioninkatu 34, 3.kerros) lauantaina 4. syyskuuta 2010 kello 10. Publisher: Communication Research Centre CRC, Department of Social Research, University of Helsinki Author: Marko Ampuja Title of the Publication: Type of the Publication: The Media and the Academic Academic dissertation Globalization Debate. Theoretical Analysis and Critique. Keywords: Globalization, Media, Communications, Social Theory, Cultural Theory Publication Series: Media and Communication Studies Research Reports 2/2010 ISSN: ISBN: 1797-612X 978-952-10-6400-5 (paperback) 978-952-10-6401-2 (PDF) Printer: Electronic Publication: Helsinki University Print http://helsinki.fi/crc/julkaisut/index.html Helsinki 2010 Abstract This study offers a reconstruction and critical evaluation of globalization theory, a perspective that has been central for sociology and cultural studies in recent decades, from the viewpoint of media and communications. As the study shows, sociological and cultural globalization theorists rely heavily on arguments concerning media and communications, especially the so-called new information and communication technologies, in the construction of their frameworks. Together with deepening the understanding of globalization theory, the study gives new critical knowledge of the problematic consequences that follow from such strong investment in media and communications in contemporary theory. The book is divided into four parts. -
The Contemporary Sociological Debate About Globalization
1 Centre International de Formation Europeenne Institut Europeen des Hautes Etudes Internationales 2001-2002 Academic Year Challenging Globalization – The Contemporary Sociological Debate About Globalization /A Theoretical Approach/ M.A. Dissertation in Advanced European and International Studies Anna Dimitrova Supervisors: Mrs. Esther ZANA Mr. Jean-Pierre JARDEL Mr. Mathias WAECHTER June 2002 2 Table of Contents: INTRODUCTION............................................................................................................................4 CHAPTER ONE : CONCEPTUALIZING AND THEORIZING GLOBALIZATION ..........8 1. FIRST LEVEL OF ANALYSIS: THE SEMANTICS OF “GLOBALIZATION”.......................................11 2. SECOND LEVEL OF ANALYSIS: GLOBALIZATION AS A PROCESS. .............................................16 2.1. Periodizing Globalization. ................................................................................................17 2.2. Reconsidering the notions of “time” and “space”. ..........................................................23 2.3. The Actors of Globalization. .............................................................................................25 2.4. The Axial Principles of Globalization...............................................................................25 2.5. Globalization-Localization Nexus – Controversy or Complementation?.........................26 2.6. Is Globalization Really Global?........................................................................................29 -
Rethinking the Global and the National Reflections on National Imaginations in Taiwan
06 Wang (jr/d) 28/7/00 1:02 pm Page 93 Rethinking the Global and the National Reflections on National Imaginations in Taiwan Horng-luen Wang As I have suggested, ‘nation’ and ‘nationalism’ are no longer adequate terms to describe, let alone to analyse, the political entities described as such, or even the sentiments once described by these words. It is not impossible that nationalism will decline with the decline of the nation-state . the phenom- enon is past its peak. The owl of Minerva which brings wisdom, said Hegel, flies out at dusk. It is a good sign that it is now circling round nations and nationalism. (Hobsbawm, 1990: 182–3) Introduction: The Tension Between Globalization and Nation/Nation-State N THE concluding chapter of his now classic Nations and Nationalism Since 1780, Eric J. Hobsbawm made a rather bold prediction about the Idecline of nation-states, as he argued that nations and nationalism are becoming irrelevant to ‘the new supranational restructuring of the globe’ (Hobsbawm, 1990: 182). Indeed, Hobsbawm is not alone in making such a prediction. Scholars and analysts across a wide spectrum of disciplines have been quick to cast doubt upon the future of nations and nation-states. While some posit that the nation-state is ‘losing control’ of its territoriality (Sassen, 1996) and is limping ‘on its last legs’ (Appadurai, 1996: 19), others go even further to argue that globalization may eventually lead to the hollowing-out (Jessop, 1994), the decline (Held, 1990) or even the end (Ohmae, 1995), of nations and/or nation-states. -
Part I Modernity, Globalism, and Diaspora
Part I Modernity, Globalism, and Diaspora 1 Disjuncture and Difference in the Global Cultural Economy Arjun Appadurai Arjun Appadurai’s important essay argues against the notion that relationships in the new global cultural economy can be reduced to a simple center–periphery model. Focusing on migration, diaspora, and the movements of peoples and capital around the world, the essay provides a framework for thinking about how various global cultural flows have fundamentally altered the nature of the global cultural economy. Building on Benedict Anderson’s work on the role of print capitalism and imagination in creating imagined national communities, this essay explores how new imagined worlds have become a vital part of the global economy. Appadurai describes five different types of imagined world landscapes that help explain the nature of this “new” global economy: ethnoscapes (people who move between nations, such as tourists, immigrants, exiles, guestworkers, and refugees), technoscapes (technology, often linked to multinational corpo- rations), financescapes (global capital, currency markets, stock exchanges), mediascapes (electronic and new media), and ideoscapes (official state ideolo- gies and counter-ideologies). By describing these imagined worlds that traverse the borders of the nation- state, Appadurai offers a critical vocabulary to discuss specialized types of eco- nomic and social domination without naively celebrating border crossings and traversals. These imagined worlds, Appadurai argues, are increasingly present in the contemporary world. By foregrounding their presence, it becomes possible to reflect on how communities are forged transnationally, across nation-states through networks of diaspora, migration, technology, electronic media, ideolo- gies, and global capital. In an era of globalization and mass migration, increas- ingly mediated by electronic media, Appadurai argues that it is difficult to believe in the supremacy of the nation-state. -
Folklore and Theories of Globalization
Folklore and Theories of Globalization Kimberly J. Lau Because the study of folklore has been-and continues to be--organized around relationships of cultural production to local community, nationality, diaspora, ethnicity, identity, and power differentials, theories of globalization are fundamental to both the history and the future of the discipline. This essay will outline some of the diverse ways in which the world has been constructed, problematized, and theorized as a single place, particularly from the disciplinary perspectives of anthropology (Appadurai 1996; Hannerz 1996), sociology (Wallerstein 1974; Pieterse 1995; Robertson 1992), and cultural studies (Hall 1991a, 1991b; Friedman 1990, 1995). Together, this range of disciplinary perspectives helps address the interdisciplinary nature of folklore's organizing concerns, listed above, while also providing some general background to the contemporary theoretical dialogues about globalization. In addition, I will summarize the debates around two of the theoretical questions most relevant to considerations of folklore and globalization: (1) Does globalization lead to increased cultural homogenization? and (2) How does the local factor into theories of the global? I focus specifically on these two questions because they address folklorists' concerns with the local production of culture and the ways in which shifting notions of community, nationality, and locality impact those productions. Lastly, I will propose ways in which folklorists can elaborate on and further contribute to globalization discourse by drawing on the discipline's theoretical positions and methodological practices. Theorizing the Global Globalization is not a new phenomenon, though much of the rhetoric- both popular and academic-would seem to suggest that it grows out of the late-twentieth century technologies, lifestyles, and capitalism. -
South Korea Manages Globalization
SOUTH KOREA MANAGES GLOBALIZATION: STRATEGIES OF SELF-DEFINITION AND CULTURAL PRESERVATION A Thesis by EVAN WILLIAM STEWART Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Cynthia Werner Committee Members, Norbert Dannhaeuser James Petrick Head of Department, Cynthia Werner May 2014 Major Subject: Anthropology Copyright 2014 Evan William Stewart ABSTRACT The nation of South Korea transitioned from being one of the poorest countries worldwide to becoming the 15th largest economy. South Korea has attempted to manage globalization by actively developing and supporting cultural based entertainment, such as film and music while also promoting cultural and historical preservation, such as elements of the Han brand and other traditional and national elements. This study counters views against theoretical frameworks of cultural imperialism and particularly media imperialism. Theories of cultural and media imperialism delineate globalization as the hegemonic takeover by American popular culture, which can lead to various forms of cultural demise in non-Western countries. However, this does not seem to be the case for South Korea. Instead, I argue that South Korea has successfully managed globalization, guarding against Western hegemony and has not succumbed to American cultural or media imperialism. This paper’s methodology uses a combination of primary and secondary sources. As a result, two main strategies have been identified in this paper’s thesis which account for South Korea’s success, both of which are endorsed by governmental support and cultural policy: self-definition and cultural preservation. Self- definition entails the global and local proliferation of South Korea’s cultural industry, which primarily encompasses South Korean film and music (K-Pop). -
Culture, Globalization, and Social Cohesion: Toward a De-Territorialized, Global Fluids Model
Culture, Globalization, and Social Cohesion: Toward a De-territorialized, Global Fluids Model John Hannigan University of Toronto Abstract: To conceptualize the interrelationship among culture, social cohesion, and globalization, this paper uses Urry’s three “social topographies” of space: region, network, and fluids. Fluids describe the de-territorialized movement of people, information, objects, money, and images across regions in an undirected and non-linear fashion. They are characteristically emergent, hybridized, urban, and cosmopolitan. Drawing upon Appadurai’s five dimensions of global cultural flows (ethnoscapes, technoscapes, finanscapes, mediascapes, ideoscapes) and using examples from Britain, the U.S., and Canada, the paper argues for greater research and policy attention to the processes whereby transnational and hybrid identities are forged in cities. It concludes by introducing some empirical indica- tors of cosmopolitanization that represent a starting point for further research into the linkages between global cultural fluids and social cohesion. Résumé: Pour conceptualiser le rapport entre culture, cohésion sociale et mon- dialisation, cet article emprunte à Urry ses trois « topographies sociales » de l’espace: régions, réseaux et fluides. « Fluides » se rapporte aux mouvements non-linéaires, sans direction particulière, d’une région à une autre, de personnes, d’information, d’objets, d’argent et d’images. Ces fluides ont la caractéristique d’être émergents, hybrides, urbains et cosmopolites. Cet article se rapporte en outre à Appadurai et ses cinq flux culturels mondiaux (paysages ethniques, tech- niques, financiers, médiatiques et idéologiques) et utilise des exemples britanni- ques, canadiens et américains. Il fait appel à plus de recherches et d’analyses politiques sur les manières dont les identités transnationales et hybrides se forgent dans les villes. -
Media & Glocal Change Rethinking Communication for Development
Media & Glocal Change Rethinking Communication for Development Oscar Hemer & Thomas Tufte (editors) Thomas Hylland Eriksen, Kevin Robins, Asu Aksoy, Oscar Hemer, Silvio Waisbord, Jan Servaes, Patchanee Malikhao, Thomas Tufte, Nancy Morris, Maria Celeste Cadiz, James Deane, Ulla Carlsson, Tim Allen, Nicole Stremlau, Rafael Obregon, Mario Mosquera, Paolo Mefalopulos, Karin Gwinn Wilkins, Madanmohan Rao, Manne Granqvist, Sarat Maharaj, Gilane Tawadros, Alfonso Gumucio-Dagron, Ullamaija Kivikuru, Kemal Kurspahic, Gordon Adam, Clemencia Rodríguez, Minou Fuglesang, Kate Winskell, Daniel Enger, Ricardo Ramírez, Arvind Singhal, Peer J. Svenkerud, Prashant Malaviya, Everett M. Rogers, Vijay Krishna, Christopher Kamlongera Publicaciones Cooperativas [colección] ISBN [10]: 987-1183-26-7 Argentina, Buenos Aires, CLACSO, septiembre 2005 (23 x 16 cm.) 493 pag This book is about exploring both the potential and the limits of communication -of using communication both as a tool and as a way of articulation processes of development and social change, improving averday lives, and empowering people to influence their own lives and those of their fellow community members. The essence is communication. The dilemma is that communication will not solve every problem, althought it can contribute in some ways to problem- solving -we just need to get better at knowing how. The discipline of communication to development is currently at a crossroads, and the approaches taken over the last few decades require serious rethinking. Technologies are evolving on everthing -and communication concerned with debates and issues relating to development and change in society. The aim of this book is a contribute to the critical reflection about how communicaction works in process of change within the contexts of globalization. -
Popular Culture Production and Exchange in the Greater China Regional Media Market: a Case Study of Taiwan Symbol Creator Chiungyao’S Huanzhu Gege Tv Drama Trilogy
POPULAR CULTURE PRODUCTION AND EXCHANGE IN THE GREATER CHINA REGIONAL MEDIA MARKET: A CASE STUDY OF TAIWAN SYMBOL CREATOR CHIUNGYAO’S HUANZHU GEGE TV DRAMA TRILOGY A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy ShaoChun Cheng March 2007 This dissertation entitled POPULAR CULTURE PRODUCTION AND EXCHANGE IN THE GREATER CHINA REGIONAL MEDIA MARKET: A CASE STUDY OF TAIWAN SYMBOL CREATOR CHIUNGYAO’S HUANZHU GEGE TV DRAMA TRILOGY by SHAOCHUN CHENG has been approved for the School of Telecommunications and the Scripps College of Communication by Drew McDaniel Professor of the School of Telecommunications Gregory J. Shepherd Dean, Sripps College of Communication Abstract CHENG, SHAOCHUN, Ph.D., March 2007, Mass Communication POPULAR CULTURE PRODUCTION AND EXCHANGE IN THE GREATER CHINA REGIONAL MEDIA MARKET: A CASE STUDY OF TAIWAN SYMBOL CREATOR CHIUNGYAO’S HUANZHU GEGE TV DRAMA TRILOGY (227 pp.) Director of Dissertation: Drew McDaniel Using well-known Taiwanese cultural worker Chiungyao’s mainland China-based TV drama production the Huanzhu Gege series as a case study, this dissertation examines the operational logic of a regional media market, the Greater China media market, consisting of China, Taiwan, Hong Kong. The process of cultural production within a regional media market is cumulative and aims to take advantage of regional division of cultural labor to address the complicated cultural flows of the globalization era, which will be illustrated in this analysis. Following Anthony Giddens’s structuration theory, this dissertation also argues that popular culture production within a regional media market can be seen as a result of the interactions between the structural factors and human agency.